criticisms of the capitalist system), partly because, unlike novels, short stories are not censored by the Press Scrutiny Board. Poetry is also a popular genre today, as it was during the monarchical times. However, unlike novels and other works, which use literary Burmese, poetry uses vernacular rather than literary Burmese. This reform movement is led by left-leaning writers who believe laymen's language (the vernacular and colloquial form of Burmese) should be used instead of formal Burmese in literature. One of the greatest female writers of the Post-colonial period is Journal Kyaw Ma Ma Lay. Khin Myo Chit was another important writer who wrote, among her works, The 13-Carat Diamond (1955), which was translated into many languages. The journalist Ludu U Hla was the author of numerous volumes of ethnic minority folklore, novels about inmates in U Nu-era jails, and biographies of people working in different occupations. Prime Minister U Nu himself wrote several politically oriented plays and novels. Other prolific writers of the post-colonial era include Thein Phae Myint (and his The Ocean Traveller and the Pearl Queen, considered a Burmese classic), Mya Than Tint (known for his translations of Western classics like War and Peace), Thawda Swe and Myat Htun. Distinguished women writers, who have also been an ever-present force in Burmese literary history, include Kyi Aye, Khin Hnin Yu, and San San Nweh. Burmese Historians: Ba Shin, Than Tun, Thant Myint-U, Htin Aung, Sao Saimong, Myoma Myint Kywe, and San C. Po were famous in Burma. Dance Dance in Burma can be divided into dramatic, folk and village, and nat dances, each having distinct characteristics. Although Burmese dance has been influenced by the dance traditions. (), is also popular in Myanmar, Yodaya is the named that was given by Burmese for Thailand. The dance is only dance with for entertaining the royal families at royal court, it retains unique qualities that distinguish it from other regional styles, including angular, fast-paced and energetic movements and emphasis on pose, not movement. Music Various types of Burmese music use an array of traditional musical instruments, assembled in an orchestra known as hsaing waing which the Burmese saing saya Kyaw Kyaw Naing has made more widely known in the West. Traditional folk music is atypical in Southeast Asian music, as it is characterised by sudden shifts in rhythm and melody as well as change in texture and timbre. An instrument unique to