"The Walrus and the Carpenter" is a narrative poem by Lewis Carroll that appears in his book Through the Looking-Glass, published in December 1871. The poem is recited in chapter four, by Tweedledum and Tweedledee to Alice. The poem is composed of 18 stanzas and contains 108 lines, in an alternation of iambic tetrameters and iambic trimeters. The rhyme scheme is ABCBDB, with masculine rhymes throughout. The rhyming and rhythmical scheme used, as well as some archaisms and syntactical turns, are those of the traditional English ballad. Summary The Walrus and the Carpenter are the eponymous characters in the poem, which Tweedledum and Tweedledee recite to Alice. Walking upon a beach one night when both sun and moon are visible, the Walrus and Carpenter come upon an offshore bed of oysters. Groups of four are called up; the exact number is unknown. To the disapproval of the eldest oyster, many more follow them. After walking along the beach (a point is made of the fact that the oysters are all neatly shod despite having no feet), they rest on a low rock. After bringing bread, pepper, and vinegar the Walrus and the Carpenter are revealed to be predatory and eat all of the oysters. The Walrus expresses some compunction towards the oysters but eats them anyway, while the Carpenter dispassionately asks for more bread and complains that the butter is spread too thickly. After hearing the poem, the good-natured Alice attempts to determine which of the two leading characters might be the more sympathetic, but is thwarted by the twins' further interpretation: Interpretations The characters of the Walrus and the Carpenter have been interpreted many ways both in literary criticism and popular culture. Some, including the character Loki in the film Dogma, interpret the Walrus to be a caricature of the Buddha and the Carpenter to be a caricature of Jesus Christ. British essayist J. B. Priestley argued that the figures were political, as does Walter Russell Mead, who utilises the Walrus and the Carpenter as an allegory for the United Kingdom and the United States respectively. However, in The Annotated Alice, Martin Gardner notes that, when Carroll gave the manuscript for Looking Glass to illustrator John Tenniel, he gave him the choice of drawing a carpenter, a butterfly, or a baronet, since each word would fit the poem's metre. Because Tenniel rather than Carroll chose the carpenter, the character's