is a Zainichi Korean playwright, novelist, and essayist. Yu writes in Japanese, her native language, but is a citizen of South Korea. Early life Yu was born in Tsuchiura, Ibaraki Prefecture and grew up in Yokohama, Kanagawa Prefecture as one of four children born to Korean parents. Her father, a son of Korean immigrants, worked at a pachinko gambling parlor. Her mother, a refugee from the Korean War who fled to Japan from South Korea, worked as a hostess in a bar. Yu's father was often abusive, and eventually her parents divorced when Yu was a child. A frequent victim of bullying at school, and after several suicide attempts, she found refuge in literature after reading the literary works of Edgar Allan Poe, Fyodor Dostoyevsky, William Faulkner, and Truman Capote. Literary career After dropping out of the Yokohama Kyoritsu Gakuen high school, she joined the Tokyo Kid Brothers (東京キッドブラザース) theater troupe and worked as an actress and assistant director. In 1986, she formed a troupe called Seishun Gogetsutō (青春五月党), and the first of several plays written by her was published in 1991. In the early 1990s, Yu switched to writing novels. Her novels include Furu Hausu (フルハウス, "Full House", 1996), which won the Noma Literary Prize for best work by a new author; Kazoku Shinema (家族シネマ, "Family Cinema," 1997), which won the prestigious Akutagawa Prize; Gōrudo Rasshu (ゴールドラッシュ, "Gold Rush" 1998), which was translated into English as Gold Rush (2002); and Hachi-gatsu no Hate (8月の果て, "The End of August," 2004). She has published a dozen books of essays and memoirs, and she was an editor of and contributor to the literary quarterly "en-taxi ". Her best-selling memoir Inochi (命, "Life") was made into a movie, also titled Inochi. Yu's first novel, a semiautobiographical work titled Ishi ni Oyogu Sakana (石に泳ぐ魚, "The Fish Swimming in the Stone") published in the September 1994 issue of the literary journal Shinchō, became the focus of a legal and ethical controversy. The model for one of the novel's main characters—and the person referred to indirectly by the title—objected to her depiction in the story. The publication of the novel in book form was blocked by court order, and some libraries restricted access to the magazine version. After a prolonged legal fight and widespread debate over the rights of authors, readers, and publishers versus individuals' rights to privacy, a revised version of the novel was published