 For example, "Al Nacimiento en la Misa" (To the Nativity in Mass) exemplifies the correlation between the incarnation motifs, the corporality of divinity, in both the Nativity and the Mass (Boyce 135).Moreover, some of Sor Violante do Ceu’s poetry contrasts human and divine love, as when she compares the object of desire “tal objeto” [a remarkable object] to that of one lost at sea.Sanity cannot "capture such beauty or make sense of such feeling; only wit suffices to command the paradox and to yoke the extremes" (Dugaw 11).