etchant (often ferric chloride) is sprayed onto the metal. When ferric chloride is used as the etchant, no metal parts other than titanium can be used in the etching equipment. Decorative engraving is often filled by spray-painting then sanding to remove the paint from the raised parts of the engraving. Another method produces a deep engraving with sloped shoulders. In this method, the metal (usually zinc or magnesium) is held face down and a mixture of nitric acid and a soap-like oil is splashed onto it. As the acid etches the surface, the oil adheres to the edges of the exposed area. This progressively reduces the area being etched, resulting in a sloped edge; a single dot will end up as a cone-shaped mound protruding from the etched area. This method is used for printing plates (the shoulder supports the printing surface), foil stamping dies and embossing dies. Decorative engravings made by this method may go through a second process to produce a decorative background. The raised parts and their shoulders are painted with an etchant-resistant material and a pattern of etchant-resistant material is applied to the deep parts of the engraving. The resist for the background may be another photoengraving or may be randomly splashed on. The engraving is etched again for a short time to produce a raised pattern in the background. Decorative engravings of this type may also be spray-painted and sanded as in the previous method. In traditional print shop practice, a special very-large-format camera is used to image the source material either directly onto the photosensitive coating, or onto a sheet of photographic film which is then developed and contact-printed onto the coated plate. In large-scale commercial printing, computer-driven optoelectronic equivalents began to replace these methods in the 1970s. In the case of line cuts (graphics in solid blacks and whites without gradations of gray or color), the photoengraving is done on zinc, and the result is called a zinc etching. In the case of halftone cuts, the work is done on copper. The halftone effect is accomplished by photographing the subject through a wire or glass screen, which breaks the image up into a pattern of dots with sizes corresponding to the local brightness of the image; the larger dots create the darker areas, the smaller dots the highlights. The finer the screen, the finer the detail possible in the printed product. Halftones made