Breton first made known his wish to do away with musical performances altogether and alleged that the Romanian was merely repeating himself. The Dada shows themselves were by then such common occurrences that audiences expected to be insulted by the performers. A more serious crisis occurred in May, when Dada organized a mock trial of Maurice Barrès, whose early affiliation with the Symbolists had been shadowed by his antisemitism and reactionary stance: Georges Ribemont-Dessaignes was the prosecutor, Aragon and Soupault the defense attorneys, with Tzara, Ungaretti, Benjamin Péret and others as witnesses (a mannequin stood in for Barrès). Péret immediately upset Picabia and Tzara by refusing to make the trial an absurd one, and by introducing a political subtext with which Breton nevertheless agreed. In June, Tzara and Picabia clashed with each other, after Tzara expressed an opinion that his former mentor was becoming too radical. During the same season, Breton, Arp, Ernst, Maja Kruschek and Tzara were in Austria, at Imst, where they published their last manifesto as a group, Dada au grand air ("Dada in the Open Air") or Der Sängerkrieg in Tirol ("The Battle of the Singers in Tyrol"). Tzara also visited Czechoslovakia, where he reportedly hoped to gain adherents to his cause. Also in 1921, Ion Vinea wrote an article for the Romanian newspaper Adevărul, arguing that the movement had exhausted itself (although, in his letters to Tzara, he continued to ask his friend to return home and spread his message there). After July 1922, Marcel Janco rallied with Vinea in editing Contimporanul, which published some of Tzara's earliest poems but never offered space to any Dadaist manifesto. Reportedly, the conflict between Tzara and Janco had a personal note: Janco later mentioned "some dramatic quarrels" between his colleague and him. They avoided each other for the rest of their lives and Tzara even struck out the dedications to Janco from his early poems. Julius Evola also grew disappointed by the movement's total rejection of tradition and began his personal search for an alternative, pursuing a path which later led him to esotericism and fascism. Evening of the Bearded Heart Tzara was openly attacked by Breton in a February 1922 article for Le Journal de Peuple, where the Romanian writer was denounced as "an impostor" avid for "publicity". In March, Breton initiated the Congress for the Determination and Defense of the Modern Spirit. The French writer used