The culture of Chu had significant internal diversity from locality to locality. Chu, like Qin and Yan, was often described as being not as cultured by people in the Central plains. However, this image originated with the later development of Chu relative to the Central plains, and the stereotype was retrospectively cultivated by Confucian scholars in the Qin dynasty, to indirectly criticise the ruling regime, and the Han dynasty as a means of curbing their ideological opponents who were associated with such cultural practices. As the founder of the Han dynasty was from the state, Chu culture would later become a basis of the culture of the later Han dynasty, along with that of the Qin dynasty's and other preceding states' from the Warring States period. Early Chu burial offerings consisted primarily of bronze vessels in the Zhou style. The bronze wares of the state of Chu also have their own characteristics. For example, the bronze Jin (altar table) unearthed from the Chu tomb in Xichuan, Henan Province are complex in shape. Dated to the mid sixth century BCE, it was one of the early confirmed lost-wax cast artifacts discovered in China proper. Later Chu burials, especially during the Warring States, featured distinct burial objects, such as colorful lacquerware, iron, and silk, accompanied by a reduction in bronze vessel offerings. A common Chu motif was the vivid depiction of wildlife, mystical animals, and natural imagery, such as snakes, dragons, phoenixes, tigers, and free-flowing clouds and serpent-like beings. Some archaeologists speculate that Chu may have had cultural connections to the previous Shang dynasty, since many motifs used by Chu appeared earlier at Shang sites such as serpent-tailed gods. Later Chu culture was known for its affinity for shamans. The Chu culture and government supported Taoism and native shamanism supplemented with some Confucian glosses on Zhou ritual. Chu people affiliated themselves with the god of fire Zhurong in Chinese mythology. For this reason, fire worshiping and red coloring were practiced by Chu people. The naturalistic and flowing art, the Songs of Chu, historical records, excavated bamboo documents such as the Guodian slips, and other artifacts reveal heavy Taoist and native folk influence in Chu culture. The disposition to a spiritual, often pleasurable and decadent lifestyle, and the confidence in the size of the Chu realm led to the inefficiency and eventual destruction of the Chu state by the ruthless Legalist state of