"Three Blind Mice" is an English-language nursery rhyme and musical round. It has a Roud Folk Song Index number of 3753. Lyrics The modern words are: Origins and meaning A version of this rhyme, together with music (in a minor key), was published in Deuteromelia or The Seconde part of Musicks melodie (1609). The editor of the book, and possible author of the rhyme, was Thomas Ravenscroft. The original lyrics are: Attempts to read historical significance into the words have led to the speculation that this musical round was written earlier and refers to Queen Mary I of England blinding and executing three Protestant bishops. However, the Oxford Martyrs, Ridley, Latimer and Cranmer, were burned at the stake, not blinded; although if the rhyme was made by crypto-Catholics, the mice's "blindness" could refer to their Protestantism. However, as can be seen above, the earliest lyrics don't talk about harming the three blind mice, and the first known date of publication is 1609, well after Queen Mary died. The rhyme only entered children's literature in 1842 when it was published in a collection by James Orchard Halliwell. Variations Amateur music composer Thomas Oliphant (1799–1873) noted in 1843 that: Robert Schumann's Kreisleriana #7, which is arguably about a cat (Murr), appears to be based upon "Three Blind Mice", but in a predominantly minor key. "Three Blind Mice" is to be found in the fugue which is the centerpiece of #7. Joseph Holbrooke (1878–1958) composed his Symphonic Variations, opus 37, based on Three Blind Mice. Also, Joseph Haydn used its theme in the Finale (4th Mvt) of his Symphony 83 (La Poule) (1785–86); one of the 6 Paris Symphonies, and the music also appears in the final movement of English composer Eric Coates' suite The Three Men. "Three Blind Mice" was also used as a theme song for The Three Stooges and a Curtis Fuller arrangement of the rhyme is featured on the Art Blakey live album of the same name. The song is also the basis for Leroy Anderson's 1947 orchestral "Fiddle Faddle". The theme can also be heard in Antonín Dvořák's Symphony No. 9 IV. Allegro con fuoco. The British composer Havergal Brian (1876–1972) used the tune as the basis of his orchestral work "Fantastic Variations on an Old Rhyme" (1907–08). The work was originally intended as the first movement of a satirical "Fantastic Symphony" (Symphony No.1), a programmatic work, based