 At length, "the song began from Jove,"—for the first keynote was sounded, and the chorus led by no less a journal than the "Edinburgh Review", now the great oracle of the world of criticism, while the article itself was written by no less a personage than Francis Jeffrey, the hierophant and Pontifex Maximus of critics.After commencing his critique with an allusion to those distinguished benefactors whose merits the world has been tardy in acknowledging, the reviewer thus continues