Oxford University, the country's foremost expert on Roman history and a Fellow of the Royal Academy, declared the ingot to be a fake. A report for the Proceedings of the Society of Antiquaries (number 23, pages 121–9) in the same year reported that: '... the double axe type of silver ingot was well known and dated from late Imperial times but the one recovered from Sussex was an inferior copy of one found at the Tower of London, with alterations to give it an air of authenticity. Both the shape and lettering betrayed its origin.' Interest in magic and conjuring In his autobiography, Search for Truth, Price said the "Great Sequah" in Shrewsbury was "entirely responsible for shaping much of my life's work", and led to him acquiring the first volume of what would become the Harry Price Library, Price later became an expert amateur conjurer, joined the Magic Circle in 1922 and maintained a lifelong interest in stage magic and conjuring. His expertise in sleight-of-hand and magic tricks stood him in good stead for what would become his all consuming passion, the investigation of paranormal phenomena. The psychical researcher Eric Dingwall and Price re-published an anonymous work written by a former medium entitled Revelations of a Spirit Medium (1922) which exposed the tricks of mediumship and the fraudulent methods of producing "spirit hands". Originally all the copies of the book were bought up by spiritualists and deliberately destroyed. Psychical research Price joined the Society for Psychical Research (SPR) in 1920 and because of his knowledge in conjuring had debunked fraudulent mediums but in direct contrast to other magicians, Price endorsed some mediums that he believed were genuine. Price's first major success in psychical research came in 1922 when he exposed the 'spirit' photographer William Hope. In the same year he travelled to Germany together with Eric Dingwall and investigated Willi Schneider at the home of Baron Albert von Schrenck-Notzing in Munich. In 1923, Price exposed the medium Jan Guzyk, according to Price the "man was clever, especially with his feet, which were almost as useful to him as his hands in producing phenomena." Price wrote that the photographs depicting the ectoplasm of the medium Eva Carrière taken with Schrenck-Notzing looked artificial and two-dimensional made from cardboard and newspaper portraits and that there were no scientific controls as both her hands were free. In 1920 Carrière was investigated by psychical