albums of 2001, while Kerrang! named it the ninth-best. The Guardians Betty Clarke panned Origin of Symmetry as "unbelievably overblown, self-important and horrible". The Stylus critic Tyler Martin felt that Muse were "very good at their craft", but that "the constant overplaying of everything waters it all down immensely". Legacy Origin of Symmetry has made appearances on lists of the greatest rock albums of the 2000s, both poll-based and on publication lists. In 2006, Q named it the 74th-greatest album of all time, and in 2008 Q readers voted it the 28th-best British album. Kerrang! named it the 20th Best British rock album and the 13th best album of the 21st century. According to the review aggregator website Acclaimed Music, Origin of Symmetry is the 1,247th-best-reviewed album of all time. In a retrospective review, Natalie Shaw of BBC Music wrote that Origin of Symmetry "shows a band with the drive and unfettered ambition to create a standalone marvel which not only awakens the ghosts and clichés from prog's pompous past, but entirely adds its own voice". He said that many elements of the band's later albums, such as Black Holes and Revelations (2006), could be traced back to the album. The author Amy Britton argued that on Origin of Symmetry Bellamy "progressed [his band]'s sound so much that he earned a new title – this generation's guitar hero," highlighting "Plug In Baby" and "New Born". In a retrospective review in 2021, the Pitchfork critic Jazz Monroe wrote: "Muse were playing melodrama as teenage realism, an extremely, ridiculously honest noise ... By combining goth vulnerability with sci-fi scale and hard-rock drama, [Origin of Symmetry] captures a paradox of young romance: on one hand, Bellamy sounds wracked with despair, but he proclaims his heartbreak with the glee of an ecstatic preacher." On 26 and 28 August 2011, Muse performed a special set at the Reading and Leeds Festivals, which consisted of the band playing Origin of Symmetry from start to finish, to commemorate the 10th anniversary of the album. Track listing Most streaming services place “Feeling Good” as the eighth track, between “Micro Cuts” and “Screenager”, and include "Futurism" as the 12th track. The Japanese edition features “Futurism” as the 11th track and “Megalomania” as the 12th. Personnel Muse Matthew Bellamy – lead vocals, lead and rhythm guitars, piano, keyboards, Wurlitzer piano and megaphone on "Feeling Good", pipe organ on "Megalomania", string