Pearl is the second and final solo album (and fourth album overall) by Janis Joplin, released on January 11, 1971, three months after her death on October 4, 1970. It was the final album with her direct participation, and the only Joplin album recorded with the Full Tilt Boogie Band, her final touring unit. It peaked at number one on the Billboard 200, holding that spot for nine weeks. It has been certified quadruple platinum by the RIAA. Content The album has a more polished feel than the albums she recorded with Big Brother and the Holding Company and the Kozmic Blues Band due to the expertise of producer Paul A. Rothchild and her new backing musicians. Rothchild was best-known as the recording studio producer of The Doors, and worked well with Joplin, calling her a producer's dream. Together they were able to craft an album that showcased her extraordinary vocal talents. They used Sunset Sound Recorders in Los Angeles. The Full Tilt Boogie Band were the musicians who accompanied her on the Festival Express, a concert tour by train of Canada, in the summer of 1970. Many of the songs on this album were recorded on the concert stage in Canada two months before Joplin and the band started their Los Angeles recording sessions. The band also appeared twice on The Dick Cavett Show. They also played many American cities, both before and after Festival Express, although no recordings of those concerts have been officially released. All nine tracks that she sings on were personally approved and arranged by Joplin. Pearl features the #1 hit "Me and Bobby McGee", on which she played acoustic guitar, written by Kris Kristofferson and Fred Foster; "Trust Me", by Bobby Womack, written for Joplin; Howard Tate's "Get It While You Can", showcasing her vocal range; and the original songs "Move Over" and "Mercedes Benz", the latter co-written by Joplin, Bobby Neuwirth, and Michael McClure. Joplin sang on all tracks except "Buried Alive in the Blues", which was actually a backing track in which she had not yet recorded vocals. The song's writer Nick Gravenites was offered the opportunity to sing it as a tribute to Joplin, but he turned it down, so the song ended up as an instrumental. He later sang the song with Joplin’s former band Big Brother and the Holding Company for their 1971 album How Hard It Is. The