by Frisoni and a hidden staircase, since removed, into the room of his mistress Wilhelmine von Grävenitz. The third floor, finished in 1708, houses two galleries. The first takes up most of the south wall and served as a portrait gallery and ahnentafel (table of ancestors), with stucco portraits of Eberhard Louis and his ancestors created by Frisoni and Soldati in 1713. The ceiling frescoes were lost in the 1808 renovation that divided into smaller rooms. The gallery was restored between 2000 and 2004. Above the third floor is a mansard roof that now houses Zwiefalten Abbey's original clockwork, taken by King Frederick I in 1809. The two pavilions to the west and east of the corps de logis are connected to it by arcaded galleries, completed in 1713 and 1715 respectively, that close off the northern edge of the cour d'honneur. The western gallery celebrates peace with stucco statuary, medallions, and reliefs of the Judgement of Paris, Aeneas fleeing Troy, Hercules and Omphale, and Apollo and Daphne. Its terminus, the Jagdpavillon (Hunting pavilion), contains the Marmorsaletta (Little marble hall) decorated with scagliola by Riccardo Retti and frescoes by Luca Antonio Colomba. Adjoined to the hall are three cabinet rooms, the first and third of which are decorated with Turkish and Chinese imagery respectively. The eastern gallery celebrates war with stucco trophy captives and weapons, reliefs of Eberhard Louis's monogram, and depictions of the cardinal virtues and the classical elements. Spanning the entire gallery is Colomba's ceiling fresco of the war between the Olympian gods and the giants. At the end of the gallery is the Spielpavillon, completed in 1716, whose center is a rounded, cruciform hall with four corner rooms that contain imitation Delftware images of Jacques Callot's Grotesque Dwarves. The dome fresco by Colomba and depicts the four seasons and their corresponding zodiac signs. East wing The first structure of the eastern wing is the Riesenbau (Giants' building), built by Johann Friedrich Nette in 1712–13. The vestibule, decorated by Andreas Quittainer and Colomba, prominently features two sphinxes and four giants as the atlases under the staircase to the beletage. Originally, these stairs led up to a room for the Hunting Order, which was segregated into residences from 1720 to 1723. Ahead of the giants is a statue of Minerva, and the frescoes on the ceiling above the staircase show Justitia and Fortitudo, the four seasons, and the four