is examined through the relationship between Arthur and Maria Cornish, a relationship tested by infidelity. And the modern approach to relationships is mocked in the dysfunctional common-law situation of two minor characters, Al and Mabel, who present themselves in Toronto to monitor and record the production of the opera from start to finish. As often happens in Davies' novels, all is not simple; for example, the ghost of Hoffman, trapped in Limbo as a result of the unsatisfactory state of his artistic work, attends and comments on the proceedings. Nor is all peaceful among the characters, as they react to Powell's seduction of Maria Cornish, Dahl-Soot's seduction of Schnak, and the tensions created by the effort to mount an operatic production. External links 1988 Canadian novels Novels by Robertson Davies Novels about composers Novels set in Ontario