 Many of the most famous recordings by The Beatles and The Rolling Stones were recorded on 4-track, and the engineers at London's Abbey Road Studios became particularly adept at the technique called "reduction mixes" in the UK and "bouncing down" in the United States, in which multiple tracks were recorded onto one 4-track machine and then mixed together and transferred (bounced down) to one track of a second 4-track machine.In this way, it was possible to record literally dozens of separate tracks and combine them into finished recordings of great complexity.By the mid-1960s, the ready availability of the most up-to-date multitrack recorders - which were by then standard equipment in the leading Los Angeles recording studios - enabled Brian Wilson of The Beach Boys to become one of the first pop producers to exploit the huge potential of multitrack recording.