as payment according to Palma a small cup of chocolate. When savoring it, he left the canceled receipts on the table without waiting for his retribution. The wood was used in the coffered ceilings of the main cloister. Description of the facade and determination of its style The facade is in a Liman Baroque style, with grace and monumentality. A rhythmic bossage runs through its walls that in its upper part is adorned by a wooden balustrade. Description of its interior The main altar is in a Neoclassical style. The interior also features the catacombs and the museum, the portal, the chapter house and the cloister. Crossing the threshold of its main doorway and to the left side is a memorial plaque of marble, with the emblem of the Holy See, with the following words engraved: Sacristy The sacristy of the main temple is one of the current jewels of the Franciscan temple. The works of the sacristy were completed in 1729, highlighting its portal, made in 1729 by the ensign Lucas de Meléndez. Its vault was deteriorated as a result of the 1966 earthquake. It was restored in the 1990s with the help of the Spanish government. It has a chest of drawers made in 1650 with reliefs of saints in its interior, intended to store clothing and liturgical vestments, and houses an important series of paintings of the Apostolate attributed to the Francisco de Zurbarán Workshop. Anteportal Crossing the door of the convent, there is a spacious room, with baseboards adorned with azulejos, whose main attraction is a triptych of the Crucified Lord, whose side paintings are works by the Italian Angelino Medoro. There are also paintings from the Lima School, of great value. Portal The portal includes a wooden sculpture of Crucified Jesus; paintings of saints from the Catholic Church, from the 17th-century Lima School; as well as paintings from the Cusco School, and two paintings in the form of a medallion, which represent passages in the life of Francisco Solano, made to celebrate his canonization. Vestibule It is a spacious room with a carved wooden ceiling with baseboards featuring Sevillian azulejos. There are four paintings by famous artists, depicting Catholic saints; in the central part, the main attraction is an 18th-century Rococo-style pavilion, worked in wood and decorated in gold leaf. The pavilion was formerly used for the Corpus Christi festival; in it, a custody of