Drifters, reaching No. 7 on the Billboard Hot 100, and gained further exposure thanks to its memorable use in the famous audition sequence in Bob Fosse's 1979 film All That Jazz. Benson's most successful single "Give Me the Night" (1980) became his first US No. 1 R&B hit, reached No. 4 on the Pop chart and also reached No. 2 on the Hot Disco Singles chart. Prince signed to Warner Bros. in 1977. His first album For You made little impact, although the single "Soft and Wet" reached No. 12 on the Billboard R&B chart. However, his second self-titled album (1979) fared considerably better, reaching No. 3 on the R&B album chart and earning a gold record award; the first single lifted from the album, "I Wanna Be Your Lover" became Prince's first crossover hit, reaching No. 1 on the R&B chart and No. 11 on the main pop chart, while the follow-up single "Why You Wanna Treat Me So Bad?" reached No. 13 on the R&B chart. Although he was still little known outside the US at this stage, this early success set the stage for his major commercial breakthrough in the 1980s. Another valuable late 1970s discovery was metal-pop band Van Halen, who were spotted at a Hollywood club by Mo Ostin and Ted Templeman in 1977. Their self-titled debut album was a notable success, reaching No. 19 on the Billboard album chart, and their second album Van Halen II (1979) reached No. 6 and produced their first hit single "Dance the Night Away" (#19). Warner Bros. also began to tentatively embrace the burgeoning new wave movement in the late 1970s, signing cult bands Devo and the B-52s. A crucial acquisition in this field—and one which would soon prove to be of enormous importance to the company—was the New York-based Sire Records, founded in 1966 by Seymour Stein and Richard Gottehrer. Warner Bros. took over Sire's distribution from ABC Records in 1977 and bought the label in 1978, retaining Stein as its president. The addition of the Sire roster gave Warner Bros. an important foothold in this area (indeed, Stein is often credited with naming the genre to replace the term "punk", which he disliked); its American signings included the Ramones, the Dead Boys, and Talking Heads and most importantly of all, Madonna, who soon became the most successful female artist in music history, earning billions for Warner.