months. In 1992, she also appeared on Devon's LP titled It's My Nature on the track "That's A Friend." After receiving many rejection letters from Canadian record labels that claimed their "quota" had been reached, Cox moved to Los Angeles in 1994 with producer and songwriting partner, Lascelles Stephens. Career 1995–1999: Debut and One Wish In 1995, label executive Clive Davis signed Cox to Arista Records. Featuring production from Dallas Austin, Keith Crouch, Tim & Bob, and Kenneth "Babyface" Edmonds, she released her self-titled debut album the same year. A middling commercial and critical success, the album peaked at number 102 on US Billboard 200 but emerged as a steady seller, eventually receiving a gold certification by the Recording Industry Association of America (RIAA), while going platinum in Canada. Lead single "Sentimental" entered the top five on the US Hot R&B/Hip-Hop Songs, while follow-up "Who Do U Love" attained worldwide success, becoming a top twenty success in Australia, New Zealand and the US, also reaching the top of Billboards Dance Club Songs. In 1996, Deborah Cox won Cox a Juno Award for Best R&B/Soul Recording at the annual award ceremony and earned her a Best Soul/R&B New Artist nomination at the 1996 American Music Awards. Cox contributed the non-album song "Things Just Ain't The Same" to the soundtrack to the 1997 film Money Talks. A dance remix of the song, produced by Hex Hector, became her second number-one hit on Billboards Dance Club Songs chart and was included on her second album, 1998's One Wish. As with her self-titled debut album, her sophomore effort was once again executive-produced by Davis, but featured more uptempo, contemporary R&B, and a slew of new producers and personnel to incorporate dance and club music, including Montell Jordan, Anthony "Shep" Crawford, Rodney "Darkchild" Jerkins, and DJ Quik. One Wish peaked at number 72 on the Billboard 200 and earned a platinum certification from the RIAA, while reaching gold status in Canada. The album capitalized on the crossover success of lead single "Nobody's Supposed to Be Here" which became Cox's most successful entry on the Billboard Hot 100, peaking at number two, and remaining there for eight consecutive weeks, making it one of the longest stays at number two in chart history. The song also reached number one on the Hot R&B/Hip-Hop Songs, spending a then record-breaking 14 weeks at number one, while the third single