Tadeusz Różewicz (9 October 1921 – 24 April 2014) was a Polish poet, playwright, writer, and translator. Różewicz was in the first generation of Polish writers born after Poland regained its independence in 1918, following the century of foreign partitions. He was born in Radomsko, near Łódź, in 1921. He first published his poetry in 1938. During World War II, he served in the Polish underground Home Army. His elder brother, Janusz, also a poet, was executed by the Gestapo in 1944 for serving in the Polish resistance movement. His younger brother, Stanisław, became a noted film director and screenwriter. Biography and career Tadeusz Różewicz was the son of Władysław and Stefania Różewicz (née Gelbard, a Jewish convert to Catholicism). After finishing high school, Różewicz enrolled at Jagiellonian University in Kraków. He then served in World War II. After the war, he moved to Gliwice, where he lived for the following two years. In 1968, he moved to Wrocław, where he lived for the rest of his life. Różewicz wrote and published fifteen volumes of poetry between 1944 and 1960. Czesław Miłosz wrote a poem dedicated to Różewicz and his poetry in 1948. Różewicz's debut as a playwright was in 1960, with The Card Index (Kartoteka). He wrote over a dozen plays and several screenplays. His dramaturgical work continued to be accompanied by volumes of poetry and prose. Some of Różewicz's best known plays, other than The Card Index, include: The Interrupted Act (Akt przerywany, 1970), Birth Certificate (Świadectwo urodzenia, screenplay to an award-winning film by the same title, 1961), Left Home (Wyszedł z domu, 1965), and The White Wedding (Białe małżeństwo, 1975). His New Poems collection was nominated for the National Book Critics Circle Award in 2008. Różewicz's works have been translated into nearly all major languages. Two of his plays were translated into English and produced at La MaMa Experimental Theatre Club in New York City during the 1960s and 1970s. In 1965, Karen Cross and Johan Holm directed a series of Różewicz's three short plays, collectively titled The Witnesses. A Village Voice review of the production reads: The first play, the most abstract, is a string of metaphors meant... to convey a view of man's condition... The second play presents a young married couple at breakfast planning their day. They work very hard at it, as if a night of sleep cuts them off drastically from life