established and respected profession in Carry On Nurse. When that too was successful, further forays with Carry On Teacher and Carry On Constable established the series. This initial 'pattern' was broken with the fifth film in 1961, Carry On Regardless, but it still followed a similar plot to that of many of the early films—a small group of misfit newcomers to a job make comic mistakes, but come together to succeed in the end. The remainder of the series developed with increased use of the British comic traditions of music hall and bawdy seaside postcards. Many titles parodied more serious films, such as their tongue-in-cheek homages to James Bond (Spying), westerns (Cowboy), and Hammer horror films (Screaming!). The most impressive of these was Carry On Cleo (1964), in which the budget-conscious production team made full use of some impressive sets that had been created for the Burton-and-Taylor epic Cleopatra (1963). Carry On Emmannuelle, inspired by the soft-porn Emmanuelle, brought to an end the original Carry On run. The stock-in-trade of Carry On humour was innuendo and the sending-up of British institutions and customs, such as the National Health Service (Nurse, Doctor, Again Doctor, Matron and the proposed Again Nurse), the monarchy (Henry), the Empire (Up the Khyber), the armed forces (Sergeant, England, Jack and the proposed Flying and Escaping), the police (Constable) and the trade unions (At Your Convenience) as well as camping (Camping), foreign holidays (Cruising, Abroad), beauty contests (Girls), caravan holidays (Behind), and the education system (Teacher) amongst others. Although the films were very often panned by critics, they mostly proved very popular with audiences. In 2007, the pun "Infamy, infamy, they've all got it in for me", spoken by Kenneth Williams (playing Julius Caesar) in Carry on Cleo, was voted the funniest one-line joke in film history. However, this line had originally been used by Jimmy Edwards in the radio series Take It From Here some years previously. A film had appeared in 1957 under the title Carry On Admiral; although this was a comedy in similar vein (and even featured Joan Sims in the cast) it has no connection to the Carry On series itself. The much earlier 1937 film Carry On London is also unrelated (though it coincidentally starred future Carry On performer Eric Barker). The cast were poorly paid—around £5,000 per film for a principal performer. In his diaries Kenneth Williams lamented this, and