bureau chief in July 1942. He wrote about the Plains influence on his life in his early memoir, Not So Wild A Dream (1946). The book is still in print and covers his life in Velva, his family, the Hudson Bay trip, his hitchhiking around the U.S., mining in the Sierra Nevada, the Great Depression years, his early journalism, and (especially) his experiences in World War II. Wartime reporting Relationship with Edward Murrow Sevareid's work during World War II, with Edward Murrow as one of the original Murrow's Boys, was at the forefront of broadcasting. In 1940, he was the first to report on the Fall of France. Shortly afterward, he joined Murrow to report on the Battle of Britain. Later, Sevareid would refer fondly to the early years working with Murrow: "We were like a young band of brothers in those early radio days with Murrow." In his final broadcast with CBS, in 1977, he would call Murrow the man who "invented me." Rescue in Burma On August 2, 1943, Sevareid was on board a Curtiss-Wright C-46 Commando that, having taken off from Assam in India, developed engine trouble over Burma while it was on a Hump airlift mission. He grabbed a bottle of Carew's gin before he parachuted out of the plane. The U.S. Army Air Forces formed a search and rescue team to bring the group out from behind enemy lines. The operatives parachuted in, located the party, and evacuated them safely to India, for which John Paton Davies Jr. later won the Medal of Freedom. Davies was a U.S. diplomat who, having been a passenger himself, initially led the group away from the crash site and out of harm's way before the rescuers arrived. Yugoslavia In Yugoslavia, Sevareid later reported on Josip Broz Tito's Yugoslav Partisans. Later career After the war, Sevareid continued to work for CBS. He had begun his own program, Eric Sevareid and the News, on June 27, 1942, on CBS; it ran for five minutes, starting at 8:55 (ET) on Saturdays and Sundays. In 1946, he reported on the founding of the UN and then penned Not So Wild a Dream (University of Missouri Press, 1946). The book, whose title comes from part of the closing passage of Norman Corwin's radio play "On a Note of Triumph," appeared in eleven printings and became one of the primary sources on the lives of