almost comical style, and stemmed from a line in the film, where Breathless says to Tracy, "You don't know whether to hit me or kiss me". The following track on the album, "I'm Going Bananas", is a Carmen Miranda-ish song done in a Spanish accent. A salsa rhythm is predominant, with Madonna squeezing her vocal cords while singing, backed by percussion and brass. In the fifth track, "Crybaby", Madonna mimics the vocals of Betty Boop. The melody is heard over the interlining synth strings, horns and trumpets, and a bass. Rooksby explained that Madonna sang about a guy who is "too sensitive and soft", and the chorus employs a chromatic chord sequence. The next track "Something to Remember" deals with her failed marriage to Penn and was the source of inspiration for naming her 1995 compilation album. Musically, it has melancholy chords and rambling melody, which according to Taraborrelli made it the most compelling song by Madonna. Mark Coleman from Rolling Stone described "Back in Business" as a "nagging headache". It contains a "slow-verse-fast-chorus" sequence. According to Rooksby, "the chorus bursts into life, with Madonna clearly relishing the lyrics about good guys finishing last... the coldness of her delivery is apt for the topic." Her vocals are accompanied by muted trumpet sounds and a saxophone solo. "More" is the second Sondheim number where Madonna recites the materialistic-themed lyrics with irony, over a bouncy two-beat with tap-dancing during an instrumental break. The track consists of syncopated chord structure, tempo changes and lyrical rhymes. The arrangement switches between slow and fast tempo, requiring proper enunciation by Madonna. The final Sondheim song, "What Can You Lose", is the duet with Patinkin. It is a torch song where Patinkin supplies the male voice while Madonna sings during the second verse with strings and harmonics. Madonna sings a two-part duet with Beatty titled "Now I'm Following You". With beats atop a riff, Madonna reveals that "Dick" is an "interesting name". The first part has strings, brass and muted horns, with a tap-dancing sequence during the intermediate piano solo and blues effect. At the last chord, the sound of the record getting stuck is heard, and a needle is drawn across the vinyl, leading into the much faster part two. The word "Dick" is continuously repeated in the main melody structure until the song ends with the sound of a record being snatched off a music