A sketch in the final episode of Jam in 2000 features a scene where two strangely dressed characters, one carrying a clarinet, sing the song where and when police are trying to find a dead body. When the police find the corpse and are still examining it, the two characters continue to sing the song at the corpse, whilst the clarinet carrier puts the clarinet into the corpse's mouth, who "plays" it out of key. The musical group Cake recorded a horn-driven version of this song featuring many different sounds. This version was recorded as a children's song and appears on an album called For the Kids, released in 2002, and on their compilation album, B-Sides and Rarities, released in 2007. Surrounding Super Bowl XL in 2006, a version of the song was recorded for the Pittsburgh Steelers, replacing the title syllables with "Polamalu", the last name of the Steelers' star strong safety. Since 2009, the pro soccer team Philadelphia Union's fan supporters, the Sons of Ben, have used the song, substituting the group's name in place of the song's title. A version sung in Arabic was released by actor/singer Samir Ghanem using the words anam, anam (meaning "sleep, sleep"). In 2011, alternative rock band The Fray released a cover of the song on Muppets: The Green Album, though a remaster of the original version from The Muppet Show performance appears on the soundtrack from the 2011 film The Muppets. The Mexican department store chain Sanborns used a version of this song for their animated commercials featuring the "Tecolotes" (Owl) family mascots. A cover version of the song was made for the popular music/rhythm game Just Dance 2015. The Benny Hill Show version In 1969, British comedian Benny Hill switched from BBC Television to Thames Television. This move also marked the major start of color television in the United Kingdom. As part of the new format by Benny Hill, many risque jokes and sketches were featured. As with the signature "Yakety Sax" instrumental on the end of each show, the implementation of "Mah Na Mah Na" on Benny Hill was used to great effect to reflect the comedy action of particular sketches—notably the ones providing the backdrop of the story of the moment, most often sped up and (mostly) with no audible dialogue. On the new Thames incarnation of The Benny Hill Show, "Mah Na Mah Na" was part of