again in the highly successful Pépé le Moko. Its popularity brought Gabin international recognition. That same year he starred in Jean Renoir's La Grande Illusion, an antiwar film that ran at a New York City theatre for an unprecedented six months. This was followed by another of Renoir's major works, La Bête Humaine (The Human Beast), a film noir tragedy based on the novel by Émile Zola and starring Gabin and Simone Simon, as well as Le Quai Des Brumes (Port of Shadows), one of director Marcel Carné's classics of poetic realism. His rugged charisma could be compared with Humphrey Bogart and James Cagney. But he was the king of ‘cinematic cool’ even before the rise of those Hollywood stars. He divorced his second wife in 1939. Hollywood In the late 1930s Gabin was flooded with offers from Hollywood, but turned them all down until the outbreak of World War II. After the German occupation of France in 1940, he joined Renoir and Duvivier in the United States. During his time in Hollywood, Gabin began a romance with actress Marlene Dietrich that lasted until 1948. His films in America—Moontide (1942) and The Impostor (1944), the latter with Duvivier—were not successful. World War II action Undaunted, Gabin joined General Charles de Gaulle's Free French Forces and earned the Médaille militaire and a Croix de Guerre for his wartime valor fighting with the Allies in North Africa. Following D-Day, Gabin served with the 2nd armored division that liberated Paris. Career slump In 1945 Carné chose Gabin to star in the film Gates of the Night with Dietrich as his co-star. She disliked the screenplay and feared her German accent would not go over well with postwar French audiences. When she withdrew from the project, Gabin followed suit, leading to a falling out with Carné. He found a French producer and director willing to cast him and Dietrich together, but the film, Martin Roumagnac, was not a success and their personal relationship soon ended. In 1948 Gabin starred in René Clément's poetic realist film The Walls of Malapaga (), which won an Oscar for Best Foreign Language Picture but garnered little recognition for Gabin. In 1949 he starred in his only role in legitimate theatre in Henri Bernstein's La Soif. It ran in Paris for six months, with Gabin critically praised as "a first-rate stage actor." Despite this recognition, his subsequent films did