"Golden Hair", "Late Night", "Clowns and Jugglers" (later retitled "Octopus"), "Silas Lang", or "Lanky (Parts One and Two)". After recording had resumed in June and July, progress continued on these tracks, especially "Swan Lee", and a new, improved version of "Clowns and Jugglers" was taped at this point also. Barrett wouldn't commit to recording the track "Rhamadam" (sic) to tape properly, however. Although Jenner claims he got on well with the singer, he would also state that the 1968 sessions had not gone smoothly, admitting: "I had seriously underestimated the difficulties of working with him ..." Shortly after the July dates, Barrett abruptly stopped recording, breaking up with girlfriend Lindsay Corner and then going off on a drive around Britain in his Mini; he ended up in psychiatric care in Cambridge. By the start of 1969, a somewhat recovered Barrett decided to return to his musical career and revisit the Jenner-produced recordings. He contacted EMI, and was passed on to Malcolm Jones, then-head of EMI's new prog rock label, Harvest. After both Jenner and Norman Smith, Pink Floyd's producer at the time, declined to work on the album, Jones agreed to take on the role. Malcolm Jones sessions Jones had little difficulty in persuading his boss, Roy Featherstone, and Ron White, authoriser of EMI recordings, to allow Barrett to record with the company again. In April 1969, the young executive took over the project and Barrett began working on newer material, while reworking the 1968 recordings. Jones would later explain the rationale behind EMI letting Barrett record again: "What was decided was to see what was the strength of Syd's new material, and plan accordingly. If it worked, then, O.K. we'd do an album. If not, we'd call it a day ..." In a meeting at Barrett's flat in Earls Court, unsure of Jenner's production technique, Jones asked to hear some of the previous year's tapes; Barrett played him "Swan Lee", "Late Night", "Rhamadam", "Lanky (Parts One and Two)" and "Golden Hair". Of these, "Swan Lee" had no vocals, but Jones saw potential in the song; "Late Night" did have vocals and, Jones remarked, "a certain charm"; while "Golden Hair" was "great". After the playbacks, Barrett performed several songs on guitar for Jones: "Opel" and "Clowns and Jugglers" (both attempted during the sessions with Peter Jenner), and the newly written "Terrapin" and "Love You". The Jones-produced sessions commenced on 10