Carolingian manuscripts show metal bedsteads much higher at the head than at the feet, and this shape continued in use until the 13th century in France, many cushions being added to raise the body to a sloping position. In 12th-century manuscripts, the bedsteads appear much richer, with inlays, carving, and painting, and with embroidered coverlets and mattresses in harmony. Curtains were hung above the bed and a small hanging lamp is often shown. In the 14th century the woodwork became of less importance, generally being entirely covered by hangings of rich materials. Silk, velvet, and even cloth of gold were frequently used. Inventories from the beginning of the 14th century give details of these hangings lined with fur and richly embroidered. It was then that the Four poster bed (also known as a tester bed) made its first appearance, the bed being slung from the ceiling or fastened to the walls, a form which developed later into a room within a room, shut in by double curtains, sometimes even to exclude all drafts. The space between the bed and the wall was called the ruelle, and very intimate friends were received there. The 14th century was also the time when feather beds became highly prized possessions. Beds in aristocratic residences can be distinguished by enclosed curtains, these beds would have mattresses and pillows that were filled with feathers. Sheets were made of linen and blankets of wool. Rails attached to the beds would be for hanging clothes or to hold candles. In less wealthy houses, the bed would be made of three planks and a mattress made of dried heather or fern, they would sleep with a single sheet and an old blanket. In the 15th century beds became very large, reaching by . The mattresses were often filled with pea-shucks, straw, or feathers. At this time great personages were in the habit of carrying most of their property about with them, including beds and bed hangings, and for this reason the bedsteads were for the most part mere frameworks to be covered up; but about the beginning of the 16th century bedsteads were made lighter and more decorative, since the lords remained in the same place for longer periods. Modern history In the 17th century, which has been called "the century of magnificent beds", the style a la duchesse, with tester and curtains only at the head, replaced the