never got to be born, due to nuclear holocaust. Determined to use their earthly tenures wisely, the unadmitted put the surviving architects of Armageddon—including the novel’s everyman protagonist—on trial under the Nuremberg precedent. Only Begotten Daughter (William Morrow 1990) represented the author’s initial exploration of the subject that would preoccupy him during his mature writing years: the enigma of religious faith. The protagonist is Julie Katz, whose existential problems include the fact that she is Jesus Christ’s divine half-sister, reincarnated in contemporary Atlantic City. In The Last Witchfinder (William Morrow, 2006) the author dramatized the birth of the scientific worldview. Though much of the novel plays like straightforward, albeit comic, historical fiction, the author employs a peculiar postmodern conceit: the story is told by a sentient book, Isaac Newton’s Principia Mathematica. The narrative turns on Jennet Stearne, who makes it her life’s mission to bring down the Parliamentary Witchcraft Act of 1604. Morrow wrote his ninth full-length novel, an homage to Mary Shelley’s Frankenstein, under the title Prometheus Wept. The protagonist, Mason Ambrose, is a failed philosophy student hired to implant a moral compass in a mysterious young woman, Londa Sabacthani, whose conscience is a blank slate. The book was ultimately published as The Philosopher’s Apprentice (William Morrow, 2008). Much as The Last Witchfinder celebrates the coming of the Enlightenment, Morrow’s tenth novel, Galápagos Regained (St. Martin’s Press, 2015), rejoices in the advent of evolutionary thought. The heroine is Charles Darwin’s zookeeper, the fictional Chloe Bathurst, who will stop at nothing to win the Great God Contest: £10,000 to the first person who can prove, or disprove, the existence of God. The Godhead Trilogy In the 1990s Morrow devoted most of his writing energy to an ambitious project spun from the premise that God has died, leaving behind a two-mile-long corpse. While each book in the Godhead Trilogy features a different protagonist and an independent plot, certain characters and motifs recur throughout the cycle, as does the Corpus Dei. In Towing Jehovah (Harcourt Brace, 1994) a disgraced supertanker captain, Anthony Van Horne, is commissioned by the angel Raphael to tow the divine cadaver to its final resting place in the Arctic. As the voyage progresses, atheists and believers alike take pains to keep God’s death a secret. Blameless in Abaddon (Harcourt Brace, 1996), a modern-dress version of the Book of Job, turns on the plight of Martin Candle, a small-town,