act out of revenge because they believe justice is the end, the Underground Man is conscious of his problems and feels the desire for revenge, but he does not find it virtuous; the incongruity leads to spite towards the act itself with its concomitant circumstances. He feels that others like him exist, but he continuously concentrates on his spitefulness instead of on actions that would help him avoid the problems that torment him. The main issue for the Underground Man is that he has reached a point of ennui and inactivity. He even admits that he would rather be inactive out of laziness. The first part also gives a harsh criticism of determinism, as well as of intellectual attempts at dictating human action and behavior by logic, which the Underground Man discusses in terms of the simple math problem: two times two makes four (cf. necessitarianism). He argues that despite humanity's attempt to create a utopia where everyone lives in harmony (symbolized by The Crystal Palace in Nikolai Chernyshevsky's What Is to Be Done?), one cannot avoid the simple fact that anyone, at any time, can decide to act in a way that might not be considered to be in their own self-interest; some will do so simply to validate their existence and to protest and confirm that they exist as individuals. The Underground Man ridicules the type of enlightened self-interest that Chernyshevsky proposes as the foundation of Utopian society. The idea of cultural and legislative systems relying on this rational egoism is what the protagonist despises. The Underground Man embraces this ideal in praxis, and seems to blame it for his current state of unhappiness. Part 2: "Apropos of the Wet Snow" The title of Part 2 is an allusion to the critic Pavel Annenkov's observation that "damp showers and wet snow" were indispensable to writers of the Natural School in Petersburg. Following the title there is an epigraph containing the opening lines from Nekrasov's poem "When from the darkness of delusion..." about a woman driven to prostitution by poverty. The quotation is interrupted by an ellipsis and the words "Etc., etc., etc." Part 2 consists of ten sections covering some events from the narrator's life. While he continues in his self-conscious, polemical style, the themes of his confession are now developed anecdotally. The first section tells of the Underground Man's obsession with an officer who once insulted him