were produced by François Clouet (c. 1510 – 1572), and his followers. The earliest French miniature painters were Jean Clouet (died c. 1540), his son François Clouet, Jean Perréal and others; but of their work in portraiture we have little trace at the present day, although there are many portraits and a vast number of drawings attributed to them. The seven portraits in the Manuscript of the Gallic War (Bibliothèque Nationale) are assigned to the eider Clouet; and to them may be added a fine work, in the Pierpont Morgan collection, representing the Marschal de Brissac. Following these men we find Simon Renard de St. André (1613–1677), and Jean Cotelle. Others whose names might be mentioned were Joseph Werner (1637–1710), and Rosalba Carriera (1675–1757). The first famous native English portrait miniaturist is Nicholas Hilliard (c. 1537–1619), whose work was conservative in style but very sensitive to the character of the sitter; his best works are beautifully executed. The colours are opaque, and gold is used to heighten the effect, while the paintings are on card. They are often signed, and have frequently also a Latin motto upon them. Hilliard worked for a while in France, and he is probably identical with the painter alluded to in 1577 as Nicholas Belliart. Hilliard was succeeded by his son Lawrence Hilliard (died 1640); his technique was similar to that of his father, but bolder, and his miniatures richer in colour. Isaac Oliver and his son Peter Oliver succeeded Hilliard. Isaac (c. 1560–1617) was the pupil of Hilliard. Peter (1594–1647) was the pupil of Isaac. The two men were the earliest to give roundness and form to the faces they painted. They signed their best works in monogram, and painted not only very small miniatures, but larger ones measuring as much as 10 in × 9 in (250 mm × 230 mm). They copied for Charles I of England (1600-1649) on a small scale many of his famous pictures by the old masters. Other miniaturists at about the same date included Balthazar Gerbier, George Jamesone, Penelope Cleyn and her brothers. John Hoskins (died 1664) was followed by a son of the same name, who was known to have been living in 1700, since a miniature signed by him and bearing that date is in the Pierpont Morgan collection, representing James FitzJames, 1st Duke of Berwick. Samuel Cooper (1609–1672) was a nephew and student of