Uncle Ben (his father's dead brother) as his role model rather than his father because Ben went out to the world as a teenager and was rich by the age of 21. He repeatedly reminds Willy of this. In the end, he is determined to not only adopt his father's dream (even when it killed him), but to surpass him as he states "It's the only dream you can have—to come out No. 1 man." Besides interacting with his wife and his sons, Willy spends much time during the play in fantasy conversations with his long-dead brother Ben, whom Willy still idolizes, calling on him for guidance, for instance, when he is fired from his job. Toward the end of the play—when Willy has dreamed up a scheme to kill himself so that Biff can receive the money from his insurance policy and finally become successful—he "debates" the merits of his plan with Ben, finally deciding to go ahead with it after Ben (in his mind) comes to agree with him that it's a good idea. Critical history Loman is the central role of the only play that has won a Tony Award for Best Broadway Production four times (Best Play, Best Revival and twice Best Revival of a Play). Each of the four Broadway revivals has brought critical acclaim to the role. In addition, the role has been reprised in film with six English-language film portrayals of this character, at least four of which received critical acclaim. Three actors have won Golden Globe Awards playing the role, two have won Drama Desk Awards playing the role and actors playing the role have also won a Primetime Emmy Award, a Screen Actors Guild Award and a Tony Award. The role has been nominated for an Oscar Award, a BAFTA Award, a Grammy Award, three Tony Awards and three Primetime Emmy Awards. At least two West End productions have earned Olivier Awards for this role. Although Cobb did not earn critical acclaim when he originated the role, he did when he reprised it for television. Other actors who have played the role on Broadway or in English-language cinema or television have almost all received critical acclaim. On Broadway, the role was reprised by George C. Scott (1975, Tony nomination), Dustin Hoffman (1984, Drama Desk award), Brian Dennehy (1999, Tony and Drama Desk awards), Philip Seymour Hoffman (2012, Tony nomination), and Wendell