to run from George. George attacks Joyce. He is then with a doctor who is Pensfield. George says when he's dreaming, he sometimes thinks he is falling asleep. Williams comes into the office and tells Berkley he has found the missing brains and Pensfield had them all along. He is arrested. Joyce Barber, George's real life wife, is met by the detectives and told that her husband's brain is alive and producing rudimentary consciousness in a very discontinuous “fluctuating dream state”. George is again with Joyce on the beach. They see a blinking light in the ocean that goes out shortly afterwards before they can figure out what it was. The light is reminiscent of the light that came on with brain activity, suggesting the real Joyce agreed to terminate George consciousness. Style Possible Worlds is a Post Modern Expressionist piece in that neither the relationship with the viewer or the subject is stable. The scenes are disjointed and it disrupts continuity which is what creates that unstable relationship with the viewer which can also put the play under the Style of Modernism. This play has many elements of many styles. At times it is mood driven and we are dealing with the hidden world inside George's brain which would symbolism. But George is on a quest towards clarity and the setting is inside the main character's mind, although most of the play we do not know that but nonetheless the play is mostly expressionistic. Possible worlds is also specifically post modern in that the setting varies and is somewhat unpredictable, the world are artificial and the meaning of the play comes with knowing the context. The biggest Spectacle on stage in this play would be the image of the human and rat brain in glass containers hooked up to wires and lights. Language The language used in the play is modern but uses very little slang. During the scene with the block and slab men you hear throughout the scene the men saying “block” and “slab”. The Language that is used does not tend to have any elements of euphonic, but symbols tend to be fairly prevalent. Subtle hints in the script are what let us know what is really going on. Without certain lines like when George says, “I’m in a case.” He is not saying figuratively but it sees to be so, but he is literally in