employment agencies, cheap clothing and knickknack stores, cheap moving-picture shows, cheap lodging-houses, cheap eating-houses, cheap saloons", writers in The Century Magazine found it in 1919. "Here, too, by the thousands come sailors on shore leave, – notice the 'studios' of the tattoo artists, – and here most in evidence are the 'down and outs'". Prohibition eliminated the Bowery's numerous saloons: One Mile House, the "stately old tavern... replaced by a cheap saloon" at the southeast corner of Rivington Street, named for the battered milestone across the way,<ref>The stone marked a mile from City Hall; it was still in evidence in 1909. Frank Bergen Kelly, Historical Guide to the City of New York (City History Club of New York), 1909:97.</ref> where the politicians of the East Side had made informal arrangements for the city's governance, One Mile House by Glenn O. Coleman, 1928 (Whitney Museum of American Art) epitomizes the scene. A ghostly painted sign on the side of the building still advertises One Mile House. was renovated for retail space in 1921, "obliterating all vestiges of its former appearance", The New York Times reported. Restaurant supply stores were among the businesses that had come to the Bowery, and many remain to this day. Pressure for a new name after World War I came to naught and in the 1920s and 1930s, it was an impoverished area. From the 1940s through the 1970s, the Bowery was New York City's "Skid Row," notable for "Bowery Bums" (disaffected alcoholics and homeless persons). Among those who wrote about Bowery personalities was New Yorker staff member Joseph Mitchell (1908–1996). Aside from cheap clothing stores that catered to the derelict and down-and-out population of men, commercial activity along the Bowery became specialized in used restaurant supplies and lighting fixtures. In the 1930s and again in 1947, there were efforts to change the name of the Bowery to something more "dignified and prosaic", such as "Fourth Avenue South". Revival The vagrant population of the Bowery declined after the 1970s, in part because of the city's effort to disperse it. Since the 1990s the entire Lower East Side has been reviving, and gentrification has contributed to ongoing change along the Bowery. In particular, the number of high-rise condominiums is growing. In 2007, the SANAA-designed facility for the New Museum of Contemporary Art opened between Stanton and Prince Street. In 2008, AvalonBay Communities opened Avalon Bowery Place, its first