$7 million in restoration, preservation and seismic retrofitting between 1989 and 1991. As part of the restoration, a storage area at the south end of the building was converted to a new rear-entrance portico, connecting the building more directly to Biddy Mason Park and the adjacent Broadway Spring Center parking garage. The building's lighting system was also redesigned, bringing in alabaster wall sconces from Spain. Since 1996, the building has served as the headquarters for the Los Angeles Police Department's Internal Affairs division and other government agencies. The LAPD Board of Rights holds officer discipline hearings here, and within the force it is given the nickname "the Ovens", because officers see it as the place they "get burned." The LAPD has a 50-year lease on their space. 21st century The building was purchased for $6 million in 2003 by a Hong Kong investor, less than the $7 million Ira Yellin invested just to rehabilitate and seismically retrofit the structure after acquiring it in 1989, a reflection of Yellin's commitment to downtown preservation and restoration. It was never listed for sale, only offered to a select group of potential buyers who would respect its legacy and retain its character. The building, according to Yellin's widow Adele, at the time, was "in very good hands". From 2001 to 2003 the Museum of Architecture and Design had its home there.Stevens, James. "Back to the Bradbury" Los Angeles Times (February 9, 2001) In 2007, the Morono Kiang Gallery of Chinese art opened in the building. Several of the offices are rented out to private concerns, including Red Line Tours. The retail spaces on the first floor currently house Ross Cutlery, where O. J. Simpson purchased a stiletto that figured in his murder trial, a Subway sandwich restaurant, a Blue Bottle Coffee shop, and a real estate sales office for loft conversions in other nearby historic buildings. , the Berggruen Institute maintains its offices in the building. Architecture The building's undistinguished exterior facade of brown brick, sandstone and terracotta detailing was designed in the commercial vernacular Italian Renaissance Revival style current at the time. Its interior is its most notable part. The narrow entrance lobby, with its low ceiling and minimal light "has the look of a Parisian alley of arched windows", and opens into a bright naturally lit great "awe-inspiring cathedral-like" center court. Robert Forster, star of the TV series Banyon that used the