keys that Liszt had not used, namely the sharp keys, to "complete" the set of 24. Lyapunov's set of études was dedicated to the memory of Liszt, and bore titles as Liszt's set had done, with the final étude being entitled Élégie en mémoire de Franz Liszt. Very few pianists have recorded the 1837 set, and even fewer have recorded the 1826 set (which really are works of Liszt's juvenilia). Leslie Howard is the only pianist to have recorded all three sets on a major label for international release, as part of his series of recordings for Hyperion of the complete solo piano music of Liszt. Other works with a similar title Sergei Lyapunov, 12 Études d'exécution transcendante, Op. 11 (1897–1905) Kaikhosru Shapurji Sorabji, Études transcendantes (100) (1940–44), commonly known as 100 Transcendental Studies Brian Ferneyhough, Études transcendantales for mezzo-soprano and chamber ensemble (1982–85) Selected recordings References External links Discography of Liszt's Transcendental Studies Études by Franz Liszt 1852 compositions Music dedicated to students or teachers