and resilience, all these in the cause of fortitude at life's going to be brought to an end by death". A promotional video of this song was released. "Cold Irons Bound" The next song, "Cold Irons Bound", won the 1998 Grammy for best male rock vocal performance. Oliver Trager describes the track as "biting" with "ricocheting guitar licks, rockabilly drums, distorted organ, and [a] voice floating in a blimp of its own echo," in which "one can still hear, to paraphrase 'Visions of Johanna', the ghost of electricity howling from the bones of Dylan's face..." Michael Gray also describes this song in detail: "Make You Feel My Love" The song "Make You Feel My Love" was recorded twice under the title "To Make You Feel My Love" by other artists: Billy Joel recorded the song for his Greatest Hits Volume III collection before Dylan released the song; subsequently, Garth Brooks recorded it for the Hope Floats soundtrack. It was recorded under the original title by Bryan Ferry on Dylanesque and by Adele on 19. This song was criticized for its lyrical inferiority by Robert Christgau and Greg Kot of Rolling Stone. In his review, Kot described the track as "a spare ballad undermined by greetingcard lyrics [that] breaks the album's spell". Opposing his view, Dylan critic Paul Williams said that it was "refreshing" to his ears. He said: "...the ultimate effect is to strengthen the spell the whole record casts—this musical and verbal break is exactly in place". "Can't Wait" The penultimate track of the album is "Can't Wait". Greg Kot wrote, "On Time Out of Mind, [Dylan] paints a self-portrait with words and sound that pivots around a single line from the album's penultimate song, 'Can't Wait': "That's how it is when things disintegrate"". An alternate version of this song is included on the album The Bootleg Series Vol. 8 – Tell Tale Signs: Rare and Unreleased 1989–2006. (Deluxe Editions of this album contain two alternate versions of the song.) "Highlands" The closing track, at time of release the longest composition ever released by Dylan, the 16-minute "Highlands", most probably took its central motif ("My heart's in the highlands") from a poem by Robert Burns called "My heart's in the highlands" (published in 1790). In Jim Dickinson's account, "I remember, when we finished 'Highlands'—there are two other versions of that, the one that made the record is the rundown,