 Marie Jahn, Conrad Behrens, Juan Luria, Edmund Müller, and Bruno Lurgenstein rounded out the cast, under the direction of Anton Seidl.The opera also contained a ballet, which was singled out for praise by the "New York World".Reviews of the opera were almost all negative; one writer described the piece as "simply rubbish", while others derisively referred to it as "Diana von So-Langweilig" (so boring).