Kenneth William David Hensley (24 August 1945 – 4 November 2020) was an English musician, singer, songwriter and producer, best known for his work with Uriah Heep during the 1970s. He wrote or co-wrote the majority of Uriah Heep's songs during this period, including the singles "Lady in Black" (on which he sang lead vocals), "Easy Livin'" and "Stealin'", as well as "Look at Yourself", and "Free Me". Biography Born in Plumstead, south-east London, Hensley moved with his parents, three brothers and sister to Stevenage, Hertfordshire, in 1945. He learned how to play guitar at the age of 12 from a Bert Weedon manual. His first gig was at The Mentmore Pen Factory, in Stevenage (September 1960). After that, he played with The Blue Notes, Ken and the Cousins and Kit and the Saracens (1962). In 1963, this band evolved into The Jimmy Brown Sound, and they recorded some now lost songs. At this time, Hensley's first "professional" opportunity almost came about: they were to back Ben E. King on a British visit, but it never happened. In early 1965, Hensley formed a band called The Gods, with the young guitarist Mick Taylor, well known later for his work with John Mayall and The Rolling Stones. Hensley wrote most of the material, sang and played the Hammond B3 organ as the band already had Taylor on guitar. The Gods' line-up included, at one time or another, vocalist and guitar/bass player Greg Lake (later of King Crimson and Emerson, Lake & Palmer), bass player Paul Newton (later the first Uriah Heep bassist), drummer Lee Kerslake (later also of Heep), bassist John Glascock (later of Jethro Tull), and guitarist Joe Konas. In early 1968, they signed with Columbia Records and recorded two LPs and several singles. Hensley also then played on a one-album side project of The Gods initially planned to become their third album, but was recorded and eventually released in 1969/1970 under the moniker Head Machine's Orgasm. The album was produced by David Paramor (producer of "The Gods") and both Hensley and Kerslake featured, along with John Glascock on bass, Brian Glascock on drums, and David Paramor on vocals, all under pseudonyms. Hensley played mostly guitar again, as in the beginning of his career. Although Paramor was credited as composer, the songs bear many of Hensley's influences. The album was released before Hensley joined Toe Fat, and might almost be