hymnals, an Irish folk tune in time, first published as "With My Love on the Road" in Patrick Joyce's Old Irish Folk Music and Songs in 1909. The tune is a more elemental distillation of earlier forms, such as "The Hielan's o' Scotland' and "By the Banks of the Bann," also compiled in Joyce (1909). The words of "Be Thou My Vision" were first combined with this tune in 1919 (harmonised by Leopold L Dix, 1861-1935), and in a new version harmonised by David Evans in 1927. A further version was harmonised by Erik Routley for the English Hymnal. In some modern renditions the rhythm of "Slane" is adapted to . It was common practice to attribute hymn tune names to the place where they were collected by folk song collectors, such as Vaughan Williams who co-edited The English Hymnal, published in 1906. Slane is a village in Ireland. Three more 20th century hymns have been set to the same tune. The first was "Lord of All Hopefulness" written by Jan Struther around 1931. The second was "Lord of Creation, to Thee be All Praise" written by J. C. Winslow and first published in 1961. The third was a popular wedding hymn, "God, In the Planning and Purpose of Life", written by John L. Bell and Graham Maule and first appearing in publication in 1989. Gå inte förbi ("Don't Walk Past") is a duet-single set to the tune, recorded by Swedish singer Peter Jöback and Norwegian singer Sissel Kyrkjebø and written by Ulf Schagerman. Jöback sings the lyrics in Swedish while Sissel sings in Norwegian. It was released as a single in 2003 and at an extended reissue of Jöback's Christmas album Jag kommer hem igen till jul. It was a hit in Norway and Sweden in the Christmas time of 2003 and a music video directed by Mikadelica was made in Denmark. Norwegian newspaper VG gave it 4 out of 6. Lyrics The original texts of the now-called "Be Thou My Vision" are in Old Irish similar still in style to Modern Irish. The hymn has been translated into Modern Irish many times. The most popular is that by Aodh Ó Dúgain of Gaoth Dobhair, County Donegal. Two verses of his translation were recorded by his granddaughter Moya Brennan – the first time any part of his text has been publicly recorded. Since then, those two verses have been