in the Dark (1964), which adapted many silent-film aspects, including slapstick, they attempted to go even further in The Party (1968). The film has always had a cult following, and some critics and fans have considered it a "masterpiece in this vein" of silent comedy, though it did include minimal dialogue. Personal life Edwards married his first wife, actress Patricia Walker, in 1953; they divorced in 1967. Edwards and Walker had two children, actress Jennifer Edwards and actor-writer-director Geoffrey Edwards. Walker appeared in the comedy All Ashore (1953), for which Edwards was one of the screenwriters. Edwards also named one of his film production companies, Patricia Productions, Incorporated, after her. Edwards's second marriage, from 1969 until his death in 2010, was to Julie Andrews. They were married for 41 years. He was the stepfather to Emma, from Andrews's previous marriage. In the 1970s, Edwards and Andrews adopted two Vietnamese daughters; Amy Leigh (later known as Amelia) in 1974 and Joanna Lynne in 1975. Edwards described his struggle for 15 years with the illness chronic fatigue syndrome in the documentary I Remember Me (2000). Death On December 15, 2010, Edwards died of complications of pneumonia at the Saint John's Health Center in Santa Monica, California. He was 88. Legacy Edwards was greatly admired, and criticized, as a filmmaker. His critics are alluded to by American film author George Morris: It has been difficult for many critics to accept Blake Edwards as anything more than a popular entertainer. Edwards' detractors acknowledge his formal skill, but deplore the absence of profundity in his movies. Edwards' movies are slick and glossy, but their shiny surfaces reflect all too accurately the disposable values of contemporary life. Others, however, recognized him more for his significant achievements at different periods of his career. British film critic Peter Lloyd, for example, described Edwards, in 1971, as "the finest director working in the American commercial cinema at the present time". Edwards's biographers, William Luhr and Peter Lehman, in an interview in 1974, called him "the finest American director working at this time". They refer especially to the Pink Panther’s Clouseau, developed with the comedic skills of Peter Sellers as a character "perfectly consistent" with his "absurdist view of the world, because he has no faith in anything and constantly adapts". Critic Stuart Byron calls his first two Pink Panther films "two of the best comedies an American has ever