 It had cost $1,000 to fly Presley and his band in by a private flight, and Sholes let Presley's manager, Colonel Tom Parker, know that he was unsatisfied with the work and required material urgently for a second album.He knew that with Presley's busy touring schedule it could be months before RCA Victor got him back into a studio.Performing what was a very rare and generally unsuccessful procedure for the 1950s, Sholes took parts of two takes he liked (takes 14 and 17), cut and spliced them together to create a take worthy of release.