guitar player. In 2007, Gould joined up with the all star band Fear and the Nervous System, formed by Korn guitarist James "Munky" Shaffer. The band also features Bad Religion drummer Brooks Wackerman. During the same year, Gould joined as bassist in Jello Biafra's new band The Axis of Evildoers along with Ralph Spight (Victim's Family) on guitar, and Jon Weiss on drums. They made their debut at Jello Biafra's 50th-birthday celebration June 16 and 17, 2008 at the Great American Music Hall in San Francisco. The band has since been renamed Jello Biafra and the Guantanamo School of Medicine and an album Audacity of Hype was released on October 20, 2009. In 2011, he released an experimental album called "The Talking Book", a collaboration between himself and sound artist Jared Blum, known for his various projects on the Gigante Sound label. In 2012, he collaborated with Charles Hayward of This Heat and Mads Heldtberg on a project and release entitled House of Hayduk. Also in 2011, Billy contributed to the production of the soundtrack for the documentary "The Sequential Art" , by Norwegian director Espen J. Jörgensen. In 2013, he reunited with Espen J. Jörgensen to provide synth, edits, recomposing and beats for a 'groovy and experimental EP' titled Fugly. In 2018, Gould joined Wayne Kramer (guitarist)'s MC50 band, celebrating the 50th anniversary of the release of the MC5 album, Kick Out The Jams. This band also featured: Kim Thayil of Soundgarden, Brendan Canty of Fugazi, and Marcus Durant of Zen Guerilla. Koolarrow records Since 1999, Gould has run an independent record label Koolarrow Records that has specialized in international acts and challenging artists such as LA's Flattbush, Seattle's Kultur Shock, Brujeria, Hog Molly (featuring Tad Doyle), Bosnian's Dubioza Kolektiv, San Francisco's La Plebe, German rock band Harmful, Alexander Hacke (of Einsturzende Neubauten), Como Asesinar a Felipes from Chile, former Danish experimental outfit Durefursog, and Mexican Dubwiser. Equipment and style For most of Faith No More's career, he has used a Zon bass, but started with a Gibson Grabber bass and used that for the first two Faith No More records up until early 1988 when he got his full endorsement deal with Aria basses which he was endorsed until late 1992. He used his prototype 1986 Aria Pro II SB-Integra bass which he received in 1986 on 1989's The Real Thing. And he used his 1990 Aria Pro