Jane and Timothy "Find Yourself Something to Do" – Father, Mother, Aunt Prue, and Timothy "I Sit in the Sun" – Jane "Oh, Look at Me!" – Jane and Timothy Dawes "Hush Hush" – Uncle Clam, Fosdyke, and Timothy "Oh, Look at Me!" (Reprise) – Company "Out of Breath" – Company Act II "Cleopatra" – Manager "Sand in My Eyes" – Asphynxia "It's Easy to Sing" – Timothy, Jane and Nigel "We're Looking for a Piano" – Company "The Time of My Life" – Jane "The Saucer Song" – Jane, Timothy, and Uncle Zed "We Don't Understand Our Children" – Timothy's Mother and Jane's Mother "Oh, Look at Me!" (Reprise) – Company "We Said We Wouldn't Look Back" (Reprise) – Jane and Timothy Productions Salad Days premiered in the UK at the Theatre Royal, Bristol in June 1954, and transferred to the Vaudeville Theatre in London on 5 August 1954, running for 2,283 performances to become the longest-running show in musical theatre history until overtaken by My Fair Lady in the U.S. (1956) and Oliver! in the U.K. (1960). In the Evening Standard Awards for 1955, Salad Days was given the Award for Most Enjoyable Show (although The Pajama Game won as Best Musical). The musical was produced by Denis Carey, with dances arranged by Elizabeth West, and with a cast that featured Dorothy Reynolds in a variety of roles, John Warner as Timothy and Eleanor Drew as Jane. Slade played one of the two pianos. The reviewer in The Guardian wrote: "There is no pointed satire, only a passable line of wit, but the effect is one of genuine high spirits and those who liked it on Thursday were ready to call it the gayest piece of entertainment since The Mikado. Others were heard to compare it to a children's party, meaning that they found the fun jejune, 'undergraduate,' and limited." It played to over 1.25 million people and grossed over $1.8 million. The Canadian premiere of Salad Days in 1956 was at the Hart House Theatre, University of Toronto for several months with Barry Morse as director and Alan Lund as choreographer. The Canadian cast included Jack Creley, Betty Leighton, Barbara Franklin, John Clark, Roland Bull, Norma Renault and Eric Christmas. The show transferred to the Royal Alexandra Theatre and then to Her Majesty's Theatre in Montreal. Morse wrote that it played "successfully" and was "again a triumph".