are quite remarkable. In 1977, a big stunt scene would have taken us a week to film—it's pretty impressive what they are able to do with computers and effects technology today on a weekly TV show. It gives it a lot more production value and inventiveness than I thought I was going to see when I first heard about the series. I think the show is doing a really good job following the mythology, and Tom is doing a good job following the tradition. According to MTV's Karl Heitmueller, Smallville's Clark Kent was a better representation of the original material and remained "true to the heart of the story" by showing Clark's selflessness and his struggle between his desires and his obligations. However, Heitmueller wrote that the series would have a difficult time addressing why no one in Smallville (including Lex Luthor) recognized Clark when he put on the suit. TV Guide's Michael Schneider called it one of the best examples of a superhero adaptation for television, but Christopher Hooton of Metro wrote that Smallville was a story which did not need to be told: "No-one bothered to follow Bruce Wayne's tedious years spent manufacturing microchips before he became Batman, so why must we endure a decade of flannel shirt-wearing Clark Kent bucking hay?" Nielsen rankings The following is a table for the seasonal rankings, based on average total estimated viewers per episode, of Smallville on the WB and The CW. "Rank" refers to how Smallville rated compared to the other television series which aired during primetime hours. Accolades During its ten seasons, Smallville won awards ranging from Emmys to Teen Choice Awards. In 2002, the series won an Emmy for Outstanding Sound Editing for a Series for its pilot episode. Four years later, it received an Emmy for Outstanding Sound Editing for a Series for the fifth-season episode "Arrival". In 2008, Smallville again won an Outstanding Sound Editing for a Series Emmy for season seven's "Bizarro". Smallville has received a number of Leo Awards. Make-up artist Natalie Cosco won two Leo Awards for Best Make-Up: for her work in the fourth-season episode "Scare" and in the sixth season's "Hypnotic" and "Wither". At the 2006 Leo Awards, Barry Donlevy won Best Cinematography in a Dramatic Series for his work on the fourth-season episode "Spirit" and David Wilson won Best Production Design in a Dramatic Series for "Sacred". Smallville's sixth season