Henry (Harry) Arthur Hooton (9 October 1908 – 27 June 1961) was an Australian poet and social commentator whose writing spanned the years 1930s–1961. He was described by a biographer as ahead of his time, or rather "of his time while the majority of progressive artists and thinkers in Australia lagged far behind". Initially a socialist and "wobbly", he later professed anarchism and became an associate of the Sydney Push during the 1940s, with connections to many other Australian writers, film makers and artists. Hooton's constant attitude and literary style was extravagant, provocative and explicitly outrageous. Early life Hooton was born in Doncaster, Yorkshire, England His father was Levi Hooton, a railway shunter, and his mother's maiden name was Margaret Lester-Glaister. He had an older brother, Frank. At the age of 16 he arrived in Sydney on 28 October 1924, on the ship Demosthenes as part of an Empire scheme, the Dreadnought Trust, with fifty-nine other boys. After humping his swag around much of New South Wales and Queensland through the Great Depression, in 1936, just as his first pieces of writing were being published, Hooton was introduced to the poet Marie E. J. Pitt living in Melbourne and carried on a correspondence with her for the next eight years. Literary development Hooton's first book of poetry, "These Poets", appeared in 1941, published at his own expense in a small print run of up to 400 copies, most of which Hooton either gave away or swapped. It struck a chord with readers, receiving much critical acclaim. In 1943 Hooton met the authors Nettie Palmer and Miles Franklin while they were travelling through Newcastle. Through Miles Franklin he was introduced to the writings of Carl Sandburg and the American literary scene. Moving to Sydney in 1943 Hooton submitted a book of poems titled "Leave Yourself Alone" to a publisher without success. Later he self-published "Things You See When You Haven't Got A Gun". In a new magazine, untitled, unpretentious and called simply "No. 1", the poetry of Hooton, A. D. Hope, and Gary Lyle was featured. Hooton and Hope also featured in "No. 2". Hooton's "Things You See When You Haven't Got A Gun" was reviewed by Max Harris in one line in the Ern Malley issue of Angry Penguins, "Our anarchist bull careers madly through his intellectual fog." "Sydney Push" milieu In Sydney after World War II, Hooton was drawn