strongman), Trapeze, and Wrestling. As historian Charles Musser describes, a "profound transformation of American life and performance culture" had begun. 1894: Hiram Stevens Maxim completes his flying machine and was ready to use it. He built a long craft that weighed 3.5 tons, with a wingspan that was powered by two compound steam engines driving two propellers. In trials at Bexley in 1894 his machine rode on 1800 rails and was prevented from rising by outriggers underneath and wooden safety rails overhead, somewhat in the manner of a roller coaster. His goal in building this machine was not to soar freely, but to test if it would lift off the ground. During its test run all of the outriggers were engaged, showing that it had developed enough lift to take off, but in so doing it damaged the track; the "flight" was aborted in time to prevent disaster. The craft was almost certainly aerodynamically unstable and uncontrollable, which Maxim probably realized, because he subsequently abandoned work on it. "On the Maxim Biplane Test-Rig's third test run, on July 31, 1894, with Maxim and a crew of three aboard, it lifted with such force that it broke the reinforced restraining track and careened for some 200 yards, at times reaching an altitude of 2 or 3 feet above the damaged track. It was believed that a lifting force of some 10,000 pounds had likely been generated." 1894: Lawrence Hargrave of Greenwich, England successfully lifted himself off the ground under a train of four of his box kites at Stanwell Park beach, New South Wales, Australia on 12 November 1894. Aided by James Swain, the caretaker at his property, the kite line was moored via a spring balance to two sandbags. Hargrave carried an anemometer and inclinometer aloft to measure windspeed and the angle of the kite line. He rose in a wind speed of . This experiment was widely reported and established the box kite as a stable aerial platform 1895: Auguste and Louis Lumière of Besançon, Franche-Comté, France introduce cinematograph, a combination film camera, film projector and developer, to the public. Their first public screening of films at which admission was charged was held on December 28, 1895, at Salon Indien du Grand Café in Paris. This history-making presentation featured ten short films, including their first film, Sortie des Usines Lumière à Lyon (Workers Leaving the Lumière Factory). 1896: Samuel