while others differ because they use a different variant or orthography. In Taiwan, the Standard Form of National Characters specifies the modern standardized forms. Unlike the mainland standard, the Taiwan standard uses mostly preexisting character forms but reference back to the style of regular script and reform Ming typefaces based on regular script style extensively, which had attracted criticism from many peoples. After the postwar kanji reforms in Japan, most of the Kangxi style characters were called (old style), while the reformed characters were called , causing newer dictionaries to either incorporate both styles or omit the Kangxi styles. In Korea, most typefaces use the Kangxi forms. There are differences between print and script forms of many Chinese characters, just as there are differences between copperplate and most people's handwriting. Some of these differences are persistent and specific to a style, but others may be no more significant than variations between individual typefaces. None of these variations usually hinder reading. History China The printing industry from the Tang Dynasty reached an apex in the Song Dynasty, during which there were three major areas of production: Zhejiang, where publications imitated the regular script of Ouyang Xun Sichuan, where publications imitated the regular script of Yan Zhenqing Fujian, where publications imitated the regular script of Liu Gongquan When Song lost control of northern China to the Jin (金) dynasty, its capital was moved to Lin'an (modern Hangzhou), where there was a revival of printing, especially literature from Tang left in what was conquered by the Jin Dynasty. Many publishers were established in Lin'an, including Chén zhái shūjí pù () established by Chen Qi (), from which publications used a distinct style of regular script with orderly, straight strokes. Modern typefaces of this style are classified as imitation Song typefaces (). In the Ming Dynasty, the straightening of strokes in a reprint of a publication from Lin'an started a shift to what became the basis of the Ming style. Japan are the most commonly used style in print in Japan. There are several variations in use, such as the textbook style and the newspaper style. The creator of modern Japanese movable-type printing, Motoki Shōzō (or Motogi), modeled his sets of type after those prevailing in China, having learned an electrolytic method of type manufacturing from the American William Gamble in 1869. Motoki then created, based on Gamble's frequency studies of characters in the