but not necessarily [works] of 'magical realism'." Other critics claim that her style is "modernist" because much of her fiction is "culturally specific and experimental". It has also been praised for its keen observation of character, curtness, wit, and lyrical quality. Her short story "Girl" is essentially a list of instructions on how a girl should live and act, but the messages are much larger than the literal list of suggestions. Derek Walcott, 1992 Nobel laureate, said of Kincaid's writing: "As she writes a sentence, psychologically, its temperature is that it heads toward its own contradiction. It's as if the sentence is discovering itself, discovering how it feels. And that is astonishing, because it's one thing to be able to write a good declarative sentence; it's another thing to catch the temperature of the narrator, the narrator's feeling. And that's universal, and not provincial in any way". Susan Sontag has also commended Kincaid's writing for its "emotional truthfulness," poignancy, and complexity. Her writing has been described as "fearless" and her "force and originality lie in her refusal to curb her tongue". Giovanna Covi describes her unique writing: "The tremendous strength of Kincaid's stories lies in their capacity to resist all canons. They move at the beat of a drum and the rhythm of jazz…" She is described as writing with a "double vision" meaning that one line of plot mirrors another, providing the reader with rich symbolism that enhances the possibilities of interpretation. Influences Kincaid's writing is largely influenced by her life circumstances even though she discourages readers from taking her fiction literally. To do so, according to the writer Michael Arlen, is to be "disrespectful of a fiction writer's ability to create fictional characters". Kincaid worked for Arlen, who would become a colleague at The New Yorker, as an au pair and is the figure whom the father in Lucy is based on. Despite her caution to readers, Kincaid has also said: "I would never say I wouldn't write about an experience I've had." Reception and criticism The reception of Kincaid's work has been mixed. Her writing stresses deep social and even political commentary, as Harold Bloom cites as a reason why the "literary qualities" of her work tend to be less of a focus for critics. Writing for Salon.com, Peter Kurth called Kincaid's work My Brother the most overrated book of 1997. Reviewing her latest novel, See Now