Jacqueline Susan McKenzie (born 24 October 1967) is an Australian film and stage actress. Early life Born in Sydney, New South Wales, McKenzie attended Wenona School in North Sydney until 1983 then moved to Pymble Ladies' College, where she graduated in 1985 with her Higher School Certificate. Known at school for her fine singing voice, McKenzie was cast as Nancy in Oliver! then in Godspell (both a co-production with Shore School) and later in Brigadoon (a co-production with Knox Grammar School), sharing the stage with Hugh Jackman, who was a student at Knox at the time. Career Early years McKenzie studied for a Bachelor of Arts degree at the University of New South Wales. While at university, she began modelling. Represented by Cameron's Management, she worked in both print and television media. She also took regular singing lessons with Australian vocal coach Bob Tasman-Smith. In 1987, McKenzie was cast as the lead in the pilot of television series All The Way alongside Ben Mendelsohn, Robert Mammone, Rowena Wallace and Martin Sacks. During this time, she came to the attention of casting agent Liz Mullinar, who had cast Judy Davis in My Brilliant Career and Nicole Kidman in Dead Calm. Following advice from Mullinar, McKenzie auditioned for the National Institute of Dramatic Art (NIDA) and was accepted. Opting out of both her arts degree and All The Way, McKenzie attended NIDA in 1988. She graduated in December 1990. 1991 to 1995 In 1991, McKenzie was awarded "Best Newcomer Award" from the Sydney Theatre Critics Circle, which recognized her chameleon-like ability and her consistently high-calibre work in theatre productions Child Dancing (as Julie-Ann), The Master Builder (as Kaja), Twelfth Night (as Viola) and Rebecca (as Mrs de Winter). During rehearsals for Rebecca, director George Ogilvie allowed McKenzie time off to audition for a new Australian Independent feature film called Romper Stomper set to star Russell Crowe. She was subsequently cast in the film and went on to win Best Actress award at the Film Critics Circle of Australia. Russell would later say "Jacqui's range as an actor disappears over the horizon. And I'm not sure it can actually be defined. When I first saw her, in the play Rebecca, I saw an actor whom I thought was blowing me on the skin from the inside. She is an actor who is both delicate and magical." In her "nothing short of stunning" film