will be able to see which scenes need which elements, and can begin to schedule accordingly. The film industry has a standard for color-coding: {| class="wikitable" |+Element color codes !Element !colspan=2|Shape or color !Description |- |Cast |style="background: red; color: white; text-align: center;"| ||Red |Any speaking actor |- |Stunts |style="background: darkorange; color: white; text-align: center;"| ||Orange |Any stunt that may require a stunt double, or stunt coordinator. |- |Extra (silent) |style="background: yellow; color: black; text-align: center;"| ||Yellow |Any extra needed to perform specifically, but has no lines. |- |Extra (atmosphere) |style="background: forestgreen; color: white; text-align: center;"| ||Green |Any extra or group of extras needed for the background. |- |Special effects |style="background: dodgerblue; color: white; text-align: center;"| ||Blue |Any special effect required. |- |Props |style="background: purple; color: white; text-align: center;"| ||Purple |All objects important to the script, or used by an actor. |- |Vehicles and animals |style="background: lightpink; color: black; text-align: center;"| ||Pink |Any vehicles, and all animals, especially if it requires an animal trainer. |- |Sound effects or music |style="background: sienna; color: white; text-align: center;"| ||Brown |Sounds or music requiring specific use on set. Not sounds added in during post. |- |Wardrobe |style="text-align: center;"|⭘||Circle |Specific costumes needed for production, and also for continuity if a costume gets ripped up, or dirtied throughout the production. |- |Make-up and hair |style="text-align: center;"|⁎||Asterisk |Any make-up or hair attention needed. Common for scars and blood. |- |Special equipment |style="text-align: center;"|◻||Box |If a scene requires the use of more uncommon equipment, (e.g. crane, underwater camera). |- |Production notes |style="text-align: center;"|_||Underline |For all other questions about how a scene will go, or confusion about how something happens. |- |} Comics In comic books, it is the process of determining how each action, character, and piece of dialogue described in the script will be placed visually on a page. In the studio system that dominated mass-market comic-book production from the 1940s through the 1970s, breakdowns were done by the penciller or by a separate breakdown artist, rarely by the scriptwriter; in some cases, breakdowns were done from a rough story outline before the dialogue was written (the "Marvel method"). Later comics writers such as Alan Moore and Neil Gaiman, influenced by cinematic technique, began to include more layout details within their scripts. Cartoonists who both write and draw their own work sometimes begin with a script and do their own breakdowns, and sometimes work through drawings without a