Time reported that, "she went on a 47-day hunger strike to protest the U.S.'s forced repatriation of Haitian refugees. "My job", she said, "is to create a useful legacy." During her protest, Dick Gregory led a non-stop vigil at her home, where many disparate personalities came to show their respect, such Debbie Allen, Jonathan Demme, and Louis Farrakhan, leader of the Nation of Islam. This initiative drew international publicity to the plight of the Haitian boat-people and U.S. discrimination against them. Dunham ended her fast only after exiled Haitian president Jean-Bertrand Aristide and Jesse Jackson came to her and personally requested that she stop risking her life for this cause. In recognition of her stance, President Aristide later awarded her a medal of Haiti's highest honor. Personal life Dunham married Jordis McCoo, a black postal worker, in 1931, but he did not share her interests and they gradually drifted apart, finally divorcing in 1938. About that time Dunham met and began to work with John Thomas Pratt, a Canadian who had become one of America's most renowned costume and theatrical set designers. Pratt, who was white, shared Dunham's interests in African-Caribbean cultures and was happy to put his talents in her service. After he became her artistic collaborator, they became romantically involved. In the summer of 1941, after the national tour of Cabin in the Sky ended, they went to Mexico, where inter-racial marriages were less controversial than in the United States, and engaged in a commitment ceremony on 20 July, which thereafter they gave as the date of their wedding. In fact, that ceremony was not recognized as a legal marriage in the United States, a point of law that would come to trouble them some years later. Katherine Dunham and John Pratt married in 1949 to adopt Marie-Christine, a French 14-month-old baby. From the beginning of their association, around 1938, Pratt designed the sets and every costume Dunham ever wore. He continued as her artistic collaborator until his death in 1986. When she was not performing, Dunham and Pratt often visited Haiti for extended stays. On one of these visits, during the late 1940s, she purchased a large property of more than seven hectares (approximately 17.3 acres) in the Carrefours suburban area of Port-au-Prince, known as Habitation Leclerc. Dunham used Habitation Leclerc as a private retreat for many years, frequently bringing members of her dance company to recuperate