type rather than a fully formed individual, but both fill in the blanks with an alchemical mix of professional and personal charisma." The film grossed over $91 million worldwide. Gosling was scheduled to begin filming The Lovely Bones in 2007. However, he left the production two days before filming began because of "creative differences" and was replaced by Mark Wahlberg. Gosling was cast as the father of the murdered teenage girl and initially felt he was too young for the role. The director Peter Jackson and the producer Fran Walsh persuaded him that he could be aged with hair and make-up changes. Before shooting began, Gosling gained 60 pounds (27 kilograms) in weight and grew a beard to appear older. Walsh then "began to feel he was not right. It was our blindness, the desire to make it work no matter what." Gosling later said, "We didn't talk very much during the preproduction process, which was the problem ... I just showed up on set, and I had gotten it wrong. Then I was fat and unemployed." He has said the experience was "an important realisation for me: not to let your ego get involved. It's OK to be too young for a role." 2010–2012: Widespread recognition Following a three-year absence from the screen, Gosling starred in five films in 2010 and 2011. "I've never had more energy," Gosling said. "I'm more excited to make films than I used to be. I used to kind of dread it. It was so emotional and taxing. But I've found a way to have fun while doing it. And I think that translates into the films." He has also spoken of feeling depressed when not working. In 2010, he starred opposite Michelle Williams in Derek Cianfrance's directorial debut, the marital drama Blue Valentine. The low-budget film was mainly improvised and Gosling has said "you had to remind yourself you were making a film". Mick LaSalle of the San Francisco Chronicle felt he "brings a preternatural understanding of people to his performance" while A.O. Scott of The New York Times found him to be "convincing as the run-down, desperate, older Dean, and maybe a bit less so as the younger version". Owen Gleiberman of Entertainment Weekly wrote that he "plays Dean as a snarky working-class hipster, but when his anger is unleashed, the performance turns powerful." However, Wesley Morris of The Boston Globe felt