early 1930s, Australian dance musicians began to hear and absorb the work of black artists and leaders like Duke Ellington and Armstrong as well as English jazz influences. Notable swing bands of the 1930s included Jim Davidson & His New Palais Royal Orchestra, Frank Coughlan & His Trocadero Orchestra, Dudley Cantrell & His Grace Grenadiers, and numerous others and many were recorded. Trombonist and bandleader Frank Coughlan (1904–1979) has been called "The Father of Australian Jazz". He had an illustrious career that lasted from the early 1920s to the 1970s. He was chosen to lead the famous jazz orchestra that was put together for the opening in 1936 of the Sydney Trocadero, which became the city's leading dance venue for the next 35 years, and Coughlan led the orchestra at "The Troc" until its closure in 1971. Post-World War II jazz After the end of World War II Australian jazz began to diverge into two major strands: dixieland or 'traditional jazz' (early jazz) and modern styles like progressive swing, boogie-woogie and bop as exemplified by the music of Charlie Parker and Dizzy Gillespie Graeme Bell was an important contributor to Melbourne's 1940s traditional jazz boom and in 1947 his band, with the support of Harry Stein, was a great success when they played at the World Youth Festival in Prague, Czechoslovakia, going on to tour Europe and finally basing themselves in England where they are said to have exerted a strong influence on the European traditional jazz revival of that era. On returning to Australia Graeme Bell's Jazz Band worked successfully on the local club circuit, as well as recording and touring extensively. The Australian Jazz Quartet/Quintet was a contemporary Australian jazz group that did very well in the US at that time. In the early 1950s pianist Bryce Rohde along with Errol Buddle (reeds) and Jack Brokensha (vibes and drums) moved from Australia to Windsor in Canada. An agent heard them play locally and asked if they would come across the border to back female vocalist Chris Connor at a nightclub in Detroit. This started the ball rolling, and in 1953, along with American saxophonist and bassist Dick Healey, they formed the Australian Jazz Quartet. This very successful unit recorded ten albums and worked at most major US jazz venues. Sometimes a bass player and drummer would be hired to complement the group during recording sessions, and when they