Joan Sims. In 1973, she played the Bond girl Miss Caruso, in the post-opening titles sequence of Live and Let Die, the first James Bond film starring Roger Moore. Smith's role is therefore significant as Miss Caruso is the first Bond girl of the Roger Moore era. She was recommended for the role by Moore himself, having previously appeared with him in an episode of The Persuaders! on TV. Smith and Moore take part in a scene in which he unzips her dress with a magnetic watch. Smith's numerous stage credits include working with US director Charles Marowitz on Blue Comedy (Yvonne Arnaud Theatre, Guildford) and The Snob (at Marowitz's Tottenham Court Road venue the Open Space). She also acted opposite Alec Guinness in the original West End production of Alan Bennett's Habeas Corpus (playing Felicity Rumpers), supported Frankie Howerd again in the Volpone adaptation The Fly and the Fox (Churchill Theatre, Bromley), played Elma in a Cambridge Theatre Company revival of Frederick Lonsdale's Canaries Sometimes Sing, and spent two years playing the female lead in Agatha Christie's The Mousetrap at the St Martin's Theatre. Her television credits include Doctor at Large (1971), The Two Ronnies (appearing in the serial 'Hampton Wick', 1971), Clochemerle (1972), His and Hers (1970) with Tim Brooke-Taylor, Casanova '73 (1973) with Leslie Phillips, Steptoe and Son (1974), The Howerd Confessions (1976), Why Didn't They Ask Evans? (1980) and The Steam Video Company (1984). She also featured in two episodes of All Creatures Great and Small, as two different characters (as Angela Farmer in "Pride of Possession" (1978) and as Anne Grantley in the 1983 Christmas special). She was a member of the regular cast of the BBC2 series The End of the Pier Show (1974) and In The Looking Glass (1978) alongside satirists John Wells and John Fortune and composer Carl Davis. Smith also starred in The Passionate Pilgrim (1984) which turned out to be the final screen appearance of Eric Morecambe. After the birth of her daughter in 1984, Smith gradually wound down her career to enable her time to bring her up. In 2009, Smith interviewed in, and was the cover star of, the coffee-table book Hammer Glamour. She returned to acting in 2011 with an appearance in an episode of Doctors. She then followed this with a role in a docu-drama marking the one-hundredth anniversary of the sinking of the Titanic before