a ten-year hiatus, Sutton formally relaunched Bark Psychosis in 2004 and revealed that he had, in fact, been recording new Bark Psychosis tracks since 1999 with various collaborators. The project was now, in effect, a Graham Sutton solo project in all but name, with Sutton playing the majority of the instrumentation himself. Former band drummer Mark Simnett was present, but only in the form of unspecified sampled drum tracks. Sutton's most prominent collaborators were now Colin Bradley (better known as the guitarist from Dual) and the former Talk Talk/.O.rang drummer Lee Harris. Other contributors to the project were Anja Buechele (the singer for The $urplu$), bass player David Panos, New Zealand multi-instrumentalist Rachel Dreyer (piano, vocals, wood flute), Shaun Hyder (Sindhi tamboura), Alice Kemp (bowed guitar) and T.J. Mackenzie (trumpet). One of the clearest indications that the project had changed was that Sutton was now sharing his lead singer's role with others: Buechele and Dreyer covered many of the vocals, sometimes even singing entire songs. Conversely, a link with the past came from Pete Beresford who contributed vibraphone, reprising his role on Hex. The revitalized Bark Psychosis released a new album, ///Codename: Dustsucker on Fire Records in 2004 (accompanied by a new single called "The Black Meat"). ///Codename: Dustsucker revealed that Bark Psychosis was no longer confined by the formal limitations of either rock band or dance music project, as might have been expected. As opposed to Hexs more consistent approach (which worked the band's influences and ideas around an established rhythm section and melodic instrumentation, and which sounded like the work of an isolated live band with guests), Dustsucker was a diverse — even sprawling — collection of musical ideas. Sutton was exploring separate instrumentation from track to track, with the "trademark" Bark Psychosis approach to dynamics and atmosphere serving as the linking project identity. Although several pieces featured familiar Bark Psychosis ingredients (such as the interplay of Sutton's tremolo electric guitar and minimal keyboards), others were based around strummed acoustic guitar and resembled either folk music or some of the band's pre-"Scum" psychedelic work, while others had elements of cool jazz, Indian classical sounds, or — as in the case of "Shapeshifting" – a post-Boymerang fascination with the possibilities of extended rhythm and noise. Rather than make new pressings of the Independency and Game Over albums, 3rd Stone Ltd had apparently already planned to release a new compilation