man", and claimed "adequate Negro schools" already existed in 1955. Hurston is described as a "trailblazer for black women's empowerment" because of her numerous individual achievements and her strong belief that black women could be "self-made". However, a common criticism of her work is that the vagueness of her racial politics in her writing, particularly about black feminism, makes her "a prime candidate for white intellectual idolatry." Research and representation Other authors criticized Hurston for her sensationalist representation of voodoo. In The Crisis magazine in 1943, Harold Preece criticized Hurston for her perpetuation of "Negro primitivism" in order to advance her own literary career. The Journal of Negro History complained that her work on voodoo was an indictment of African-American ignorance and superstition. Jeffrey Anderson states that Hurston's research methods were questionable and that she fabricated material for her works on voodoo. He observed that she admitted to inventing dialogue for her book Mules and Men in a letter to Ruth Benedict and described fabricating the Mules and Men story of rival voodoo doctors as a child in her later autobiography. Anderson believes that many of Hurston's other claims in her voodoo writings are dubious as well. Several authors have contended that Hurston engaged in significant plagiarism in at least three works, claiming the article "Cudjo's own story of the last African slaver" was only 25% original, the rest being plagiarized, and that she also plagiarized much of her work on voodoo. Selected bibliography "Journey's End" (Negro World, 1922), poetry "Night" (Negro World, 1922), poetry "Passion" (Negro World, 1922), poetry Color Struck (Opportunity: A Journal of Negro Life, 1925), play Muttsy (Opportunity: A Journal of Negro Life) 1926, short story. "Sweat" (1926), short story "How It Feels to Be Colored Me" (1928), essay "Hoodoo in America" (1931) in The Journal of American Folklore "The Gilded Six-Bits" (1933), short story Jonah's Gourd Vine (1934), novel Mules and Men (1935), non-fiction Their Eyes Were Watching God (1937), novel Tell My Horse (1938), non-fiction Moses, Man of the Mountain (1939), novel Dust Tracks on a Road (1942), autobiography Seraph on the Suwanee (1948), novel "What White Publishers Won't Print" (Negro Digest, 1950) I Love Myself When I Am Laughing… and Then Again When I Am Looking Mean and Impressive: A Zora Neale Hurston Reader (Alice Walker, ed.; 1979) The Sanctified Church (1981) Spunk: Selected Stories (1985) Mule Bone: A Comedy of Negro Life