public Théâtre du Palais-Royal in Paris, which was later to become the first permanent home of the opera company and the opera ballet. Also in 1661, Louis XIV had founded the Académie Royale de Danse (Royal Academy of Dance) in an effort "to improve the quality of dance instruction for court entertainments". Members of the academy, as well as the dance teachers who were certified by it, and their students, participated in the creation of the ballets for the court, Molière, and later the opera. In 1680, Beauchamps became the chancellor (director) of the Académie Royale de Danse. Although the Académie Royale de Danse and the Opera were closely connected, the two institutions remained separate, and the former disappeared with the fall of the monarchy in 1792. Founding and early history On 28 June 1669, Louis XIV granted a privilege to the poet Pierre Perrin giving him a monopoly to form a separate academy for the performance of opera in French. The first production of the company founded by Perrin, the Académie d'Opéra (Academy of Opera), was Pomone, which was first performed on 3 March 1671 at the Jeu de Paume de la Bouteille and included ballets choreographed by Anthoine des Brosses. In 1672, Lully purchased Perrin's privilege and also obtained new letters patent limiting the use of musicians and dancers by other French companies. With Anthoine des Brosses and Lully as choreographers and Carlo Vigarani as stage designer, Lully's company, now called the Académie Royale de Musique, produced Lully's first opera, Les fêtes de l'Amour et de Bacchus (a pastorale) in November 1672 at the Jeu de Paume de Béquet. This work consisted primarily of excerpts from Lully's prior court ballets connected with new entrées choreographed by des Brosses. A crucial difference, however, from the previous court ballets was that the members of the court no longer participated, and all of the dancers were professionals. Lully's next production, Cadmus et Hermione (27 April 1673), the first tragédie lyrique (with a libretto by Philippe Quinault), also premiered at the Jeu de Paume de Béquet and was choreographed by Anthoine des Brosses. Pierre Beauchamps, who had been working with Molière at the Palais-Royal, joined Lully's company in June 1673 (not long after Molière's death), when Lully took over the Palais-Royal theatre, forcing Molière's troupe to move to the Théâtre Guénégaud. Lully and Quinault continued to collaborate on a series of successful