greater insight to the life and hierarchy of the Goguryeo people. It contains two portraits, one on the front wall of the west side chamber and one on the southern wall, portraying a man and a woman, respectively. Scholars have disputed the owner of this tomb and thus the identity of people portrayed in these murals; because of the epitaph, many believe that the images depict Dong Shou, a refugee from Former Yan, and his wife, while others believe that the person depicted was the Goguryeo king, King Gogukwon. The man in the mural is shown to be sitting upright and is flanked by other men who are smaller than him. He is dressed in red silk clothes with a white kwan over a black inner kwan and is staring straight out with an impersonal expression. The painting of the woman resides on the southern wall of the tomb, next to that of the man, and her sitting position is slightly turned in to face him. The woman also wears an impersonal expression, but with a notable face shape; her face, as well as the faces of the women who flank her, is round and full, different from the typical facial structure of the Goguryeo people, who had long and oval faces. The woman is however wearing Chinese set of attire called guiyi, which is a multi-lap swallow-tail clothing; this reflects Chinese influences in the tomb and may indicate the clothing style worn in the Chinese six dynasties. The woman's hairstyle is identical to the hairstyle in Northern Wei. The next mural in this tomb is a procession scene and resides in the corridor. It contains 250 people, including the owner of the tomb who is sitting in a cow-pulled wagon. Other Goguryeo people displayed in this mural include members of a marching band, flag bearers, maids and civil officials. The large number of people suggests the high social status of the owner. It is also important to note the seemingly identical, impersonal facial structure of the people included in this scene. This can be attributed to the fact that at the time when this mural was developed, the expression of individuality was not yet a developed technique in Goguryeo paintings. The inside of the eastern chamber contains a colorful mural illustrating the typical life of the Goguryeo people. The scene includes a kitchen, a meat storage room, a barn,