 The film played at the Sundance Film Festival and won first prize for best short documentary at the Chicago Underground Film Festival.In this and other films of the 1990s, Belverio appeared on screen in the drag persona of Glennda Orgasm.Laurence Senelick, writing about female impersonation in ""The Cambridge Guide to Theater"", said that Belverio's performances as Glennda represented a radical edge in gay culture at the time, "as the politically correct gay community turned its back on drag."