performed as the ESPY's house band for the night, where he performed his latest compositions. Saadiq's 2011 album Stone Rollin' was released to great critical acclaim. "He's always had a boyish enthusiasm for performing, and a flexible, naturally joyous voice that suggests a young Stevie Wonder," wrote Greg Kot of the Chicago Tribune, "but with his latest album, Saadiq finds a new gear. The album and his current tour demonstrate that there's a big difference between retro and classic, and the artist consistently finds himself on the right side of that divide." Kot ranked the album number seven in his year-end list, in which he dubbed it Saadiq's "finest achievement" and stated, "He's always written songs steeped in soul and R&B, but now he gives them a progressive edge with roaming bass lines and haunted keyboard textures. He's no longer a retro stylist – he's writing new classics." Critic Jim Derogatis called it "a stone cold gas of a party disc." In fall 2011, he performed on the fourth results show of Dancing with the Stars season 13. In December 2011, he performed a cover compilation of several Neil Diamond songs at the Kennedy Center Honors award ceremony. In 2012 he signed a deal with Toyota to do a TV commercial for the Toyota Prius. In 2013 Raphael partnered with Bay Area/ Atlanta Production company EL Seven Entertainment/ Republic Records and then-new R&B singer Adrian Marcel and released his first promotional mixtape Raphael Saadiq Presents Adrian Marcel 7 Days of Weak. Saadiq is a featured bass guitar player on Elton John's 2013 album, The Diving Board. In 2016 he executive produced Solange Knowles' album, A Seat At The Table, which debuted at number 1 on music charts in the United States. He also guest starred in Luke Cage, where he performs his songs "Good Man" and "Angel" at Harlem's Paradise. In 2017 he appeared in the award-winning documentary film The American Epic Sessions, directed by Bernard MacMahon, where he recorded the Memphis Jug Band's 1928 song "Stealin' Stealin'". live on the restored first electrical sound recording system from the 1920s. Of recording on the system he said, "it's amazing to just look at how it's built, you know just look at the machine itself. It just has this like magical sound the way that it's built. It's true. It's just the truest sound you could ever get". In 2017, Saadiq