an editor at Faber and Faber, where she commissioned many books, among them Patriarchal Attitudes by Eva Figes, one of the first works of British feminism. She left Faber aged 29 to become deputy editor of The Listener, edited by Karl Miller, and in the 1970s had a spell at The Times Literary Supplement (TLS). London Review of Books In 1979, Wilmers joined Miller in founding London Review of Books (LRB), conceived to fill a gap in the market as a year-long industrial dispute had closed The Times Literary Supplement. The new review was an offshoot of The New York Review of Books, at first appearing folded inside the older publication. The first edition appeared in October 1979. The New York Review of Books withdrew its support after a few months, and in May 1980, Wilmers made the first of a number of investments of money inherited from her father, establishing an independent London Review of Books and later making herself the majority shareholder. In January 2010, The Times reported that the review was £27 million in debt to the Wilmers family trust. "It's family money and the debts have been rising for many years," Wilmers said. "But I really just look after the commas." Wilmers became co-editor in 1988 and editor in 1992. Her style was to take a highly interventionist approach: "You want to help readers along. Not discourage them by making them go through a swamp of unnecessary sentences", she said. Her friend Hilary Mantel called Wilmers "a presiding genius", and Andrew O'Hagan explained: "She can’t bear a lazy sentence or secondhand metaphor. She’s tireless in her commitment to the paper". In 2009 the London Reviews circulation was 48,000, making it the largest-selling literary publication in Europe. Wilmers stepped down as editor after almost 30 years in 2021, remaining at the magazine as consulting editor. As an editor, Wilmers has been closely associated with the work of a number of novelists and essayists, including Alan Bennett, John Lanchester, Jenny Diski, Blake Morrison, Alan Hollinghurst, Seamus Heaney, Ian McEwan, Salman Rushdie, Julian Barnes, Craig Raine, Colm Tóibín, Stefan Collini, James Wood, Linda Colley, Jacqueline Rose, Paul Foot, Tariq Ali and Edward Luttwak. Many of these were published prominently when at the beginnings of their careers. Politically the review is not known for following a consistent party political line, although Wilmers described herself as being "captivated by the left