in the old slow-swift tempo. The Hao family lineage later modified this form in one significant respect as well: they made it a small frame form, to align it with their next-generation forms. Their version is outwardly a bit less martial in appearance, yet it retains vigorous features including speed, a jump kick, and fa jin. It is taught to advanced students, and although Grandmaster Liu Jishun stated in a 1999 interview that it is taught at a fourteen-minute pace, he also published a DVD in 2005 showing that once mastered it can still be performed in less than nine minutes or even under five minutes. Fourth generation: new traditional forms In the first half of the twentieth century the forms got longer still, but with a change in focus: creating routines for the broader public and not just for martial artists. The first was Hao Yueru's 96-movement small frame form. Gu Liuxin gave these examples of changes in that form: "Originally there were also jumping movements until the fourth generation teacher Hao Yueru (1877-1935) removed them. The 'Double-Slap Swinging Lotus' was also changed so that there is no slapping of the top of the foot. These were adaptations made for the needs of the old and infirm." Accessible to "the old and infirm", yes, and Hao Shaoru did say it was a "qigong quan" (), but it still contains a martial arts core, with lessons on the applications of internal strength and other topics for intermediate and advanced students. The Hao family lineage is known for their focus on "Yi" (, "intention") as well as "Qi" (, "energy"), with masters demonstrating the use of their small and seemingly soft movements to launch opponents into the air and across the room just as well as masters of other lineages often do. Next were two 108-movement routines. Like the Hao Yueru 96 form, these are now considered the traditional long forms of their respective lineages. The Li family lineage (as we have named them for the purposes of this article), under Wei Peilin, Yao Jizu, and others, standardized a 108-posture form that is still middle frame, but slightly less extended, and higher, softer, and more hidden than the previous generations' forms, with the torso more vertical, and no jump kicks or other immediately strenuous movements. Advanced students are introduced to fa jin movements and other aspects of internal strength in the