US, including appearances at Reading Festival. Their singles charted progressively higher, with every single release charting inside the UK Top Forty from 1990 until their final single release in 1994. On 1992's The Looks or the Lifestyle? the band recruited John "Fuzz" Townshend as their drummer to complement their standard array of loops and pre-programmed drums. The band had discussed adding a live drummer in 1990, however touring commitments made it impractical to do so until the band were able to break touring activity in late 1991 to commence recording. The album peaked at UK No. 15 and featured the Top 30 hit singles "Karmadrome" and "Bulletproof!" Despite healthy sales and successful widescale touring the band's biggest supporters at RCA had left the company by January 1993 and the remaining executives did not understand the band or their music, suggesting at one meeting that EMF 'write a hit' for them. The band was dropped from the label before the "Get the Girl! Kill the Baddies!" single was released. It went on to peak at number 9 in the UK Singles Chart, becoming the band's biggest hit and making the band at that time the highest charting act to appear on Top of the Pops without a record deal. In an attempt to recoup their investment, the label released a live album Live at Weird's Bar and Grill recorded in London in October 1992. Industrial influence: 1994–1995 PWEI's political stance became more explicit with the release of the single "Ich Bin Ein Auslander". A collaboration with Asian group Fun-Da-Mental, the song had anti-Nazi styled lyrics and reached the UK Top 30. A different version of this song later appeared as the opening track on the 1994 album, Dos Dedos Mis Amigos. The album peaked at No. 11 in the UK Albums Chart and spawned their then final single release, "Everything's Cool", which became their ninth Top 30 UK hit. The band also collaborated with The Prodigy on the track "Their Law", featured in their breakthrough second album Music For The Jilted Generation. This track also had political content, serving as a protest against Great Britain's Criminal Justice And Public order Act 1994, which had criminalized rave culture. The band found some new popularity after signing with Trent Reznor's Nothing Records in the US, and touring with Nine Inch Nails, as well as having their songs used on the PlayStation game Loaded.