responsible for amassing a large collection of texts pertaining to canon law, the liturgy, and episcopal functions. This collection is known as Wulftan's Commonplace Book. A significant part of the Commonplace book consists of a work once known as the Excerptiones pseudo-Ecgberhti, though it has most recently been edited as Wulfstan's Canon Law Collection (a.k.a. Collectio canonum Wigorniensis). This work is a collection of conciliar decrees and church canons, most of which he culled from numerous ninth and tenth-century Carolingian works. This work demonstrates the wide range of Wulfstan's reading and studies. He sometimes borrowed from this collection when he wrote his later works, especially the law codes of Æthelred. There are also a number of works which are associated with the archbishop, but whose authorship is unknown, such as the Late Old English Handbook for the Use of a Confessor. Style Wulfstan's style is admired by many sources, easily recognisable and exceptionally distinguished. "Much Wulfstan material is, more-over, attributed largely or even solely on the basis of his highly idiosyncratic prose style, in which strings of syntactically independent two-stress phrases are linked by complex patterns of alliteration and other kinds of sound play. Indeed, so idiosyncratic is Wulfstan’s style that he is even ready to rewrite minutely works prepared for him by Ǣlfric". From this identifiable style, 26 sermons can be attributed to Wulfstan, 22 of which are written in Old English, the others in Latin. However, it's suspected that many anonymous materials are Wulfstan's as well, and his handwriting has been found in many manuscripts, supplementing or correcting material. He wrote more than just sermons, including law-codes and sections of prose. Certainly he must have been a talented writer, gaining a reputation of eloquence while he still lived in London. In a letter to him, "the writer asks to be excused from translating something Wulfstan had asked him to render into English and pleads as an excuse his lack of ability in comparison with the bishop’s skill". Similarly, "[o]ne early student of Wulfstan, Einenkel, and his latest editor, Jost, agree in thinking he wrote verse and not prose" (Continuations, 229). This suggests Wulfstan's writing is not only eloquent, but poetic, and among many of his rhetorical devices is marked rhythm (229). Taking a look at Wulfstan's actual manuscripts, presented by Volume 17 of Early English Manuscripts in Facsimile, it becomes apparent that his writing was exceptionally neat and