his cousin, Cardinal Federico Borromeo. Not only did they impose themselves as moral guides to the people of Milan, but they also gave a great impulse to culture, with the creation of the Biblioteca Ambrosiana, in a building designed by Francesco Maria Richini, and the nearby Pinacoteca Ambrosiana. Many notable churches and Baroque mansions were built in the city during this period by the architects, Pellegrino Tibaldi, Galeazzo Alessi and Richini himself. Empress Maria Theresa of Austria was responsible for the significant renovations carried out in Milan during the 18th century. This urban and artistic renewal included the establishment of Teatro alla Scala, inaugurated in 1778, and the renovation of the Royal Palace. The late 1700s Palazzo Belgioioso by Giuseppe Piermarini and Royal Villa of Milan by Leopoldo Pollack, later the official residence of Austrian viceroys, are often regarded among the best examples of Neoclassical architecture in Lombardy. The Napoleonic rule of the city in 1805–1814, having established Milan as the capital of a satellite Kingdom of Italy, took steps in order to reshape it accordingly to its new status, with the construction of large boulevards, new squares (Porta Ticinese by Luigi Cagnola and Foro Bonaparte by Giovanni Antonio Antolini) and cultural institutions (Art Gallery and the Academy of Fine Arts). The massive Arch of Peace, situated at the bottom of Corso Sempione, is often compared to the Arc de Triomphe in Paris. In the second half of the 19th century, Milan quickly became the main industrial centre of the new Italian nation, drawing inspiration from the great European capitals that were hubs of the Second Industrial Revolution. The great Galleria Vittorio Emanuele II, realised by Giuseppe Mengoni between 1865 and 1877 to celebrate Vittorio Emanuele II, is a covered passage with a glass and cast iron roof, inspired by the Burlington Arcade in London. Several other arcades such as the Galleria del Corso, built between 1923 and 1931, complement it. Another late-19th-century eclectic monument in the city is the Cimitero Monumentale graveyard, built in a Neo-Romanesque style between 1863 and 1866. The tumultuous period of early 20th century brought several, radical innovations in Milanese architecture. Art Nouveau, also known as Liberty in Italy, is recognisable in Palazzo Castiglioni, built by architect Giuseppe Sommaruga between 1901 and 1903. Other examples include Hotel Corso, Casa Guazzoni with its wrought iron and staircase, and Berri-Meregalli house, the latter built in a traditional