 Later examples of this trend included Al Kooper's "Super Session" and the 3rd LP of George Harrison's "All Things Must Pass".In a retrospective review for "Rolling Stone" magazine, music critic Robert Christgau felt that the album suffered from "Pepper-itis" because of how worthy songs such as "Can't Be So Bad" and "Murder in My Heart for the Judge" were diminished by superfluous effects such as horns, strings, stereo separations, and musique concrète.Christgau went further on "Grape Jam", referring to it as "hippie self-indulgence" and "wooden groove instrumentals".