a socks company used her image and name in Spanish (Periquita) for a brand of girl's anklets very popular in Guadalajara, to the point it has her own song and commercials. Periquita #200 (a comic book edition of the Spanish-language version of Nancy) is seen on a table in a restaurant near the end of the film Roma. Collections Comic strip (by Ernie Bushmiller) Nancy (1961), Pocket Books (The Fun-Filled Cartoon Adventures of Nancy) The Best of Ernie Bushmiller's Nancy by Brian Walker (1988), Henry Holt Kitchen Sink Press series: Nancy Eats Food (Volume 1) (1989) How Sluggo Survives (Volume 2) (1989) Nancy Dreams and Schemes (Volume 3) (1990) Bums, Beatniks and Hippies / Artists and Con Artists (Volume 4) (1990) Nancy's Pets (Volume 5) (1991) Everything I Need to Know I Learned from Nancy: The Enduring Wisdom of Ernie Bushmiller (1993), Pharos Books Nancy Is Happy: Complete Dailies 1942–1945 (2012), Fantagraphics Books (The first in a projected series reprinting 24 years worth of daily strips.) Nancy Likes Christmas: Complete Dailies 1946–1948 (2012), Fantagraphics Books Nancy Loves Sluggo: Complete Dailies 1949–1951 (2014), Fantagraphics Books Comic book (by John Stanley) Nancy Vol. 1: The John Stanley Library (2009), Drawn & Quarterly Nancy Vol. 2: The John Stanley Library (2010), Drawn & Quarterly Nancy Vol. 3: The John Stanley Library (2011), Drawn & Quarterly Comic strip (by Olivia Jaimes) Nancy: A Comic Collection (2019), Andrews McMeel Publishing Random Acts of Nancy A spin-off titled Random Acts of Nancy began March 19, 2014, consisting of sampled single panels of Nancy comics drawn by Ernie Bushmiller. Creator John Lotshaw described the process: When people ask me what Random Acts of Nancy is, I tell them it's their little daily ray of Absurdist sunshine. The lack of context - indeed, its very removal - is what attracted me to Random Acts the moment Guy explained it to me... The process begins by skimming through Nancy daily strips. Currently, we're using Ernie Bushmiller's art exclusively, but we're not limited to his work... Once I find a strip with a promising panel, I clean up the art as much as I can in Photoshop. I remove the extra panels, and then begin coloring the art. When the panel is colored, I run a filter on the art to create the halftone dots that make the panel look as if it was printed on an old-fashioned four-color press.