is claimed to have married an army officer named Carroll, who died in a duel a year and a half after their union. She kept the name Carroll until her next marriage. Although much of her early years is speculation, biographers agree that Susanna's knowledge was predominantly self-acquired through reading and conversation. Looking at her use of French drama, it is not hard to see that Centlivre also had a sound knowledge of the French language. After her husband's death, Centlivre spent much of her time in London, where she turned to writing partly for financial support. By 1706, Centlivre had made a small name for herself; however, she still relied on financial support from strolling (acting). It was during a performance when she played the role of Alexander the Great in Nathaniel Lee's tragedy The Rival Queens, or the Death of Alexander the Great for the court at Windsor Castle that she caught the eye of Joseph Centlivre. Though he was of a lower social class, a mere "yeoman of the mouth [cook] to Queen Anne," they were married on 23 April 1707. There is no evidence to suggest where they resided for the first seven years of their marriage. Eventually, in late 1712 or early 1713, the Centlivres moved into residence at Buckingham Court, paying the highest rent second only to the Admiralty Office. After a long, illustrious career in high literary esteem with writings in the form of poems, letters, books, and, most famously, plays, Susanna Centlivre died on 1 December 1723, from lingering effects of a serious illness contracted in 1719. The Evening Post, London Journal, British Journal, and Weekly Journal had brief notices of her death. Centlivre's body was buried three days after her death in St. Paul's, Covent Garden. A little over a year later, her husband followed. Writings 1700–1710 Giles Jacob mentions Centlivre's inclination to poetry with her first poem being written when she was merely seven years old. However, her first published work, a series of five letters, would not appear until May 1700. These letters contain playful, witty back-and-forth banter between her and the correspondent. Although early in her career, she is complimented as woman of sense. In July 1700, Abel Boyers published a second set of Centlivre's letters (among other writers). This time, Centlivre published the letters under the name of Astrea, a pen name previously used by Aphra Behn,