solidified Grusin's and Rosen's reputations as producers. Also during this period, Grusin made his first pure digital recording, the best-selling album Mountain Dance, which was recorded live with no overdubbing and utilized some of the best recording technology at the time including the digital Soundstream Editing System, which was from Salt Lake City UT. The album was recorded in five grueling days and was one of the first digital recordings produced in 1979. Grusin then took a group of artists for a tour in Japan which was documented by the album Dave Grusin and the GRP All-Stars In Japan and featured many of the label's artists including Grusin and his brother Don Grusin, Tom Browne, Dave Valentin, Bobby Broom, Marcus Miller, Buddy Williams, and guest Japanese saxophonist Sadao Watanabe, which was recorded in fall of 1980 and would be the first of many GRP concerts that they would hold over the years there. 1982 Grusin and Rosen's time at Arista Records was coming to an end as Clive Davis and the label were seeing different visions for the success of the label. Davis wanted to concentrate on hit singles by the latest hot artists for extended airplay, while Grusin and Rosen were concentrated on great sound quality, performances and establishing a bigger audience for jazz at that point in time. They also felt that the albums they produced were not given the highest priority and given the back of the bus treatment with no advertising or advertising to the wrong demographic of music fans or the albums were not available on their release date. Grusin and Rosen made an amenable parting with Arista and Davis in which they were able to acquire a few albums that they produced including bestsellers such as Legends, Browne Sugar, The Hawk (Dave Valentin's follow-up album to Legends), Without Rhyme Or Reason by Scott Jarrett (brother of jazz pianist Keith Jarrett), Days Like These by Hoggard and Grusin's own albums Mountain Dance and Out of the Shadows. They were also able to acquire other albums they were involved with from other labels that included Grusin's One of a Kind from Polydor Records and Lee Ritenour's On The Line and Rio from Elektra Records, which was recorded in 1978 as a hybrid digital and analog recording that was recorded both in the US and in Brazil, while the former was a pure digital recording with no