In the 1960s, the Hellinger continued to host several popular musicals. Richard Rodgers and Samuel Taylor tried to stage their musical No Strings, but My Fair Lady producer refused to move. The New York Supreme Court ruled in February 1962 that My Fair Lady had to relocate, but Rodgers and Taylor had booked another theater by then. The Rodgers and Hammerstein musical The Sound of Music then transferred to the Hellinger from the Lunt-Fontanne for the last seven months of the musical's run. The Italian-language Rugantino was staged in 1964 with live supertitles on the proscenium, though it flopped in spite of critical acclaim. Styne, Betty Comden, and Adolph Green's musical Fade Out – Fade In also opened in 1964, featuring Jack Cassidy and Carol Burnett. On a Clear Day You Can See Forever opened in 1965 with a score by Burton Lane and Alan Jay Lerner. The same year, a alcoholic bar was installed in the lounge's rotunda. The late 1960s was characterized by several unsuccessful musicals. The musical A Joyful Noise in 1966, with choreography by Michael Bennett, ended after just 12 performances. The Martha Graham Dance Company had a limited engagement at the theater the next year. Also staged in 1967 was Illya Darling with Melina Mercouri, which ran 319 performances without turning a profit. A third flop followed in 1968, the Biblical musical I'm Solomon with Dick Shawn and Karen Morrow. The same year, the Hellinger hosted ballet performances from Les Ballets Africains; a premiere of the documentary New York City—The Most; and a limited concert engagement by Marlene Dietrich. Two productions followed in 1969: Jerry Herman's Dear World, featuring Angela Lansbury, and Alan Jay Lerner and André Previn's Coco, starring Katharine Hepburn in her only Broadway musical. The Hellinger hosted its first Tony Awards ceremony in 1969; it also hosted the 1970 Tony Awards. The Hellinger next staged the flop Ari and the final performances of the long-running off-Broadway production Man of La Mancha in 1971. This was followed the same year by Andrew Lloyd Webber and Tim Rice's Jesus Christ Superstar, another classic, which ran for 720 performances over the next two years. A mixture of successes and failures followed. The Martha Graham Dance Company returned in 1974 and 1975 to critical acclaim. Conversely, the all-male revival of As You Like It (1974), The Skin of Our Teeth (1975), and 1600 Pennsylvania Avenue (1976)