British Hit Singles & Albums (originally known as The Guinness Book of British Hit Singles and The Guinness Book of British Hit Albums) was a music reference book originally published in the United Kingdom by the publishing arm of the Guinness breweries, Guinness Superlatives. Later editions were published by HiT Entertainment (who had bought the Guinness World Records brand). It listed all the singles and albums featured in the Top 75 pop charts in the UK. In 2004 the book became an amalgamation of two earlier Guinness publications, originally known as British Hit Singles and British Hit Albums. The publication of this amalgamation ceased in 2006, with Guinness World Records being sold to The Jim Pattison Group, owner of Ripley's Believe It or Not!. At this point, the Official UK Charts Company teamed up with Random House/Ebury Publishing to release a new version of the book under the Virgin Books brand. Entitled The Virgin Book of British Hit Singles, it was first published in November 2008 with a separate albums book and second edition being published over the next couple of years. The first ten editions of The Guinness Book of British Hit Singles were compiled by Paul Gambaccini, Mike Read and brothers Tim Rice and Jonathan (Jo) Rice (known as GRRR). Read left the team in the mid-1980s (with the book copyright now belonging to GRR Publications Ltd) and the other editors resigned in 1996. Chart editor for many editions was David Roberts. Content British Hit Singles & Albums was generally considered to be the authoritative reference (and only) source for both the UK Singles Chart (since its inception in 1952) and the UK Albums Chart. It listed all the singles and albums ever to have been in the UK charts since 1952 (albums since 1958), listing them in alphabetical order and by both artist and song title. The entries also included the date of chart entry, highest position, catalogue number and number of weeks in the chart. Short biographical notes accompanied many of the artists' chart details. The book's sources are the New Musical Express (NME) chart from November 1952 to March 1960, and the Record Retailer (later Music Week) chart thereafter. It could be said that this division is misleading, since the Record Retailer chart was little known until it was adopted by the BBC in 1969 and that by adopting this chart as its standard, the