Polytechnic). McGeoch went on to play on Magazine's first three albums, Real Life (1978), Secondhand Daylight (1979) and The Correct Use of Soap (1980). He left the band in 1980 shortly after the release of the latter album, frustrated with its lack of commercial success despite its recognition with music press critics. In 1979, while still a member of Magazine, McGeoch joined Steve Strange's electronic band Visage along with erstwhile Magazine bandmates Adamson and Dave Formula, recording songs for their first single "Tar" and later, in 1980, for their eponymous album Visage, McGeoch playing guitar and saxophone on the record. Although he saw Visage as something of a joke, the band provided McGeoch with early professional credibility and success. The band's single "Fade to Grey" went to #1 in a number of European countries and McGeoch said the money from the song allowed him to buy a house. McGeoch did not record on the group's second album, The Anvil, as it was recorded in London and he was unable to participate. While still a member of Magazine and Visage, McGeoch also worked occasionally with other bands. In mid-1980 he recorded most of the guitar work on Gen X's album Kiss Me Deadly at AIR Studios in London. He left Magazine during that time. In September 1980 he guested with the Skids for a Peel Session, standing in for Stuart Adamson who was unwell. Other session work included Tina Turner's comeback track with the British Electric Foundation and for Propaganda He also collaborated with ex-Magazine drummer John Doyle on Ken Lockie's album The Impossible. 1980–1982: Siouxsie and the Banshees When recording with Siouxsie and the Banshees in early 1980, McGeoch entered a period of both creative and commercial success. During his first session with the Banshees he began a new style of playing. He later commented: "I was going through a picky phase, as opposed to strumming. "Happy House" was lighter and had more musicality in it. They invited me to join. I was sad leaving Magazine but the Banshees were so interesting and it felt like a good move". He became an official member of the group at the release of "Israel" in November 1980, which was the first single he composed with the band. He recorded guitar on the Banshees' long-players Kaleidoscope (1980), Juju (1981) and A Kiss in the Dreamhouse (1982). The Banshees' hit singles of this era