WNBC was near the top with some of their best ratings ever. Once WABC switched to their present-day all-talk format on May 10, 1982, WNBC added a few rock songs that were not heard on any AC stations in the area. In the fall of 1982, to much fanfare, Long Island native Howard Stern was brought in from WWDC-FM in Washington, D.C., to do afternoon drive. Initially, Stern played a considerable amount of music, much to his dismay, though his ratings were high. Then, in 1983, with ABC-owned WPLJ evolving to a Contemporary hit radio (CHR) format, as well as WHTZ's debut with the same format, WNBC began to lose some listeners. WNBC lost American Top 40 to WPLJ in November 1983. The station performed well through 1984. In the spring of 1984, Dale Parsons took over as program director. After that, Stern cut down his music load, eventually playing only four songs an hour and began to talk much more. In overnights beginning in the spring of 1984, WNBC added taped Wolfman Jack shows which featured oldies from the 1960s with some 1950s and early 1970s music, with current and 80's hits mixed into rotation and pre-recorded voice tracks of Wolfman Jack announcing the songs, making the show sound live. Decline of WNBC On September 30, 1985, Howard Stern was terminated abruptly, supposedly due to corporate pressure. In Private Parts, Stern detailed how WNBC management expected that his last day would be September 26, and that Stern would not go in to work on September 27 due to Hurricane Gloria. However, Stern went in, and because there was no station management on hand, Stern did his show as normal, refusing to cover the problems related to the storm. Ironically, he spent much of the show insisting that he was leaving the station, because he had learned that Soupy Sales had signed a syndication contract that had long been withheld from Stern. After Stern's dismissal and subsequent debut on then-rival New York station WXRK, WNBC's ratings plummeted, and they were under a two-share by the spring of 1986. Initially, they played a bit more music and then went through several temporary afternoon hosts. Afternoons were back to about 12 songs per hour. The music was more of a gold-based adult contemporary format with many oldies and moderate amounts of current product. In the spring of 1986, Joey Reynolds moved into