basses, baritone, one spoken role, mixed choir and orchestra (1823, also appears as "Fierrabras"; in three acts: Overture and twenty-three numbers; first published as Op. 76) D 797, Music for Schauspiel Rosamunde, Fürstin von Zypern for alto, mixed choir and orchestra (1823, Overture and nine numbers; first published as Op. 26) D 918, Opera Der Graf von Gleichen for four sopranos, two tenors, six basses, mixed choir and orchestra (1827, in two acts; unfinished – sketches of eleven numbers for Act I and nine numbers for Act II are extant) D 981, Singspiel Der Minnesänger (date unknown, fragment; lost) D 982, Opera "?" for two sopranos, tenor, bass and orchestra (1819–1821?, also appears as Sophie; title and text author unknown; sketches of three numbers are extant) Series III: Part songs Part songs with orchestral accompaniment D 110, Cantata "Wer ist groß?" ['Wer ist wohl groß?'] for bass, men's choir and orchestra (1814) D 294, Cantata "Namensfeier" ['Erhabner! Verehrter Freund der Jugend!'] for soprano, tenor, bass, choir and orchestra, Namensfeier fur Franz Michael Vierthaler or Gratulations-Kantate (1815) D 451, Cantata "Prometheus" ['Hervor aus Buschen und Baumen'] for soprano, bass, choir and orchestra (1816, lost) Op. posth. 128 – D 472, Cantata "Kantate zu Ehren von Josef Spendou" for two sopranos, tenor, bass, mixed choir and orchestra (1816, see also D 470?) D 714, Octet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for four tenors, four basses, two violas, two violoncellos and double bass (1820–1821, 4th setting; 1st version [formerly D 704], sketch) Op. posth. 167 – D 714, Octet "Gesang der Geister über den Wassern" ['Des Menschen Seele gleicht dem Wasser'] for four tenors, four basses, two violas, two violoncellos and double bass (1820–1821, 4th setting; 2nd version) Op. posth. 157 – D 748, Cantata "Am Geburtstage des Kaisers" ['Steig empor, umblüht von Segen'] for soprano, alto, tenor, bass, mixed choir and orchestra (1822) Op. posth. 139 – D 913, Quartet "Nachtgesang im Walde" ['Sei uns stets gegrüßt, o Nacht!'] for two tenors, two basses and four horns (1827) D 954, Cantata "Glaube, Hoffnung und Liebe" ['Gott, laß die Glocke glücklich steigen']; version for two tenors, two basses, mixed choir, two oboes, two clarinets, two bassoons, two horns and two trombones (1828) Song cycles containing part songs Op. 52, Sieben Gesänge aus Walter Scotts "Fräulein am See" (1825) No. 3 – D 835, Quartet "Bootgesang" ['Triumph,