(Counterpoint, 1996) (with Benjamin Urrutia) 7 Greeks (New Directions, 1995) (revises and collects the texts—but none of Davenport's drawings—from Carmina Archilochi, Sappho: Songs and Fragments, Herakleitos and Diogenes, The Mimes of Herondas, Anakreon, and Archilochos, Sappho, Alkman) Poetry Cydonia Florentia (The Lowell-Adams House Printers/Laurence Scott, 1966) Flowers and Leaves: Poema vel Sonata, Carmina Autumni Primaeque Veris Transformationem (Nantahala Foundation/Jonathan Williams, 1966; Bamberger Books, 1991) (illustrated by Davenport) The Resurrection in Cookham Churchyard (Jordan Davies, 1982) Goldfinch Thistle Star (Red Ozier Press, 1983) (illustrated by Lachlan Stewart) Thasos and Ohio: Poems and Translations, 1950–1980 (North Point Press, 1986) (includes most of Flowers and Leaves, along with translations of six of the "7 Greeks" and of Rainer Maria Rilke and Harold Schimmel) 37 Avenue Samson, Cimetiere Montmartre, (Lexington, KY: The King Library Press, 1985) (a single broadsheet limited edition of 150 copies) Commentary and essays The Intelligence of Louis Agassiz (Beacon Press, 1963) Pennant Key-Indexed Study Guide to Homer's The Iliad (Educational Research Associates, 1967) Pennant Key-Indexed Study Guide to Homer's The Odyssey (Educational Research Associates, 1967) The Geography of the Imagination: Forty Essays. (North Point Press, 1981) Cities on Hills: A Study of I – XXX of Ezra Pound's Cantos (UMI Research, 1983) Charles Burchfield's Seasons (Pomegranate Artbooks, 1994) The Drawings of Paul Cadmus (Rizzoli, 1989) Every Force Evolves a Form: Twenty Essays (North Point Press, 1987) A Balthus Notebook (The Ecco Press, 1989) The Hunter Gracchus and Other Papers on Literature and Art (Counterpoint, 1996) Objects on a Table: Harmonious Disarray in Art and Literature (Counterpoint, 1998) Paintings and drawings A Balance of Quinces: The Paintings and Drawings of Guy Davenport, with an essay by Erik Anderson Reece (New Directions, 1996) 50 Drawings (Dim Gray Bar Press, 1996) (limited ed.) Introduction by Davenport gives an account of the role drawing and painting played in his life. Joan Crane's Davenport bibliography (see below) includes a 25-page insert of reproductions that suggest the range of his drawing styles. Two books by Hugh Kenner, The Counterfeiters and The Stoic Comedians, include Davenport's crosshatched crow quill and ink work, ten full-page drawings in each. Letters A Garden Carried in a Pocket: Letters 1964–1968, ed. Thomas Meyer (Green Shade, 2004). Selected correspondence with Jonathan Williams Fragments from a Correspondence, ed. Nicholas Kilmer (ARION, Winter 2006, 89–129) Selected Letters: Guy Davenport and James Laughlin, ed. W. C. Bamberger (W. W. Norton, 2007) Questioning Minds: The Letters