was designed for a space above the entrance to the Pacific Trade Center, on Alakea and King Streets in central Honolulu. It measures high and wide, and offers views of several voyaging canoes and a central monumental male figure holding a paddle. In the corner of the mural is a representation of the wayfarer's chart, traditionally made of shells and sticks, in which islands and ocean swell patterns are encoded to assist the training of a navigator. As a design consultant, Kāne worked on resorts and visitor centers in Hawaii and the South Pacific, as well as a cultural center in Fiji. Kāne was commissioned by the National Park Service in 1976 to paint "Keoua's Arrival", which is on permanent display in the Visitor Center at Puukoholā Heiau National Historic Site. Several of his large canvasses are on permanent view at the Outrigger Hotel in Waikiki in Honolulu, where the management dedicated the area as a permanent tribute to Kāne. One 1973 site-specific mural, painted on a custom-designed wall as part of a history center under construction (and never completed) at Punaluu Beach, twice gained notoriety. The historical mural, titled Ancient Punaluu, Hawaii Island measured wide by high. According to a news report, "The mural shows alii, warriors and commoners on the black sandbar, which separates Punaluu Bay from a pond where springs provide fresh water immediately behind the beach.....A ceiling of thatch gave the feeling of being inside an old Hawaiian shelter and the thatch hid lighting, which gave a natural, daylight look to the mural. Pebbles and sand at the base of the painting met real pebbles and sand on the floor of the history center." In 1975 the mural survived a tsunami that destroyed the interior of the building. According to Kāne's account on his personal blog, quoting eyewitnesses, the wave pushed all the displays out the far side of the room and left a mud line three or four feet high on the wall—except on the mural, which was dry and undamaged. Then in 2005 the mural was stolen from the site, which was vacant and unfinished. Thieves are believed to have cut out the wall in five sections using a circular saw powered by a portable generator, and in this way stole the painting, which has never been recovered. Kāne responded by recreating a version of the mural in oil paint on canvas, saying, "Now