time is non-linear from Pete's perspective, six months have elapsed in the real world and Al wants a grieving Dorinda to move past Pete's death. He takes her with him to Colorado to work at the flight school where Pete was to command pilots who will be training to fight fires, one of which is Ted Baker. More months pass and, to Pete's anguish, Ted falls in love with Dorinda as she begins emerging from her year-long mourning. Pete attempts to sabotage the budding romance, but Hap reminds him that his life ended; he was sent to inspire Ted, but also to bid Dorinda farewell. Ted, with Pete's inspiration, plans a dangerous rescue mission of trapped firefighters. Unable to bear another loss, Dorinda takes Ted's aircraft to do the job herself. Pete, unseen by Dorinda, fails to dissuade her. However, with Pete's guidance, Dorinda is able to save the firefighters who are trapped on the ground. On the return flight, Pete tells her everything he wanted to say in life. Dorinda makes an emergency water landing in a lake. As the sinking plane's cockpit floods, Dorinda seems reluctant to escape. Pete appears before her and, offering his hand, leads her to the surface. As Dorinda, now alone, wades ashore, Pete releases her heart to allow Ted to replace him. Dorinda walks back to the airbase and embraces Ted. Pete smiles and heads in the opposite direction to assume his place in the hereafter. Cast Richard Dreyfuss as Pete Sandich Holly Hunter as Dorinda Durston John Goodman as Al Yackey Brad Johnson as Ted Baker Audrey Hepburn as "Hap" Roberts Blossom as Dave Keith David as "Powerhouse" Ed Van Nuys as "Nails" Marg Helgenberger as Rachel Dale Dye as Don Brian Haley as Alex James Lashly as Charlie Michael Steve Jones as Grey Doug McGrath as Bus Driver Production Spielberg confided that while making Jaws in 1974, he and Dreyfuss had traded quips from A Guy Named Joe, considered a "classic" war film, that they both wanted to remake. As an "inside joke," a clip from A Guy Named Joe is included in a scene in Poltergeist, which Spielberg had produced. Dreyfuss had seen the 1943 melodrama "at least 35 times." For Spielberg, who recalled seeing it as a child late at night, "it was one of the films that inspired him to become a movie director," creating an emotional connection