and piano (1820, first published as Op. posth. 132) D 730, Hymn "Tantum ergo" ['Tantum ergo'] in B major for soprano, alto, tenor, bass, mixed choir and orchestra (1821) D 739, Hymn "Tantum ergo" ['Tantum ergo'] in C major for mixed choir, orchestra and organ (1814, first published as Op. 45) D 750, Hymn "Tantum ergo" ['Tantum ergo'] in D major for mixed choir, orchestra and organ (1822) D 811, Antiphon "Salve Regina" ['Salve Regina'] in C major for two tenors and two basses (1824, first published as Op. posth. 149) D 948, Hymn "Hymnus an den heiligen Geist" ['Komm, heil'ger Geist, erhöre unser Flehen'] for two tenors, two basses and men's choir (1828, 2 versions; 1st version was formerly D 941; 2nd version [formerly D964] for two tenors, two basses, men's choir, two oboes, two clarinets, two bassoons, two trumpets, two horns and three trombones; 2nd version first published as Op. posth. 154) D 953, Hymn "Der 92. Psalm" ['tôw l'hôdôs ladônoj'] for baritone, soprano, alto, tenor, bass and mixed choir (1828) D 962, Hymn "Tantum ergo" ['Tantum ergo'] in E major for soprano, alto, tenor, bass, mixed choir and orchestra (1828) D 963, Offertory "Intende voci" ['Intende voci'] in B major for tenor, mixed choir and orchestra (1828) D deest, Tantum ergo ['Tantum ergo'] in C major for mixed choir and orchestra (1821) D deest, Tantum ergo ['Tantum ergo'] in C major for mixed choir and orchestra (1821) Series II: Stage works D 11, Singspiel Der Spiegelritter for five sopranos, three tenors, four basses, mixed choir and orchestra (1811?, in three acts?; unfinished – Overture, five complete numbers and three fragments from Act I are extant) D 84, Singspiel Des Teufels Lustschloß for three sopranos, two tenors, three basses, one spoken role, mixed choir and orchestra (1814, in three acts: Overture and twenty-three numbers; 2 versions; NSA also appends three discarded numbers: No. 13 from the 1st version and Nos. 7 and 23 from the 2nd version, in addition to a fragment of an orchestral postlude) D 137, Singspiel Adrast for soprano, tenor, bass, men's choir and orchestra (1817, in two or three acts?; unfinished – thirteen numbers are extant: eight are complete, and five are sketches) D 190, Singspiel Der vierjährige Posten for soprano, three tenors, bass, one spoken role, mixed choir and orchestra (1815, in one act: Overture and eight numbers) D 220, Singspiel Fernando for