through this effect I'd set up on the harmoniser. Meanwhile John is lying under the piano and singing that weird feedback voice, while twinkling the keys at the same time, just to be annoying. You can hear the piano on the record," said Levene. "Graveyard" features a guitar part that was "made up on the spot," according to Levene. "I was in a very Clint Eastwood mood. I didn't know what I was going to play. Wobble's playing the bassline and drums are playing so I had to do something." The album version is an instrumental, a version with lyrics and vocals was retitled "Another" and released as the B-side to "Memories" in October 1979. "The Suit"—described by Lydon as being about "people of low origins trying to be posh"—is one of Levene's least favourite tracks. Levene said, "It was never one of my favourite pieces because of what it was really about. [...] There was this guy that was an old mate of John's who lived in this apartment. At some point John decided he hated his guts. He just wrote this really nasty, finger-pointing, over-exaggerated, ripping parody of what the guy was – 'Society boy.' [...] This guy, [fashion designer] Kenny MacDonald, made his suit and all of ours and it made him look good to have the guys from PiL wearing his stuff. We'd wear it wrong and it looked even better, we didn't want the black leather jacket look like these punk bands. So John just decided to hate this guy, that's what happens and there's nothing you can do. He wouldn't be his lapdog and John thought he was a star and wanted that." Wobble played and recorded the backing track of drums and piano for "The Suit" at Gooseberry Studios with Mark Lusardi, which started out as a cover of "Blueberry Hill". He brought the backing track to the band at The Manor, to which Lydon "freaked out when he heard that... He was galvanised into action and within a few hours 'The Suit' existed." "Bad Baby"—its title a nickname of Levene's—was recorded at the Townhouse. Wobble (whose playing in the song was inspired by bassist Cecil McBee) and drummer Martin Atkins recorded the song together. Levene recalled that "Socialist" featured cheap synthesizers he had purchased: "Me and Wobble were really having fun fucking around with these things, whilst submerged in the mix was