in both Manchester and London as Hester in Eden Phillpotts' The Shadow. 1914–1919 Between November 1914 and May 1918 Thorndike played in four seasons at the Old Vic (and one at the Shakespeare Memorial Theatre in 1916) with a mostly Shakespearean repertory. According to her biographer Jonathan Croall she played "most of the main female characters" and – with a shortage of young actors during the war – she took six male roles including Prince Hal in Henry IV Part 1, the Fool in King Lear, Ferdinand in The Tempest and Puck in A Midsummer Night's Dream. Her non-Shakespearean roles included Lady Teazle in The School for Scandal, Peg Woffington in Masks and Faces, Kate Hardcastle in She Stoops to Conquer, the Angel Gabriel in the mystery play The Star of Bethlehem, and Nancy in a stage version of Oliver Twist adapted by her brother Russell, who was the leading man of the company. Together, the siblings wrote and co-starred in two revues for the company: The Sausage String's Romance, or a New Cut Harlequinade and Seaman's Pie, a Naval Review of Revues and Other Things. After leaving the Old Vic company Thorndike was engaged by C. B. Cochran, and appeared at the Oxford Music Hall, London, in June 1918 as Françoise in a sketch, "The Kiddies in the Ruins", which was introduced into The Better 'Ole. In various West End theatres during 1919 she appeared as Sygne de Coûfontaine in The Hostage, Naomi Melsham in The Chinese Puzzle, Clara Bortswick in The Great Day, Anne Wickham in Napoleon and in October she played Hecuba in The Trojan Women, adding to her growing reputation as Britain's leading tragedienne. Praising her as "a new leading lady" for the West End, The Times predicted, "Much as the Old Vic will regret it, it is hardly conceivable that Miss Thorndike will be allowed to cross over to the south side of the river again". In the event, she continued to appear in Old Vic productions as well as in the West End for nearly thirty years. 1920s In early 1920 Thorndike successfully repeated her Hecuba and played the title roles in Shaw's Candida and in another Euripides play, Medea. The critic J. T. Grein wrote of the latter, "It is a great example of tragic acting, and a magnificent achievement". Later in the year Thorndike joined her brother and her husband in a