with some lyrics riffing off of the 1929 classic "Pinetop's Boogie Woogie". "I've Got a Woman", recorded in November 1954 and first performed when Charles was on tour with T-Bone Walker, was a bigger hit, widely considered to be the first soul song, combining gospel with R&B; its tune was derived from the gospel song "My Jesus Is All the World to Me" by Alex Bradford. "The Things That I Used to Do" by Guitar Slim was recorded on October 16, 1953. It was an electric blues song that had a major impact on rock and roll and featured distorted overtones on the electric guitar a full decade before Jimi Hendrix. It is listed as one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll. "Work with Me, Annie" by Hank Ballard and the Midnighters, was recorded on January 14, 1954. Despite, or because of, its salacious lyrics, it was immediately successful in the R&B market, topping the R&B chart for seven weeks, and led to several sequels, including Ballard's "Annie Had a Baby" and Etta James' first hit "The Wallflower", also known as "Roll with Me, Henry". Although the records were banned from radio play and led to calls for rock and roll to be banned, the lyrics were soon rewritten for a more conservative white audience, and Georgia Gibbs topped the pop charts in 1955 with her version "Dance with Me, Henry". "Shake, Rattle and Roll" by Big Joe Turner was recorded on February 15, 1954, and reached number one on the Billboard R&B chart in June and number 22 on the Billboard singles chart. It was covered early in July by Bill Haley and his Comets; this version, which substantially was different in lyric and arrangement, reached no. 7 in the pop chart at the end of August and predated his much wider success with "Rock Around the Clock" by almost a year. Elvis Presley's later 1956 version combined Haley's arrangement with Turner's lyrics, but was not a substantial hit. "Rock Around the Clock" by Bill Haley and His Comets (recorded on April 12, 1954) was the first no. 1 rock and roll record on the US pop charts. It stayed in the Top 100 for a then-record 38 weeks. The record is often credited with propelling rock into the mainstream, at least the teen mainstream. At first it had lackluster