he was awarded the Europe Theatre Prize. In 1998, Wilson staged August Strindberg's A Dream Play, first in Stockholm, then in Nice, London, and New York. In 2010 Wilson was working on a new stage musical with composer (and long-time collaborator) Tom Waits and the Irish playwright, Martin McDonagh. His theatrical production of John Cage's Lecture on Nothing, which was commissioned for a celebration of the Cage centenary at the 2012 Ruhrtriennale, had its U.S. premiere in Royce Hall, UCLA, by the Center for the Art of Performance. Wilson performed Lectures on Nothing in its Australian premiere at the 2019 Supersense festival at the Arts Centre Melbourne. In 2013 Wilson, in collaboration with Mikhail Baryshnikov and co-starring Willem Dafoe, developed The Old Woman, an adaptation of the work by the Russian author Daniil Kharms. The play premiered at MIF13, Manchester International Festival. Wilson wrote that he and Baryshnikov had discussed creating a play together for years, perhaps based on a Russian text. The final production included dance, light, singing and bilingual monologue. Since 1999, Wilson has premiered nine theatrical works in Berlin. By contrast, as of 2013, his last commission in the United States was 21 years ago. As of 2010, he continued to direct revivals of his most celebrated productions, including The Black Rider in London, San Francisco, Sydney, Australia, and Los Angeles; The Temptation of St. Anthony in New York and Barcelona; Erwartung in Berlin; Madama Butterfly at the Bolshoi Opera in Moscow; and Wagner's Der Ring des Nibelungen at Théâtre du Châtelet in Paris. Wilson also directs all Monteverdi operas for the opera houses of La Scala in Milan and the Palais Garnier in Paris. In 2021 Wilson directed a revival of Shakespeare's The Tempest at the Ivan Vazov National Theatre in Sofia, Bulgaria. In 2022 he directed UBU, a theatrical performance, premiered at Es Baluard Museu in Palma. Visual art and design In addition to his work for the stage, Wilson has created sculpture, drawings, and furniture designs. Exhibited in December 1976 at the Paula Cooper Gallery, Wilson's storyboards were described by one critic as "serial art, equivalent to the slow-motion tempo of [Wilson's] theatrical style. In drawing after drawing after drawing, a detail is proposed, analyzed, refined, redefined, moved through various positions." He won the Golden Lion at the 1993 Venice Biennale for a sculptural installation. In 2004, Ali Hossaini offered Wilson a residency at