response On Rotten Tomatoes, the film has an approval rating of 20% based on 40 reviews and an average rating of 3.9/10. The site's consensus states: "Mannequin is a real dummy, outfitted with a ludicrous concept and a painfully earnest script that never springs to life, despite the best efforts of an impossibly charming Kim Cattrall." On Metacritic, the film has a score of 21 out of 100 based on reviews from 13 critics, indicating "generally unfavorable reviews". Audiences surveyed by CinemaScore gave the film a grade B+ on scale of A to F. It was savaged by Leonard Maltin, who called it "absolute rock-bottom fare, dispiriting for anyone who remembers what movie comedy should be." In his print review, Roger Ebert awarded it a half star and wrote, "A lot of bad movies are fairly throbbing with life. Mannequin is dead. The wake lasts 1 1/2 hours, and then we can leave the theater." Ebert also went on to single out the character of Montrose (who is portrayed by a heterosexual actor) as being an offensive and cynically flamboyant gay caricature. Rita Kempley of The Washington Post called the film "made by, for, and about dummies." Janet Maslin of The New York Times puts the blame on the writer-director: "as co-written and directed by Michael Gottlieb, Mannequin is a state-of-the-art showcase of perfunctory technique." Dan McQuade, writing in Philadelphia Magazine, referencing the film's use of Philadelphia as a setting, after panning the film itself wrote, "The message of Mannequin, clumsy as it is, is that the greatest place and time in recorded history is 1980s Philadelphia... Truly, this is the most uplifting film ever made about the city." David Cornelius of DVD Talk wrote: "Mannequin is one of the stupidest movies ever conceived, and one of the worst. Which makes it, in its own lousy way, mesmerizing. To watch it is to get sucked in by its hypnotic ways; its very off-the-wall shoddiness is astounding. Spader alone is worth the price of admission – surely aware of the movie's badness, the actor hams it up with a deliriously over-the-top performance." He called it "a Bad Movie Essential" but warned viewers with a lower pain threshold for bad films to "obviously skip it as it is a dreadful film". Accolades Sequel and remake In 1991, a sequel called Mannequin Two: On the Move was released and was directed by Stewart