"The New York Times" critic John Corbin described Dunsany's debut collection as "an attempt to create an Olympus of his own and people it with an assemblage of deities, each with a personality and a power over human life acutely conceived and visualized ... To me, [the collection] is autobiography, and all the more self-revealing because it is profoundly unconscious.As an achievement of the imagination", Corbin concluded, "this bible of the gods of Pegana is simply amazing".