the guitar. The earlier version was included on the remastered Tumbleweed Connection compact disc. Dispelling rumours that the song's lyric referred to then US President Richard Nixon, Bernie Taupin had this to say: Reception Madman Across the Water was one of John's lowest-charting album efforts. It continued a streak of mediocre performance in the UK for John, peaking at No. 41 on the UK Albums Chart and spending two weeks there. The album fared much better in North America, peaking at No. 8 on the US Billboard Top Pop Albums and later on at No. 10 on the year-end list of 1972. The album received Gold by the RIAA in February 1972, achieving $1 million in sales at wholesale value just in the United States. In 1993, the album was certified Platinum, representing shipments of more than one million units in the US. In 1998, the album was certified Multi-Platinum, representing shipments of over two million units in the US. In May 2017 the album was certified Silver for sales of 60,000 units by the British Phonographic Industry. On release, Alex Dubro of Rolling Stone was not especially enthusiastic about Madman Across the Water, who found it inferior to its two predecessors. Although he commended "Tiny Dancer" and "Levon", he found the lyrics throughout the record confusing, concluding that it is a "difficult, sometimes impossibly dense record" that would not upset John's current fans, but not gain new ones either. On the other hand, Penny Valentine was more positive in Sounds magazine, describing John as "a music man of immense feeling and power" that is full of unexplored talent. When it was released in 'The Classic Years' collection, it was the first album not to feature any bonus tracks. One known track recorded at the time, "Rock Me When He's Gone", was released on the 1992 compilation Rare Masters. The song was written for and recorded by one of John's long-time friends, Long John Baldry. It was later remastered for the 50th anniversary deluxe edition. Madman was John's first foray into progressive rock, and it did not sell well. His next album, Honky Château, shifted gears to glam rock, beginning a string of more successful releases. He did not touch upon prog rock again until Blue Moves in 1976, another less popular album. Madman was helped in North America by FM radio deejays willing to play the lengthy singles, unlike