Doll Man is a superhero first appearing in American comic books from the Golden Age of Comics, originally published by Quality Comics and currently part of the DC Comics universe of characters. Doll Man was created by cartoonist Will Eisner and first appeared in a four-page story entitled "Meet the Doll Man" in Feature Comics #27. He was Quality's first super-powered character. The issue's December 1939 cover date indicates that Doll Man is the first comic book superhero with a shrinking power. He notably predates the more-famous Ray Palmer (DC's the Atom) and Hank Pym (Marvel Comics' Ant-Man) by two decades. Quality Comics publication history The secret identity of Doll Man, "The World's Mightiest Mite", is research chemist Darrel Dane, who invents a formula that enables him to shrink to the height of six inches while retaining the full strength of his normal size. He was the first example of a shrinking superhero, and also one of the few that was unable to change to a height in between his minimum and maximum sizes (though artists would fail to keep his scale visually consistent). His first adventure in Feature Comics #27 involves the rescue of his fiancée, Martha Roberts, from a blackmailer. He subsequently decides to fight crime and adopts a red and blue costume sewn by Martha. Years later, somehow Martha's wish to be able to join him in his small size comes true, and now possessing the same shrinking powers, she becomes his partner known as Doll Girl in Doll Man #37. He also has the aid of Elmo the Wonder Dog, a Great Dane who serves as his occasional steed and rescuer, and the "Dollplane", which was deceptively presented as a model airplane in his study when not in use. In his adventures published during World War II, Doll Man was also frequently depicted riding a bald eagle. The covers of Doll Man's comics frequently portrayed him tied in ropes or other bindings, in situations ranging from being tied crucifixion-style to a running sink faucet, to being hogtied to the trigger and barrel of a handgun. The persistence of this male bondage motif in Doll Man comics among others can be contrasted with other comic books which historically portrayed women in positions of vulnerability and submission. Doll Man was the lead feature of the anthology series Feature Comics through #139 (October, 1949), with Eisner writing the early