about his first wife Andrea Bertorelli, to whom he was married from 1975 to 1980. The group wanted to keep the song simple in structure, but thought an eight-bar bridge with a key change and using a sequenced keyboard part complemented the arrangement. Banks produced eight different versions in step time, some ideas for which he had thought of ahead of time while others were a rough improvisation. The chosen version was the "most random" one. As the band performed "Invisible Touch" in a lower key on tour, Banks had to produce a new sequenced section which was "a real drag" as he was unable to make one as strong as the one on the album. Rutherford expressed a desire for the band to explore different musical themes for the song, but later felt the lyric had "always felt so comfortable" to him and saw no reason not to. Collins rates the track highly and picked it as his favourite Genesis song. He added: "It's a great pop song. It encapsulated the whole record and it pushed Genesis into a bit of an R&B area, a little like a Prince thing", and also compared his drumming on the track to American singer Sheila E, of whom he is a fan. The basis for "Tonight, Tonight, Tonight" came about from Banks, who spent some time improvising with different sounds from his keyboards over a rhythm Collins and Rutherford were playing. Similar to that of "Invisible Touch", Collins then came out with the word "monkey" and explored it vocally which led to the song's working title to be "Monkey/Zulu". The rest of the song's lyrics were then written around the word. Rutherford thought the track resembled the "old-style Genesis" as it covers more ground musically with a "fairly involved" instrumental section in the middle. Banks agreed with Rutherford's view on the song, pointing out its comparison in terms of its complexity. The lyrics to "Land of Confusion" were written by Rutherford, and they were the last set of words written for the album. Rutherford was behind schedule to get the lyrics to the song finished, but thought the "time was right" for him to write a protest song. He was struck with the flu when it was time for Collins to record the song's vocals. He recalled Collins "came over to my house ... he sat on my bed like a secretary