"I'll Be Back", from the soundtrack album of the film A Hard Day's Night. Ian MacDonald speaks of the way "Lennon is harmonised by McCartney in shifting major and minor thirds, resolving on a Picardy third at the end of the first and second verses". Beethoven – Hammerklavier, slow movement Brahms – Piano Trio No. 1, scherzo Sarah Connor – "From Sarah with Love", final cadence Coots and Gillespie, "You Go to My Head". Ted Gioia describes the song as starting "in the major key, but from the second bar onward, Mr. Coots seems intent on creating a feverish dream quality tending more to the minor mode" before finally reaching a cadence in the major. Dvořák – New World Symphony, finale Bob Dylan – "Ain't Talkin', the final song on Modern Times (2006), is played in E minor but ends (and ends the album) with a ringing E major chord. Roberta Flack – "Killing Me Softly with His Song" ending and resolution. According to Flack: "My classical background made it possible for me to try a number of things with [the song's arrangement]. I changed parts of the chord structure and chose to end on a major chord. [The song] wasn't written that way." Oliver Nelson – "Stolen Moments", from the 1961 album The Blues and the Abstract Truth; Ted Gioia sees "the brief resolve into the tonic major in bar four of the melody" as "a clever hook... one of the many interesting twists" in this jazz composition. Joni Mitchell – "Tin Angel", from Clouds (1969); the Picardy third lands on the lyric "I found someone to love today". According to Katherine Monk, the Picardy third in this song, "suggests Mitchell is internally aware of romantic love's inability to provide true happiness but, gosh darn it, it's a nice illusion all the same." Donna Summer – “I Feel Love” (1977) alternates throughout with an accompaniment of "synth swirls: major and minor; it’s basically a version of what Franz Schubert did for his whole career." The Fireballs – "Vaquero", This (1961) Tex-Mex instrumental composed by George Tomsco and Norman Petty is clearly in the key of E minor, and yet ends with a ringing E Major chord." Hall & Oates – "Maneater"; each verse has a Picardy third in the middle, moving from a major seventh in the second measure to a flat second in the third measure, and finally