in June 2007 under the title of Gaslight. Directed by Peter Gill, the cast featured Andrew Woodall as Mr. Manningham, Rosamund Pike as Mrs. Manningham and Kenneth Cranham as Rough. The Irish Repertory Theatre produced the play Off-Broadway (as Gaslight) running from 17 May 2007 to 8 July 2007. The production was directed by Charlotte Moore and the cast featured David Staller (Mr. Manningham), Laura Odeh (Mrs. Manningham), Laoisa Sexton (Nancy), Patricia O'Connell (Elizabeth), April Ann Klein (Police Officer) and Brian Murray (Rough). Murray was nominated for a Lucille Lortel Award as Outstanding Featured Actor. Staller was nominated for the Drama League's Distinguished Performance Award, and the production was nominated for the League's Distinguished Revival of a Play. In 2014, the Sandyford Little Theatre Company produced Gaslight: a Radio Play for Stage, an onstage radio play with seven actors playing 24 roles. In 2015, Myriad Theatre & Film produced Gaslight at Ingatestone Hall in Essex. In October 2016, the Lantern Theatre in Sheffield, England produced Gaslight. In 2019, Perth Theatre staged a production of "Gaslight" as part of their Winter/Spring season. In 2022, the Shaw Festival, the second-largest repertory theatre company in North America, staged a production of Gaslight. Reception Angel Street was a hit in its Broadway premiere, and it remains one of the longest-running non-musicals in Broadway history, with 1,295 total performances. It remains a perennial favourite with both repertory and amateur theatre companies. The New York Times critic Brooks Atkinson opens his 6 December 1941 review with this observation: “Although Patrick Hamilton writes his thrillers within a small compass, he writes them with infinite craft and dexterity. Angel Street, which sent a chill up the spine of the Golden Theatre last evening, comes off the top part of the theatre's top shelf.” Atkinson praises Straube for matching “Hamilton’s skill in a tingling performance that fills the theater with an ominous and terrifying illusion” and commends all the actors, observing that Leo G. Carroll had his best role in years. In his review of the 1948 City Center production, Louis Kronenberger wrote: "(It) remains one of the better thrillers ... let's call it one of the best. All the same, though it holds up nicely for three acts, it seems to me outstandingly good for only one." Reviewing Traube's 1975 Broadway revival, Clive Barnes asked: “Whatever happened to the good, old‐fashioned melodrama? It probably drifted over to television