d'Automne. The same would happen in Rotterdam at the Museum Boijmans Van Beuningen in 1949. The painting is now on display at the Centre Georges Pompidou, Paris.Kees van Dongen, Le châle espagnol, 1913, Centre Pompidou After 1918 During World War I (1914 through 1918) no Salon d'Automne exhibition was held. It wasn't until the autumn of 1919 that the Salon d'Automne once again took place, from 1 November to 10 December, at the Grand Palais in Paris. Special attention, that is, a retrospective, was given to Raymond Duchamp-Villon who died on 9 October 1918. On display were 19 works by the French sculptor dated between 1906 and 1918. After the war, the Salon d'Automne was dominated by the works of the Montparnasse painters such as Marc Chagall, Amedeo Modigliani, Georges Braque and Georges Gimel. The Polish expressionist painter Henryk Gotlib and Scottish expressionist painter David Atherton-Smith also exhibited. Constantin Brâncuși, Aristide Maillol, Charles Despiau, René Iché and Ossip Zadkine emerged as new forces in sculpture. In addition to painting and sculpture, the Salon included works in the decorative arts such as the glassworks of René Lalique, Julia Bathory as well as architectural designs by Le Corbusier. Still an exhibition of world importance, the Salon d'Automne is now into its 2nd century. The Avant-Garde in Paris In an exhibition entitled Picasso and the Avant-Garde in Paris (February 24, 2010 - May 2, 2010), the Philadelphia Museum of Art showcased a partial reconstruction of the 1912 Salon d'Automne. Many of the works exhibited, however, had not been on display at the 1912 salon, while others exhibited in 1912 were conspicuously absent. The exhibition served to highlight the importance of the Salon Cubism—usually pitted against Gallery Cubism as two opposing camps—in developments and innovations of 20th-century painting and sculpture. 1922, Braque Fourteen years after the rejection of Georges Braque's L'Estaque paintings by the jury of the Salon d'Automne of 1908; Matisse, Rouault, Marquet, and Charles-François-Prosper Guérin, Braque was given the accolade of the Salle d'Honneur in 1922, without incident. 1944, Picasso at the Salon d'Automne In a dramatic case of situational irony, a room at the Salon d'Automne was dedicated to Picasso in 1944. During the crucial years of Cubism, between 1909 and 1914, the dealer Daniel-Henry Kahnweiler forbade Braque and Picasso from exhibiting at both the Salon d'Automne and the Salon des Indépendants. He thought the salons were places of humor and