the part. [Laughs.] So I got to do it, and we did it at a time when there really was no green screen for special effects. You had to shoot what was there. It's amazing how dated that film looks now, because of our ability to do things technically now. I mean, it really looks antiquated. Mare Winningham is one of the greatest actresses ever. It was eight weeks of night shooting, though, so you'd be driving home from work at, like, 6 in the morning, having had a wrap beer, and then you're suddenly going, "Oh my God, what do people think of somebody having a beer at 6 in the morning whenever everyone else is on their way to work? [Laughs.]The following locations in Los Angeles were used: Johnie's Coffee Shop; La Brea Tar Pits; Miracle Mile District; Pan-Pacific Auditorium in the Fairfax District. Soundtrack Miracle Mile is the thirty-sixth major release and twelfth soundtrack album by Tangerine Dream. Monty Smith in Q Magazine described it as an "euphonious mixture of gloomy melodic synthesizers and hypnotically insistent drum machines". Track listing Personnel Edgar Froese Paul Haslinger 2017 release The complete score in film sequence order was released in 2017 representing the score as delivered by Tangerine Dream to the director, essentially as heard in the film’s mix with tracks 14 through 23 containing music effects. Track listing CD1: The Complete Film Score CD2: The Soundtrack Album Personnel Edgar Froese Paul Haslinger Reception Miracle Mile received generally positive reviews among critics. The review aggregator Rotten Tomatoes reported that 91% of critics gave the film a positive review, based on 32 reviews and the consensus: "Miracle Mile brings about its small-scale doomsday tale with achingly rich bleakness and hypnotically nightmarish fervor." Roger Ebert praised the film, claiming it had a "diabolical effectiveness" and a sense of "real terror". In her review for the Washington Post, Rita Kempley wrote: "It seems [De Jarnatt]'s not committed to his story or his characters, but to the idea that he is saying something profound—which he isn't." Stephen Holden, in The New York Times, wrote: "As Harry and Julie, Mr. Edwards and Ms. Winningham make an unusually refreshing pair." In his review for the Boston Globe, Jay Carr called it: "... a messy film, but it's got energy, urgency, conviction and heat and you won't soon forget it." British film and television critic Charlie Brooker,