cover version by Conway Twitty. Goin' Coconuts, a film produced by the Osmonds as a musical for Donny and Marie, was a major critical and commercial flop, although its lead track "On the Shelf" reached the top 40. They produced two unsuccessful projects for Marie, a sitcom pilot that never aired and a variety show revival that lasted seven episodes in 1980 and 1981. Donny permanently separated from the group (and, for a time, from Marie) shortly thereafter. They recovered and eventually paid their debts and re-established their careers. Rather than go into bankruptcy, they resolved to honor all of their financial obligations. But the Osmond artists and enterprises began operating separately. Later careers Jay Osmond was the primary choreographer for the Osmonds’ concerts and some television concerts. Jimmy worked as a businessman and manager. He eventually moved to Branson, Missouri, and opened the Osmond Family Theater, where he and his brothers performed until 2002. They appear in Branson during the Christmas season. Marie recorded several successful duets with Donny and continued to sing country music; she had several Top 40 country hits in the mid-1980s, the biggest of which was "Meet Me in Montana" with Dan Seals (No. 1). She starred in the Broadway revivals of the musicals The King and I (as the lead, Anna) and The Sound of Music (as the lead, Maria) in the mid-1990s. She returned to television first in the short-lived 1995 ABC sitcom Maybe This Time and then with Donny in 1998 to co-host Donny & Marie, a talk-entertainment show that lasted two seasons. Marie suffered from postpartum depression and wanted to help other women who suffered from it. In 2001 Marie, Marcia Wilkie, and Dr. Judith Moore wrote a book on postpartum depression titled, Marie Osmond Behind the Smile. Marie remarried her first husband Stephen Lyle Craig in 2011. She wore the same wedding dress after 26 years. Donny returned to the pop music scene in 1989; when he released "Soldier of Love" to much success in the United Kingdom, American music industry insiders were wary of the Osmond brand and promoted the song as being by a "mystery artist". The song became a turntable hit in this manner, and when Osmond's identity as the mystery artist was revealed, "Soldier of Love" eventually rose to No. 2 on the US charts and was enough of a success to warrant follow-up singles, including