used as the exterior of the Casino Royale, with the Grandhotel Pupp serving as "Hotel Splendide". The main Italian location was Venice, where the majority of the film's ending is set. The scene with Bond on a sailboat was filmed aboard a yacht named Spirit. She was constructed by Spirit Yachts in Suffolk, England, and had to be demasted to fit under various Venetian bridges to reach the filming location. For this reason, SV Spirit "was the first sailing boat to go up the Grand Canal in Venice for 300 years". Other scenes in the latter half of the film were shot in late May and early June at the Villa del Balbianello on the shores of Lake Como. Further exterior shooting for the movie took place at properties such as the Villa La Gaeta, near the lakeside town of Menaggio. A recreation of the Body Worlds exhibit provided a setting for one scene in the film. Among the Body Worlds plastinates featured in that scene were the Poker Playing Trio (which plays a key role in one scene) and Rearing Horse and Rider. The exhibition's developer and promoter, German anatomist Gunther von Hagens also has a cameo appearance in the film, although only his trademark hat is actually visible on screen. Effects In designing the credit sequence for the film, graphic designer Daniel Kleinman was inspired by the cover of the 1953 British first edition of Casino Royale, which featured Ian Fleming's original design of a playing card bordered by eight red hearts dripping with blood. Kleinman said, "The hearts not only represent cards but the tribulations of Bond's love story. So I took that as inspiration to use playing card graphics in different ways in the titles," like a club representing a puff of gun smoke, and slashed arteries spurting thousands of tiny hearts. In creating the shadow images of the sequence, Kleinman digitized the footage of Craig and the film's stuntmen on the Inferno visual effects system, at Framestore CFC in London; the actors' silhouettes were incorporated into more than 20 digitally animated scenes depicting intricate and innovative card patterns. Kleinman decided not to use the female silhouettes commonly seen throughout the Bond title sequences, considering that the women did not fit with both the film's spirit and the storyline following Bond falling in love. For the rest of the film, Chris Corbould, the special effects and