series will collect a set of song artifacts by theme: temperance, school songs, hymns, folksongs ancient and modern, institutional music, advertisement and persuasion, ditties, jingles, and popular music. He has also performed a song for the original soundtrack CD for the "Where in the World is Carmen San Diego?" television series, though this track was commissioned for the CD and never used in any other context. Visual and multi-media art Brian Dewan's series of I Can See filmstrips use the technology of the educational filmstrips from the mid-twentieth century as a point of departure for imaginative personal invention. Each panel features one of Dewan's fanciful drawings, usually skillfully rendered in magic marker or watercolor. The images are accompanied by elaborate soundtracks in which Dewan is heard, adopting a deadpan narrator's voice, and playing various musical instruments to create a different miniature soundtrack for each panel of the filmstrip. When it is time for the projectionist to advance the strip to the next panel, Dewan's voice is typically heard singing "boop" in close imitation of the noise traditionally used for this purpose. The themes of the strips often seem as though they could have been taken from actual educational strips - Grimm's Fairy Tales, Civic Pride, a short history of the Organ, Biblical stories have all served as conceits for the filmstrips. The strips tend to take many free-associative liberties and are by turns satirical and surreal, often whimsical and sometimes touching on serious themes. "Before the White Man Came" seems as though it might be about colonialism or racism, but the "White Man" of the filmstrip starts to seem more likely to be a folkloric evil spirit, with a charged and ambiguous relationship to racial stereotypes. In 2003, Dewan created an installation at the Pierogi 2000 Gallery in Brooklyn which transformed the appearance of the gallery into that of an American classroom from an indeterminate bygone era, perhaps from the 1940s. He presented his filmstrips regularly during the course of the month-long exhibition, to audience members seated in old schooldesks. Dewan has created a series of what he terms "shrines", constructed of wood and other materials, such as light bulbs, clocks, photographs and bottles. Perhaps the best known shrine is the one appearing on the cover of They Might Be Giants' album Lincoln. The shrines range from about one to six feet tall and often evoke New England church architecture