documentary that chronicled the fractious editing process of The Last Movie. A rerecorded, longer version of the song "American Dreamer" was later used in the 1977 film The Farmer, along with an instrumental version of the same song plus "Outside the Law (The Outlaw)", a re-recording of "Outlaw Song". In 1972, Clark attempted to record a follow-up album. Progress was slow and expensive, and A&M terminated the project before completion. The resulting eight tracks, including "Full Circle Song" and "In a Misty Morning", along with those recorded with the Byrds in 1970 and 1971 ("She's the Kind of Girl" and "One in a Hundred") and with the Flying Burrito Brothers ("Here Tonight"), were released in 1973 as Roadmaster in the Netherlands only. Byrds Clark left A&M in late 1972 to join a reunion of the original five Byrds. They cut the album Byrds, which was released in March 1973 by Asylum Records. While the album charted relatively well (U.S. No. 20), its placement did not live up to the label's initial expectations in the wake of the recent success of Crosby (Crosby, Stills, Nash & Young) and Hillman (a member of Stephen Stills's band Manassas). Clark's compositions "Full Circle" and "Changing Heart" and the Neil Young covers on which he sang the lead vocal ("See the Sky About to Rain" and "Cowgirl in the Sand") were widely regarded as the standout tracks on the critically divisive album. Disheartened by the bad reviews and unhappy with Crosby's performance as the record's producer, the group members chose to dissolve the band. Clark briefly joined McGuinn's solo group, with which he premiered "Silver Raven", arguably his most celebrated post-Byrds song. No Other On the basis of the quality of Clark's contributions to Byrds, David Geffen signed him to Asylum Records in early 1974. The label was the home of the most prominent exponents of the singer-songwriter movement of the era and carried the kind of hip cachet that Clark hadn't experienced since his days with the Byrds. While composing the album, he spent long periods with a notebook and an acoustic guitar at the picture window of his home, deriving inspiration from staring at the Pacific Ocean. Produced by Thomas Jefferson Kaye with a vast array of session musicians (including members of The Section and the Allman Brothers Band) and backing singers, the ensuing No Other fused elements of country rock, folk, gospel,