artist's public use of language and ideas often creates shocking juxtapositions — commenting on sexual identity and gender relations (“Sex Differences Are Here To Stay”) on an unassuming New York movie theater marquee, for example — and sometimes extends to flights of formal outrage (such as “Abuse Of Power Comes As No Surprise” in lights over Times Square). Selected works Living Series (early 1980s), using monumental media such as bronze plaques and billboards. Under a Rock (1986), a series juxtaposing electronic messages with poetic phrases etched on stone benches and sarcophagi. Laments (1989), a multi-media installation at the Dia Art Foundation featuring 13 stone sarcophagi. Da wo Frauen sterben, bin ich hellwach (1993), cover photograph and portfolio in edition number 46 of Süddeutsche Zeitung Magazin. Please Change Beliefs (1995), an interactive work created for the internet art gallery adaweb, incorporating several of the artist's Truisms. Protect Me From What I Want, the 15th work commissioned for the BMW Art Car Project. Painted on a BMW V12 LMR, the titular refrain is written in metal foil and outlined with phosphorescent paint. Phrases written on the car's side-pods are "You are so complex, you don't respond to danger" and "The unattainable is invariably attractive". The car's rear wing reads "Lack of charisma can be fatal" and "Monomania is a prerequisite of success". The car was withdrawn from the 1999 24 Hours of Le Mans race, but saw active competition in the 2000 Petit Le Mans in the U.S., finishing fifth overall. Terminal 5 — In October 2004, the dormant Eero Saarinen-designed TWA Flight Center (now Jetblue T5) at John F. Kennedy International Airport hosted an art exhibition called Terminal 5, curated by Rachel K. Ward and featuring the work of 18 artists. Holzer's work was displayed electronically on the terminal's original departures-arrivals board. She had wanted the work projected onto the building's exterior, but airport officials denied the request, saying the projection could interfere with runway operations. For the City (2005), nighttime projections of declassified government documents on the exterior of New York University's Bobst Library, and poetry on the exteriors of Rockefeller Center and the New York Public Library Main Branch in Manhattan This work has been cited as a significant example of word art. For Singapore (2006), projection on City Hall, Singapore on the occasion of the Singapore Biennale 2006 For the Capitol (2007), nighttime projections of quotes by Presidents