 The symbolic climate of the work reflects the situation that her country was experiencing at that time.In the series "Los Adioses" and "Pueblos", her informalist gestures are transformed into subtlety and line suggestion.Her work transits the border between figuration and abstraction, with a palette of asordinated colors, almost monochromatic, that alludes to oppression, jail, exile, and the fear to which Uruguayan society was subjected in times of dictatorship.