Tierra"), into animals (the human-feline hybridism in "El rival"), into machines (the human-inanimate hybridism “El automóvil”), and in other people (for example, “Amado en el amado”). Ocampo uses gradual changes in her short story "Sabanas de tierra" to highlight the metamorphic process of a gardener in a plant. These changes are typically noted by their transitions in senses and actions, for example, sound, smell, visual changes, and taste. According to Juan Ramón Vélez García, many of these processes of metamorphosis indicate biblical connections in Genesis. Vélez García interprets the transformative features of the characters as a cycle or return, highlighting the biblical phrase “pulvis es et in pulverem reverteris” (Vélez García K.R. 2006). The characters in "Sabanas de tierra" do not have proper names. Ishak Farag Fahim believes that this reflects an attempt to generalize the ideas and worldview that the story seeks to communicate. Legacy Ocampo's own merit as a writer has been overshadowed by her associations with her sister Victoria Ocampo, her husband Adolfo Bioy Casares, and her friend Jorge Luis Borges. In recent years, however, Ocampo's work has been newly translated into English, bringing greater awareness to Ocampo's accomplishments as a writer. Ocampo is buried at La Recoleta Cemetery in Buenos Aires. Selected works Short stories and novellas Viaje olvidado (Buenos Aires: Sur, 1937). Forgotten Journey, trans. by Suzanne Jill Levine and Katie Lateef-Jan (City Lights, 2019). Los que aman, odian (novella with Adolfo Bioy Casares) (Buenos Aires: Emecé, 1946). Where There’s Love, There’s Hate, trans. by Suzanne Jill Levine and Jessica Powell (Melville House, 2013). Autobiografía de Irene (Buenos Aires: Sur, 1948). Autobiography of Irene La furia (Buenos Aires: Sur, 1959). The Fury Las invitadas (Buenos Aires: Losada, 1961). The Guests Los días de la noche (Buenos Aires: Sudamericana, 1970). Days of Night Y así sucesivamente (Barcelona: Tusquets, 1987). And So Forth Cornelia frente al espejo (Barcelona: Tusquets, 1988). Cornelia Before the Mirror Leopoldina's Dream. Selection of 32 stories translated by Daniel Balderston (Penguin, 1988). Thus Were Their Faces (New York Review Books, 2015). Revised and expanded edition of Leopoldina's Dream with ten additional stories. Published in the UK as The Imposter and Other Stories (2021). La torre sin fin (novella) (2007). The Topless Tower, trans. by James Womack (Hesperus Press, 2010). La promesa (novella) (Buenos Aires: Lumen, 2011). The Promise, trans. by Suzanne Jill Levine and Jessica Powell (City Lights, 2019). Poetry Espacios métricos (Buenos