the word satire has ever since denoted. In point of form, the satire of Lucilius owed nothing to the Greeks. It was a legitimate development of an indigenous dramatic entertainment, popular among the Romans before the first introduction of the forms of Greek art among them; also, it seems largely to have employed the form of the familiar epistle. But the style, substance and spirit of his writings were apparently as original as the form. He seems to have commenced his poetical career by ridiculing and parodying the conventional language of epic and tragic poetry, and to have used the language commonly employed in the social intercourse of educated men. Even his frequent use of Greek words, phrases and quotations, reprehended by Horace, was probably taken from the actual practice of men, who found their own speech as yet inadequate to give free expression to the new ideas and impressions which they derived from their first contact with Greek philosophy, rhetoric and poetry. Further, he not only created a style of his own, but, instead of taking the substance of his writings from Greek poetry, or from a remote past, he treated of the familiar matters of daily life, of the politics, the wars, the administration of justice, the eating and drinking, the money-making and money-spending, the scandals and vices, which made up the public and private life of Rome in the last quarter of the 2nd century BC. This he did in a singularly frank, independent and courageous spirit, with no private ambition to serve, or party cause to advance, but with an honest desire to expose the iniquity or incompetence of the governing body, the sordid aims of the middle class, and the corruption and venality of the city mob. There was nothing of stoical austerity or of rhetorical indignation in the tone in which he treated the vices and follies of his time. His character and tastes were much more akin to those of Horace than those of either Persius or Juvenal. But he was what Horace was not, a thoroughly good hater; and he lived at a time when the utmost freedom of speech and the most unrestrained indulgence of public and private animosity were the characteristics of men who took a prominent part in affairs. Although Lucilius took no active part in the public life of his time, he regarded it in the spirit of