in the founding of the Salon d'Automne (her art collection included works by Derain, Matisse, Marquet, Rouault, Vlaminck, Van Dongen, and Signac). Charles Beauquier, the politician and self-proclaimed free-thinker ("libre-penseur") sided with Breton and Benoist: "We do not encourage garbage! There is garbage in the arts and elsewhere". Ultimately, Marcel Sembat won the debate on several fronts: the Salon d'Automne remained at the Grand Palais des Champs Elysées for years to come; the press coverage following the Assemblée nationale's discussions was as intense as it was widespread, publicizing Cubism still further; the reverberations caused by the Cubist scandal echoed across Europe, and elsewhere, extending far beyond what would have been predicted without such publicity. Marcel Sembat would soon become Minister of Public Works; from 1914 to 1916, under Prime Ministers René Viviani and Aristide Briand. Works exhibited at the 1912 Salon d'Automne Jean Metzinger entered four works: Dancer in a café, titled Danseuse (Albright-Knox Art Gallery), La Plume Jaune (The Yellow Feather), Paysage (Landscape), and Femme à l'Éventail (Woman with a Fan) (Solomon R. Guggenheim Museum, New York), hung in the decorative arts section inside La Maison Cubiste (the Cubist House). Francis Picabia, 1912, La Source (The Spring) (Museum of Modern Art, New York) Fernand Léger exhibited La Femme en Bleu (Woman in Blue), 1912 (Kunstmuseum, Basel) and Le passage à niveau (The Level Crossing), 1912 (Fondation Beyeler, Riehen, Switzerland) Roger de La Fresnaye, Les Baigneuses (The bathers) 1912 (The National Gallery, Washington) and Les joueurs de cartes (Card Players) Henri Le Fauconnier, The Huntsman (Haags Gemeentemuseum, The Hague, Netherlands) and Les Montagnards attaqués par des ours (Mountaineers Attacked by Bears) 1912 (Museum of Art, Rhode Island School of Design). Albert Gleizes, L'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud), 1912 (Philadelphia Museum of Art), also exhibited at the Armory show, New York, Chicago, Boston, 1913. André Lhote, Le jugement de Pâris, 1912 (Private collection) František Kupka, Amorpha, Fugue à deux couleurs (Fugue in Two Colors), 1912 (Narodni Galerie, Prague), and Amorpha Chromatique Chaude. Alexander Archipenko, Family Life, 1912, sculpture (destroyed) Amedeo Modigliani, exhibited four sculptures of elongated and highly stylized heads Joseph Csaky exhibited the sculptures Groupe de femmes, 1911-12 (location unknown), Portrait de M.S.H., no. 91 (location unknown), and Danseuse (Femme à l'éventail, Femme à la cruche), no. 405 (location unknown) La Maison Cubiste (Cubist House) This Salon d'Automne also featured La Maison Cubiste.