(La Giralda, Seville), and the Nasrid of the Kingdom of Granada (Alhambra, Generalife). Later, several currents appear: Mudéjar (the Alcázar of Seville), the Romanesque period (the Cathedral of Santiago de Compostela), the Gothic period (the Cathedrals of Burgos, León and Toledo), the Renaissance (Palace of Charles V in Granada), the Baroque period (Granada Cathedral), the Spanish colonial architecture, and Neoclassical style (ex. the Museo del Prado) are the most significant. In the 19th century eclecticism and regionalism, the Neo-Mudéjar style and glass architecture bloom. In the 20th century, the Catalan Modernisme (La Sagrada Família by Gaudí), modernist architecture, and contemporary architecture germinated. Cinema In recent years, Spanish cinema, including within Spain and Spanish filmmakers abroad, has achieved high marks of recognition as a result of its creative and technical excellence. In the long history of Spanish cinema, the great filmmaker Luis Buñuel was the first to achieve universal recognition, followed by Pedro Almodóvar in the 1980s. Spanish cinema has also seen international success over the years with films by directors like Segundo de Chomón, Florián Rey, Luis García Berlanga, Carlos Saura, Julio Medem and Alejandro Amenábar. Woody Allen, upon receiving the prestigious Prince of Asturias Award in 2002 in Oviedo remarked: "when I left New York, the most exciting film in the city at the time was Spanish, Pedro Almodóvar's one. I hope that Europeans will continue to lead the way in filmmaking because at the moment not much is coming from the United States." Non-directors have obtained less international notability. Only the cinematographer Néstor Almendros, the actress Penélope Cruz and the actors Fernando Rey, Antonio Banderas, Javier Bardem and Fernando Fernán Gómez have obtained some recognition outside of Spain. Mexican actor Gael García Bernal has also recently received international attention in films by Spanish directors. Today, only 10 to 20% of box office receipts in Spain are generated by domestic films, a situation that repeats itself in many nations of Europe and the Americas. The Spanish government has therefore implemented various measures aimed at supporting local film production and movie theaters, which include the assurance of funding from the main national television stations. The trend is being reversed with the recent screening of mega productions such as the €30 million film Alatriste (starring Viggo Mortensen), the Academy Award-winning Spanish/Mexican film Pan's Labyrinth (El Laberinto del Fauno), Volver (starring Penélope Cruz), and Los Borgia (€10 million), all of them hit