Robert Emmett Cantwell (January 31, 1908 – December 8, 1978), known as Robert Cantwell, was a novelist and critic. His first novel, Laugh and Lie Down (1931) is an early example, twenty years before Jack Kerouac, of the American classic genre the "road novel", and also an important example of the "Depression novel" period genre. His most notable work, The Land of Plenty, focuses on a lumber mill in a thinly disguised version of his hometown in Washington state. Background Robert Emmet Cantwell was born on January 31, 1908, in Little Falls (now Vader), Washington. His parents were Charles James Cantwell, an engineer, and Nina Adelia Hanson. He had an older sibling James Leroy and younger siblings Frances Dorothy and Charles Harry. He attended the University of Washington (1924−1925) and then spent the next four years working at Harbor Plywood Co., (1925−1929) in Hoquiam, Washington. In 1919, the massacre during a strike in nearby Centralia, Washington, deeply disturbed him and left a lasting impression that appeared in his major writings. Career In 1929, after selling a short story "Hanging by My Thumbs" to The New American Caravan, he moved (with help from childhood friend Calvin Fixx) to New York City, landed a book contract with Farrar and Rinehart, and began work on his first novel, Laugh and Lie Down (1931). From 1930 to 1935 (and during the Great Depression), he wrote a second novel, The Land of Plenty (1934). He published a number of short stories in The Miscellany, American Caravan, Pagany, and The New Republic. In December 1933, he accepted work already passed over by Whittaker Chambers, namely to co-write a biography of Boston's E. A. Filene, in collaboration with Lincoln Steffens. The same month, Steffens suffered a heart-attack and died in 1936; Cantwell handed the manuscript to Filene in 1937. Throughout the 1930s, Cantwell began to meet New York writers and editors such as Edmund Wilson, Malcolm Cowley, John Chamberlain, Erskine Caldwell, Matthew Josephson, and Harry Hansen. Over time, his circle expanded to include James T. Farrell, Meyer Schapiro, John Dos Passos, Newton Arvin, Kenneth Burke, Granville Hicks, Kenneth Fearing, Fred Dupee, Elof Holmlund, and Whittaker Chambers. In the 1930s, "After he settled in New York, Cantwell was always short of money and therefore generally in a rush to finish a piece and get paid... All the more remarkable, then, that his short stories are of such a