early 1969, with recording just complete on Tyrannosaurus Rex's third LP, Unicorn, Took suggested to Bolan that the duo could perform some of his own material; Bolan refused. By this time, their lifestyles were in direct conflict. Bolan was living quietly with wife-to-be June Child, while Took was rapidly forging links with "revolutionary" underground acts, such as the Deviants and the Pretty Things. The relationship was deteriorating badly—Bolan barely tolerated Took's drug use, and Steve Mann recalled that it was clear they "cordially detested each other". In addition, Took's friendship with Bolan's idol Syd Barrett had also developed through their shared interests in both LSD and "strange musical noises". Mick Farren, in his memoir Give The Anarchist A Cigarette, recalled that Took would "drag a bemused Syd Barrett along" to events in Ladbroke Grove in the late 1960s; Took remained friends with Barrett well into the 1970s. Took worked with Syd Barrett on unreleased "Ramadan" tracks. While in Tyrannosaurus Rex, Took also appeared as a backing vocalist on a session for David Bowie, the results of which can be heard on the BBC sessions album Bowie at the Beeb. Eventually, Took donated two of his songs—"Three Little Piggies" and "The Sparrow Is A Sign"—to former Tomorrow and Pretty Things drummer Twink's 1969 solo album, Think Pink. Consequently, before the first Tyrannosaurus Rex tour of America, Bolan and his management gave Took notice that they would be sacking him once the tour was complete. Another contributing factor was an incident at the launch party for the UK edition of Rolling Stone, where jugs of punch prepared for the event were spiked with the hallucinogen STP. Took had already earned himself the nickname "The Phantom Spiker" (in which he rejoiced) through previous similar pranks. Bolan was severely affected by the spiked drink and considered Took to be the prime suspect. Took was contractually obliged to go on the US tour, but his heart was not in it and he attempted to cope through taking drugs. Additionally, the acoustic duo were overshadowed by the loud electric acts they were billed with. To counter this, he drew from the shock rock style of Iggy Pop; as Took explained to the NME in 1972 "I took my shirt off in the Sunset Strip where we were playing and whipped myself till everybody shut up. With a belt, y'know, a bit of blood and the whole