Heaven. But now, at length thy grace, O Lord! Birds all around me shine; I drink thy sweet, thy precious word, I kneel before thy shrine! He had to leave Hindu College on account of being a convert. In 1844, he resumed his education at Bishop's College, where he stayed for three years. In 1847, he moved to Madras (Chennai) due to family tensions and economic hardship, having been disinherited by his father. While in Madras, he stayed in the Black Town neighbourhood, and began working as an "usher" at the Madras Male Orphan Asylum. Four years later, in 1851, he became a Second Tutor in the Madras University High School. He edited and assisted in editing the periodicals Madras Circulator and General Chronicle, Athenaeum, Spectator and Hindoo Chronicle. Literary life Early works (1849–1855) Dutta wrote exclusively in English in his early writing years. The Captive Ladie was published in 1849 and, like Derozio's The Fakeer of Jungheera, takes on the form of a long narrative poem. In The Anglo-Saxon and the Hindu (1854), an essay in florid, even purple, prose, are references to and quotations from almost the whole of Macaulay's shelf of European books. He was greatly influenced by the works of William Wordsworth and John Milton. Dutta was a spirited bohemian and Romantic. Calcutta Years (1858–1862) The period during which he worked as a head clerk and later as the Chief Interpreter in the court marked his transition to writing in his native Bengali, following the advice of Bethune and Bysack. He wrote 5 plays: Sermista (1859), Padmavati (1859), Ekei Ki Boley Sabyata (1860), Krishna Kumari (1860) and Buro Shaliker Ghare Ron (1860). Then followed the narrative poems: Tilottama Sambhava Kavya (1861), Meghnad Badh Kavya (1861), Brajagana Kavya (1861) and Veerangana Kavya (1861). He also translated three plays from Bangla to English, including his own Sermista. Final years (1866–1873) A volume of his Bangla sonnets was published in 1866. His final play, Maya Kannan, was written in 1872. The Slaying of Hector, his prose version of the Iliad remains incomplete. Linguistic abilities Madhusudan was a gifted linguist and polyglot. He studied English, Bengali, Hebrew, Latin, Greek, Tamil, Telugu, and Sanskrit. Work with the sonnet Michael Madhusudan Dutt dedicated his first sonnet to his friend Rajnarayan Basu, which he accompanied with a letter: "What say you to this, my good friend? In my humble opinion, if cultivated by