of freedom touches him so much that he appoints himself as her protector after he rescues her from Rosso and Bianco. Like his brother, he falls in love with Nadja as he protects her and is drawn to her personality. In episode 44, Nadja is forced to choose between Keith or Francis. In the end of that episode, she chooses Francis. However, in episode 50 when she is talking with her mother, she talks about how she is "has not come to recognize her own feelings anymore." This along with a scene later on in the episode when the Harcourt twins stated that they will "play fair" for the love of Nadja concludes that Nadjas love interest has actually not been chosen. Others Harvey Livingston A friendly, lanky and talented American journalist who works for a French newspaper, and due to his work he travels through Europe searching for the most outrageous news. He is one of the first people to give Nadja serious hints about her true origins; he examines her brooch during their meeting in Italy and, noting its craftsmanship, deduces that she is of very noble origin and warns her of how serious a matter it could be. Despite his lazy outlook, Harvey is extremely serious when it comes to his work. He also has a very strong sense of justice and greatly admires the thief Black Rose; one of his most cherished dreams is to interview him. He has looked after his little brother, T.J., ever since they were orphaned. Marianne Hamilton Marianne is the daughter of another English noble clan, who has known Francis Harcourt since childhood and has loved him since then. In fact, the Hamilton and Harcourt families were planning to engage Marianne and Francis, but Nadja's appearance disrupts these plans. While she makes clear to Nadja that she will not give Francis up to her and says that Nadja is better off with Keith, upon hearing her family plea Marianne accepts to help Nadja and Francis to prove Nadja's bond to the Premingers, wanting to see if she really is who she claims to be, and even saying that if Nadja truly is a Preminger, she will cancel her engagement to Francis. Marianne is painted as a morally ambiguous character with both good (focused, honest and straightforward) and bad (manipulative and very possessive of Francis) traits. She is less malicious than Rosemary