15, he left school to join the Dutch merchant navy. He spent a year travelling the world aboard a freighter, but was unable to become a captain due to his colourblindness. Returning home, he worked odd jobs while finishing his high school diploma at night. He then entered the Academy for Theater and Dance in Amsterdam for acting classes, but soon dropped out to join the Royal Netherlands Army. He received training as a combat medic, but left the service after a few months as he opposed the use of deadly weapons. He subsequently returned to acting school and graduated in 1967. Career Early works Hauer had his first acting role at the age of 11, as Eurysakes in the play Ajax. After graduating from the Academy for Theater and Dance, he became a stage actor with the . Hauer made his screen debut in 1969 when Paul Verhoeven cast him in the lead role of the television series Floris, a Dutch medieval action drama. The role made him famous in his native country, and Hauer reprised his role for the 1975 German remake Floris von Rosemund. Hauer's career changed course when Verhoeven cast him in Turkish Delight (1973), which received an Oscar nomination for best foreign language film. The film found box office favour abroad and at home, and Hauer looked to appear in more international films. Within two years, Hauer made his English-language debut in the British film The Wilby Conspiracy (1975). Set in South Africa, the film was an action-drama with a focus on apartheid. Hauer's supporting role, however, was barely noticed in Hollywood, and he returned to Dutch films for several years. During this period, he made Katie Tippel (1975) and worked again with Verhoeven on Soldier of Orange (1977), and Spetters (1980). These two films paired Hauer with fellow Dutch actor Jeroen Krabbé. At the 1981 Netherlands Film Festival, Hauer received the Golden Calf for Best Actor for his overall body of work. American breakthrough Hauer made his American debut in the Sylvester Stallone film Nighthawks (1981) as a psychopathic and cold-blooded terrorist named Wulfgar. With his sights set on a long-term career in Hollywood, Hauer worked with an accent coach in the early 1980s to develop a convincing American accent. Unafraid of controversial roles, he portrayed Albert Speer in the 1982 American Broadcasting Company production Inside the Third Reich. The same year, Hauer appeared