the costume." Don Perlin also commented on the creation of the character, "We were told we needed a costumed character in the book. So Doug and I created Moon Knight. I wanted the costume to be just black and white. Since he'd be on a color page, that would make him a little bit different. He had a silver baton he could use when he battled werewolves. See, he was hired to track down to kill the werewolf." Publication history The character debuted in Werewolf by Night #32 (August 1975), written by Doug Moench with art by Don Perlin and Al Milgrom, as a mercenary hired by the Committee to capture the title character. The creative team gave Moon Knight moon-related symbols and silver weapons (a metal poisonous to a werewolf) to mark him as a suitable antagonist for the werewolf hero. The two-part story continues into #33, when Moon Knight realizes Russell is a victim rather than a monster and decides to help him. A demonic vision of Moon Knight then appeared in Werewolf by Night #37 (March 1976). Editors Marv Wolfman and Len Wein liked the character and decided to give him a solo story in Marvel Spotlight #28–29 (June/August 1976), again written by Doug Moench with art by Don Perlin. The story, along with Spectacular Spider-Man #22–23 (September/October 1978) written by Bill Mantlo, recast Moon Knight as a more heroic character. His association with the evil Committee during his first appearance was retconned to be an undercover mission he undertook to learn more about the villains. Moon Knight acted as a hero again in Marvel Two-in-One #52, written by Steven Grant with art by Jim Craig. In The Defenders #47–51, Moon Knight briefly joined the Defenders during their war against the Zodiac Cartel. Moon Knight appeared in recurring backup stories in Hulk! Magazine #11–15, #17–18, and #20, as well as a black and white story in the magazine publication Marvel Preview #21, all written by Doug Moench. Artist Bill Sienkiewicz drew Moon Knight in Hulk! Magazine issues #13–15, 17–18, and #20, creating a new look for the character heavily influenced by the art of Neal Adams, who at that time was most popular for his work on Batman and Green Lantern/Green Arrow for DC Comics. This, along with Moon Knight's methods and the atmosphere of his stories, cemented a perception among some readers that he was Marvel's