 After seeing the work they thought about names with Jorge Hernández Campos coming up with “magiscopio.” When Béjar exhibited these magiscopios at the Palacio de Bellas Artes in 1966, he signified a break for a generation of avant garde sculptors, and from traditional Mexican sculpture.It created the idea of art as a game, essentially a leisure activity.The magiscopios brought Béjar fame and many of them were copied and reproduced; however, their popularity meant that no one wanted to see his paintings, which bothered him.