sei Gott, and a new edition of the 1725 cantata Kündlich groß ist das gottselige Geheimnis were published in 2003. Stölzel's 1725 setting of the Brockes-Passion was also published in the first decade of the 21st century. The 1772 St. John Passion pasticcio which included four movements by Stölzel was published as Vol. 7.1 in Series IV of C. P. E. Bach's complete works. The German Te Deum was published in 2010. In the 21st century facsimiles of large portions of Stölzel's work became available on websites such as those of the Berlin State Library and the Saxon State and University Library Dresden. Recordings The vocal music that was published as part of the Bach legacy is frequently recorded: "Bist du bei mir" is by far Stölzel's most often recorded piece of music. BWV 200 has been recorded over 20 times since 1951. Dietrich Fischer-Dieskau recorded the cantata Aus der Tiefe rufe ich, Herr, zu Dir, H. 442, in the early 1950s, and again, for Deutsche Grammophon, in 1965. Erik van Nevel, conducting the Ricercar Consort, recorded this cantata in 1991. Günter Wand recorded the Concerto grosso a quattro chori in 1956. Carl Schuricht's performance of the work at the Salzburger Festspiele was recorded in 1961. Maurice André performed the D major Oboe Concerto as a trumpet concerto, and recorded it several times, for example in the 1960s for Philips, in 1977 with the English Chamber Orchestra conducted by Charles Mackerras, and in 1983 with the Academy of St. Martin-in-the-Fields conducted by Neville Marriner. In 1971 he recorded Stölzel's Concerto Grosso a Quatri Chori with five other trumpetists, Pierre Pierlot on the oboe and the Jean-François Paillard Chamber Orchestra conducted by Philippe Caillard. In 1980 André recorded the Sonata in D major, reconstructed and orchestrated by Thilde after Stölzel. André Bernard's recording of the D major trumpet concerto appeared in 1973. The Ricercar Consort recorded and released the of the Brussels Conservatory in 1988. Stölzel's Brockes Passion, in a performance conducted by Ludger Rémy, was recorded in 1997. Rémy also recorded ten (half) cantatas from the Christmas season 1736–37 in Sondershausen, released as Christmas Oratorio on two CDs: CD 1 (recorded May 1999): for the first day of Christmas: Ach, dass die Hülfe aus Zion über Israel käme Ehre sei Gott in der Höhe for the second day of Christmas: Ich sehe den Himmel offen Ihr sollt nicht wähnen for