flake and could also be fired at a lower temperature. Such traditions of low firing temperatures were not uncommon throughout the Middle East and Central Asia, having examples of the technique dating to the 11th century BC when it may have been developed. The manufacture of proto-fritware began in Iraq in the 9th century AD under the Abbasid Caliphate, and with the establishment of Samarra as its capital in 836 there is extensive evidence of ceramics in the court of the Abbasids both in Samarra and Baghdad. A ninth-century corpus of 'proto-stonepaste' from Baghdad has "relict glass fragments" in its fabric. The glass is alkali-lime-lead-silica and, when the paste was fired or cooled, wollastonite and diopside crystals formed within the glass fragments. The lack of "inclusions of crushed pottery" suggests these fragments did not come from a glaze. The reason for their addition would have been to release alkali into the matrix on firing, which would "accelerate vitrification at a relatively low firing temperature, and thus increase the hardness and density of the [ceramic] body." Following the fall of the Abbasid Caliphate, the main centres of manufacture moved to Egypt where true fritware was invented between the 10th and the 12th centuries under the Fatimids, but the technique then spread throughout the Middle East. There are many variations on designs, colour, and composition, the last often attributed to the differences in mineral compositions of soil and rock used in the production of fritware. The bodies of the fritware ceramics were always made quite thin to imitate their porcelain counterparts in China, a practice not common before the discovery of the frit technique which produced stronger ceramics. In the 13th century the town of Kashan in Iran was an important centre for the production of fritware. Abū'l-Qāsim, who came from a family of tilemakers in the city, wrote a treatise in 1301 on precious stones that included a chapter on the manufacture of fritware. His recipe specified a fritware body containing a mixture of 10 parts silica to 1 part glass frit and 1 part clay. The frit was prepared by mixing powdered quartz with soda which acted as a flux. The mixture was then heated in a kiln. The internal circulation of pottery within the Islamic world from its earliest days was quite common, with the movement of ideas regarding pottery without their physical presence in certain areas being readily