 One of the leading art critics of the day, Camille Mauclair wrote that the work of Ramos Martínez was in the same class as the finest Impressionist landscapes exhibited in Paris.Though sales of his artwork were proceeding, and Ramos Martínez had achieved a degree of comfort as a ‘Parisian’, in 1909 he felt a strong desire to return home to Mexico.By the time Ramos Martínez arrived in early 1910, Mexico was a nation in turmoil.