record a hard-hitting album that would be accompanied by a concept movie, in which the characters interact with the band between six music videos. Lyrically, the album focused on the concept of faith implied by the album's title, Beyond Belief, with radio singles entitled "Creed", "Love" and "Prayer", as well as the title track and "I Am on the Rock". Musically, the band embraced a hard rock sound reminiscent of Def Leppard, as described by CCM Magazine: "Petra has certainly moved more and more toward a big, arena rock sound in the past few years (the most obvious fruit of their association with the Elefantes), and Beyond Belief is, if not completely Kansas-inspired, certainly on par with some of the best arena rock music around." The band also, for the first time, drew from a handful of local non-accredited artists such as John Wayfield (percussion), Adam Lawson (keyboards) and Mark Strumford (guitar) during the album's recording.Beyond Belief was huge, the band's most successful release ever, peaking at No. 1 on the Christian charts and certified Gold by the RIAA in 1995. The radio single "Love" shot to the top of the charts and stayed there, becoming Christian radio's biggest hit of 1991. It won the band its first Grammy, in the newly created best Rock/Contemporary Gospel Album category, as well as Dove awards for Rock Album of the Year, Rock Recorded Song of the Year for the title track and Recorded Music Packaging of the Year. More historically, the Gospel Music Association for the first time honored a rock band as Group of the Year, as Petra beat contemporary artists 4HIM, First Call, Take 6 and BeBe & CeCe Winans.Associated Press. "Chapman, Patti Dove winners." The Times Daily, April 12, 1991, Page 12A. The band was at the peak of its popularity, playing to sold-out arenas of 10,000 fans on yet another nationwide tour, and in CCM Magazines year-end Reader's Choice Awards, the band swept to first place in eight categories, second place in four more, and garnered three times as many votes for pop/rock artist of the year as second-place finisher Michael W. Smith. Unseen Power (1991) At the height of its career, the members of Petra were wary of repeating the arena-rock formula that had served the band so well since the mid-1980s. Seeking a way to change directions musically, the band and its producers for their next