was produced by Tom Catalano, the longtime producer of many of Neil Diamond's hit singles and albums; Diamond was another influence and favorite of Olivor's. This album reached the Top 100 bestsellers, remaining in the charts for three months, and peaked at number 87 on the Billboard charts. In 1978, Olivor released the album Stay the Night, with a title track, "Stay the Night" by composer Susan Casazza (previously called Maxie Green) and lyricist Norman Dolph. Olivor's slowed-down version from this album of The Chiffons' "He's So Fine", with its sinewy saxophone and multi-tracked Olivor vocals, became the biggest-selling single of her career and charted into Billboard's Top 100, peaking at number 77. In between Stay the Night and the release of The Best Side of Goodbye, Olivor found herself busy with concerts and also toured as a special guest of Johnny Mathis. Their duet, "The Last Time I Felt Like This", was the theme for the 1978 film Same Time, Next Year. The song, with music by Marvin Hamlisch and lyrics by Alan Bergman and Marilyn Bergman, was nominated for a Golden Globe Award and an Academy Award. The 51st Academy Awards ceremony in April 1979 marked the first time that all five of the nominated songs were performed by the artists who recorded them for the films themselves; Olivor and Mathis performed their "The Last Time I Felt Like This" duet live at the televised event. Olivor continued to headline at the Greek Theatre in Los Angeles, Carnegie Hall in New York, and other venues. Her fourth album, The Best Side of Goodbye, produced by Louie Shelton, Michael Masser, and Jason Darrow, was released in 1980 and climbed to number 58 on the Billboard charts. Columbia released the song "Don't Let Go of Me" as the album's only single. Jane Olivor in Concert, her first live album, was recorded in December 1981 at the Berklee College of Music in Boston, and released in 1982. It included "Race to the End", a vocal version of Vangelis's instrumental theme from the film Chariots of Fire, and again "Stay the Night", as its singles. Performing hiatus In 1983, her own stage fright, nervousness at the sudden onrush of fame, and numerous unfavorable experiences with the music industry led Olivor to schedule a six-month hiatus from both performing and the heavy pressures of her too-fast fame. That hiatus stretched to a ten-year