 After this period smaller works continued to be produced, and there was a revival of larger works c. 1500-1520, although it is not clear where these were made.The technique was used on parts of a relatively large sculpture in Benvenuto Cellini's famous Salt Cellar (1543, Vienna) and remained common through to the Baroque, usually in small works and jewellery.The Russian House of Fabergé made much use of the technique from the 19th century until the Russian Revolution.