King Rat is a 1962 novel by James Clavell and the author's literary debut. Set during World War II, the novel describes the struggle for survival of American, Australian, British, Dutch and New Zealander prisoners of war in a Japanese camp in Singapore. Clavell was a prisoner in the Changi Prison camp, where the novel is set. One of the three major characters, Peter Marlowe, is based upon Clavell. King Rat was the first book published of Clavell's sweeping series, the Asian Saga, and the fourth chronologically. Two characters from King Rat also appear in Noble House (1981). Plot summary The novel opens in early 1945. Peter Marlowe, a young British RAF Flight Lieutenant, has been a P.O.W. since 1942. Marlowe comes to the attention of the "King" - an American corporal who has become the most successful trader and black marketeer in Changi - when King sees him conversing in Malay. Marlowe's languages, intelligence, honesty, and winning personality cause King to befriend him and attempt to involve him in black market deals, which bring Marlowe to the attention of Robin Grey, a British officer and Provost Marshal of the camp, who has developed a Javert-like obsession with King and hopes to arrest him for violating camp regulations. Grey is attempting to maintain military discipline among the prisoners and sees King as the antithesis of his beliefs. As the son of a working-class family, Grey follows the rules for their own sake, using his position as Provost Marshal to gain a status otherwise unavailable to him in British society. Despite being an enlisted man and undistinguished in civilian life, King has become a major power in the closed society of the P.O.W. camp through his charisma and intelligence. Trading with Korean guards, local Malay villagers, and other prisoners for food, clothing, information, and what few luxuries are available, King keeps himself and his fellow American prisoners alive. Senior officers come to him for help in selling their valuables to buy food, and other officers are secretly on his payroll. Marlowe is initially put off by King's perspective and behaviour, which clash with the British upper class ideals he has been taught. He turns down a lucrative business partnership with King because "Marlowes aren't tradesmen. It just isn't done, old boy". Marlowe soon understands that King is not the thief and con artist that Grey would have him believe. Rather, King