the song's middle section and "dream the audience, sort of Vivaldi", and later considered the song's lyrics and its final section with Wakeman's keyboards to be particularly strong. The track features choral passages performed by the Richard Williams Singers, whose musical arrangements were directed by Wakeman, and the Ars Laeta of Lausanne, recorded at the Église des Planches, a church in Montreux. An early version of the song's introduction was performed live during the band's final gig on the Relayer tour, in 1975. Artwork In addition to a change of producers and engineers, Going for the One also marked a departure in the cover artists. Since 1971, they had worked with Roger Dean who became known for his surreal and fantastical landscapes and designed their distinct logo. While the band were recording Dean presented his idea for the cover painting, which had pieces of rock floating in the sky with the largest piece containing trees and a pool of water. The design was to be a conceptual sequel to his work produced on their first live album, Yessongs (1973). Dean said he flew to Montreux to discuss his ideas with the band but only met with Anderson, who was uninterested in his suggestions and instead, presented a rough design of what he wanted Dean to create. Anderson, however, claimed that while the band approached Dean to design the cover, he was unwilling to visit them. Howe claimed "a certain member" was no longer interested in working with Dean, which ended their collaboration until Drama (1980); in his 2021 memoir All My Yesterdays he attributes that to a "misunderstanding". The band commissioned Storm Thorgerson and Aubrey Powell of Hipgnosis to design the artwork. They came up with a marked change in direction that represented a new, revitalised attitude within the band and their return to more direct and concise songs. Artist George Hardie contributed to the graphical design. Presented as a triple gatefold sleeve, the front cover depicts the back of a standing nude male looking at the Century Plaza Towers in Century City, California against a blue sky. By the time the album was released Yes had acquired full ownership of Dean's logo, which they previously had co-owned, and used it on the cover. Dean is credited in the liner notes. Inside features a photograph of each band member by Lake Geneva and Île de Peilz, an island on the