Prado Museum. At the back of this room there is a huge canvas of the Last Supper by the Jesuit Diego de la Puente, made in 1658. Antesacristy Here there is an immense canvas of five by six meters, which represents the family tree of the Franciscan Order, a work that dates from 1734; it is a Liman painting by an unknown author. Upper cloister Upon reaching it is the top of the convent, from where the garden with the five bronze fountains can be seen. In the corners there are four of the 27 alabaster crosses that were initially located on the perimeter of the atrium or square of the building complex. In this part of the Convent are also the rooms of the Franciscans. Its primitive columns were made of black stone brought from Panama. Subsequently, they were withdrawn due to deterioration due to strong seismic movements and replaced by the current ones of greater consistency. There are also paintings on the walls here with images of Catholic saints. Choir The choir was made in 1658 by the Quitoan-Franciscan-builder Antonio Rodríguez. In earlier times, the Franciscans used to gather here for their services or religious ceremonies. It is a rectangular piece, measuring long by wide, where an impressive Baroque choir stalls, carved in cedar, which extends on both sides, are preserved. It also consists of 130 seats, having in the central part, as a union of the two rows, the main seat of the Guardian of the Order, the same one that has on its back a carving of the embrace of Saint Francis of Assisi and Saint Dominic. The stalls are preciously carved and engraved. In the second row, the figures of 71 images of the Christian religion can be seen in high relief, which are separated by small corbels in the form of caryatids. In the center is the lectern, a revolving piece of furniture where the songbooks were placed. All the wood that was used for the work of this chairs is totally cedar, brought from Costa Rica during the 17th century and made in total Baroque style. Library In the library, there are approximately 25,000 volumes, some dating to the 16th century. There are very rare editions, incunabulas and Franciscan chronicles from the 15th to the 18th century, as well as some volumes published in the early days of printing in Peru, as well