asbestos factory with his brother-in-law, Karl Hermann. Kafka wrote "The Judgment" in a single sitting on September 22, 1912. In later writings, he described the creative outburst of "The Judgment" as “the total opening of body and soul,” saying that “the story evolved as a true birth, covered with filth and slime.” Kafka viewed the work as “one of his most successful and perfect literary creations” which he was able to write in a “semi-unconscious state of mind.” Kafka was incredibly enthusiastic after the work, and talked to his good friend, Max Brod, who edited and published much of his work. "The Judgment" was published in 1913 in the literary yearbook Arkadia. The story was dedicated "to Miss Felice Bauer" whom he met just before writing it, and in subsequent editions simply "for F.". Brod noted in his biography that the name of the main character, Georg Bendemann, alludes to Kafka (Franz has as many letters as Georg; Bende sounds similar to Kafka) and the name of the fiancée alludes to Felice (they have the same initials; Frieda as many letters as Felice; "Branden" may refer to Brandenburg around Berlin where Felice lived; "feld" (field) is related to "Bauer" (farmer)). The work has several key inspirations that can be traced to events around the time it was created. While Kafka was running his business, he was troubled because the time required for this job limited his literary creativity. This conflict inspired the character Georg Bendemann, the protagonist of "The Judgment". Interpretation Interpretations of Kafka's short story range from simple parallelism between the lives of Georg and Kafka to more complex views concerning the notion of judgement itself. Heinz Politzer, for example, views the story as a means through which Kafka explored his thoughts about his romance with Felice Bauer, citing as evidence the impending marriages Georg and Kafka held in common. He argues that the severed relationship between Georg and his friend represented the bachelorhood that Georg, and therefore Kafka, would soon have to give up. Herbert Tauber, on the other hand, viewed the story as a commentary on the conflict between two separate worlds, shown through the conflict between father and son. The world of the son is a world of “vital existence in which probability and reservation rule” and that of the father is a world “in which every step has an incalculable importance because it is taken