Pink Moon is the third and final studio album by the English musician Nick Drake, released in the UK by Island Records on 25 February 1972. It was the only one of Drake's studio albums to be released in North America during his lifetime. Pink Moon differs from Drake's previous albums in that it was recorded without a backing band, featuring just Drake on vocals, acoustic guitar and a brief piano riff overdubbed onto the title track. Released two years before Drake's death in November 1974, at the age of twenty-six, the lyrical content of Pink Moon has often been attributed to Drake's ongoing battle with depression. The songs are shorter than on his previous albums, with a total album running time of just over twenty-eight minutes. Pink Moon, like Drake's previous studio albums, did not sell well during his lifetime, and its stripped-back, intimate sound received a mixed response from critics. However, the album has since garnered significant critical acclaim. Background Nick Drake's first two albums with Island Records, Five Leaves Left (1969) and Bryter Layter (1971), had sold poorly, and combined with Drake's reluctance to perform live or engage in album promotion, Island was not confident of another album from Drake. Additionally, Drake had isolated himself in his London apartment and was suffering from depression. In 1971 he saw a psychiatrist and was prescribed antidepressants, which he was reluctant to take due to the stigma associated with depression and his fears concerning the medication's interaction with marijuana, which he smoked regularly. Although critics often associate Drake's music with his depression — especially the perceived melancholy of Pink Moon — Cally Calloman of Bryter Music, which manages Drake's estate, remembers it differently: "Nick was incapable of writing and recording while he was suffering from periods of depression. He was not depressed during the writing or recording of Pink Moon and was immensely proud of the album." Recording Drake appeared to have made a decision before recording his third album that it would be as plain as possible and free of the numerous guest musicians that had been employed on Bryter Layter. In his autobiography, Joe Boyd, producer of Drake's first two albums, remembered that as they were finishing the recording of Bryter Layter, Drake had told him that he wanted to make his next record alone. And in his only interview, published in Sounds magazine in March 1971, Drake