of Galaxy's location before being trapped by Gila's assistant, Malcolm Rodney. Malcolm and Gila assume that Flint will soon run out of air in the safe as they transport it to a waiting submarine. However, during the journey, Flint learns that his playmates have been kidnapped and taken to the headquarters on Galaxy Island in the Mediterranean Sea. He then uses his power of self-induced suspended animation to fool his captors into thinking they have successfully killed him. Gila and Rodney take an evidence photograph of the "body", which they send to Cramden, then carry Flint back to headquarters on the submarine. Flint revives and sneaks into the Galaxy complex, but his infiltration is thwarted, and he is taken before Galaxy's trio of leaders. Offered a chance to join their new order, he refuses and is sentenced to death by disintegration. Gila's failure to eliminate Flint results in her being stripped of her leadership role and reassigned to become a Pleasure Unit – a fate that has already befallen Flint's playmates. She then changes sides, slipping Flint his gadget-filled cigarette lighter before she is hauled away. With the help of the lighter, Flint again escapes, sabotages the machinery, rescues his playmates and Gila, and departs the island as it disintegrates. A waiting American warship picks up Flint and the women as they watch a volcano erupt on the island. Gila presumably joins the other four women living with Flint. In the sequel, when Flint is again called out of retirement for a mission, he lives with three women, saying that "five was just too many." Cast The uncredited actor playing the overseer of the Pleasure Unit process is Dick Wilson, who later gained fame as "Mr. Whipple" in a long string of commercials for Charmin toilet paper. The voice of then-President Lyndon B. Johnson was provided by Van Williams, who provided the same voice-over effect later that year, in the film Batman: The Movie. Production Coburn later said, "I credit the producer, Saul David, for the Flint films. He was responsible for the whole thing. He also cast me in the role. Of course, it was a spoof of the Bond and all the other spy films released at the time. What I liked about Flint was that he was his own man. He trained himself. We tried to work from that theme. It must have worked ... after all,