 He may have based his "Bien font Amours lor talent" on the "conductus" "Quid frustra consumeris" and "Chanter et renvoisier seuil" on "Sol sub nube latuit".With the exception of three "chansons" that are restricted to a sixth—"Amours, que porra devenir", "Chanter et renvoisier seuil", and "Huimain par un ajourant"—and one, "Li miens chanters ne puet mais remanoir", which is severely restricted in movement, most of Thibaut's melodies move freely.They are all basically syllabic, with only "Li miens chanters" exhibiting more complex melisma.