The Saint-Salvator Cathedral is the cathedral of Bruges, Flanders, in present-day Belgium. The cathedral is dedicated to the Verrezen Zaligmaker (Dutch, 'risen saviour', cf. Latin salvator, 'saviour') and Saint-Donatius of Reims. History The Saint-Salvator Cathedral, the main church of the city, is one of the few buildings in Bruges that have survived the onslaught of the ages without damage. Nevertheless, it has undergone some changes and renovations. This church was not originally built to be a cathedral; it was granted this status in the 19th century. Since the 10th century the Saint-Salvator was a common parish church. At that time the Sint-Donaaskathedraal (St. Donatian's Cathedral), which was located at the very heart of Bruges, opposite of the town hall, was the central religious building of the city. In 1116 a new fire destroyed the building and in 1127 and the construction of a new larger church began in Romanesque style. In 1250 the construction of the present church was undertaken, which lasted for about a century. At the end of the 18th century the French occupiers of Bruges threw out the bishop of Bruges and destroyed the Sint-Donaaskathedraal, which was his residence. In 1834, shortly after Belgium's independence in 1830, a new bishop was installed in Bruges and the Sint-Salvator church obtained the status of cathedral. However, the building's external image did not resemble a cathedral. It was much smaller and less imposing than the nearby Onze-Lieve-Vrouwekerk and had to be adapted to its new role. Building a higher and more impressive tower was one of the viable options. The roof of the cathedral collapsed in a fire in 1839. Robert Chantrell, an English architect, famous for his neo-Gothic restorations of English churches, was asked to restore to Sint-Salvator its former glory. At the same time he was authorized to make a project for a higher tower, in order to make it taller than that of the Onze-Lieve-Vrouwekerk. The oldest surviving part, dated from the 12th century, formed the base of the mighty tower. Instead of adding a neo-Gothic part to the tower, Chantrell chose a very personal Romanesque design. After completion there was a lot of criticism and the royal commission for monuments (Koninklijke Commissie voor Monumenten), without authorization by Chantrell, had placed a small peak on top of the tower, because the original design was deemed too flat. The Neo-Romanesque west tower is fortress-like 99 meters high. Interior