 His "less is more" method resembles that of many guitarists from Manila's '80s underground punk scene, particularly Bobby Balingit (The Wuds) and Resty Cornejo (Identity Crisis).During the band's later years, Adoro began to acquire a fascination with electric guitar noises and environmental sounds which he would incorporate to his style as the band's music progressed and became more experimental.Adoro explains in an interview with Philmusic.com that Kamonkamon was "meant as a hype."