classical elements that were very traditional: an initially ovoid Earth, a Paradise before the Flood that was always in the spring season, and rivers flowing from the poles to the Equator. Herbert Croft published criticism of the book in 1685, in particular accusing Burnet of following the Second Epistle of Peter rather than the Book of Genesis. During the 1690s John Beaumont and Johann Caspar Eisenschmidt picked up on Burnet's ideas. They engendered a great deal of controversy at the time, and Burnet defended himself against selected critics, John Keill and Erasmus Warren. Isaac Newton was an admirer of Burnet's theological approach to geological processes. Newton even wrote to Burnet, suggesting the possibility that when God created the Earth, the days were longer. However, Burnet did not find this explanation scientific enough. Lengthening the days would require an intervention on God's part. Burnet tightly held the belief that God created the world and all its processes perfectly from the start. He wrote: We think him a better Artist that makes a Clock that strikes regularly at every hour from the Springs and Wheels which he puts into the work, than he that hath so made his Clock that he must put his finger to it every hour to make it strike. The Ancient Doctrine Concerning the Origin of Things Some of the views expressed in this work, also known as Archaeologiae Philosophicae sive Doctrina Antiqua de Rerum Originibus (1692), were so unacceptable to contemporary theologians that he had to resign his post at Court. In this he considered whether the fall of man was a symbolic event rather than literal history. On the State of the Dead and of the Resurrection Burnet's treatise De Statu Mortuorum et Resurgentium was published posthumously in 1720. In Edward Gibbon's The History of the Decline and Fall of the Roman Empire III p. 99 Gibbon made reference to Burnet's De Statu Mortuorum et Resurgentium noting that Burnet "exposes the inconveniences which must arise", if souls "possess a more active and sensible existence". Thomas Newton, Bishop of Bristol and Dean of St. Paul's, criticised Gibbon and claimed that Burnet's views were exactly the opposite. Influence Burnet's work had an influence on Samuel Taylor Coleridge. He is quoted at the beginning of the 1817 edition of his The Rime of the Ancient Mariner. The ridge Dorsa Burnet in the Ocean of Storms on the Moon was