with five chapels. On the left wall is a Romanesque-Byzantine fresco portraying St. Christopher (later 13th century). The Grand Chapel has a painting of the Four Evangelists by a pupil of Tommaso da Modena, to whom is instead directly attributed a fresco of Madonna with Child and Seven Saints (1350) in the first chapel on the left. The next chapel has instead a fresco with Madonna and Four Saints from 1351 by the so-called Master of Feltre. The church, among others, houses the tombs of Pietro Alighieri, son of Dante, and Francesca Petrarca, daughter of the poet Francesco. The Loggia dei Cavalieri, an example of Treviso's Romanesque influenced by Byzantine forms. It was built under the podestà Andrea da Perugia (1276) as a place for meetings, talks and games, although reserved only to the higher classes. Piazza dei Signori (Lords' Square), with the Palazzo di Podestà (later 15th century). Church of San Nicolò, a mix of 13th-century Venetian Romanesque and French Gothic elements. The interior has a nave and two aisles, with five apsed chapels. It houses important frescoes by Tommaso da Modena, depicting St Romuald, St Agnes and the Redemptor and St Jerome in his Study. Also the Glorious Mysteries of Santo Peranda can be seen. Noteworthy is also the fresco of St Christopher on the eastern side of the church, which is the most ancient depiction in glass in Europe. Cathedral is dedicated to St Peter. It was once a small church built in the Late Roman era, to which later were added a crypt and the Santissimo and Malchiostro Chapels (1520). After the numerous later restorations, only the gate remains of the original Roman edifice. The interior houses works by Il Pordenone and Titian (Malchiostro Annunciation) among others. The edifice has seven domes, five over the nave and two closing the chapels. Palazzo dei Trecento, built in the 13th–14th centuries. Piazza Rinaldi. It is the seat of three palaces of the Rinaldi family, the first built in the 12th century after their flight from Frederick Barbarossa. The second, with unusual ogival arches in the loggia of the first floor, is from the 15th century. The third was added in the 18th century. Ponte di Pria (Stone Bridge), along the city walls, where River Botteniga divides into the three channels that cross the city centre (Cagnan Grande, Cagnan di Mezzo, Roggia). Monte di Pietà di Treviso and the