a farm near Nashville and in 1908 the family made the move from Smith County. The Odoms and their foster son lived on Nashville and Franklin Tennessee farms Clark Odom managed for several years. In 1918, the family moved to Nashville when Clark Odom got a city job and Bailey started to perform locally there as an amateur. Career Bailey's first radio appearance was apparently in September 1925 on Fred Exum's WDAD, a Nashville station that only lasted from 1925 until sometime in 1927. His first documented appearances, however, were in 1926 according to The Nashville Tennessean including WDAD on January 14 and WSM on June 19. On December 10, 1927, he debuted his trademark song, "Pan American Blues" (named for the Louisville and Nashville Railroad's Pan-American), on a program then known as the WSM Barn Dance. At that time Barn Dance aired after NBC's classical music show, the Music Appreciation Hour. While introducing Bailey, WSM station manager and announcer George D. Hay exclaimed on-air, “For the past hour, we have been listening to music largely from Grand Opera, but from now on, we will present ‘The Grand Ole Opry.’” "Pan American Blues" was the first recording of a harmonica blues solo. Several records by Bailey were issued in 1927 and 1928, all of them harmonica solos. In 1927 he recorded for Brunswick Records in New York City, In 1928 he made the first recordings in Nashville, eight sides for RCA Victor, three of which were issued on the Victor, Bluebird, and RCA labels. Emblematic of the ambiguity of Bailey's position as a recording artist is the fact that his arguably greatest recording, "John Henry", was released by RCA separately in both its "race" series and its "hillbilly" series. In addition to his well-known harmonica, Bailey also played the guitar, bones, and banjo. Bailey was a pioneer member of the WSM Grand Ole Opry and one of its most popular performers, appearing on the program from 1927 to 1941. During this period he toured with major country stars, including Uncle Dave Macon, Bill Monroe, and Roy Acuff. Like other black stars of his day traveling in the Southern United States and Western United States, he faced difficulties in finding food and accommodations because of discriminatory Jim Crow laws. Bailey was fired by WSM in 1941 because of a licensing conflict between BMI and ASCAP, which prevented him from playing his