would join him there as his secretary, but Cardus's military exemption was under review; the uncertainty of his position ended the possibility of a post at Eton. He left Shrewsbury in September 1916 with little money, and no immediate prospects of regular work. Manchester Guardian, 1917–1940 First years In the winter of 1916–17 Cardus continued his private studies while working intermittently; among various jobs, he collected insurance premiums for a burial society. Early in January 1917 he wrote to C. P. Scott, The Manchester Guardians editor, asking for any available post at the paper, as "the means whereby to continue my education". To bolster his chances he enclosed specimens of his writing. The result was, first, a temporary unpaid position as Scott's secretary, but in mid-March Scott offered a job on the paper's reporting staff. The writer J. B. Priestley later asserted that Cardus, who did not know shorthand, was engaged not as a reporter, but as a "writer". In Cardus's own account of these years he appears to have been fully engaged in reporters' duties, his lack of shorthand being dismissed by the chief reporter, Haslam Mills, who paraphrased Shakespeare: "Some men are born to shorthand, others achieve shorthand, while others have shorthand thrust upon them". Mills advised Cardus to concentrate on style: "We can be decorative at times; we can even be amusing. Here, possibly, you will find scope". Within a year Cardus had been moved from the reporters' room to take charge of the paper's "Miscellany" column. He also resumed the duties of part-time secretary to Scott, who was at this time over 70, and had edited The Manchester Guardian since 1872. Despite his years, he struck Cardus as "of inexhaustible energy and aliveness". Scott was a demanding employer, who gave his young writers free rein, but expected in return long hours and total dedication. Driven hard, sometimes to the point of exhaustion, Cardus nevertheless relished these years, and never complained to Scott of weariness. Early in 1919 his role changed again, when he was made junior drama critic under the direction of C.E. Montague, the paper's principal theatre critic who had returned from war service with no great desire to continue in the role. Cardus's principal ambitions still lay in the direction of music criticism, though he recognised that this door was closed while Samuel Langford, music critic since 1906, remained in post. In preparation for