with the Time's Up movement; Lorde wrote, "My version of a white rose — THE APOCALYPSE WILL BLOSSOM — an excerpt from the greatest of all time, jenny holzer." The medium of modern computer systems became an important component in Holzer's work in 1982, when the artist installed her first large electronic sign on the Spectacolor board in New York's Times Square. Sponsored by the Public Art Fund program, the use of light-emitting diodes (LEDs) allowed Holzer to reach a larger audience. The texts in her subsequent Survival series, compiled in 1983-85, speak to the great pain, delight, and ridiculousness of living in contemporary society. She began working with stone in 1986; for her exhibition that year at the Barbara Gladstone Gallery in New York, Holzer introduced a total environment where viewers were confronted with the relentless visual buzz of a horizontal LED sign and stone benches leading up to an electronic altar. Continuing this practice, her installation at the Guggenheim Museum in 1989 featured a 163-meter-long sign forming a continuous circle spiraling up a parapet wall. In 1989, Jenny Holzer released the Laments series to the Dia Art Foundation in New York; this installation consisted of columns of colored lights and carved marble and granite tops that made up the laments. Holzer uses the passages she had read while being a part of the Whitney Independent Study Program by simplifying them for public consumption and applying them to her phrases. This series not only provokes thought in her audience through the constant reminder of death and sorrow but also exposes them to sources they normally wouldn’t come across. In an interview Holzer mentions that she uses the first person “I” simply to give the impression that a dead person is speaking and therefore make the installation more interesting to her audience. In Laments Jenny gave a voice to 13 different dead individuals, to say everything they might not have gotten the opportunity to while alive. She touches on topics like motherhood, violation, pain, torture, and even death on a personal level to these 13 individuals . Although Laments focuses mostly on the darkness of humanity and the tragedies we face daily there is also hidden optimism in the 13 laments. In 1989, Holzer became the second female artist chosen to represent the United States at the Venice Biennale in Italy (Diane Arbus was the first, shown posthumously in 1972).