embroidery around the chest (the pechera) which is mostly absent in Cuban guayaberas. Guayaberas are also made from linen or cotton, and not the expensive piña or abacá sheer fabrics used in formal barong (although informal barong worn by the lower classes in the Philippines use common opaque fabrics like linen). However, guayaberas in Mexico also have chest designs like pleats and embroidery similar to the barong (and in contrast to Cuban guayaberas); and they can range from having no pockets to having one, two, or four. This is the reason why Mexicans also claim that it originated from either the state of Veracruz or the Yucatán Peninsula. In Mexico, the same basic style is also known as the "camisa de Yucatán" (Yucatán shirt) or "wedding shirt". Regardless, a clearer line of evidence is that guayaberas are actually also referred to as "filipinas" in Yucatán, Mexico, with the former regarded as a variant of the latter. The only difference between the two is the type of collar used. Filipinas have a collar similar to the Nehru or mandarin-style (a style known as the baro cerrada in the 19th-century Philippines), while guayaberas have a more typical spread collar. Both filipinas and the derivative guayaberas were the traditional everyday men's shirts in Yucatán since the mid-19th century, before they were replaced by western shirts in the early 20th century. The white filipina shirt is still regarded as the traditional formal dress for men in Yucatán, along with the terno for women (cf. traje de Mestiza of the Philippines). In particular, white filipinas are the traditional shirts worn for the jarana Yucateca dance, paired with white trousers. This suggests an origin from the Philippines that entered Mexico early during the colonial period through Yucatán then to Cuba, where it was later adapted to local fashion and materials. Cubans also claim the guayabera originated from Cuba. Cuban literature refers to the shirt from 1893, and documentary evidence mentions the shirt in Cuba as early as 1880. The Cuban origin story tells of a poor countryside seamstress sewing large patch-pockets onto her husband's shirts for carrying guava (guayabas) from the field. In another version of the story, in 1709 Spanish immigrants from Granada, José Pérez Rodríguez and his wife Encarnación Núñez García arrived in Sancti Spiritus, located along the Yayabo River. José asked his wife to make him a shirt with long sleeves and four