then turned to vampires, producing The Vampire: His Kith and Kin (1928) and The Vampire in Europe (1929), and later to werewolves with The Werewolf (1933). Summers' work on the occult is notorious for his unusual and old-fashioned writing style, his display of erudition, and his purported belief in the reality of the subjects he treats. In 1933, copies of Summers' translations of The Confessions of Madeleine Bavent and of Ludovico Maria Sinistrari's Demoniality were seized by the police due to their explicit accounts of sexual intercourse between humans and demons. At the ensuing trial of the publisher for obscene libel, anthropologist E. E. Evans-Pritchard testified in defence of the scholarly value of the works in question. The publisher, Reginald Caton, was convicted and the unsold copies destroyed. According to Brian Doherty, Summers' later work on witchcraft, published in the 1930s and 1940s, "adopted a far more paranoid and conspiracy-driven worldview" than his earlier writings on the subject. These later writings draw extensively from earlier conspiracy theorists such as the French counter-revolutionary Abbé Augustin Barruel and the English Fascist Nesta Helen Webster. As such, Summers' work may have influenced the "Satanic Panic" of the 1980s and 1990s. Other pursuits Summers cultivated his reputation for eccentricity. The Times wrote he was "in every way a 'character' and in some sort a throwback to the Middle Ages." His biographer, Father Brocard Sewell (writing under the pseudonym "Joseph Jerome"), paints the following portrait: Summers wrote works of hagiography on Catherine of Siena and Anthony Maria Zaccaria, but his primary religious interest was always in the occult. While Aleister Crowley, with whom he was acquainted, adopted the persona of a modern-day witch, Summers played the part of the learned Catholic witch-hunter. Despite his conservative religiosity, Summers was an active member of the British Society for the Study of Sex Psychology, to which he contributed an essay on the Marquis de Sade. In 1926, Summers advertised in the London Times for a secretary to assist him with his literary work. A young Cyril Connolly responded, but found Summers uncongenial and turned down the position. Connolly privately mocked Summers in blank verse as "a sorcerer / a fruity unfrocked cleric of the Nineties / Like an old toad that carries in his head / The jewel of literature, a puffy satyr / That blends his Romish ritual with the filth / Scrawled on Pompeian pavement." The