Cavarozzi was active in Rome, but worked in Madrid from 1617 to 1618-19, and is believed to have played a role in spreading Caravaggism in Spain. Naples In May 1606 after the killing of Ranuccio Tomassoni, Caravaggio fled to Naples with a death sentence on his head. While there he completed several commissions, two major ones being the Madonna of the Rosary, and The Seven Works of Mercy. His work had a profound effect on the local artists and his brief stay in Naples produced a notable school of Neapolitan Caravaggisti, including Battistello Caracciolo, Bernardo Cavallino, Carlo Sellitto, Massimo Stanzione, Francesco Guarino, Mattia Preti, Andrea Vaccaro, Cesare Fracanzano and Antonio de Bellis. Giacinto Brandi was active mainly in Rome and Naples. The Caravaggisti movement there ended with a terrible outbreak of plague in 1656, but at the time Naples was a possession of Spain and the influence of Caravaggism had already spread there. Northern Italy Marco Antonio Bassetti is known to have been in Rome in 1616, and may have arrived there two years earlier. In Rome he came under the influence of the paintings of Caravaggio and Orazio Borgianni. On his return to Verona he painted a St. Peter and Saints for the church of San Tomaso and a Coronation of the Virgin for Sant' Anastasia. He died from the plague in Verona in 1630. Bernardo Strozzi, born and mainly active in Genoa and later Venice, is considered a principal founder of the Venetian Baroque style. In the 1620s Strozzi gradually abandoned his early Mannerist style in favor of a more personal style characterized by a new naturalism derived from the work of Caravaggio and his followers. The Caravaggist style of painting had been brought to Genoa both by Domenico Fiasella, after his return from Rome in 1617–18, and by followers of Caravaggio who spent time working in the city. Italian painter Biagio Manzoni was active in Faenza. Italian painter Bartolomeo Schedoni from Reggio Emilia, Daniele Crespi from Milan and Luca Cambiasi, also known as Luca Cambiaso and Luca Cangiagio, the leading artist in Genoa in the 16th century, often depicted brilliantly lit figures set against a dark background. Felice Boselli, active in Piacenza, used contrast Caravaggisti lighting for his still-lifes. Tanzio da Varallo (or simply il Tanzio) was active mainly in Lombardy and Piedmont, including the Sacro Monte at Varallo Sesia, where he worked contemporaneously with Pier Francesco