"a period of intense combat in June 1945," and was "made an honorary member of VMTB-143 in August 1945." Raymond had, in May 1945, designed a squadron patch for the men of VMTB-143, after which the "squadron adopted the new name 'The Rocket Raiders'." He was demobilized as a major in 1946. Upon his return, Raymond was unable to return to Flash Gordon. King Features were not prepared to usurp Austin Briggs from the Sunday strip and pointed out that Raymond had left voluntarily to enlist. Relatives of Raymond recall the artist as resenting this decision, which left him feeling "cast off with so little regard." However, King Features offered Raymond the opportunity to create a new strip. Rip Kirby Raymond's "police daily strip," named after its central character – J. Remington "Rip" Kirby – debuted on March 4, 1946, conceived (and initially scripted) by King Features editor Ward Greene. The plotting of the strips is harder to attribute, the scant evidence available supporting the notion that Raymond was more than simply an illustrator. However, as was relatively commonplace on such strips, published credit went to Raymond, whose name was the major selling feature; the artist even managed to gain a part-ownership deal with King and a better split of the profits than was usual. Rip Kirby was Raymond's reintroduction to newspaper strips after the war, and he was quick to forge a new "up-to-date" style for the strip, while keeping ties to the audience he had built up with Flash Gordon, Jungle Jim, and Secret Agent X-9. Running alongside the post-World War II reintegration of America's military into civilian life, Rip (like Raymond) was "an ex-Marine," who "set himself up as a private detective" a vocation tailor-made to provide daily thrills. Described by Stephen Becker as "modern and almost too intellectual", the strip eschewed many of the pulp fictional detective tropes (e.g. alcoholism, two-fisted assistants, and an assortment of interchangeable femmes fatale). Instead, "[Rip] did more cogitating than fisticuffing, and smoked a leisurely pipe while he did it;" "had a frail, balding assistant ... instead of a two-fisted sidekick;" "had a steady girlfriend ... [and] [i]f that wasn't enough, he even wore glasses! Rip "lived and worked in a recognizable, glamorous, modern New York City on cases involving very human frailties and vice", and "grew older as the strip progressed", a continuity advancement little seen in the strips of