the performance was an example of "hipsterism misdirected". He was nominated for a Golden Globe Award for Best Actor – Motion Picture Drama. The film was a box office success, grossing over $12 million worldwide from a production budget of $1 million. Gosling's second on-screen appearance of 2010 was in the mystery film All Good Things with Kirsten Dunst, based on a true story. He played the role of New York real-estate heir David Marks, who was investigated for the disappearance of his wife (played by Dunst). Gosling found the filming process to be a "dark experience" and did not undertake any promotional duties for the film. When asked if he was proud of the film, he said, "I'm proud of what Kirsten does in the movie." Peter Travers of Rolling Stone wrote that he "gets so deep into character you can feel his nerve endings." Mick LaSalle of the San Francisco Chronicle found the "chameleonic Gosling is completely convincing as this empty shell of a man". Betsy Sharkey of the Los Angeles Times felt that the film belonged to Dunst, but praised Gosling's performance. The film grossed $644,535 worldwide. Also in 2010, Gosling narrated and produced ReGeneration, a documentary that explores the cynicism in today's youth towards social and political causes. 2011 saw Gosling expand his horizons by appearing in three diverse, high-profile roles. He co-starred in his first comedic role in the romantic comedy-drama Crazy, Stupid, Love, with Steve Carell and Emma Stone. Gosling took cocktail-making classes at a Los Angeles bar in preparation for his role as a smooth-talking ladies' man. Ann Hornaday of The Washington Post said his "seductive command presence suggests we may have found our next George Clooney". Peter Travers declared him "a comic knockout" while Claudia Puig of USA Today felt he reveals a "surprising" "knack for comedy." He was nominated for a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy. The film was a box office success, grossing over $142 million worldwide. With adjustments for inflation, it is the second most successful of Gosling's career. Gosling's first action role was in Drive, based on a novel by James Sallis. Gosling played a Hollywood stunt performer who moonlights as a getaway driver, and he has described the film as a "violent John Hughes movie": "I always thought if Pretty in Pink had head-smashing it would be perfect". Roger Ebert