Francisco’s Mission District, a region whose Latino population featured only a small percent of Puerto Ricans, Lucero’s decision to depict Lebrón was unexpected, and perhaps reflected the “internal colony” thesis. One of the most often discussed elements of the work is that Lebrón, typically regarded as a white woman by Puerto Ricans, is rendered in burnt sienna to highlight her brown skin. The poster is perceived as portraying Lebrón as a contemplative, suffering figure, who some scholars regard as embodying a "racialized colonial subject who suffers at the hands of an imperial power". This artistic portrayal of Lebrón contrasts the common interpretation of the US press’ portrayal of her as a femme fatale. This work became widely recognized, and is today housed in the Smithsonian American Art Museum. Another silkscreen representation of Lebrón, also in the Smithsonian American Art Museum, is Lolita Lebrón, Puerto Rican Freedom Fighterby Marcos Dimas. In contrast to Lucero’s suffering Lebrón, or the media’s description of her as a terrorist, with headlines such as “When terror wore lipstick,” Dimas represents a portrayal of Lolita Lebrón that scholars regard as “heroic,” showing her in three-quarter profile with her eyes defiantly raised and staring ahead in determination, repeated four times in the same color palette on the poster, and declaring her as a “Puerto Rican Freedom Fighter”. Beyond art, writer, director and film producer Judith Escalona is planning to make a film about Lebrón's life.Federico Ribes Tovar published a book titled Lolita la Prisionera. There is a plaque, located at the monument to the Jayuya Uprising participants in Mayagüez, Puerto Rico, honoring the women of the Puerto Rican Nationalist Party. Lebron's name is on the first line of the third plate. Among the books that include the story of Lebrón are The Ladies' Gallery: A Memoir of Family Secrets by Irene Vilar (Lebrón's granddaughter), translated by Gregory Rabassa (formerly published as A Message from God in the Atomic Age). The author criticizes her grandmother as a distant, gun-toting, larger-than-life figure who cast a veil of pain and secrecy over her family so vast that Ms. Vilar is still untangling herself from it. It also documents the death of Lebrón's only daughter (Vilar's mother) as suicide. Irene Vilar began to write the novel in a psychiatric hospital in Syracuse, New York. Lebrón's granddaughter, Vilar, may have had a slight change of heart after Hurricane Maria devastated Puerto Rico. She