in full-length productions with a cut-down orchestration. The curtain fell on this well-established NYC opera forum on May 31, 2009, when Tony Amato retired. Bank buildings The Bowery Savings Bank was chartered in May 1834, when the Bowery was an upscale residential street, and grew with the rising prosperity of the city. Its 1893 headquarters building at 130 Bowery is an official New York City designated landmark, as is the 1920s domed Citizens Savings Bank. Bowery Ballroom The Bowery Ballroom is a music venue. The structure, at 6 Delancey Street, was built just before the Stock Market Crash of 1929. It stood vacant until the end of World War II, when it became a high-end retail store. The neighborhood subsequently went into decline again, and so did the caliber of businesses occupying the space. In 1997 it was converted into a music venue. It has a capacity of 550 people. Directly in front of the venue's entrance is the Bowery station () of the New York City Subway. The club serves as the namesake of at least one recording: Joan Baez's Bowery Songs album, recorded live at a concert at the Bowery Ballroom in November 2004. Bowery Mural The Bowery Mural is an outdoor exhibition space located on the corner of Houston Street and the Bowery, on a wall owned by Goldman Properties since 1984. Real estate developer Tony Goldman began the project with Jeffery Deitch and Deitch Projects in 2008. Goldman's goal was to use this wall to present the top contemporary artists from around the world, with an emphasis on artists who work on the streets. Seasonal murals have appeared on the wall curated and organized in collaboration with The Hole, NYC, an art gallery in SoHo run by former Deitch Projects directors Kathy Grayson and Meghan Coleman. The mural series was initiated from March to December 2008 with a tribute to Keith Haring’s noted 1982 Bowery mural. This was followed by a mural by the Brazilian twin-brother duo Os Gêmeos, which they dedicated to artist Dash Snow, who had recently died from a drug overdose; this was presented from July 2009 to March 2010. The next mural, by Shepard Fairey, was on exhibit from April through August 2010, and was followed by a mural by Barry McGee which celebrated the role of graffiti tagging in the history of New York City street art; it was on display