Aert van der Neer, or Aernout or Artus (c. 16039 November 1677), was a landscape painter of the Dutch Golden Age, specializing in small night scenes lit only by moonlight and fires, and snowy winter landscapes, both often looking down a canal or river. He was a contemporary of Aelbert Cuyp and Meindert Hobbema, and like the latter he lived and died in comparative obscurity. Biography Recent (2008) research by René van Dijk of the Gorinchem Regional Archive has established that Van Der Neer was born in Gorinchem. According to Arnold Houbraken, Van Der Neer lived in Gorinchem as a steward to the lords of Arkel, which would account for the absence of any pictures dating from his early years. He became an amateur painter possibly upon contact with the Amsterdam painters Rafael and Jochem Govertsz Camphuysen, whose sister Lysbeth he married in 1629. They had six children: Grietje (1629), Eglon(~1635), Cornelia (1642), Elisabeth (1645), Pieter (1648), and Alida (1650). Five of the children were baptized in the Nieuwe Kerk in Amsterdam, not far from where he lived. His son Eglon later became a portrait painter himself. Van Der Neer was barely able to support his family by selling his landscapes, which were not highly valued. In 1659 it seemed necessary to supplement his income by keeping a wine tavern in the Kalverstraat, but two years later he went broke. He died in Amsterdam in abject poverty, and his art was so little esteemed that the pictures left by him were valued at about five shillings apiece. Career The earliest pictures in which Van Der Neer coupled his monogram of A.V. and D.N. interlaced with a date are a winter landscape in the Rijksmuseum at Amsterdam (dated 1639), and another in the Martins collection at Kiel (1642) immature works both, of poor quality. Far better is the Winter Landscape (1643), and the Moonlight Scene (1644) once in the d'Arenberg collection in Brussels. In 1652 Van Der Neer witnessed the fire which consumed the old town-hall of Amsterdam. He made this accident the subject for two or three pictures, now in the galleries of Berlin and Copenhagen. Though Amsterdam appears to have been constantly Van Der Neer's domicile, his pictures tell that he was well acquainted with the canals and woods about Haarlem and Leiden, and with the reaches of the Meuse and Rhine. Dordrecht, the home of Aelbert Cuyp, is