of the previous year's tour. This included a return visit to the Isle of Wight Festival (at the Seaclose Park in Newport) on 11 June opening date. After 13 concerts, it concluded with a performance at the Desert Trip festival at the Empire Polo Club in Indio, California on 16 October. In November, the Who announced that five UK dates the following April (previously scheduled for that August and September) would include a full live performance of Tommy. The five-date tour was renamed "2017 Tommy & More" and included the largest selections from the album since 1989. Two preliminary concerts at the Royal Albert Hall for the Teenage Cancer Trust on 30 March and 1 April featured Tommy in full. In January 2019, the band announced the Moving On! Tour. The tour began on 7 May in Grand Rapids, Michigan, but was interrupted during a show in Houston, Texas on 26 September 2019 after Daltrey lost his voice. The COVID-19 pandemic put the remainder of the tour on hold. On 6 December 2019, the Who released their first studio album in thirteen years, Who, to critical acclaim. The Who Hits Back In February 2022, the band announced they would embark on a new North American tour entitled The Who Hits Back beginning 22 April 2022 in Hollywood, Florida and concluding 5 November 2022 in Las Vegas, Nevada. Musical style and equipment The Who have been regarded primarily as a rock band, yet have taken influence from several other styles of music during their career. The original group played a mixture of trad jazz and contemporary pop hits as the Detours, and R&B in 1963. The group moved to a mod sound the following year, particularly after hearing the Small Faces fuse Motown with a harsher R&B sound. The group's early work was geared towards singles, though it was not straightforward pop. In 1967, Townshend coined the term "power pop" to describe the Who's style. Like their contemporaries, the group were influenced by the arrival of Hendrix, particularly after the Who and the Experience met at Monterey. This and lengthy touring strengthened the band's sound. In the studio, they began to develop softer pieces, particularly from Tommy onwards, and turned their attention towards albums more than singles. From the early 1970s, the band's sound included synthesizers, particularly on Who's Next and Quadrophenia. Although groups had used synthesizers before, the Who were