 She called for a more complex understanding of works by contemporary artists around the world, acknowledging their interest in local popular and folk forms as well as interactions with modernism.Throughout the 1960s and 1970s, Mrs. Grey undertook curatorial projects such as "Fourteen Contemporary Iranians" (1962–65) and "Turkish Art Today" (1966–70), each of which toured the United States; "Communication Through Art" (1964), which opened simultaneously in Istanbul, Tehran, and Lahore, before traveling throughout the eastern Mediterranean, Asia, and eastern Africa; and "One World Through Art.