a vast array of titles during this time, for which he won the Editor of the Year award in 1993, as voted by the readers of the comics magazine, Wizard. His workload decreased greatly towards the end of 1994, in large part due to the sale of Valiant (Voyager Communications, Inc.) to video game giant Acclaim Entertainment for $65,000,000.00 USD, a deal in which Layton played an instrumental part. His story concepts and design work on Turok, Dinosaur Hunter was utilized to great effect by Acclaim when the video game became the largest selling title in Acclaim's history, with over 1.5 million units sold. He continued to work editorially, largely for the new Acclaim imprint Armada Comics, for which he edited a number of Magic: The Gathering comics during 1995-96. He edited Bob Hall's four-issue Armed & Dangerous (April–July 1996), and returned to X-O Manowar for which he wrote the final three issues. After a several-year association with Valiant/Acclaim, Layton moved to Florida for a short retirement. Although he found time to write the first eleven (of twelve) issues of Acclaim's Doctor Tomorrow between 1997 and 1998, inking a couple of issues, notably #6 which was drawn by Dick Giordano, who resided in Florida as well and was something of a mentor to Layton. Return to DC and Marvel In 1998, he returned to DC, re-teaming briefly with penciler Sal Velluto on a story in September 1998's The New Gods Secret Files and Origins, before collabotaring with his fellow Floridian and artistic friend/mentor Dick Giordano on several projects. The two-issue prestige format Elseworlds tale Batman: Dark Knight of the Round Table was co-drawn and co-inked by the both of them, from a script by Layton and debuted a month after their six-issue mini-series The L.A.W. (Living Assault Weapons), which ran from September 1999 to February 2000, with script and inks by Layton, and full pencils by Giordano. The two wrote a second Batman Elseworlds tale, Batman: Hollywood Knight a three-issue mini-series which told the story of a Serials-actor who became convinced he was The Batman. It was written by Layton with pencils and inks by Giordano. Between Elseworlds, Layton worked with Marvel Comics on an Iron Man reunion, which saw him produce the four-part limited series Iron Man: Bad Blood with his long-term collaborator David Michelinie. The series ran from September to December 2000, with art by Layton and, as