 Some television comedy characters in Puerto Rico would make occasional references to La Hamaca, and as a consequence of this, a vaudeville comedy play, called "Amor en La Hamaca" was written and produced (by Vigoreaux and his partners) to capitalize on the reference.The first installment of the play was successful, and a second run, having little to do with the first play, was written with Susa and Epifanio in mind.This would make good use of Velázquez's singing and Alicea's dancing skills (he was a choreographer for Iris Chacón once).