& Collectors, Scribble, The Moodists, The Deadly Hume, the Wreckery, the second incarnation of The Saints, Laughing Clowns, The Go-Betweens and a new band formed by Nick Cave and Mick Harvey, Nick Cave and the Bad Seeds, developed consistent followings in Europe and other regions. Nick Cave and the Bad Seeds and the side project Honeymoon in Red were heavy on the pop cultural references to cult favourites like Johnny Cash and Saul Bass and lurid pulp fiction. From the late seventies to the late eighties there was also a lively Australian post-punk scene which was made up of bands that showed obvious influences of bands such as Tangerine Dream, Wire, The Cure, Siouxsie and the Banshees and Suicide. J. G. Thirlwell, whose influential Foetus, began life in Melbourne before moving to London and the US. Of the early Australian electronica scene just a few truly memorable recordings emerged, for example "Lamborghini" by Severed Heads, "Pony Club" by The Limp "The Pilot Reads Crosswords" by Scattered Order and the electronica of Hugo Klang. The Makers of the Dead Travel Fast and Nick Cave and the Bad Seeds were precursors of postrock. SPK was a sinister industrial band in the early 1980s and they surprised many of their fans by reinventing themselves as a fashion friendly synthpop group in the mid-1980s. SPK's sound was unlike the chilly asexual minimalism of many little known experimental bands of the time. Australian Crawl, a chart topping rock group, dabbled in minimalist composition with "Reckless", using a very simple bassline and voice, without alienating their established audience. The use of violin was unusual in Australian rock bands, however, three who did include it were Box the Jesuit, Crime & the City Solution and Sidewinder, with classically trained Richard Lee, later with Dragon, on that instrument. Garage rock revivalists Detroit rock influenced bands such as the Celibate Rifles, The Scientists, Lime Spiders and The Hitmen would serve as precursors to the garage rock revival of the 1980s and the grunge scene to follow. From the bass heavy "I Don't Wanna Go Out" by X in 1979 and throughout the eighties the Australian indie rock scene produced hook driven melodic songs with heavy guitar and bass backing. Examples are Johnny Teen and The Broken Hearts "I Like It Both Ways", "I Lied" by The Pony, Too Much Acid by Pineapples from the Dawn of Time, Chewin''' by