A commode is any of many pieces of furniture. The Oxford English Dictionary has multiple meanings of "commode". The first relevant definition reads: "A piece of furniture with drawers and shelves; in the bedroom, a sort of elaborate chest of drawers (so in French); in the drawing room, a large (and generally old-fashioned) kind of chiffonier." The drawing room is itself a term for a formal reception room, and a chiffonier is, in this sense, a small sideboard dating from the early 19th century. Another meaning attested is a washstand, a piece of furniture equipped with basin, jug, and towel rail, and often with space to store the chamber pot behind closed doors. A washstand in the bedroom pre-dates indoor bathrooms and running water. In British English, "commode" is the standard term for a commode chair, often on wheels, enclosing a chamber pot—as used in hospitals and assisted living homes. In the United States, a "commode" is now a colloquial synonym for a flush toilet. The word commode comes from the French word for "convenient" or "suitable", which in turn comes from the Latin adjective commodus, with similar meanings. History and types France The term originates in the vocabulary of French furniture from about 1700. At that time, a commode meant a cabinet or chest of drawers, low enough so that it sat at the height of the dado rail (à hauteur d'appui). It was a piece of veneered case furniture much wider than it was high, raised on high or low legs. Commodes were made by ébénistes; the French word for "cabinet-maker" is derived from ebony, a black tropical hardwood notable as a foreign luxury. The beautiful wood was complemented with ormolu (gilt-bronze drawer pulls). The piece of furniture would be provided with a marble slab top selected to match the marble of the chimneypiece. A commode occupied a prominent position in the room for which it was intended: it stood against the pier between the windows, in which case it would often be surmounted by a mirror glass, or a pair of identical commodes would flank the chimneypiece or occupy the center of each end wall. Bombé commodes, with surfaces shaped in three dimensions, were a feature of the rococo style called Louis Quinze. Rectilinear neoclassical, or Louis Seize, commodes might have such deep drawers or doors that the feet were en toupie—in the tapering turned shape of