after a particularly bad experience with some cannabis brownies. A.M. did not fare as well commercially in comparison to Son Volt's first album, only reaching number 27 on the Heatseekers chart while Son Volt's debut Trace hit the Billboard 200. Dan Murphy of Soul Asylum invited Tweedy to join him in a supergroup named Golden Smog with Gary Louris and Marc Perlman of the Jayhawks, Kraig Johnson of Run Westy Run, and Noah Levy of The Honeydogs. Under the pseudonym Scott Summit, Tweedy released Down by the Old Mainstream with Golden Smog in 1996. Tweedy and Wilco began to explore new styles and broke from the style of previous recordings on the seminal sprawling double album Being There in 1996. Tweedy did not write music for many of the songs ahead of time, and welcomed unexpected sounds into the recording. Wilco recorded nineteen songs for the double-CD album, and wanted the label to release it with a retail price comparable to a single-CD release. Being There was a commercial success, selling 300,000 copies and peaking in the top half of the Billboard 200. Reprise records invested $100,000 in the single "Outta Mind (Outtasite)", but received little radio exposure. While on tour, Tweedy began to spend time reading books by William H. Gass, Henry Miller, and John Fante. As he read their books, Tweedy decided to place more of an emphasis on writing. Representatives in the A&R department of Reprise wanted a radio single from Summerteeth, and Wilco reluctantly agreed to a re-working of "Can't Stand It". The single was a top five hit on adult album alternative radio stations, but failed to cross over to a larger audience. Before the release of Summerteeth, the daughter of the late folk legend Woody Guthrie contacted folk rock singer Billy Bragg, who in turn contacted Tweedy about recording an album of unreleased Woody Guthrie songs. Tweedy was indifferent to the idea of working with Bragg, but Jay Bennett's enthusiasm about the idea convinced Tweedy to get the band involved in the project. As a result of Tweedy's feelings on the political nature of some of the lyrics, Bragg recorded mostly political songs while Wilco recorded more neutral songs. Almost all of the songs that appeared on Mermaid Avenue and Mermaid Avenue Vol. II were recorded over a six-day period in December 1997. The first Mermaid Avenue album and a second Golden Smog album