John Wilcock, of Interview magazine. In December 1970, Malanga left Warhol's studio to pursue his work in photography. Creative practice Malanga and Warhol collaborated on the nearly five-hundred individual 3-minute "Screen Tests," which resulted in a selection for a book of the same name, published by Kulchur Press, in 1967. Neither Warhol or Malanga were photographers at the time. Thus, by virtue of their collaboration with the motion picture medium, creating in what amounted to post-photographs, they became professional photographers. Malanga's photography spans over four decades and encompasses portraits, nudes and the urban documentation of "New York's Changing Scene," a phrase which he adapted from Margot Gayle, an architectural historian and advocate, whose Sunday News column of the same name had a direct bearing on the development of his photographic eye. Malanga has always sought someone who was rarely photographed or placed in situations and surroundings unique to the pictures he was shooting. Within the first six years of taking pictures he managed to create three of the most prominent portraits of post-modern photography: Charles Olson for the interview he made with Olson for The Paris Review (1969); Iggy Pop nude in the penthouse apartment they shared one summer weekend (1971); and William Burroughs in front of the corporate headquarters that bears his family name (1975). All in all, he has photographed and archived hundreds of poets and artists over the years. He is also a photographer of a number of firsts, including Herbert Gericke, the last farmer of Staten Island (1981); and Jack Kerouac's typewritten roll for On the Road (1983). In his introduction to Malanga's first monograph, Resistance to Memory (Arena Editions, 1998), Ben Maddow, distinguished photo historian and poet had this to say: "Malanga has that great essential virtue of the photographer: humility before the complex splendor of the real thing… Malanga is the photo-historian of this culture." In reviewing Malanga's groundbreaking book two years later, Screen Tests Portraits Nudes 1964-1996 (Steidl), Fred McDarrah remarked that "Malanga is among the elite editors and photographers who have long dazzled and propelled the New York avant garde." During the course of his years working with Warhol and after, Malanga shot and produced twelve films of his own. His personal archive contains still and motion-picture records of life at The Factory. Works Poetry Screen Tests: A Diary (with Andy Warhol) (1967) The Last Benedetta Poems (1969) Gerard Malanga Selbsporträt eines