Lambada is a 1990 drama film starring J. Eddie Peck, Melora Hardin, Adolfo "Shabba-doo" Quiñones, Ricky Paull Goldin, Dennis Burkley, and Keene Curtis. Lambada was written and directed by Joel Silberg and choreographed by Shabba-Doo. The film was released simultaneously with rival film The Forbidden Dance; neither was well received, though Lambada was seen as 'the better of the two'. Plot A Beverly Hills school teacher by day, Kevin Laird (J. Eddie Peck) journeys at night to a warehouse in East Los Angeles, California, where a group of barrio kids gather to dance the lambada. Using his dazzling dance moves to earn the kids' respect and acceptance, Kevin then teaches them academics in an informal backroom study hall. One of his students, Sandy (Melora Hardin) sees him at the club. The next morning at school while Kevin is teaching, Sandy daydreams that she and Kevin are dancing and he madly kisses her on his motorcycle. It's the best of both worlds, but when Sandy becomes a jealous and lovestruck student and she exposes Kevin's double life, his two worlds collide, threatening his job and reputation. Cast J. Eddie Peck - Kevin Laird/Blade/Carlos Gutierrez Melora Hardin - Sandy Thomas Adolfo "Shabba-doo" Quinones - Ramone Leticia Vasquez - Pink Toes Dennis Burkley - Uncle Big Rita Bland - Lesley Jimmy Locust - Ricochet Kayla Blake - Bookworm (as Elsie Sniffen) Richard Giorla - Double J Debra Hopkins - Muriel (as Debra Spagnoli) Eddie Garcia - Chili Kristina Starman - Linda Laird Keene Curtis - Principal Singleton Basil Hoffman - Supt. Leland Ricky Paull Goldin - Dean Eric Taslitz - Egghead Thalmus Rasulala - Wesley Wilson Gina Ravera - Funk Queen Release and reception Lambada opened on March 16, 1990 at #8, and earned $2,031,181 to 1117 theaters. It quickly fell from the box office with a scant $4,263,112, after receiving mixed reviews. It holds a 47% on Rotten Tomatoes. Kevin Thomas, in his review (of this film and The Forbidden Dance) for the Los Angeles Times, noted that both of them 'revive the spirit of Sam Katzman, who turned out similar quickies in the ‘50s to cash in on rock ‘n’ roll and the Twist'; he singled out Lambada as the 'slicker but more impersonally directed' of the two. The two films also shared a review from Jon Pareles of The New York Times, who described Lambada as the 'glossier [and more]