The Mitchell & Kenyon film company was a pioneer of early commercial motion pictures based in Blackburn in Lancashire, England, at the start of the 20th century. They were originally best known for minor contributions to early fictional narrative film and Boer War dramatisation films, but the discovery in 1994 of a hoard of film negatives led to restoration of the Mitchell & Kenyon Collection, the largest surviving collection of early non-fiction actuality films in the world. This collection provides a fresh view of Edwardian era Britain and is an important resource for historians. Background Following on from the first motion picture, made in October 1888 by Louis Le Prince in the United Kingdom, the first showing to a paying audience was by Auguste and Louis Lumière of France, in Paris in 1895 and in London the following year, featuring La sortie des usines Lumière showing workers leaving their factory gates in Lyon. Others in France and Britain soon made films, some in "the factory-gate film" genre, and when Mitchell & Kenyon came together they found themselves ideally placed in the heart of the industrial North of England. People were excited at the opportunity of seeing themselves on film, and there were commercial opportunities for short films featuring as many local people as possible. "We take them and make them." Sagar Mitchell and James Kenyon founded the firm of Mitchell & Kenyon in 1897. Under the trade name of Norden, the company was one of the largest film producers in the United Kingdom in the 1900s, with the slogans of "Local Films For Local People" and "We take them and make them", they operated initially from their respective business premises at 40 Northgate and 21 King Street, Blackburn. The first reported showing of a Mitchell & Kenyon film was a film of Blackburn Market, shown at 40 Northgate, in Blackburn, on 27 November 1897. The company produced films either on their own initiative or as commissioned by local businesses. In April 1899 the travelling showman George Green commissioned them to film workers leaving factories, to be shown at the Easter fair, thus beginning the showing of their films by a network of showmen. Three Norden fiction films released in September 1899 – The Tramp's Surprise, The Tramps and the Artist, and Kidnapping by Indians – brought them to national attention. The success of their early films encouraged Mitchell to give