United States and in Europe. In 1966, she served as a State Department representative for the United States to the first ever World Festival of Negro Arts in Dakar, Senegal. In 1967 she officially retired, after presenting a final show at the famous Apollo Theater in Harlem, New York. Even in retirement Dunham continued to choreograph: one of her major works was directing the premiere full, posthumous production Scott Joplin's opera Treemonisha in 1972, a joint production of the Atlanta Symphony Orchestra and the Morehouse College chorus in Atlanta, conducted by Robert Shaw. This work was never produced in Joplin's lifetime, but since the 1970s, it has been successfully produced in many venues. In 1978 Dunham was featured in the PBS special, Divine Drumbeats: Katherine Dunham and Her People, narrated by James Earl Jones, as part of the Dance in America series. Alvin Ailey later produced a tribute for her in 1987–88 at Carnegie Hall with his American Dance Theater, entitled The Magic of Katherine Dunham. Educator and writer In 1945, Dunham opened and directed the Katherine Dunham School of Dance and Theatre near Times Square in New York City. Her dance company was provided with rent-free studio space for three years by an admirer and patron, Lee Shubert; it had an initial enrollment of 350 students. The program included courses in dance, drama, performing arts, applied skills, humanities, cultural studies, and Caribbean research. In 1947 it was expanded and granted a charter as the Katherine Dunham School of Cultural Arts. The school was managed in Dunham's absence by Syvilla Fort, one of her dancers, and thrived for about 10 years. It was considered one of the best learning centers of its type at the time. Schools inspired by it were later opened in Stockholm, Paris, and Rome by dancers who had been trained by Dunham. Her alumni included many future celebrities, such as Eartha Kitt. As a teenager, she won a scholarship to the Dunham school and later became a dancer with the company, before beginning her successful singing career. Dunham and Kitt collaborated again in the 1970s in an Equity Production of the musical Peg, based on the Irish play, Peg O' My Heart. Dunham Company member Dana McBroom-Manno was selected as a featured artist in the show, which played on the Music Fair Circuit. Others who attended her school included James Dean, Gregory Peck, Jose Ferrer, Jennifer