"Take Me Out" is a song by Scottish indie rock band Franz Ferdinand. It was released as the second single from their eponymous debut studio album in the United Kingdom on 12 January 2004 and in the United States on 12 April 2004, both through Domino Records. It was released as 7-inch vinyl, a CD single, and a DVD single with the music video and a short interview with the band. The single reached number three in the UK Singles Chart. In the United States, it reached number three on the Modern Rock Tracks chart and number 66 on the Billboard Hot 100. It was a number-seven hit on the Canadian Singles Chart and also reached number one on the UK Indie Chart. In November 2004, the single was certified gold by the Recording Industry Association of America. The song was voted the best single of 2004 by The Village Voice Pazz & Jop poll, and number one on Australian youth radio network Triple J's Hottest 100 of the same year. In July 2009, it was voted number 100 on Triple J's Hottest 100 of All Time. Background Franz Ferdinand formed in Glasgow in 2002 and wrote "Take Me Out" the following year. Songwriter Alex Kapranos said the idea for the song's theme came from watching a snipers' duel in Enemy at the Gates and that "it felt like a very good metaphor for the kind of romantic situations that we sometimes find ourselves in". Composition "Take Me Out" has been described musically as post-punk revival, indie rock, dance-rock, garage rock, and art rock. Its first section is fast tempo guitar driven, with notes of a chord separated into individual notes, which was influenced by Giorgio Moroder, followed by a slower second section with disco hi-hat patterns and snare drums. The call and answer guitar riff and vocal melody were inspired by blues musician Howlin' Wolf. The band attempted different arrangements before settling on a mid-song tempo change. Alex Kapranos said: "The verses sounded better played a little bit faster and the chorus sounded better played a little slower and we could never quite work it out... I had this idea that we’re going to take all of the verses, put them at the beginning of the song, and then we’re going to slow it down and play all the choruses, which is kind of the wrong way to do