Truth and Soul is the second studio album by American rock band Fishbone. It was released on September 13, 1988. As is typical of the band's history of music the album features a wide array of genres including punk, ska, reggae, soul, funk, and blues. Additionally, Truth and Soul includes the band's earliest foray into hard rock and heavy metal. The album begins with a cover version of Curtis Mayfield's "Freddie's Dead", originally from the soundtrack to the film Super Fly. Recording Following the release of the Fishbone EP and In Your Face, the band had completed their original record contract with Columbia Records and renegotiated a new deal that would allow them another full-length album. It was later acknowledged as a sign of how much faith Columbia had in Fishbone at the time to continue to support their records. Guitarist Kendall Jones was becoming concerned that the band's image was "cartoonish," and reviews of their previous album had, in fact, criticized the attempt at socially conscious subject matter alongside other absurd frat-rock songs. Meanwhile, Jones was beginning to experiment with heavy rock guitar work, which was influencing Fishbone's new material. These elements together influenced the band to make a more serious album with a consistently socially conscious theme. Promotion Domestically, two tracks were released as singles in promotion of the album. The first, "Freddie's Dead", had a music video directed by Douglas Gayeton, and the second, "Ma and Pa", had a video directed by Mike Lipscombe. Additional singles were released in Europe for the songs "Change" and "One Day." Additionally, a promotional EP titled Interchords was released with live versions of six songs from the record followed by excerpts from an interview at KUSF explaining each song's meaning. Reception Contemporary reviews of Truth and Soul were generally mixed to positive. David Silverman for the Chicago Tribune gave the album a mixed review saying that the blend of musical styles hurts the album "despite the band's talent." In a separate review for the same newspaper, Chris Heim positively reviewed the record, especially in light of it being only the band's sophomore effort, calling the record "fresh, assured and bursting with ideas and energy [that] seem like it should come from more experienced musicians." Netherlands music magazine OOR awarded the album as the twenty-second best rock album of the year out of 154 entries. Retrospective reviews were generally positive. Reviewing the