 "Pitchfork"s Ian Cohen stated, "While Glover's exaggerated, cartoonish flow and overblown pop-rap production would be enough to make "Camp" one of the most uniquely unlikable rap records of this year (and most others), what's worse is how he uses heavy topics like race, masculinity, relationships, street cred, and 'real hip-hop' as props to construct a false outsider persona.