the didjeridu, soon followed by sticks (percussion) and vocals in that order. Kun-borrk songs from Kunbarllanjnja (Gunbalanya) almost always follow the order of didjeridu, voice then sticks. Kun-borrk songs terminate most commonly with the didjeridu first, often in conjunction with vocals. Sometimes the vocals finish first, sometimes the clap sticks, but the didjeridu never starts last or finishes last. David Blanasi is known as a master of the tradition of Kun-borrk, with his grandson Darryl Dikarrna continuing the tradition. Wajarra Wajarra are non-sacred songs originating in the Gurindji region of the Northern Territory and performed for fun and entertainment. During the twentieth century they spread great distances across northern and western Australia, including along the stock routes of the pastoral industry, as Aboriginal workers and their families travelled between stations. Wave Hill Station was the site of much of this exchange. Wangga Wangga originated near the South Alligator River. An extremely high note starts the song, accompanied by rhythmic percussion, followed by a sudden shift to a low tone. Wangga is typically performed by one or two singers with clapsticks and one didgeridoo player. The occasion is usually a circumcision ceremony or a ceremony to purify a dead person's belongings with smoke. Contemporary trends A number of Indigenous Australians have achieved mainstream prominence, such as Jimmy Little (pop), Yothu Yindi (Australian aboriginal rock), Troy Cassar-Daley (country), Jessica Mauboy (pop, R&B), NoKTuRNL (rap metal) and the Warumpi Band (alternative or world music). Indigenous music has also gained broad exposure through the world music movement and in particular the WOMADelaide festivals. Geoffrey Gurrumul Yunupingu, formerly of Yothu Yindi, attained international success singing contemporary music in English and in one of the languages of the Yolngu people. Successful Torres Strait Islander musicians include Christine Anu (pop) and Seaman Dan. Contemporary Indigenous music continues the earlier traditions and also represents a fusion with contemporary mainstream styles of music, such as rock and country music. The Deadlys provide an illustration of this with rock, country, pop among the styles played. Traditional instruments such as the didjeridu and clapsticks are commonly used, giving the music a distinctive feel. Country music has remained particularly popular among the Australian Aboriginal and Torres Strait Islander peoples for decades, as documented in Clinton Walker's seminal Buried Country. Dougie Young and Jimmy Little were pioneers and Troy Cassar-Daley is among Australia's successful contemporary Indigenous performers of country music. Aboriginal artists Kev