Arnolfini is an international arts centre and gallery in Bristol, England. It has a programme of contemporary art exhibitions, artist's performance, music and dance events, poetry and book readings, talks, lectures and cinema. There is also a specialist art bookshop and a café bar. Educational activities are undertaken and experimental digital media work supported by online resources. Festivals are hosted by the gallery. The gallery was founded in 1961 by Jeremy Rees, and was located in Clifton. In the 1970s it moved to Queen Square, before moving to its present location, Bush House on Bristol's waterfront, in 1975. The name of the gallery is taken from Jan van Eyck's 15th-century painting The Arnolfini Portrait. Arnolfini was refurbished and redeveloped in 1989 and 2005. Artists whose work has been exhibited include Bridget Riley, Rachel Whiteread, Richard Long and Jack Yeats. Performers have included Goat Island Performance Group, the Philip Glass Ensemble, and Shobana Jeyasingh Dance Company. The gallery reached a new audience in April 2010, when it was chosen to host one of the three 2010 general election debates. History Jeremy Rees started Arnolfini with the assistance of his wife Annabel, and the painter John Orsborn in 1961. The location was above a bookshop in the Triangle in Clifton, Bristol. In 1968, Rees was able to give up his teaching job and with the aid of private funding and Arts Council funding relocated the gallery to Queen Square, then to W Shed, later the home of the Watershed Media Centre. In 1975, Arnolfini moved to its present home in Bush House, occupying two floors of a 19th-century Grade II* listed tea warehouse situated on the side of the Floating Harbour in Bristol city centre. The remainder of the building was office space leased out by developers JT Group. The architect of Bush House was Richard Shackleton Pope, who constructed first the south part of the warehouse (1831) then extended it to the north in 1835–1836. Its original use was as a warehouse for local iron foundry D., E. & A. Acraman. The building has a Pennant Sandstone exterior with arched ground level entrances and arched windows above. This style of architecture is the first example of the Bristol Byzantine style which became popular in the 1850s. Later conversion to a tea warehouse added interstitial floors. Originally dedicated to exhibiting the work of artists from the West of England, under the directorship