only in Australia. It was rereleased worldwide in 2009 on the two (standard) and three (collectors) CD boxed set compilation Backtracks, featuring Australian-only songs not released internationally at the time, and live b-Sides from 7" and 12" singles. The encores "Fling Thing" and "Rocker" (with a complete guitar solo) appeared only on footage of the concert by a Dutch TV station played at the time, but were eventually released on the Family Jewels DVD. According to the 2006 book AC/DC: Maximum Rock & Roll, the album title was an extension of Scott's response – at the Day on the Green festival in July 1978 – when a journalist asked what they could expect from the band. The singer replied, "Blood." The cover art is from a shoot with Atlantic Records' staff photographer Jim Houghton before a show at Boston's Paradise Theater, the idea for which came from Atlantic's art director Bob Defrin. A song titled "If You Want Blood (You've Got It)" appeared on the next album: the band's US chart breakthrough, Highway to Hell. Reception The album is often considered to be one of the greatest live albums of all time. In a 1992 interview with Metal Hammer at the time of the band's second live release, Malcolm Young admitted, "I personally still prefer the old album. We were young, fresh, vital and kicking ass." Greg Prato of AllMusic notes, "While most other rock bands of the era were busy experimenting with disco or creating studio-perfected epics, AC/DC was one of the few specializing in raw and bluesy hard rock, as evidenced by 1978's live set, If You Want Blood You've Got It." Eduardo Rivadavia of Ultimate Classic Rock enthuses, "Other concert records may boast more songs, more Top 40 hits or even more crowd-pleasing gimmicks. But very few can challenge the sheer excitement and reckless abandon captured on AC/DC’s terrific concert document." The album was listed at #2 on Classic Rock magazine's readers' poll of "50 Greatest Live Albums Ever". Carlo Twist of Blender magazine praised the album, saying that "They were always a mighty live act, and this is the sound of AC/DC in Europe just prior to 1979's U.S. breakthrough. The audience's hysteria regularly cuts through the amps, as they howl along to singer Bon Scott's tale of sexually transmitted disease ("The Jack") and punctuate guitarist Angus Young's staccato riffing on "Whole Lotta Rosie." Imagine a