Margaret Leslie "Molly" Johnson, OC is a Canadian Juno Award-winning singer-songwriter of pop and jazz. Biography Johnson began as a child performer, receiving formal training from the National Ballet School and the Banff School of Fine Arts. Johnson's brother Clark Johnson, an actor and director (Homicide: Life on the Street, The Wire), and sister Taborah Johnson, an actor and singer, are also noted Canadian performers. Raised in Toronto, Ontario, as the child of a white mother and a black father, Johnson started her career in the mid-1960s when, as a young grade schooler, she and her brother were tapped by Toronto producer Ed Mirvish to appear in Porgy and Bess at the Royal Alexandra Theatre. In time Porgy and Bess was followed by South Pacific, Finian's Rainbow and other musicals. The budding child star was soon enrolled the National Ballet School as she desired to become a choreographer. By the age of 17, Johnson was fronting a disco band named A Chocolate Affair. The group lasted just over a year. She was lead vocalist for two rock bands, Alta Moda in the 1980s and Infidels in the 1990s. Both of her bands had notable singles in Canada (Alta Moda's "Julian" and Infidels' "100 Watt Bulb" and "Celebrate"), but both bands broke up after just one album each. Also in 1980s, she performed as a backing vocalist with Toronto group Breeding Ground, most notably on their singles "Happy Now I Know" and "Ceremony of Love", both of which received consistent college radio airplay, and had rotation on MuchMusic. She also performed with them live whenever her commitments with Alta Moda weren't in conflict. In 1989, she performed the song "The Best We Both Can Be" for the film Babar: The Movie, and also provided voice work for Babar and the Adventures of Badou in 2010. Beginning in 1993, Johnson established an annual concert series, the Kumbaya Festival as a benefit for Canadian charities working around HIV and AIDS. She helped to raise over $1 million for people living with AIDS/HIV. Although she has performed as a jazz singer throughout her career, beginning with Aaron Davis and David Piltch in the band Blue Monday and then with a band of backing musicians who would later become prominent in their own right as Big Sugar, she did not release a jazz album until her self-titled solo debut in 2000. She followed up with