 The strokes of the paintbrush recall calligraphy, a reference to her cultural heritage.The work has been associated with feminist art, although Kubota never publicly expressed if she considered the work feminist or not.This series of works spans from the 1960s to 1981 and includes documentaries that Kubota filmed when she met Marcel Duchamp personally in the 1960s, and sculptural homages to Duchamp created after his death.