 He suggests that this approach is already widespread within hip-hop music, citing lyrics and quotes from Salt-n-Pepa, NWA, Dr. Dre, Grand Master Flash and the Furious Five, KRS-One, and Chuck D, all of which seek to describe the harsh realities of life.Essentially, Pinn attempts to transform the language of rap music, which expresses nitty-gritty theology on a popular level, into professional theology, acceptable to academia.In his analysis of often overtly Christian sources, Pinn finds meaningful support for the historical legitimacy of Black humanism.