 These German directors found U.S. movie studios willing to embrace them, and several German directors and cameramen flourished there, producing a repertoire of Hollywood films that had a profound effect on film as a whole.Nazi film theorist Fritz Hippler, though, was a supporter of expressionism.Two further films produced in Nazi Germany using the expressionist style were “"Das Stahltier"” ("The Animal of Steel") in 1935 by Willy Zielke and “"Michelangelo.