 Fedya goes home without saying anything, but the little man whom he drew follows him, and he teams up with all of Fedya's toys and the heroes of his favourite books to teach him a lesson.At the end of the film, Fedya admits to his mistake.This full-length scenario corresponds to Mikhail Volpin and Nikolai Erdman's initial scenario offered for statement in 1947 and from the very beginning broken into two parts (perhaps, because of installation of the minister of cinematography I. G. Bolshakov on short animated films).