due to the Ottoman occupation of the Arab world. Nearly all forms of Islamic miniatures (Persian miniatures, Ottoman miniatures and Mughal miniatures) owe their existences to Arabic miniatures, as Arab patrons were the first to demand the production of illuminated manuscripts in the Caliphate, it wasn't until the 14th century that the artistic skill reached the non-Arab regions of the Caliphate. Despite the considerable changes in Arabic miniature style and technique, even during their last decades, the early Umayyad Arab influence could still be noticed. Arabic miniature artists include Ismail al-Jazari, who illustrated his own Book of Knowledge of Ingenious Mechanical Devices, and the Abbasid artist, Yahya Al-Wasiti, who probably lived in Baghdad in the late Abbasid era (12th to 13th-centuries), was one of the pre-eminent exponents of the Baghdad school. In 1236-1237, he is known to have transcribed and illustrated the book, Maqamat (also known as the Assemblies or the Sessions), a series of anecdotes of social satire written by Al-Hariri of Basra. The narrative concerns the travels of a middle-aged man as he uses his charm and eloquence to swindle his way across the Arabic world. With most surviving Arabic manuscripts in western museums, Arabic miniatures occupy very little space in modern Arab culture. Persian Persian art has a long tradition of the use of miniatures, both for illustrated books and individual pieces, which were collected in albums (muraqqa). The Mughal miniature tradition was heavily influenced by Persia, and began when a group of artists was recruited for India, miniatures having fallen into disfavour in the Persian court of Tahmasp I. Reza Abbasi (1565–1635), considered one of the most renowned Persian painters of all time, specialized in the Persian miniature, with a preference for naturalistic subjects. Today his surviving works can be found in many of the major museums of the Western world, such as the Smithsonian, the Louvre and the Metropolitan Museum of Art. In 2020, UNESCO declared the miniature art of Azerbaijan, Iran, Turkey and Uzbekistan as one of the masterpieces of the intangible cultural heritage of humanity. India Under the patronage of Pala Dynasty miniature painting was introduced in India by painting on Buddhist palm leaf manuscripts. One of the earliest surviving examples of Buddhist illustrated palm leaf manuscripts is Aṣṭasāhasrikā Prajñāpāramitā dated to 985 AD preserved in the University of Cambridge library. The art of Pala illuminated manuscripts developed in Buddhist centers of Bihar