 Profoundly Duchampian, between 1995 and 1997 Bidlo, who had assembled his ready-mades, rented a vintage storefront and there produced the installation and exhibition, “St.Duchamp.” Bidlo's paintings from 1984 of the “Nude Descending a Staircase,” “Tu’m” and his recreation of the “Door” from 11 Rue Larrey, as well as the “Bicycle Wheel” “Bottlerack” and “Ampule” containing Bidlo's breath rather than the 'air de paris' were installed.The storefront vitrine had a rack of lighted votive candles in it as a sly nod to Duchamp's “tyranny of the shop window” and his sculpture, “Gare d’Austerlitz.” It was during this period that Bidlo began to produce automatic paintings and drawings in the cellar of the storefront, based on a sense of the form of Duchamp's ready-made, “Fountain.” In 1997 Bidlo took great care to recreate a ceramic sculpture based on the image of “Fountain” that was taken by Alfred Stieglitz in 1917.