Morse revived the production at the Crest Theatre, Toronto, and then brought it to New York with a slightly different cast. The New York production, featuring Richard Easton, opened at the Barbizon Plaza Theatre (then located at Avenue of the Americas and 58th Street) on November 10, 1958 and ran for 80 performances. Morse described the theatre as "not a Broadway theatre ... a perfectly comfortable and centrally situated theatre which was housed in a hotel." He further wrote "as rotten luck would have it there was a newspaper strike which started just a few days before we opened." There were no reviews, and the show closed in January 1959 when, according to Morse, "our financial resources were used up." The show was revived in the West End in April 1976 at The Duke of York's Theatre, running for 133 performances, and featured Elizabeth Seal. Salad Days was next revived in April 1996 at London's Vaudeville Theatre, directed by Ned Sherrin and featuring Simon Connolly, Nicola Fulljames and Richard Sisson. In his review for The Guardian, Michael Billington wrote: "Time has also changed both the show and our attitude towards it. What seemed hopelessly innocent in 1954 has now acquired the patina of camp." The show received a new production by Tête à Tête opera company, directed by Bill Bankes-Jones, originally produced in November 2009 at Riverside Studios in London, and revived for over two months in 2010–11. That revival was a sell-out and the production was revived again for Christmas & New Year 2012–13 at Riverside Studios Recordings The Original Cast recording (1954) was recorded by Oriole Records. The Original Cast recording of the Duke of York's Theatre revival was released by That's Entertainment. A 40th anniversary studio cast recording was produced by EMI in 1994, featuring Janie Dee. and an Original Cast recording of the 40th anniversary production at the Vaudeville Theatre was released by First Night, consisting of four songs. It was filmed for Australian television in 1958. A recording of the 2013 Tête à Tête production is available from the website. Cultural impact The musical was parodied, in a particularly bloody manner, by Monty Python in their sketch "Sam Peckinpah's Salad Days". £7,000 from the Salad Days profits – a large sum in those days— was given to the Bristol Old Vic Theatre School towards the purchase and conversion of two large adjoining Victorian villas at