that they were purposely conceived as "action/adventure stereotypes". On the writing generally, he considers the "old-school comic book"-style plots to be "less sophisticated than the production design, frequently falling into the same pattern: the UN-like World Space Patrol recognizes a threat from an alien civilisation, sending in Steve Zodiac and team to neutralise it ... before almost getting themselves killed." For John Peel, Fireball XL5 is one of several APF series to feature capable female characters who are weakened by negative gender stereotypes. Peel describes medical expert Dr Venus as being "relegated to secondary chores", calling this an example of "standard Anderson sexism". Writing for Decider.com, Meghan O'Keefe praises Fireball XL5s humour and special effects but criticises the series' "almost incomprehensible level of misogyny [...] Dr Venus is criticised for not fetching coffee fast enough and later, when she praises Steve's heroism, he replies, 'Thanks, I think you're cute, too.'" O'Keefe also comments that the series "doesn't seem concerned with the morality or the larger social implications of space travel. Just as Dr Venus is constantly written off as a woman, the aliens we meet speak an uncomfortably foreign language and are painted as maniacal terrorists willing to go on suicide missions to destroy Earth [...] There's no nuance, but then, that clearly wasn't the goal. Anderson was clearly trying to make an entertaining show, and it's very, very amusing." Ian Fryer characterises the series as a Space Western, arguing that Steve Zodiac essentially plays the role of an interstellar sheriff. Fryer also compares David Graham's voice for Professor Matic to that of Western actor "Gabby" Hayes and the French-born Venus to Marlene Dietrich as Frenchy in the film Destry Rides Again (1939). According to Fryer, the series adapts Western stock characters to create an air of "warmth and familiarity". The series' music has been positively received. According to Clark, the closing theme song's opening lyric, "I wish I was a spaceman", had a "timely resonance" for audiences of the early Space Age. Describing the series overall as "better than a lot of live-action movies", Mark Voger of NJ.com argues that the music "would be at home in any live-action thriller." Tie-ins and home video The TV series was supplemented by an audio play, Journey to the Moon, which was produced by APF in association with Pye Records. Written by Alan Fennell and released as a 7-inch vinyl EP in