and the Nocturnals, Billy Gibbons, Rafael Saadiq, Heart, and Crosby and Nash. Kramer's activities in 2013 included introducing three Eddie Kramer Signature guitar effects pedals from F-Pedals, with partner Francesco Sondelli at the NAMM Show (National Association of Music Merchants), and also consulting with former Doors guitarist Robby Krieger on a new recording studio. Kramer also worked again with Robert Randolph in recording a "sacred steel" band for a 2013 release called Robert Randolph Presents: The Slide Brothers. 5 March 2013 was the release date of People, Hell and Angels, a collection of 12 songs which Jimi Hendrix had planned for his follow-up to Electric Ladyland, recorded in 1968–69, following the breakup of the Jimi Hendrix Experience. The backing musicians include Buddy Miles and Billy Cox, later to become Hendrix's Band of Gypsies, and Stephen Stills on bass. "Somewhere", a single released from the album, reached Number One on the Billboard Hot Singles Sales Chart. November 2013 saw the release of the Hendrix documentary Hear My Train A Comin', and another Hendrix live album, Miami Pop Festival. Continuing his involvement with cutting-edge technologies, Kramer is working with Digital Theatre Systems (DTS) in the development of Headphone: X, an app which replicates 5.1, 7.1, and 11.1 Surround Sound in any type of headphone. Significant collaborations Jimi Hendrix Rolling Stone ranks Hendrix as the greatest guitarist of all time. Kramer specifically cites his strong individuality, powerful message, and expansion of the sonic vocabulary of electric guitar, including its potentials for controlled feedback and distortion. In the words of master musician Les Paul, for whom the Gibson Les Paul is named, "Man, he was all over that thing! He had that thing wide open." Kramer recalls Hendrix as extremely disciplined in the studio, with his objectives thoroughly pre-planned. To some extent this was a result of working with results-oriented manager and early producer Chas Chandler, who brought Hendrix to England in September 1966, where he established his fame before returning to the United States. Hendrix envisioned the tonal spectrum as a palette of colors, often instructing Kramer with color-based commands. "Make it sound green," for example, was satisfied by adding reverb. "Jimi utilized the studio as a rehearsal space, thank God he did." Kramer described Hendrix as "very sharp, very focused, very funny, very shy, totally dedicated to his music and his art. He was such a complete human being with such far-reaching