Another World II, also known as Other World II, is a woodcut print by the Dutch artist M. C. Escher first printed in January 1947. It depicts a cubic architectural structure made from brick. The structure is a paradox with an open archway on each of the five visible sides of the cube. The structure wraps around the vertical axis to enclose the viewer's perspective. At the bottom of the image is an archway from which we seem to be looking up from the base, and through it we can see space. At the top of that arch is another arch which is level with our perspective, and through it we are looking out over a lunar horizon. At the top of that arch is another arch which covers the top of the image. We are looking down at this arch from above and through it onto the lunar surface. Standing in each archway along the vertical axis is a metal sculpture of a bird with a humanoid face. In each side archway is a horn or cornucopia hanging on chains. The views from above and below are consistent, placing the statue so that it faces the horn; however, the horizontal view reverses the relative positions of the statue and the horn, and rotates the horn 180 degrees. The three "birds" and three windows with horns hanging in them are not symmetrically arrayed as they might be if they depicted three mutually orthogonal vertical orientations. As is, the open wall we are looking through opens into a space with three different vertical orientations, but two of them are opposites of each other. Presumably, behind the picture's overall point of view, the same landscape continues behind the viewer in the same orientation as we see it through the window opposite. Of course, from the point of view of the bird at the bottom, we are looking up from the floor and from the point of view of the bird at the top we are looking down through an open roof. Note that this asymmetry requires a further asymmetry to account for the fact that our point of view is not obviously that of another bird. In one wall two windows and horns with opposite vertical orientation share the same wall. In the wall opposite, there is only one window with a horn, which shares the verticality of the overall picture and