Brown cited the track as a "brilliant example" of how, just as Harrison's guitar playing was often crucial in Lennon and McCartney's compositions, he was never selfish in his musicianship but was instead motivated to "get the best for the song" each time. Brown added: "everyone [is] chipping in with guitar parts and harmonies... There's no fat at all on it. And, [it's] very funny." On a similar list compiled by Rolling Stone in 2010, the song appeared at number 55, where the editors described it as "a crucial link between the guitar-driven clang of the Beatles' 1963–65 sound and the emerging splendor of the group's experiments in psychedelia". In 2018, the music staff of Time Out London ranked "Taxman" at number seven on their list of the best Beatles songs. In 2015, the editors of Guitar World ranked "Taxman" at number three in their list of "The Beatles' 50 Greatest Guitar Moments". They praised the solo as "a stunningly sophisticated creation, drawn from an Indian-derived Dorian mode and featuring descending pull-offs that recall Jeff Beck's work on the Yardbirds' 'Shapes of Things'" and said that while McCartney had played lead guitar on some previous Beatles tracks, "Taxman" was when he "[came] into his own as a guitarist". In 2001, when VH1 chose Revolver as its all-time greatest rock 'n' roll album, "Taxman" was among the four tracks, along with "Eleanor Rigby", "Tomorrow Never Knows" and "Yellow Submarine", cited by Bill Flanagan to support the contention that "If pop music were destroyed tomorrow, we could re-create it from this album alone." Legacy In his book Psychedelia and Other Colours, Rob Chapman highlights "Taxman" as an example of the Beatles' widespread influence on rock music's developments during the 1960s. He says that Harrison's guitar riff "runs like an unbroken thread through the development of English psychedelia" and is also present "as a trace element in many a mod-pop mutation". Writing in Rolling Stones Harrison commemorative book, in January 2002, Mikal Gilmore recognised his incorporation of dissonance in the melody to "Taxman" and "I Want to Tell You" as having been "revolutionary in popular music" in 1966. Gilmore considered this quality to be "perhaps more originally creative" than the avant-garde styling that Lennon and McCartney took from Karlheinz Stockhausen, Luciano Berio, Edgar Varese and Igor Stravinsky and brought to the Beatles' work over the same period. Revolver has been recognised as having