Edwin Brock (19 October 1927 – 7 September 1997) was a British poet. Brock published ten volumes of poetry from 1959 through his death in 1997. Two of Brock's poems In particular -- Five Ways to Kill a Man (1972) and Song of the Battery Hen (1977) -- have been heavily anthologized. Early life Brock was born in Dulwich, London, in 1927. He grew up in a working-class family with no literary aspirations. He won a scholarship to a local grammar school but his formal education ended after he gained his School Certificate. Brock's interest in poetry was inspired by a paperback anthology of modern verse which he picked up idly as a bored 18-year-old, waiting to be de-mobbed from the Royal Navy at the end of the Second World War. This chance encounter in Hong Kong was to prove revelatory and from then on Brock, completely self-taught, began to write his own poems. Professional life Gradually Brock started to be published, firstly in the smaller magazines and eventually in the Times Literary Supplement. During this period, Brock served as a police officer in the Metropolitan force, the unusual combination of policeman and poet giving rise to a brief period of fame when a tabloid journalist published an interview with Brock under the banner headline: "THE THINGS HE THINKS UP AS HE POUNDS THE PECKHAM BEAT". Brock was embarrassed by the sudden attention, but he continued to pursue his writing with serious intent. His efforts bore fruit when his first collection was accepted by the small but prestigious Scorpion Press in 1959. Its title, An Attempt at Exorcism, touches on the essentially personal nature of Brock's work, the frankness of which connects him to the Confessional Movement which at that time was in the ascendancy in the United States. Indeed, Brock is one of the few British poets of this period to be known in America, with New Directions publishing several of his collections. Brock left the police to become an advertising copywriter, a profession which he claimed to despise, but in which he became very successful creating the famous strapline for the UK Financial Times newspaper of 'No FT. No comment'. Brock resented the way work distracted him from his real creative life in poetry, but he continued to write alongside his career, publishing over a dozen collections and becoming increasingly prolific toward the end of his life. He