spontaneous creativity of 'Born in Flames' emerges as an indispensable mode of radical change — one that many contemporary filmmakers with political intentions have yet to assimilate." The restored and remastered 35mm print of Born In Flames that debuted at the Anthology Film Archives in February 2016 enjoyed something of a second life, traveling to the Walker Art Center, the Toronto Film Festival, the 2017 London Film Festival, the Edinburgh Film Festival and the Seoul International Women's Film Festival,; as well as screening in Brussels, Barcelona, Madrid, and San Sebastian; and in many US cities including Detroit, Rochester, San Francisco and New Orleans. Her first film, Regrouping, was also shown at the screenings in Spain and in Brussels, and at the Edinburgh Film Festival, where it first played. Born In Flames was featured at the fourth annual Final Girls Berlin film festival in 2019; the festival features horror by women directors and presented Borden's dystopian film as part of a sci-fi showcase. The film was also broadcast on Turner Classic Movies on the night of November 3, 2020, along with Borden's commentary on her film and on several other films featured in Mark Cousins' documentary, Women Make Film. The Bronx Museum of the Arts featured Born in Flames as the title piece of an exhibition about feminism and futurity from April to September 2021. Borden's early films continue to be shown singly and in retrospectives at film festivals, repertory cinemas and art venues worldwide. Regrouping was restored by The Anthology Film Archives for a 2021 release and is part of Borden's early catalog acquired by Criterion. The Criterion Channel has shown Born In Flames and an interview with Borden; and The Criterion Collection restored and released Working Girls on DVD and Blu-Ray in 2021. On the fate of her Hollywood films, Borden has said, "Born in Flames and Working Girls are the only two films I consider my own. The others – especially Love Crimes and Erotique – were so radically re-cut and interfered with by producers, they're not 'mine', in any sense of the word." (Flashbacks by L.M. "Kit" Carson were added to Love Crimes, and Borden was threatened against taking her name off the film. The producer of Erotique re-edited the film and laid on a music track, among other changes.) "I would like to make films the way I used to in New York, if that is