on the process of aging and turning 30; dialogue, in the form of a play, between François and Catherine and Catherine and Patrice in the mid-1930s; a series of "documents" François has put together in a scrap book about the Spanish Civil War; and finally a "speech" ("discours"), in which Catherine describes her thoughts as she travels to meet François in hospital. The book is very sympathetic to fascism as a regenerating ideology. However, given his future as a collaborator, readers may be surprised that Communism and socialism are not attacked outright and that the "Patrice" character mentions several times that Nazism may not be as enduring as fascism and that Frenchmen may have to fight the Germans in the future. Also, it is of note that Catherine, who calls herself a "petite bourgeoise" and who exemplifies French rationalism (and perhaps represents France herself) as noted in the dialogue section, chooses François, the French/native fascist and turns away from Patrice, who has immersed himself in Italian and German ideology. 1943 La Conquérante (The Conqueror; gender suggests a female conqueror) 1944 Poèmes (Poems) 1944 Poèmes Non-fiction 1931 Présence de Virgile (The Presence of Virgil) 1932 Le Procès de Jeanne d'Arc (edited and introduced by Robert Brasillach) (The Trial of Joan of Arc) 1935 Portraits. Barrès, Proust, Maurras, Colette, Giraudoux, Morand, Cocteau, Malraux, etc., (Portraits) 1935 (re-edited in 1943) Histoire du Cinéma, two volumes (with Maurice Bardèche) 1936, Animateurs de théâtre (Theater Directors/Organizers) 1936 Léon Degrelle et l'avenir de « Rex » (Léon Degrelle and the Future of Rexist Party) 1936 Les Cadets de l'Alcazar (with Henri Massis, see French Wikipedia) (The Cadets of the Alcazar); later renamed the Defenders of the Alcazar This short work chronicles the siege of the Alcazar in Toledo by Republican forces in 1936 during the Spanish Civil War. While it lionises the defenders, Brasillach does not shy from mentioning the execution of the Republican prisoners in Toledo's hospitals after the relief of the city and the Alcazar. The author also discounts certain elements of Nationalist propaganda concerning La Pasionaria, Communist Dolores Ibárruri. The work remains heavily pro-Nationalist, with Falangist and Carlist songs reprinted in its pages. 1938 Pierre Corneille, a biography of the famous dramatist 1939 Histoire de la guerre d’Espagne (with Maurice Bardèche) (History of the Spanish Civil War) 1941 Notre avant-guerre (Our pre-war) 1944 Les Quatre Jeudis (The Four Thursdays) A series of articles