During this time, Brian Wilson of the Beach Boys was invited down to RCA Studios during the recording of "My Obsession", which remains one of his favourite Rolling Stones songs. The band returned to London and sessions continued at IBC Studios from 31 August until 3 September. "Have You Seen Your Mother, Baby, Standing in the Shadow?" was completed to be released on 23 September before the Stones embarked on their seventh British tour, which lasted into early October and was their last UK tour until 1971. The second block of recording sessions for Between the Buttons began on 8 November at the newly opened Olympic Sound Studios in Barnes, London, alternating between Olympic and Pye Studios until 26 November. During this time the bulk of the album was completed, including vocal and other overdubs on the previously recorded backing tracks and mixing. "Ruby Tuesday" was also completed. Around the same time producer Andrew Loog Oldham was also preparing the US-only live album Got Live If You Want It!, a contractual requirement from London Records that contained live performances from their recent British tour as well as studio tracks overdubbed with audience noise. After that album's release on 10 December, a final overdubbing session for Buttons was held at Olympic Studio on 13 December 1966 before Oldham took the tapes back to RCA Studios in Hollywood for final mixing and editing. The album was recorded using 4-track machines, with tracks of the initial sessions mixed down in order to free the tracks for use as overdubs. Mick Jagger felt this process lost the clarity of the songs, commenting during an interview that "we bounced it back to do overdubs so many times we lost the sound of it. [The songs] sounded so great, but later on I was really disappointed with it." He commented further: "I don't know, it just isn't any good. 'Back Street Girl' is about the only one I like." In an interview with New Musical Express, he even called the rest of the album "more or less rubbish." Between the Buttons would be the last album wholly produced by Oldham, with whom the Stones fell out in mid-1967 during the recording sessions for Their Satanic Majesties Request. Artwork The photo shoot for the album cover took place in November 1966 on Primrose Hill in North London. The photographer was Gered Mankowitz, who also shot the band