simply assigned numbers by Howard Miller. Probably the most recognisable of the series, the Ball Clock, was advertised and sold as 'Clock 4755'; the Sunflower Clock as 'Clock 2261'. Several colour variations were available for many of the clocks. The Ball Clock was available in six colour variations, the Sunflower Clock in three. One of the more unusual designs, the Eye Clock ('Clock 2238') was pictured in the original Howard Miller Clock Company brochures in a diagonal position, not horizontal, as would be expected. Analysis of work Metadesign It has been argued that Nelson might be called a metadesigner – that his intent of study and practice was neither the building nor the product but rather the process of design itself. Nelson's manner of interdisciplinary design, and therefore progressive thinking, reoriented the entire concern with capitalist destruction around the dynamic of producer and product. However, when comparing the careers of other designers, he seemed not only unconventional and tastefully noncommercial, but at times negative. "...it is the career of an architect who advocated the end of architecture, a furniture designer who imagined rooms without furniture, an urban designer who contemplated the hidden city, an industrial designer who questioned the future of the object and hated the obsession with products." Fairchild House New York, New York. US 1941-The Fairchild House was built for the Airplane manufacturer Sherman Fairchild and was meant to be a "machine for living". What made the Fairchild House different from every other Brown Stone in New York was its views. There was a courtyard in the middle of the building and all the windows faced in toward it. This made the home feel more tranquil and the view provided use for Nelson's signature floor to ceiling windows. Much of the house is designed in style not necessarily common in early modern design. This is evidence of Nelson's philosophy that "good design is timeless." Sling Sofa Herman Miller 1963- This sofa is made of leather and filled with solid foam cushions. The joints are all held with epoxy so that it can be more easily mass-produced and sold for a cheaper price. There is no need for hand crafting with this sofa. Because of its perfect proportions and light appearance it doesn't look like it's just an elongated chair. Nelson's use of a single welt along the perimeter of the padding gives the seating an approachable softness and