Latin far, farris and coco) or death. The name coca was given to the cloak and to the man who wore the cloak. In 1498, the Portuguese King Manuel I gave permission to the Catholic brotherhood of the Misericórdia to collect the bones and remains from the gallows of those that had been condemned to death and put them in a grave every year on All Saints' Day. The brotherhood in a procession, known as Procissão dos Ossos, were followed by the farricocos, who carried the tombs and collected the bones. In the travels of the Baron Rozmital, 1465–1467, a paragraph was written commenting on the traditional mourning clothes of the Portuguese of that time. The relatives of the deceased who accompanied his funeral would be clad in white and hooded like monks, but the paid mourners would be arrayed in black."[...] white was worn as the garb of mourning until the time of King Manuel, at the death of whose aunt, Philippa, black was adopted for the first time in Portugal as the symbol of sorrow for the dead". Giants In Ribadeo, two giant figures represent "el coco y la coca" that dance at the sound of drummers and Galician bagpipe players. The land of the dead The 'land of the dead' is a mythic land which appears in traditions from various cultures around the ancient world. Probably the oldest mention of a mythic land of the dead located in the Iberian Peninsula is in the Lebor Gabála Érenn. The legends of Portugal and Spain speak of an enchanted land, the Mourama, the land where an enchanted people, the Mouros (Celtic *MRVOS) dwell under the earth in Portugal and Galicia. The lore of Galicia says that "In Galicia there are two overlapped people: a part lives on the surface of the land; they are the Galician people, and the other in the subsoil, the Mouros". Mourama is the otherworld, the world of the dead from where everything comes back. The Mourama is ruled by an enchanted being who is called rei Mouro (king Mouro). His daughter is the princesa Moura (princess Moura), a shapeshifter who changes herself into a snake, also called bicha Moura, or can even be seen riding a dragon. In popular culture In the last chapter of the work of Miguel de Cervantes, the epitaph of Don Quijote identifies him as the scarecrow and el coco.