Wippsson of Melodic wrote that the band had made a refreshing take on punk, noting that they had the possibility to be as big as the Used. Exclaim! writer Sam Sutherland added to the Used point, mentioning that a few songs appear to be candidly taken from that band's self-titled debut album. He cited "Until the Day I Die" as a good example of what the rest of Page Avenue sounds like with its appealing hooks and melodies, combined with an acceptable amount of screaming vocals and octave parts to please people who are seeking more of a bite to their music. Cramer similarly highlighted the group's "steady and layered" instrumental work. Sutherland said the album was "excellent" overall, "instantly listenable and catchy as hell". Despite being a decade old the record "is as good as it ever was", according to Roberts. Wippsson added that it was an enjoyable record and that fans of this kind of music would be content. Simpkins, meanwhile, noted an influence from hardcore, "but for some unknown reason they sabotage each song with pissy laments or a string-arrangement". Commercial performance and legacy Page Avenue peaked at number 51 on the Billboard 200 chart. It reached number one on the Heatseekers Albums chart. By January 2004, it had sold close to 150,000 copies. By April, the album was certified gold by the Recording Industry Association of America (RIAA), one of the first of the post-hardcore genre to do so. As of February 2011, it had sold over 900,000 copies. "Until the Day I Die" charted at number 12 on the Alternative Songs chart. It also charted in the UK at number 62. "Anthem of Our Dying Day" charted at number 10 on the Alternative Songs chart. "Sidewalks" charted at number 40 on the Alternative Songs chart. Cleveland Scene said Page Avenue and "Until the Day I Die" helped push screamo into the mainstream musical landscape. Cleveland.com ranked "Until the Day I Die" at number 79 on their list of the top 100 pop-punk songs. In February 2011, the group performed Page Avenue in its entirety for a one-off hometown show. An acoustic re-make of the album was released in October 2013 to celebrate the album's 10th anniversary. The band decided to do this instead of simply re-recording, remixing or remastering the original. Most of the album focused around piano and string arrangements, instead of acoustic guitars