Mazzucchelli (il Morazzone). The Italian painter and engraver Bernardino Mei worked in his native Siena and in Rome, finding patronage above all in the Chigi family. Central Italy Pietro Ricchi (or il Lucchesino), born in Lucca, also often depicted brilliantly lit figures set against a dark background (see St. Sebastian). Sicily Mario Minniti was an Italian artist active in Sicily after 1606. He, at the age of 16, even posed for Caravaggio's painting Boy with a Basket of Fruit. Flemish Rubens was likely one of the first Flemish artists to be influenced by Caravaggio. During the period 1600–1608, Rubens resided in Italy. He settled in Mantua at the court of Duke Vincenzo I Gonzaga but also spent time in Rome. During his stay in Rome in 1601 he became acquainted with Caravaggio’s work. He later made a copy of Caravaggio's Entombment of Christ and recommended his patron, the Duke of Mantua, to purchase The Death of the Virgin (Louvre). Rubens was after his return to Antwerp instrumental in the acquisition of Caravagio's Madonna of the Rosary (Kunsthistorisches Museum, Vienna) for the St. Paul's Church in Antwerp. During his stay in Italy Rubens broadened his interest in Caravaggio’s work to include the 1606 Supper at Emmaus in Milan (Pinacoteca di Brera) and the 1600 The Calling of St Matthew as well as the more recent work in the Santa Maria in Vallicella and the Basilica of Sant'Agostino. Although some of this interest in Caravaggio is reflected in his drawings during his Italian residence, it was only after his return to Antwerp in 1608 that his works show openly Caravaggesque traits such as in the Cain slaying Abel (1608-1609) (Courtauld Institute of Art). However, the influence of Caravaggio on Rubens’ work would be less important than that of Raphael, Correggio, Barocci and the Venetians. Artists, who were influenced by Rubens, such as Pieter van Mol, Gaspar de Crayer and Willem Jacob Herreyns, also used certain stark realism and strong contrasts of light and shadow, common to Caravaggisti style. Rubens' contemporary Abraham Janssens was another Flemish painter who travelled to Italy (from 1597 to 1602) where he became acquainted with the work of Caravaggio. His work after his return to Antwerp shows the influence of Caravaggio. The composition Scaldis and Antwerpia of 1609 derives its expressive power from the use of strong contrasts of light and shadow (chiaroscuro) as was pioneered by Caravaggio.