to apply the RYB color model to printing, specifically mezzotint printing, and he used separate plates for each color: yellow, red and blue plus black to add shades and contrast. In 'Coloritto', Le Blon asserted that “the art of mixing colours…(in) painting can represent all visible objects with three colours: yellow, red and blue; for all colours can be composed of these three, which I call Primitive”. Le Blon added that red and yellow make orange; red and blue, make purple; and blue and yellow make green (Le Blon, 1725, p6). In the 18th century, Moses Harris advocated that a multitude of colors can be created from three "primitive" colors – red, yellow, and blue. Mérimée referred to "three simple colours (yellow, red, and blue)" that can produce a large gamut of color nuances. "United in pairs, these three primitive colours give birth to three other colours as distinct and brilliant as their originals; thus, yellow mixed with red, gives orange; red and blue, violet; and green is obtained by mixing blue and yellow" (Mérimée, 1839, p245). Mérimée illustrated these color relationships with a simple diagram located between pages 244 and 245: Chromatic Scale (Echelle Chromatique).De la peinture à l’huile : ou, Des procédés matériels employés dans ce genre de peinture, depuis Hubert et Jean Van-Eyck jusqu’à nos jours was published in 1830 and an English translation by W. B. Sarsfield Taylor was published in London in 1839. Similar ideas about the creation of color using red, yellow, and blue were discussed in Theory of Colours (1810) by the German poet, color theorist and government minister Johann Wolfgang von Goethe. In The Law of Simultaneous Color Contrast (1839) by the French industrial chemist Michel Eugène Chevreul discussed the creation of numerous color nuances and his color theories were underpinned by the RYB color model. Separate to the RYB color model, cyan, magenta, and yellow primary colors are associated with CMYK commonly used in the printing industry. Cyan, magenta, and yellow are often referred to as "process blue", "process red", and "process yellow". Old model of coloration with four primaries The ancient Greeks, under the influence of Aristotle, Democritus and Plato, considered that there were four basic colors that coincided with the four elements: earth (ochre), sky (blue), water (green) and fire (red), while black and white represented the light of day and the darkness of night. The four-color system is