me: 'Not even in the Top 10?! How has this happened?'" Release Lifeblood was preceded by the single "The Love of Richard Nixon", released on 18 October 2004. During the mid-week chart the single was at the No. 1 position, but dropped and ended up peaking at No. 2 on the UK singles chart. Lifeblood was released on 1 November 2004. It entered the UK Albums Chart at No. 13, selling 23,990 in the first week and spending only 3 weeks in the Top 75. The album has gone Silver, but it is the least commercially successful album by the band. It has currently sold around 90,000 copies in the UK. "Empty Souls", the second and final single from the album, was released on 10 January 2005. Like the previous single, it debuted and peaked at No. 2. Reception Lifeblood received generally positive reviews from critics, which had not happened for the band's previous effort Know Your Enemy. The album has a weighted average score of 66 out of 100 on Metacritic based on 9 reviews, indicating "generally favorable reviews". AllMusic awarded the album three stars out of five and stated: "Lifeblood is a pleasant listen, but once you peel away the keyboards, sensitively strummed guitars and tasteful harmonies and concentrate on Bradfield's nakedly open voice and Wire's terminally collegiate lyrics, it's hard to escape the unintentional pathos that winds up defining the album and, conceivably, the band's latter-day career." Barry Nicolson of NME wrote: "Where Know Your Enemy strived vainly for relevance, Lifeblood is seemingly content to exist as a highbrow rock record. Out go song titles that were half-baked political manifestos in themselves ('Freedom of Speech Won't Feed My Children' anyone?), in come elegiac pop anthems ('1985') and the welcome presence of Bowie producer Tony Visconti to add a glacial sheen to the whole affair. Indeed, this is arguably the best Manics album since Everything Must Go." Colin Weston of Drowned in Sound praised the album, writing: "This is not rock, it is arguably not indie and would fit very comfortably next to the soft nu-wave eighties pop albums that your auntie has on the shelf... and it is quite simply brilliant! [...] 'Generation Terrorists' may well live forever in the hearts of their fans but 'Lifeblood' may well live forever as one of the best commercial albums of the bands career." John Garrett from PopMatters wrote "Richey