in 1874. During World War II, the dome was painted gray once again, to prevent reflection during blackouts and to protect the city and building from bombing attacks. The dome was re-gilded in 1969, at a cost of $36,000. Then, in July 1997, the dome was once again re-gilded, in 23k gold. The estimated cost this time was $1.5 million. The dome is topped with a gilded, wooden pine cone, symbolizing both the importance of Boston's lumber industry during early colonial times and of the state of Maine, which was a district of the Commonwealth when the Bulfinch section of the building was completed. Statuary In front of the building is an equestrian statue of General Joseph Hooker. Other statues in front of the building include Daniel Webster, educator Horace Mann, and former US President John F. Kennedy. The statues of Anne Hutchinson and Mary Dyer are located on the lawns below the east and west wings. Inside the building is a statue of William Francis Bartlett, an officer in the Civil War. Building interior The original red-brick Bulfinch building contains the Governor's offices (on the west end) with the Massachusetts Senate occupying the former House of Representatives Chamber under the dome. The Massachusetts House of Representatives occupies a chamber on the west side of the Brigham addition. Hanging over this chamber is the "Sacred Cod", which was given to the House of Representatives in 1784 by a Boston merchant. The Sacred Cod symbolizes the importance of the fishing industry to the early Massachusetts economy. The House Chamber is decorated with murals by Albert Herter, father of Massachusetts Gov. Christian Herter. Murals on the second floor under the dome were painted by artist Edward Brodney. Brodney won a competition to paint the first mural in a contest sponsored by the Works Progress Administration in 1936. It is entitled "Columbia Knighting Her World War Disabled". Brodney could not afford to pay models, and friends and family posed. The model for Columbia was Brodney's sister Norma Brodney Cohen, and the model for the soldier on one knee in the foreground was his brother Fred Brodney. In 1938, he painted a second mural under the dome called "World War Mothers". The models were again primarily friends and family members, with sister Norma sitting beside their mother Sarah Brodney. The New York Times notes that the murals are relatively rare examples of military art