R. R. Tolkien. The Houghton Mifflin edition had been bound using pages printed in the United Kingdom for the George Allen & Unwin edition, and as a result, U.S. copyright law might not protect the text. Based on this view, Ace Books published the first-ever paperback edition of Tolkien's work, featuring cover art and hand-drawn title pages by Jack Gaughan. After considerable controversy and the release of a competitive authorized (and revised) edition by Ballantine Books (the back covers of which included a message from Tolkien urging consumers to buy the Ballantine edition and boycott any "unauthorized" versions – implying the Ace editions), Ace agreed to pay royalties to Tolkien and let its still-popular edition go out of print. Wyn died in 1967, and the company grew financially overextended, failing to pay its authors reliably. Without money to pay the signing bonus, Wollheim was unwilling to send signed contracts to authors. On at least one occasion, a book without a valid contract went to the printer, and Wollheim later found out that the author, who was owed $3,000 by Ace, was reduced to picking fruit for a living. 1971–2015: Ace becomes a subsidiary Both Wollheim and Carr left Ace in 1971. Wollheim had made plans to launch a separate paperback house, and in cooperation with New American Library, he proceeded to set up DAW Books. Carr became a freelance editor; both Carr and Wollheim went on to edit competing Year's Best Science Fiction anthology series. By the early 1970s, Ace Books became a major division of the old publisher, Charter Communications, which was based out of the Hippodrome Building, 1120 Avenue of the Americas, in New York City. In 1972, Ace was acquired by Grosset & Dunlap, and in 1982, Grosset & Dunlap was in turn acquired by G.P. Putnam's Sons. Ace was reputedly the only profitable element of the Grosset & Dunlap empire by this time. Ace soon became the science fiction imprint of its parent company. Carr returned to Ace Books in 1984 as a freelance editor, launching a new series of Ace Specials devoted entirely to first novels. This series was even more successful than the first: it included, in 1984 alone, William Gibson's Neuromancer, Kim Stanley Robinson's The Wild Shore, Lucius Shepard's Green Eyes, and Michael Swanwick's In the Drift. All were first novels by authors now regarded as major figures in the genre. Other prominent