over into the library to the west. The entire apartment is furnished in the Biedermeier style by Johannes Klinckerfuß, whose work Charlotte herself covered with embroidery. The king's apartment, to the west of Charlotte's, was to house Duke Eberhard Louis and Wilhelmine von Grävenitz, and later Johanna Elisabeth of Baden-Durlach. Charles Eugene became the first to reside here in 1744 with his wife. When Frederick I took up residence, he had Thouret remodel his 12-room suite from 1802 to 1811. The suite opens with the antechamber, containing decorations dated to 1785, likely taken from Hohenheim Palace, and an original ceiling fresco by Carlo Carlone of Bacchus and Venus. Adjacent to it is the audience chamber, decorated with Baroque red damask and Neoclassical borders. The room contains Frederick's throne and furniture by Isopi, embellished with griffins in relief. Past the conference room and its Rococo overdoors by Heideloff are the king's bedchambers. The Baroque wooden wall paneling and overdoors survived the room's 1811 remodeling. The walls and furnishings of the king's office are Neoclassical, decorated with the heads of Greek gods and cornucopias, but the ceiling fresco is a Guibal original from 1779 of Chronos and Clio. Duke Charles Eugene moved into the Neuer Hauptbau in 1757 and tasked La Guêpière with the apartment's decoration. Two years later, La Guêpière completed the entire suite except for the bedchamber, as the Duke occupied his wife's former suite in 1760 for his actual residence. The rest of the suite was used for social functions until it was emptied of furnishings in the next decade. A staircase and antechamber lead to the entrance of today's apartment, a gallery decorated by Ludovico Bossi. The initial rooms are the first and second antechambers, clad in green damask with portraits by Antoine Pesne and paneling by Michel Fressancourt, overdoors by Matthäus Günther, boiserie flooring, and furniture by Jacques-Philippe Carel and Jean-Baptiste Hédouin that Charles Eugene acquired around 1750. The Assembly Room, restored in 2003, prominently features overdoors by Adolf Friedrich Harper and trophies of musical instruments above the windows. Charles Eugene's third-floor residence begins with the Corner Room, again painted by Harper, which feeds into a cabinet room and then finally the bedchamber, completed in 1770. Bossi created the ceiling's stucco in 1759–60, but the room and its two closets took another decade to complete. Additional rooms on the third floor housed relatives of the rulers of