The Independent Group (IG) met at the Institute of Contemporary Arts (ICA) in London, England, from 1952 to 1955. The IG consisted of painters, sculptors, architects, writers and critics who wanted to challenge prevailing modernist approaches to culture. They introduced mass culture into debates about high culture, re-evaluated modernism and created the "as found" or "found object" aesthetic. The subject of renewed interest in a post-disciplinary age, the IG was the topic of a two-day, international conference at the Tate Britain in March 2007. The Independent Group is regarded as the precursor to the Pop Art movement in Britain. First session (1952) The Independent Group had its first meeting in April 1952, which consisted of artist and sculptor Eduardo Paolozzi feeding a mass of colourful images from American magazines through an epidiascope. These images, composed of advertising, comic strips and assorted graphics, were collected when Paolozzi was resident in Paris from 1947-49. Much of the material was assembled as scrapbook collages and formed the basis of his BUNK! series of screenprints (1972) and the Krazy Kat Archives now held at the V & A Museum, London. In fact, Paolozzi's seminal 1947 collage I was a Rich Man's Plaything was the first such "found object" material to contain the word ″pop″ and is considered the initial standard bearer of “Pop Art”. The rest of the first Independent Group session concentrated on philosophy and technology during September 1952 to June 1953, and was chaired by design critic and historian, Reyner Banham. Key members at this stage included Paolozzi, the artist Richard Hamilton, surrealist and magazine art director Toni del Renzio, sculptor William Turnbull, the photographer Nigel Henderson and fine artist John McHale, along with the art critic Lawrence Alloway. Second session (1954) The Group did not meet during late 1953 or early 1954, as they were concentrating on delivering a public programme of lectures at the ICA, Aesthetic Problems of Contemporary Art. New members joined the Independent Group for its second full session, including the architects Alison and Peter Smithson. The Smithsons along with Paolozzi, Henderson, Ronald Jenkins, Toni del Renzio, Banham and others staged the highly significant exhibition, Parallel of Life and Art at the ICA in the Autumn of 1953. Reyner Banham stood down as chair of the Independent Group, as he was busy with his PhD thesis at the Courtauld Institute of Art, and in late 1954 Dorothy Morland