his year in Paris, he made his first recording of Kodaly's Sonata in B minor for solo cello. The recording earned him the Grand Prix du Disque. He went on to make three more recordings of the work. Starker emigrated to the United States in 1948 to become principal cellist of the Dallas Symphony Orchestra under Antal Doráti. In 1949, he moved to New York City to become principal cellist of the Metropolitan Opera under Fritz Reiner. It was in New York that Starker made the first of his recordings of the Bach Cello Suites. In 1953, Starker became principal cellist of the Chicago Symphony Orchestra when Fritz Reiner became the music director. In 1958, Starker moved to Bloomington, Indiana, where he settled for the rest of his life. At the Indiana University Jacobs School of Music he became a professor and resumed his solo career. Recorded repertoire Starker made over 150 recordings. He recorded the Bach solo cello suites five times, most recently for RCA Victor Red Seal in 1997 for which he won a Grammy Award. He was also nominated for a Grammy Award for his 1989 recording of the works of David Popper. He had concerti written for him by David Baker, Antal Doráti, Bernhard Heiden, Jean Martinon, Miklós Rózsa, and Robert Starer. He twice recorded the Konzertstück for Cello and Orchestra by Ernő Dohnányi, the work he had played at age 13 with the composer: first, in 1956/57, with the Philharmonia Orchestra led by Walter Susskind, and the composer in attendance for all sessions (the composer was "angry" that the producer, Walter Legge, had insisted on cutting "the orchestra tutti at the start of part three" ); and second, without cuts, with the Seattle Symphony Orchestra led by Gerard Schwarz in 1990. Cellos From 1950 to 1965, Starker played and recorded on the Lord Aylesford Stradivarius, the largest instrument made by Antonio Stradivarius. In 1965 Starker acquired a Matteo Goffriller cello believed to have been made in Venice in 1705; known previously as the "Ivor James Goffriller" cello, Starker renamed it for its certification as "The Star" cello. Reviews and published works Many documentaries, articles in magazines, and newspaper stories have acknowledged János Starker's virtuosity. He published numerous books and musical scores through Peer International, Schirmer, and International Music. His autobiography, The World of Music According to Starker, was published in 2004 by Indiana University Press.