for Stephen King's film Maximum Overdrive. The song "Danger" fell flat in concert and was banished from the set. Some critics also complained that Johnson's vocals were difficult to decipher, and the band would indeed raise them in the mix for Who Made Who. The album does, however, have at least one high-profile fan: singer/songwriter Ryan Adams, who said "I had an epiphany while I was running and some songs from Fly on the Wall came on. That's a record I could always put on my run mix and I don't have to leave any songs off." A home video of AC/DC performing five songs from the album was released in the summer of 1985. Also titled Fly on the Wall, it features the band playing "Fly on the Wall", "Danger", "Sink the Pink", "Stand Up", and "Shake Your Foundations" at a small bar in New York City named The Crystal Ballroom. At the bar, a photographer attempts to sneak in to take pictures of the band. New characters are introduced during each song, including three suit-clad men and two women during "Stand Up", and a lady dressed in pink during "Sink the Pink". The cartoon fly depicted on the album cover is also seen. If nothing else, the video demonstrated the band's new commitment to the now powerful MTV by going beyond performance-based videos. The Fly on the Wall Tour was marred by bad publicity when serial killer Richard Ramirez was arrested. Ramirez, nicknamed the "Night Stalker" by the press, told police that "Night Prowler" from the 1979 Highway to Hell album had driven him to commit murder. Police also claimed that Ramirez was wearing an AC/DC shirt and left an AC/DC hat at one of the crime scenes. As Murray Engelheart observes in his book AC/DC: Maximum Rock & Roll, "It was just what the band's detractors had been waiting for and the media, especially in America, immediately seized on the case. Wild accusations that AC/DC were, in fact, devil worshippers were bandied about... The lyrics of 'Night Prowler' were carefully analysed and some newspapers attempted to link Ramirez's Satanism with AC/DC's name, somehow arriving at the conclusion that AC/DC actually stood for Anti-Christ, Devil's Child." The band maintained that the song had been given a murderous connotation by Ramírez, but is actually about a boy sneaking into his girlfriend's bedroom at night while her parents are asleep.