 Both themes are developed extensively by the first and second violins and the movement closes with a free recapitulation and an exuberant coda.The second movement is labeled "Dumka" which is a form that Dvořák famously used in his Dumky piano trio and features a melancholy theme on the piano separated by fast, happy interludes.It follows a seven-part rondo pattern, ABACABA, where A, in F minor, is the slow elegiac refrain on piano with variations, B is a bright D major section on violins, and C is a quick and vigorous section derived from the opening refrain.