various exhibitions, both individual and collective. When Victoria founded the magazine Sur in 1931, which published articles and texts by many important writers, philosophers, and intellectuals of the 20th century, Ocampo was part of the founding group. However, like Borges and Bioy Casares, she did not have a prominent role in the decisions about the content to be published, which was a task performed by Victoria and José Bianco. In 1934, Ocampo met her future husband, the Argentine author Adolfo Bioy Casares. They married in 1940. The relationship between the two was complex, and Bioy openly had lovers. Some authors have described Ocampo as a victim, but others, such as Ernesto Montequin, have rejected this portrait: "Eso la pone en un lugar de minusválida. La relación con Bioy fue muy compleja; ella tuvo una vida amorosa bastante plena [. . .] La relación con Bioy podía hacerla sufrir, pero también la inspiraba” [That puts her in a handicapped place. The relationship with Bioy was very complex; she had a fairly full love life [. . . ] The relationship with Bioy Casares could make her suffer, but it also inspired her]. Ocampo and Bioy remained together until her death, despite her husband's frequent infidelities. In 1954, Bioy's extramarital daughter, Marta, was born. Ocampo adopted Marta and raised her as her own. Marta Bioy Ocampo died in an automobile accident shortly after Ocampo's own death. Bioy Casares's son by another mistress, Fabián Bioy, later won a lawsuit for the right to the estates of Ocampo and Bioy Casares; Fabián Bioy died in 2006. Career and literary works Ocampo began her career as a short story writer in 1936. Ocampo published her first book of short stories, Viaje olvidado, in 1937, followed by three books of poetry: Enumeración de la patria, Espacios métricos, and Los sonetos del jardín. She was a prolific writer, producing more than 175 pieces of fiction during one forty-year period. Ocampo frequently collaborated with other writers. She wrote Los que aman, odian ("Those Who Love, Hate") with Bioy Casares in 1946, and with J. R. Wilcock she published the theatrical work Los Traidores in 1956. With Borges and Bioy Casares, Ocampo co-authored the celebrated Antología de la literatura fantástica in 1940, and also the Antología poética Argentina in 1941. Before turning to writing, Ocampo had studied painting in Paris under the cubist Fernand Léger and proto-surrealist Giorgio de