"faggots". Deschamps' character cited as an example the Biafra genocide, where intolerance had resulted in "millions of little niggers dying of hunger", adding that it didn't bother him too much since, after all, these were only "niggers". At the same time, Deschamps would hasten to add, intolerance had also killed "real people" – the "almost Whites", which were the "Light Greys", by which he meant Jews. Six million Jews died because Hitler, he did some of that intolerance. He was nuts, a goddamn maniac, you know? Yeah, that guy, Hitler, he said that the Jews didn't smell right or dress right, and they had those braids, and they stunk and they didn't wash and they bought everything... I happen to know they're like that, but you can't kill them for that! Jews, you just make sure you don't have any around you have to deal with, that's all. The monologue continued to unwind, and the character would explain how he had kicked a Jewish family out of their neighbourhood as a teenager, punctuated by exclamations of "damn dirty Jews". He would push and push until a member of the audience showed some sign of disgust. The character would at that point turn to the audience member and accuse him of showing the same intolerance he'd been warning the public about for the last twenty minutes. Deschamps' character would add that an army should really be mounted against the intolerants, ending the monologue with the sounds of a regiment marching, fading into a reprise of the opening song, On va s'en sortir. Deschamps always admitted being a little bit frightened when he performed this monologue. Influence on Quebec society "From Martin Matte to Patrick Huard, many young comedians today see Deschamps as their spiritual father, the man who opened the doors to today's comedy movement. A little bit like Michel Tremblay in the theatre, who brought a new generation of playwrights into the world, Yvon Deschamps gave Quebec comedy its stamp of approval." »'' "He's a guy who could paint a wicked satirical portrait of our society, then laugh cruelly about our shortcomings. Deschamps said some outrageous things, and they went over because it was him, and we knew that coming from him, there was nothing mean or cruel about it." — Gilles Latulippe Albums (1969, Polydor, 542–503) (1969, Polydor, 542–508) (1970, Polydor, 2424.017) Cable TV (1971, Polydor, 2424.033) (1972, Polydor,