statement asserting "the right to disobedience." The uprising brought the country to a standstill, and caused the government to call a general election rather than run the risk of being toppled from power. The Hacker culture was beginning to form in the 1960s, due to the increased usage of computers at colleges and universities. Students who were fascinated by the possible uses of computers and other technologies began figuring out ways to make technology more freely accessible. The international Happening and Fluxus movements also had its beginnings in the 1960s, evolving out of the Beat subculture. 1970s In the 1970s, the hippie, mod and rocker subcultures were in a process of transformation, which temporarily took on the name of freaks (openly embracing the image of strangeness). A growing awareness of identity politics combined with the legalisation of homosexuality and a huge amount of interest in science fiction and fantasy forms of speculative writing produced the freak scene. Bands on the freak circuit cultivated an anti-capitalist, communal lifestyle. Freak bands like The Edgar Broughton Band or The Pink Fairies played at free festivals, spurning mainstream venues. The music/fashion subculture that became a commercial alternative to the freaks was glam rock. It was a continuation of the trendies of the 1960s mod culture, appealing to the androgynous trend of the 1970s. At some point, some in the hacker/computer subculture took on the derogatory word geek with pride, in the same way the freaks had done. Computer usage was still a very inaccessible secret world to most people in those days, but many people were interested in computers because of their appearance in science fiction. The dream of one day owning a computer was a popular fantasy amongst science fiction fandom, which had grown from a minor subculture in the first half of the 20th century to a quite large contingent by the 1970s, along with horror fandom, comics fandom and fantasy freaks. The skinhead subculture from the late 1960s continued into the 1970s, and some skinheads became influenced by the punk subculture. These skinheads became associated with the Oi! genre, and some skinheads became involved with far right politics, creating the white power skinhead scene (despite the fact that the original 1960s skinheads were influenced by black culture). Disco, which had begun in gay dance clubs, became a significant from about 1975 onward. In some sectors, particularly in the New York City