trying to determine which sampler hardware was actually used on a certain song. A demo of the library sounds can be found on YouTube. Famous samples include the Shakuhachi flute used by Peter Gabriel on "Sledgehammer" and by Enigma on their album MCMXC a.D., and the Marcato Strings heard on many popular '80s records, including the Pet Shop Boys' "West End Girls". According to the Pet Shop Boys' Neil Tennant in "Synth Britannia" on BBC 4 in 2009, every single sound on the track, with the obvious exception of the singers' voices, was made using an Emulator II. The Emulator II was popular with many musicians in the 1980s, such as early adopter Stevie Wonder, and was used extensively by Front 242, Depeche Mode, 808 State (on their 1989 album Ninety) New Order, ABC, Genesis, Paul McCartney, David Bowie, Herbie Hancock, Vangelis, Tangerine Dream, Jean-Michel Jarre, Yes, OMD, Stevie Nicks, Mr. Mister, and many more. The list is far from complete however as it became the staple sampler of just about every recording studio that could afford one in the 1980s, and thus was used on a multitude of albums at the time. It was used for a number of film scores as well, such as the Terminator 2: Judgment Day score by Brad Fiedel, many of Michael Kamen's film scores, such as Lethal Weapon and Highlander and almost all of John Carpenter's films in the 1980s. It even featured in the movie Ferris Bueller's Day Off, where Ferris uses the Emulator II to play sounds of coughing and sneezing in order to feign illness on the phone. David Foster made mention of using his Emu II during the 1985 documentary for Tears Are Not Enough, when he recorded one Middle C note of a French horn with help from studio musician Steven Denroche, which then went on to be used in the Tears Are Not Enough single. Denroche was credited in the documentary for the French horn, even though Foster ultimately performed the melody himself on the keyboard after the sound was recorded on the Emu II. In recent years, the Emulator II has risen in popularity due to the resurgence in 1980s pop culture, with new artists wishing to revive the Emulator-based sound. Prices for functioning units have gone up, and websites dedicated to selling the original floppies have now emerged. Emulator III The Emulator III was introduced