take an unspecified sentence, of which I drew from the images by dislocating it, a little as if it had been a question of extracting some from the drawings of rebus." For example, Les lettres du blanc sur les bandes du vieux billard/The white letters on the cushions of the old billiard table… must somehow reach the phrase, …les lettres du blanc sur les bandes du vieux pillard/letters [written by] a white man about the hordes of the old plunderer. John Ashbery summarizes Locus Solus thus in his introduction to Michel Foucault's Death and the Labyrinth: "A prominent scientist and inventor, Martial Canterel, has invited a group of colleagues to visit the park of his country estate, Locus Solus. As the group tours the estate, Canterel shows them inventions of ever-increasing complexity and strangeness. Again, exposition is invariably followed by explanation, the cold hysteria of the former giving way to the innumerable ramifications of the latter. After an aerial pile driver which is constructing a mosaic of teeth and a huge glass diamond filled with water in which float a dancing girl, a hairless cat, and the preserved head of Danton, we come to the central and longest passage: a description of eight curious tableaux vivants taking place inside an enormous glass cage. We learn that the actors are actually dead people whom Canterel has revived with 'resurrectine,' a fluid of his invention which if injected into a fresh corpse causes it continually to act out the most important incident of its life." New Impressions of Africa is a 1,274-line poem, consisting of four long cantos in rhymed alexandrines, each a single sentence with parenthetical asides that run up to five levels deep. From time to time, a footnote refers to a further poem containing its own depths of brackets. This impressive nest of brackets carries an assertion — or a recommendation ? — buried by Roussel within a 644 alexandrine poem. In A study on Raymond Roussel, Jean Ferry suggested the notion of a hidden message and transcribed the succession of brackets of Cantos II into the alphabet invented by the painter Samuel Morse : considering each bracket as a dot and the included text as a dash. But due to the missing spaces which separate letters the ensemble of dots and dashes as well as a concealed message remained an hypothesis... until it was deciphered by Jean-Max Albert