town of Merritt and Cloverdale. Vancouver Technical School doubled as the exterior for Smallville High, since the school had the "mid-American largess" wanted by the filmmakers and was in keeping with Millar's idea that Smallville should be the epitome of "Smalltown, USA". Templeton Secondary School was used for Smallville High's interior. During season one, the production team repainted most of Templeton in Smallville High's red and yellow and distributed large Smallville High Crows logos; so much of the school was painted that it adopted red and yellow as its school colors. The students became accustomed to the film crew (which had to shoot when school was in session), and when a class was dismissed the crew stepped aside so the students could move the equipment to get to their lockers for the next class. The Kent farm is a working farm in Aldergrove. Owned by the Anderlinis, the crew painted their home yellow for the show. Exterior shots of Luthor Mansion were filmed at Hatley Castle in Victoria. The interiors were filmed at Shannon Mews in Vancouver, also the set for the Dark Angel pilot and the film Along Came a Spider. Clova Cinema, in Cloverdale was used for exteriors of the Talon, Smallvilles coffeehouse. The story is told from Clark's point of view, so color schemes and camera selection illustrate how he interprets his environment. When he is safe at home, the colors are "warm and gentle" earth tones and the camera movement is "very gentle". When Clark is keeping his secret and not in danger, the lighting is more neutral and the camera more mobile. When danger is present, the lighting becomes colder and the camera is handheld to allow for more "extreme angles". In Metropolis "clean, hard-lined architecture" predominates, with blues, purples and reflective metals the dominant scheme. The same concept is used for the characters; Lex usually has a "glass, steel background", and Lionel has a white or "clinical blue" background. Lex typically wears black, grey and "cool tones" (purples and blues). Clark is represented by red, yellow and blue, similar to the traditional Superman costume, and "All-American" red, white and blue. From season two onward, Entity FX produced all of the visual effects for Smallville, including the view of the Metropolis skyline. Music Composer Mark Snow worked with producer Ken Horton to create Smallvilles score. Snow composed music as he watched the picture, and tweaked