The Museum of Domestic Design and Architecture (MoDA) is a museum in North London, England, housing one of the most comprehensive collections of 19th- and 20th-century decorative arts for the home. The collection is designated as being of outstanding international value by Arts Council England. The collections include the Silver Studio collection of designs for wallpapers and textiles, the Charles Hasler collection, and the Crown Wallpaper Archive. The museum is part of Middlesex University. The MoDA Collections Centre is based at Beaufort Park in Colindale, close to Middlesex University's Hendon campus in the London Borough of Barnet. The Silver Studio Collection The Silver Studio (run by the Silver family) was a commercial design practice, based in West London, which between 1880 and 1963 completed more than 20,000 schemes for items such as furnishing fabrics, wallpapers, tablecloths, rugs and carpets. The Studio employed a number of designers, some of whom were well known in their own right, and others whose work remained anonymous. The Silver Studio's customers were retailers and manufacturers of wallpapers and textiles at all levels of the market, both in Britain and abroad. Designs for wallpapers were sold both to manufacturers producing cheap papers for the mass market, such as Lightbown Aspinall and Potters of Darwen, as well as those selling high quality products for the top end of the market, such as Essex & Co, John Line, and Sandersons. Silver Studio designs were bought by all the leading British textile manufacturers, including Stead McAlpin, Alexander Morton, and AH Lee, to name just a few. Clients included well known producers of high quality fabrics, such as Turnbull & Stockdale and the famous department store, Liberty. Because the majority of the Silver Studio's clients were mass producers, Silver Studio designs found their way into numerous British homes. The Studio's influence on British interiors over a remarkable length of time can be seen in the huge number of their designs that went into production. After it closed in the early 1960s, the contents of the Silver Studio were given to the Hornsey College of Art, which subsequently became part of what is now Middlesex University. The significance of the Collection lies both in its completeness and coherence as a whole and in the importance and uniqueness of its component parts. It spans the period 1880–1960, an important period in the development of mass market furnishings and one less well represented