A Dream Play () is a fantasy play in 14 scenes written in 1901 by the Swedish playwright August Strindberg. It was published in Swedish in 1902 and first performed in Stockholm on 17 April 1907. It remains one of Strindberg's most admired and influential dramas, seen as an important precursor to both dramatic Expressionism and Surrealism. Plot The primary character in the play is Agnes, a daughter of the Vedic god Indra. She descends to Earth to bear witness to problems of human beings. She meets about 40 characters, some of them having a clearly symbolical value (such as four deans representing theology, philosophy, medicine, and law) and is herself enmeshed in a wrenching marriage. After experiencing all sorts of human suffering (for example poverty, cruelty, and the routine of family life), the daughter of gods realizes that human beings are to be pitied. Only the Poet, who has created the dream, seems unaffected by human suffering. Finally, she returns to Heaven and this moment corresponds to the awakening from a dream-like sequence of events. Interpretations The use of a dream to represent a setting in a theatrical work appealed to the traditionally realist author in that Strindberg expresses realistic concerns such as materialism, class struggle, gender role struggle, and the destruction of traditional marriage in (as stated in the preface) "the disconnected but apparently logical form of a dream. Everything can happen; everything is possible and likely." The play itself represents a change in his style, one that would have widespread influence on the development of modernist drama. Eschewing realism, Strindberg explained that he had modeled his play, not on the pattern of cause and effect that had characterized the well-made play, but on the associative links found in dreams. Locales dissolve and give way to each other; time both moves forward and backward. During the course of the play, a castle grows up in the garden, as if it were a plant. At the play's end, it burns, revealing a wall of suffering and despairing faces, then blossoms at its top in a huge chrysanthemum. A description of the play's style can be found in Strindberg's prefatory note:The characters split, double, multiply, evaporate, condense, dissolve and merge. But one consciousness rules them all: the dreamer's; for him there are no secrets, no inconsistencies, no scruples and no laws. He does not judge or acquit, he merely relates;