13th Floor Records. Mommy's Little Monster includes the title track as well as the song for which the previous tour was named, "Another State of Mind". This was the album that "gained the band a national name in punk circles". Ness mentions in his DVD commentary that he really had nowhere to stay when he got back to California after the tour ended, so he crashed on the couches of whoever would have him. He details how he plunged headfirst into serious drug addiction and ended up being strung out on heroin for weeks at a time. In 1983, Liles and O'Brien left the band in the middle of a show on New Year's Eve, and were replaced soon thereafter by Ness' high school friend John Maurer and a man named Bob Stubbs. This line-up lasted only a short time until Christopher Reece joined on drums. Ness's drug habit continued throughout 1984 and 1985 as the band continued to gain success with Another State of Mind appearing as one of the punk rarities on MTV, and touring in California and Arizona. As a result of Ness's escalating drug habit and troubles with the law, Social Distortion briefly went on hiatus in 1985. During this time, Ness was in and out of various rehabilitation centers and jails. Social Distortion resurfaced in 1986, when Ness finished his drug rehabilitation program. The band released its second album, Prison Bound, two years later in 1988—over five years after their debut. The album included then-newcomers John Maurer on bass and Christopher Reece on drums. Although Prison Bound never charted on Billboard, the title track still receives extensive airplay on Los Angeles radio station, KROQ-FM. A notable style change takes place in Prison Bound, which takes on a definite country/western flavor and marks the start of the band's entrance into a style sometimes called "cowpunk." Country legend Johnny Cash and the Rolling Stones' honky tonk style became more prominent influences on Social Distortion's music at this time. There are references to Cash and the Stones in the songs "Prison Bound" and "On My Nerves." Five years had passed since releasing its debut. The success was just beginning and, in fact, taking time between albums became a pattern for Social Distortion. Ness acknowledges in a 2003 interview that it is a little backward, marketing-wise, to play songs for the fans for a few years before recording them—but