 Prinz's style is evident in the "Little Johnny Jones" number in "Yankee Doodle Dandy", which featured a stationary camera and included features of the stage, such as the orchestra pit, in the dance number.The camera, in effect, became a member of the audience.In his 1983 study of wartime Hollywood musicals, Allen L. Woll says that with the camera angles not being employed effectively, as they were by Berkeley, "the pedestrian quality of Prinz's dance numbers is painfully revealed.