In 1948 the weekly magazine Tygodnik Wybrzeża published his cycle Poetyka dla Laików (Poetry for Lay People). Herbert also published a few of his reviews in the journal Słowo Powszechne in 1949 under his real name and a year later under a pen name, Patryk. The same happened with his publishing in Tygodnik Powszechny. In 1952 Przegląd Powszechny, published a few of his reviews under a pen name – Bolesław Hertyński. He published under the pen name Stefan Martha in Dziś i Jutro, the PAX Association magazine (1950–1953). These periodicals represented a different styles of Catholicism. Pax sought to 'collaborate' with the communist government, while Tygodnik Powszechny took a more oppositional stance (it was legal but its circulation was limited). Herbert definitely finished his cooperation with PAX in 1953. Przegląd Powszechny was closed and Tygodnik Powszechny was transferred to PAX after it refused to publish an obituary of Joseph Stalin's death. In this situation Herbert decided that his cooperation with PAX was impossible. During this time, he also earned money from biographies and librarian registrations. From January until July 1952, he was a salaried blood donor. He also had to undertake a job not connected with writing again. He worked as a timekeeper in Inwalidzka Spółdzielnia Emerytów Nauczycieli 'Wspólna Sprawa (from 1 October 1953 till 15 January 1954), and also as a senior assistant in Centralne Biuro Studiów i Projektów Przemysłu Torfowego Projekt Torf (19 January – 31 November). Thanks to the help of Stefan Kisielewski, Herbert worked as a manager of the office of the Chief Management in the Union of Socialist Composers (ZKP) from September 1956 till March 1957. 1956–1981 The year 1956 in Poland marked the end of Stalinism and as a result also of social realism as the only and obligatory style in art and literature. This enabled Herbert's debut as a poet. Thanks to this, his material position also improved. In 1957 supported by Jerzy Zawieyski he received a small studio to live in (in Warsaw) one of the flats distributed for young writers by the Polish Union of Writers (ZLP). He also was granted a scholarship (US$100) that allowed him to go on his first trip abroad. Herbert was attached to his homeland, but at the same time was deeply disgusted by all effects (political, economical, cultural etc.) of the communist rules enforced by the Soviet Union on Poland (arguably the best artistic expression