a ruined post-war Germany following its appearance in 1949 in his book Dresden, eine Kamera klagt an ("Dresden, a photographic accusation", ). When a skeleton previously used as a model for drawing art classes was found in the ruins of the Dresden Art Academy the photographer Edmund Kesting with the assistance of Peter posed it in a number of different locations to produce a series of haunting photographic images to give the impression that Death was wandering through the city in search of the dead. Kesting subsequently published them in the book Dresdner Totentanz (Dresden’s Death Dance). The damage from the Allied air raids was so bad that following the end of the Second World War a narrow gauge light railway system was constructed to remove the debris, though being makeshift there were frequent derailments. This railway system which had seven lines, employed 5,000 staff and 40 locomotives, all of which bore women’s names. The last train remained in service until 1958, though the last official debris clearance team was only disbanded in 1977. Rather than repair them the German Democratic Republic (former East Germany) authorities razed the ruins of many churches, royal buildings and palaces in the 1950s and 1960s, such as the Gothic Sophienkirche, the Alberttheater and the Wackerbarth-Palais as well as many historic residential buildings. The surroundings of the once lively Prager Straße resembled a wasteland before it was rebuilt in the socialist style at the beginning of the 1960s. However compared to West Germany, the majority of historic buildings were saved. Among them were the Ständehaus (1946), the Augustusbrücke (1949), the Kreuzkirche (until 1955), the Zwinger (until 1963), the Catholic Court Church (until 1965), the Semperoper (until 1985), the Japanese Palace (until 1987) and the two largest train stations. Some of this work dragged on for decades often interrupted by the overall economic situation in the GDR. The ruins of the Frauenkirche were allowed to remain on Neumarkt as a memorial to the war. While the Theater and Schloßplatz were rebuilt in accordance with the historical model in 1990, the Neumarkt remained completely undeveloped. On the other hand buildings of socialist classicism and spatial design and orientation according to socialist ideals (e.g. Kulturpalast) were built at the Altmarkt. From 1955 to 1958, a large part of the art treasures looted by the Soviet Union was returned, which meant that from 1960 onwards many state art collections