Hildegard Frieda Albertine Knef (; 28 December 19251 February 2002) was a German actress, voice actress, singer, and writer. She was billed in some English-language films as Hildegard Neff or Hildegarde Neff. Early years Hildegard Knef was born in Ulm in 1925. Her parents were Hans Theodor and Friede Augustine Knef. Her father, a decorated First World War veteran, died when she was only six months old, and her mother moved to Berlin and worked in a factory. Knef began studying acting at age 14 in 1940. She left school at 15 to become an apprentice animator with Universum Film AG. After she had a successful screen test, she went to the State Film School at Babelsberg, Berlin, where she studied acting, ballet, and elocution. Joseph Goebbels, who was Hitler's propaganda minister, wrote to her and asked to meet her, but Knef's friends wanted her to stay away from him. German film career Knef appeared in several films before the fall of Nazi Germany, but most were released only afterward. During the Battle of Berlin she dressed as a soldier to stay with her lover, Ewald von Demandowsky, and joined him in the defence of Schmargendorf. The Soviets captured her and sent her to a prison camp. Her fellow prisoners helped her escape and return to Berlin. Von Demandowsky was executed by the Russians on 7 October 1946, but before that he secured for Knef the protection of the well-known character actor Viktor de Kowa in Berlin. De Kowa gave her the opportunity to be a mistress of ceremonies in the theatre that he had opened. Knef also got a part in Marcel Pagnol's Marius, which was directed by Boleslaw Barlog. De Kowa also directed Knef in other plays by Shakespeare, Pagnol, and George Abbott. Her two best known film roles were "Susanne Wallner" in Wolfgang Staudte's film Die Mörder sind unter uns (The Murderers Are Among Us), produced in 1946 by the East German state film company, and the first film released after the Second World War in East Germany; and "Marina" in Die Sünderin (The Sinner), in which she performed a brief nude scene, the first in German film history, which caused a scandal in 1951. The film was also criticised by the Catholic Church, which protested against the nude scene. Knef stated that she didn't understand the tumult that the film was creating. She wrote that it