 The song was recorded steadily throughout the 1950s by leading pop vocalists including Bing Crosby (1950), Nat King Cole (1955), Doris Day (1956), and Frank Sinatra (1957).It was also quickly adopted by instrumental jazz artists including Artie Shaw (1950), Stan Getz (1952), Erroll Garner and Ahmad Jamal (separately in 1955), Duke Ellington (1957), and Cannonball Adderley and Miles Davis (together in 1958).In 2012, jazz historian Philippe Baudoin called the song "the most important non-American standard" and noted that "it has been recorded about 1400 times by mainstream and modern jazz musicians alone and is the eighth most-recorded tune by jazzmen."