blister-razing gutter-punk that lurches from harrowing, slow-motion menace (Diggin' For Ghosts) to floored-accelerator sludgecore (Long Dark Night); the whole scabrous din held together by its creators' unswerving passion. Easily the filthiest, heaviest and most exciting thing that Tairrie has put her scream to." "Excommunicated" and "Long Dark Night" videos On May 21, 2011 the band announced the video for the song Excommunicated. The video was filmed and edited by Tor Burrows of Notorious Design who had worked with the band previously on their other videos for their live Rick Derringer cover of Rock and Roll, Hoochie Koo and Me Without You from the band's Throat Full Of Heart album. The Excommunicated video officially premiered via the band's website on May 22, 2011, to coincide with the 2011 end times prediction of Harold Camping. Tor Burrows would later go on to direct and edit the video for Long Dark Night which premiered on the band's official site on August 8, 2011. The video contains live footage shot in the UK by Tor, mixed with footage shot in LA at the Whisky a Go Go shot by former My Ruin and Tura Satana drummer Marcelo Palomino as well as home footage shot of Tairrie herself. There are also various pieces of public domain stock footage and most strikingly of all, Hill of Crosses footage given to the band by film-maker Asatuurs Keim. The Hill of Crosses is a Catholic pilgrimage site in northern Lithuania where, over many years Catholic pilgrims have left crosses and other religious paraphernalia. Tairrie stated she had always been intrigued by this religious site; "For some it is seen as a place of peace and power, for others a devotion and memorial. For me however, it is simply a scene of beauty whose landscape speaks to me on an otherworldly level when I view its images in photographs. It wasn't until Tor came across the footage shot by Asatuurs that this place began to speak to me subconsciously inviting me to have my own personal connection to it within this song, breathing a new scenery into my language." This revelation led to Tairrie reaching out to Asatuurs and writing him an email in which she asked if she could use the footage in the video for Long Dark Night, to this Asatuurs agreed. The footage goes hand in hand with the religious imagery with which the band have