Aug. 22, 78 p. (). Austin,Robert J. (2000). A manual of Fingerweaving56 p. A well ilustruted and colorful "How to do" sashes. Editor: Earl C. Fenner, published by Crazy Crow Trading Post Printed in Canada (ISBN NO.1-9929572-00-X) Speiser, Noémi (1983). "The Manual of Braiding" published by the author (Basel) Switzerland. Reedited in 1988,1991,1997. Noémi Speiser is an international authority on Braids having researched the subject for over 35 years. Burnham, Dorothy K.(1981) The Comfortable Art: spinning and weaving in Canada. Chapter 2: Indian and French Braiding, published by National Museum of Canada. Burnham joined the staff of the Royal Ontario Museum in 1929 as a "second assistant draftsman" and became its first curator of textiles in 1939. Burnham, Dorothy K.(1976).Braided "Arrow" sash of Quebec. Irene Emery Roundtable at the Textile Museum Washington D.C.. [This was attended by Noemi Speiser.] Turner, Altar A. (1973). Finger Weaving: Indian braiding, by Sterling Publishing, New York N.Y. (). Reprinted 1989 by Cherokee Publications NC 28719 Barbeau, Marius (1937). Assomption Sash, Ottawa: Dept. of Mines, National Museum of Canada. [Bulletin No. 93, Anthropological Series No. 24], 51 p. (online) Vien, Louise and Lawrence Barkwell."History of the Metis Sash." Findley, Gerald Lee (2019) Fingerwoven Sashes BasicTechniques, The book provides detailed instructions for three forms of fingerweaving that were developed by the people of the First Nations, and the settlers of North America. Amazon print on demand, Paperback : 193 pages , In French Beauvais, Michelle (2007). Le tressage au-delà du trois brins avec révision (ressources électronique) Granby, M. Beauvais 167 pages () Beauvais, Michelle (2006). Le tressage au-delà du trois brins, Granby: M. Beauvais, 137 p. () Association des artisans de ceinture fléchées de Lanaudière inc. (1994). Histoire et origines de la ceinture fléchée traditionnelle dite de L'Assomption, collaboration avec le département d'ethnologie de l'université Laval à Québec. 125 p. Édition du Septentrion: Sillery, Québec. () (preview). Bourdeau-Picard, Michelle (2004). Un symbole de taille: la ceinture fléchée dans l'art canadien. Catalogue d'une exposition tenue du 21 mars au 22 août au Musée d'art de Joliette, Québec. 78p. (). Genest Leblanc, Monique (2003). Une jolie cinture à flesche. sa présence au Bas Canada, son cheminement vers l'Ouest, son introduction chez les Amérindiens. Les Presses de l'Université Laval, Québec QC. Science humaine et sociale. 178 p. (). Verdeau-Hemlin, Denise (1990). Évolution des motifs de fléché, Montréal: Association des artisans de ceinture fléchée du Québec, 26 p. () Hamelin,