 The released video helped establish the veracity of this particular immersive journalism construct, which had relied on Freedom of Information Act reports and International Red Cross descriptions to inform the design.This is one example where, by being “embodied” in a location, an audience might understand and have an empathetic response to a nonfiction story that might otherwise be more difficult to convey.However, some may consider this an entry point for criticism, claiming that immersive journalism undermines objectivity because the audience can be put through an experience with a controlled viewpoint.