nights, and spending days by German pools. Adrian is wild and awakens things in Isadora she believed to be lost in the everydayness of her marriage although he is a rotten lay and often impotent. However, Isadora's desperation to feel alive and her developing feelings for Adrian lead her to the toughest decision: to return home with Bennett or to go to London with Adrian. She agonizes over the decision. One night, Bennett finds Adrian and Isadora in bed together and joins them in an adventurous sexual act that Bennett never acknowledges afterward. Finally, through an emotionally taxing and melodramatic letter that she never delivers to Bennett because he once again walks in and interrupts her, Isadora decides to leave with Adrian. The two of them drive through France, Germany, and Italy camping every night, drinking, and making love. Along the way, Isadora confides in Adrian the stories of her past relationships and first marriage. She reveals that she met her first husband, Brian, in college, where they connected over their mutual love of literature and ability to walk for hours while quoting poetry. That ended when they married and became a "bourgeois" couple not seeing each other, not having sex, disconnecting. Brian, a certified genius, began to fall into delusions, believing himself to be the second coming of Christ. He became violent, raped Isadora, and choked her close to death in one mental break. He was repeatedly hospitalized and eventually moved to a facility in Los Angeles in which Brian blamed her for everything, and they finally divorced. Eventually, she decides to return home to Bennett. On a train journey to meet him in London, she is approached by an attendant who sexually assaults her, which propels her into her own psychological self-examination. She realizes that when she is not in control of her body and does not have agency or autonomy, it does not matter how much she has dreamed of a situation, but it will never be satisfying. When she returns home, she takes a bath; waits for Bennett; and comes to accept her body, herself, and the unknown future: "A nice body. Mine. I decided to keep it" (p. 424). The novel remains a feminist classic, and the phrase "zipless fuck" has seen a resurgence in popularity as third-wave feminism that authors and theorists continue to use while they reinterpret their approach to sexuality and to