who they were, though comparisons between the "gods of Samothrace" and the Cabeiri, chthonic deities of an indeterminate amount (sometimes twins, or multiple distinct beings) from comparable, pre-Greek or entirely non-Greek cultures such as Thrace or Phrygia have been made. The similarities in regards to what each deity or set of deities were purported to offer - protection on the seas and help in difficult times - display a definite connection, though to what extent is impossible to conclude. It is therefore likely that if the Samothracian gods are not the Cabeiri themselves, elements from this comparative religion, along with Thracian elements of worship present on the island before an established Greek presence, heavily influenced the ideas and practices central to the mystery cult. Initiation Unlike at Eleusis, initiation at Samothrace was not restricted to a narrow few days of the year and lasted from April to November (the sailing season) with a large event likely taking place in June but may have taken place over two nights. Like in Samothrace, the future initiates would enter the sanctuary of Samothrace from the east where they would have entered into a 9-meter in diameter circular space with flagstones and a grandstand of five steps now called the Theatral Circle. Livy records that here, the initiates would listen to a proclamation concerning the absence of crime and bloodshed. Near the beginning of the rituals, like at Eleusis, sacrifices and libations were likely made, where the prospective animal for the sacrifice would have been a ram. The initiates would have moved to a building where the actual initiation took place at night with torches, though archaeologists are unsure of which building it was considering the abundance of possibilities including the Hall of Choral Dancers, the Hieron, the Anaktoron and the Rotunda of Arsinoe II. In the 3rd century, Hippolytus of Rome in his Refutation of All Heresies quotes a Gnostic author who provides a summary of some of the images here; There stand two statues of naked men in the Anaktoron of the Samothracians, with both hands stretched up toward heaven and their pudenda turned up, just as the statue of Hermes at Kyllene. The aforesaid statues are images of the primal man and of the regenerated, spiritual man who is in every respect consubstantial with that man. The scarcity of information precludes understanding what went on during the initiation, though there may