Marvel Comics series by two people, an honor previously held by Stan Lee and Jack Kirby on Fantastic Four. After issue #133, the series was relaunched, still written by Brian Michael Bendis with art provided by David Lafuente. This relaunch was short-lived. It resumed the Ultimate Spider-Man title with issue #3 and continued with the original numbering with the 16th issue (#150) even though the series was again cancelled with #160. It relaunched as Ultimate Comics: Spider-Man and features Miles Morales and a new artist named Sara Pichelli. The direct edition of Ultimate Spider-Man #1 is a highly sought after comic book and considered to be one of the most valuable comic books of the Modern Age. History Creation and development Ultimate Spider-Man was the first series to be published in the Ultimate Marvel line. Publisher Bill Jemas wanted to re-invent the Marvel Universe because he felt that, with over 40 years of backstory, it had become inaccessible to new readers, and he wanted to start with a re-invented Spider-Man. Initially, Marvel Editor-in-Chief Joe Quesada was skeptical because 1998's Spider-Man: Chapter One, a previous attempt at re-envisioning Spider-Man's early adventures, had failed both critically and commercially. Though Spider-Man's original origin story in Amazing Fantasy #15 was only 11 pages long, Bendis' retelling of Spider-Man's origin was seven issues long. Bagley was at first wary of Bendis' notoriously slow pace in advancing plot, describing it as a "real shock" at first. Jemas originally intended the comic to feature single-issue stories only, but Bendis chose to make each story roughly six issues long. The first several issues were greeted with enthusiasm from fans and critics, sold well, and gave Ultimate Marvel a boost in credibility. After the release of Ultimate Spider-Man (along with Ultimate X-Men), Quesada and Jemas broadened the Ultimate Marvel line with The Ultimates (a re-imagining of the Avengers) and Ultimate Fantastic Four. Ultimate Spider-Man #1 was voted the "ninth-greatest Marvel Comic of All Time" in 2001 by readers of Wizard: The Guide to Comics. In addition to critical success, Ultimate Spider-Man grew to outsell the flagship Spider-Man title, The Amazing Spider-Man. Bendis would later describe issue #13, in which Peter tells Mary Jane his secret identity, as his favorite issue because it showed the trust that the Marvel editorial staff had in him. As the series progressed within the next two years, reception and sales stayed strong, helped by