of her best-known stage roles: Medea and Saint Joan. 1930s Thorndike's roles of the early 1930s included the title part in Racine's Phèdre, Mrs Alving in Ibsen's Ghosts, and Emilia in a celebrated production of Othello at the Savoy Theatre with Paul Robeson and Peggy Ashcroft as Othello and Desdemona. In 1931 she was appointed DBE, the fifth actress to be made a Dame. She appeared in a wide range of plays, both classical and modern, often under Casson's direction. From April 1932 to April 1933 Thorndike and Casson made a tour of Egypt, Palestine, Australia and New Zealand, in which she appeared in the satirical comedy Advertising April; Shaw's Captain Brassbound's Conversion; Ghosts; Clemence Dane's Granite; Macbeth; a romantic comedy, Madame Plays Nap; Milestones; The Painted Veil; Saint Joan and Sidney Howard's domestic drama The Silver Chord. In the West End in September 1933 Thorndike appeared in The Distaff Side, by John van Druten, which she took to Broadway the following year, having in the interim played Gertrude in Hamlet for the Old Vic company at Sadler's Wells in an uncut, five-hour production directed by Greet (who appeared as Polonius). Thorndike and Casson were among the actors who felt an obligation to appear in the provinces as well as in the West End − according to the critic Hannen Swaffer "Sybil is the only actress whom the provinces treat like a queen" − and her expressed view was, "No actor has any business to say that they won't tour, it's part of our work". In 1936 the couple toured in plays by Euripides, Shaw, Noël Coward and D. H. Lawrence, and followed this with a tour of a new play, Six Men of Dorset, by Miles Malleson and Harvey Brooks the following year. In 1938 Thorndike appeared in New York as Mrs Conway in J. B. Priestley's Time and the Conways, and in London as Volumnia in the Old Vic production of Coriolanus with Olivier in the title role as her son. In the West End she created the role of Miss Moffat in the long-running The Corn is Green (1938) by Emlyn Williams. According to The Times, this play "showed her at the top of her form as an English spinster with a vocation for teaching, and obtained for her and the author, who himself played the Welsh mining lad who was her star pupil, a heartening success