 By contrast, in "The Seven Deadly Sins" series, various preposterously grotesque beings recall Odilon Redon's desire to create figures that are impossible according to the laws of possibility.When we view Klabunde's work we recognize the bloated, covetous figure of Greed and the fanged monster of Anger as symbolic surrogates of our own worst traits.In 1982 Klabunde began making etchings for Beckett's "The Lost Ones," the story of an other-worldly tribe trapped inside a cylinder.