lists of the greatest albums of all time, including by Rolling Stone, and it was inducted into the Grammy Hall of Fame in 1999. Recording and production Glyn Johns, the album's recording engineer and a longtime collaborator of the band, said that Beggars Banquet signalled "the Rolling Stones' coming of age. ... I think that the material was far better than anything they'd ever done before. The whole mood of the record was far stronger to me musically." Producer Jimmy Miller described guitarist Keith Richards as "a real workhorse" while recording the album, mostly due to the infrequent presence of Brian Jones. When he did show up at the sessions, Jones behaved erratically due to his drug use and emotional problems. Miller said that Jones would "show up occasionally when he was in the mood to play, and he could never really be relied on: Even given this, Jones contributes to every track on the album except the final two, playing sitar and tanpura on "Street Fighting Man", slide guitar on "No Expectations", acoustic guitar on "Parachute Woman", harmonica on "Parachute Woman", "Dear Doctor" and "Prodigal Son", Maracas on "Sympathy for the devil", and Mellotron on "Jigsaw Puzzle" and "Stray Cat Blues". In a television interview, Jagger recalled that Jones' slide guitar performance on "No Expectations" was the last time he contributed something with care. Other than Jones, the principal band members appeared extensively, with Richards providing nearly all of the lead and rhythm guitar work, as well as playing bass on two others, in the place of Bill Wyman, who appears on the rest. Drummer Charlie Watts plays the drum kit on all but two tracks, as well as other percussion on the tracks that do not feature a full drum kit. Additional parts were played by keyboardist and frequent Rolling Stones collaborator Nicky Hopkins and percussionist Rocky Dijon, among others. The basic track of "Street Fighting Man" was recorded on an early Philips cassette deck at London's Olympic Sound Studios, where Richards played a Gibson Hummingbird acoustic guitar, and Watts played on an antique, portable practice drum kit. Richards and Jagger were mistakenly credited as writers on "Prodigal Son", a cover of Robert Wilkins's Biblical blues song. Title and packaging According to Keith Richards, the album's title was thought up by British art dealer Christopher Gibbs. The album's original front and back cover art, photographs by Barry Feinstein