two sopranos, tenor, two basses, one spoken role and orchestra (1815, in one act: seven numbers) D 239, Singspiel Claudine von Villa Bella for two sopranos, two tenors, two basses, mixed choir and orchestra (1815, in three acts; incomplete – Act I: Overture and eight numbers, is extant, as well as one number from Act II and one number from Act III; remaining numbers were written, but are now lost) D 326, Singspiel Die Freunde von Salamanka for three sopranos, three tenors, six basses, mixed choir and orchestra (1815, in two acts: Overture and eighteen numbers) D 435, Opera Die Bürgschaft for four sopranos, three tenors, three basses, two baritones, mixed choir and orchestra (1816, in three acts; unfinished – Act I: nine numbers, five numbers from Act II, and one number and one fragment from Act III are extant) D 644, Music for Zauberspiel Die Zauberharfe for tenor, six spoken roles, mixed choir and orchestra (1820, in three acts: Overtures to the first and third acts, and thirteen numbers; Overture to the first act known as the "Rosamunde" Overture, also used in D 797) D 647, Singspiel Die Zwillingsbrüder for soprano, tenor, three basses, mixed choir and orchestra (1819, in one act: Overture and ten numbers) D 689, Oratorio Lazarus, oder: Die Feier der Auferstehung for three sopranos, two tenors, bass, mixed choir and orchestra (1820, in three acts; unfinished – Act I: twenty-one numbers, and eight numbers from Act II are extant) D 701, Opera Sakuntala for fourteen sopranos, three altos, five tenors, nine basses, mixed choir and orchestra (1820, also appears as "Sakontala" or "Sakuntala"; in three acts; unfinished – sketches of eleven numbers from Acts I and II are extant) D 723, Duet and Aria for Hérold's Das Zauberglöckchen ['Nein, nein, nein, nein, das ist zu viel'; 'Der Tag entflieht, der Abend glüht'] for two tenors, bass and orchestra (1821) D 732, Opera Alfonso und Estrella for two sopranos, two tenors, bass, two baritones, mixed choir and orchestra (1821–1822, in three acts: Overture and thirty-four numbers) D 787, Singspiel Die Verschworenen, a.k.a. Der häusliche Krieg, for four or five sopranos, two altos, two or three tenors, two basses, mixed choir and orchestra (1823, in one act: eleven numbers) D 791, Opera Rüdiger for two tenors, men's choir and orchestra (1823, sketches of two numbers are extant) D 796, Opera Fierrabras for three sopranos, three tenors, three