war. He supported fascism after 1918. In the 1930s, Carrà signed a manifesto in which called for support of the state ideology through art. The Strapaese group he joined, founded by Giorgio Morandi, was strongly influenced by fascism and responded to the neo-classical guidelines which had been set by the regime after 1937, but was opposed to the ideological drive towards strong centralism. Carrà died in Milan in 1966. Selected works The Funeral of the Anarchist Galli (1911) The Enchanted Chamber (1917) The Metaphysical Muse (1917) The Daughter of the West (1919) The Engineer's Lover (1921) Canale a Venezia (1926) References Sources Carrà at the Peggy Guggenheim Collection Carrà at the Mart, Museo d'Arte Moderna e Contemporanea di Trento e Rovereto Mark Antliff, "Fascism, Modernism, and Modernity", in The Art Bulletin, March 2002 Elizabeth Cowling and Jennifer Mundy, On Classic Ground: Picasso, Léger, de Chirico and the New Classicism 1910-1930, London:, Tate Gallery, 1990 Karen Pinkus, Bodily Regimes: Advertising under Italian Fascism, Minneapolis-Saint Paul, University of Minnesota Press, 1995 Stanislao G. Pugliese, Italian Fascism and Anti-Fascism: A Critical Anthology, Manchester, Manchester University Press, 2001 External links Ten Dreams Galleries Italian Futurist painters Italian fascists Italian muralists 1881 births 1966 deaths Art writers Italian male painters Brera Academy alumni Academic staff of Brera Academy People from Quargnento 20th-century Italian painters