artists, who in turn, appreciated the commitment of Touch and Go. However, following a 1999 legal dispute with the Butthole Surfers, Touch and Go began asking bands to sign a 1-2 page memorandum of intent. In 2006, Touch and Go celebrated its 25th anniversary. To commemorate this occasion, the label held a three-day block party event at Chicago's Hideout venue on September 8–10, 2006. Several seminal bands, including Big Black, Scratch Acid, the Didjits, Killdozer, Negative Approach, and Man or Astro-man? reunited and performed at the Chicago event. On February 18, 2009, Corey Rusk announced that Touch and Go would downsize itself. He cited the "current state of the economy" as the reason for shutting down manufacturing and distribution services for many independent labels like Jade Tree, Kill Rock Stars, and Merge Records. Book Touch and Go: The Complete Hardcore Punk Zine '79–'83 is a 576-page trade paperback book containing all 22 issues of the Touch and Go zine. The book consists of the writings of Tesco Vee and Dave Stimson - the founders and designers of the Touch and Go zine - which eventually evolved into Touch and Go Records, owned by Corey Rusk. The book contains many forewords and introductions written by Tesco Vee, Dave Stimson, Steve Miller, Barry Henssler, Henry Rollins, Keith Morris, Peter Davis, Henry Owings, Byron Coley, Corey Rusk, John Brannon and Ian MacKaye. The zine, which is chronicled in the book, contains early reviews and features on bands like Black Flag, Circle Jerks, Wire, Minor Threat, Teen Idles, The Necros, Gang of Four, among others. The book was released on June 30, 2010. It was published by Bazillion Points Publishing. Controversy Touch and Go's approach to contracts was challenged in a court case started in 1999 by the Butthole Surfers, who purported that Touch and Go was not marketing its previously released material effectively. The band argued that because its contract with the label was of an unspecified duration, the contract could be terminated. Touch and Go argued that according to existing US copyright law, it controlled the copyright to the band's recordings for a minimum of 35 years, based on sec. 203 of the Copyright Act of 1976. The US Court of Appeals Seventh Circuit ruled in favor of the band, determining that "when a contract is silent as to its length, it is implicit that it can be terminated by either side,"