in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honours she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honour her merits in the field of culture. Discography Encarnación López Júlvez was the composer of two works and participated in another 27 recordings. Own works Duende y figura is a remastering released in Madrid in 1994 by Sonifolk. La Argentinita was released in Barcelona in 1958 by Compañía del Gramófono Odeón. Participation in other works Consuelo la Alegría is a tango composed by Manuel Font de Anta that was released in Barcelona in 1929 by Compañía del Gramófono. La Argentinita plays the castanets with orchestral accompaniment. El gaucho was a play based on the dramatic song "Cancionera" composed by Osmán Pérez Freire and released in Barcelona in 1929 by Compañía del Gramófono. La Argentinita performs as part of the orchestral accompaniment. Colección de Canciones Populares Españolas is a set of old popular songs transcribed and harmonized by García Lorca in cooperation with La Argentinita. It was released in Barcelona in 1932 by Compañía Compañía del Gramófono. It consists of 12 tracks, including "Sevillanas del Siglo XVIII" and "En el Café de Chinitas". Goyescas is a play with a dance number composed by Enrique Granados and released in Barcelona in 1941 by Compañía del Gramófono Odeón. La Argentinita performs a castanet solo with orchestra accompaniment. El amor brujo is a play that belongs to the Colección de Danzas Clásicas y Españolas composed by Manuel de Falla in 1944. It was published in Madrid in 1996 by the publishing house Sonifolk. La Argentinita provides an orchestral accompaniment with castanets and tapping heels. Tributes Portrait in the Julio Romero de Torres Museum The Julio Romero de Torres Museum in Cordoba (Andalusia) has portrait of López Júlvez. The portrait, painted in 1915 by Julio Romero de Torres, was from a period in which his brushstroke and colour were influenced by the French Impressionist movement. The expression of La Argentinita is displaced to a second plane in order to highlight the relevance of colour, which is the focus of the painting. Compañía de Bailes Españoles. Argentinita y Pilar López exhibition A Segovian exhibition honoured Encarnación and Pilar López Júlvez.