announced that he would start a new compilation series called A New Dawn with his own label Musical Freedom. In his interview Tiësto furthermore confirmed that he would no longer have any more involvement with Black Hole Recordings. On 31 August, Kaleidoscope: Remixed was released, a remix album of his album Kaleidoscope. Also in 2009 and 2010, Tiësto contributed songs to both the DJ Hero and DJ Hero 2 video games and is a playable character in the second game. He also produced a trance-flavored song for Memphis rap duo Three 6 Mafia's album called "Feel It", which features Sean Kingston and Flo Rida. On 4 April 2011, his mix compilation Club Life: Volume One Las Vegas was released. On 13 June, his final trance studio album, Kiss from the Past, was released under his alias Allure, and featured Christian Burns, JES, and Emma Hewitt. In March 2012, satellite radio broadcaster Sirius XM launched Tiësto's Club Life Radio, one of five dance/electronic stations on the platform. Programming was "curated by Tiësto himself". The station ran until 2017. 2013–2018: Club Life and A Town Called Paradise Club Life: Volume Three Stockholm was released worldwide physically on 25 June 2013 and it hit No. 16 on the Billboard Top 200 Chart. He followed up his third "Club Life" installment with the 2014 effort, A Town Called Paradise. The album featured an assortment of guest stars and was preceded by two singles, "Red Lights" and "Wasted" – yielding his first two gold singles in the U.S. A medley from the album also soundtracks a presentation at the Bellagio (resort) fountain in Las Vegas, a first for a dance music artist. In a 2014 interview with DJ Magazine, Tiësto revealed why he left trance music. When asked whether his decision to leave the genre was influential to his popularity in the United States, the Dutch producer said: "Maybe, it's hard to say. I think I'd still be the 'Tiesto trance guy' but the difference is you're not really being relevant. Some of the old trance guys still have their following but it doesn't feel like anybody really cares – and that's the biggest difference. It's nice to be in touch with the new kids who are coming up – the 16 and 18-year olds who are producing house music see me as kind of a godfather, and it's really cool to be in touch