 It locates itself within the work of art, rather than outside, and attempts to infest the inanimate art object with human agency via the act of writing.In "16 Sculptures", Jeppesen re-created sixteen sculptures, from throughout the history of art, in the medium of language.The texts' style range from monologues, dialogues, rants, songs, poems, and epiphanies, among other, more hybrid or inventive forms, all of them evasive of the tropes of traditional art criticism.