Own, and Fried Green Tomatoes.” Levy continued, "On the surface, the heroines play familiar types, but Sayles again shows his forte in etching deft characterizations, detailing the emotional transformation of each woman and the bond they establish once they get to know one another.” Roger Ebert of the Chicago Sun-Times gave Passion Fish four out of four stars and wrote, “There are elements here of a vaguely similar relationship in 'Driving Miss Daisy,' but Sayles has his own film, direct and original, and in the struggle of wills between these two characters he creates two of the most interesting human portraits of the year.” Janet Maslin of The New York Times also lauded the film and observed Sayles "refuses to make his characters simple or stupid for the movies." Praise for the acting was unanimous. Michael Wilmington of the Los Angeles Times wrote, "It’s a critical cliche to talk about Oscar-worthy performances in the flood of year-end candidates, but Woodard and McDonnell deserve a look—from everybody. In the movie, the two show us a developing love and respect that is subterranean, almost unspoken, seeping up beneath a contentious surface. They have the easy, emotion-stretching mastery and limber spontaneity that marks the best screen acting." Critic Malcolm Johnson of the Hartford Courant also praised the cinematography and setting. He wrote, “as photographed by Roger Deakins, 'Passion Fish' mirrors May-Alice's growing fascination with photographing the reclaimed world of her lost youth, a milieu Mason Daring amplifies with Cajun music. But more than a voyage into the bayous, 'Passion Fish' is a celebration of sisterhood and rebirth, movingly enacted by two of our finest actresses.” In November 2021, the film was featured as part of The Criterion Channel's series "Between Us Girls: Bonds Between Women". Box office Passion Fish received a limited release on December 9, 1992, running for one week, the minimum required to make it eligible for consideration at the next year's Academy Awards. The film earned $36,332 (14,385 of that in the weekend) in the week from showings in two theaters. After receiving Academy Award nominations in February 1993, the film was released to 191 theaters, where it earned over 99% of its gross of $4.8 million. Awards and nominations References External links 1992 films 1992 comedy-drama films American comedy-drama films American independent films Films directed by John Sayles Films about paraplegics or quadriplegics Films about alcoholism Films about actors