panelists on the game shows Tattletales, Hollywood Squares, and Masquerade Party in the 1970s. On May 28, 1964, Troup and she recorded a one-hour program for Japanese television in Japan. London sang 13 of her classic songs, including "Bye Bye Blackbird", "Lonesome Road", and "Cry Me a River". She released studio albums until the end of the decade, and her final studio album was Yummy, Yummy, Yummy (1969), a collection of contemporary songs. After this, London stopped singing professionally, as she had lost significant vocal control due to years of smoking and drinking. Emergency! London remained close with ex-husband Jack Webb, and in 1972, he cast her and Troup in his television series Emergency!, of which he was executive producer. London played Dixie McCall, and Troup was cast as emergency-room physician Dr. Joe Early. They appeared in the same roles in an episode of the Webb-produced series Adam-12. In 1977, after a six-year run of 128 episodes, Emergency! was cancelled despite good ratings. London, the only actress to appear in every episode of the series, was invited back for two of the four TV movie specials, and the show ended in 1979. During this time, London appeared in television advertisements for Rose Milk Skin Care Cream. Later, Webb offered London a position as executive producer of future television projects, but she chose to retire from the television industry to spend more time with her family. She completed "My Funny Valentine", her last musical recording, for the soundtrack of the Burt Reynolds film Sharky's Machine in 1981. Artistry Predominantly a torch singer, London was described by critics as both "sultry" and "low-keyed". Her recordings were often noted by critics for being "intimate", typically featuring sparse guitar and bass arrangements. A BBC Legends episode noted: "Some singers sing as though they are addressing a crowd; some sing as though they are in a bar with a lot of people—[London] sings as though she's in one room, with you—and that's the difference." Music journalist Lucy O'Brien stated: "[In] the mid-'50s...pop [was] in a period of transition from big band swing to small jazz combos; you've got rock'n'roll, you've got R&B—and she managed to incorporate all those influences and feed that into her music. She was very much of her time." As her career progressed into the 1960s, London's recordings incorporated more elaborate instrumentation, with her vocals backed by larger ensembles. Personal life In