and ended up in the Woody Herman sextet. Cannonball gained a higher profile, joining the Miles Davis sextet alongside John Coltrane in time to record the album Kind of Blue. In 1959, the Cannonball Adderley Quintet reunited. This time around the group was more successful and had its first hit, "This Here", written by pianist Bobby Timmons. The group sound became known as soul jazz, starting the genre. The quintet also played hard bop, as everyone in the group had been influenced by bebop and wanted to continue a virtuosic tradition. Soul jazz kept the group popular, while hard bop gave the musicians a chance to challenge themselves and demonstrate their abilities. 1960s During the 1960s, Adderley acted as cornetist, composer, and manager for the quintet. While he kept the band in order, he also composed some of the group's most successful songs. His most successful song was "Work Song" (January 1960), a hard bop tune. Adderley called it his "Social Security song" due to the steady flow of income over the years from royalty payments when others recorded the song. "Work Song" is now considered a jazz standard. His other popular songs include "Jive Samba", "Hummin'", "Sermonette", and "The Old Country". While he was an integral part of the Cannonball Adderley Quintet, this was not the only project occupying his time in his career as professional jazz musician. Since moving to New York, he had been recording outside the Adderley group. He worked with Kenny Clarke, Wes Montgomery, and Walter Booker. Other projects included the film A Man Called Adam (1966). In the film, Sammy Davis Jr.'s character plays the trumpet. Since Davis could not himself play the trumpet, Adderley was hired to ghost everything that the character played. His other significant project during this time was a musical. He and his brother wrote Shout Up a Morning based on the folk hero John Henry. While this project started as a collaboration, work was interrupted when Cannonball died from a stroke. 1970s After Cannonball's death in 1975, the quintet broke up. Nat Adderley toured Europe as a headliner. He toured Japan, then returned to the U.S. and taught courses at Harvard while performing and recording with his quintet, which included Walter Booker, Jimmy Cobb, and Vincent Herring. Adderley established himself in his own right. He also worked with Ron Carter, Sonny Fortune, Johnny Griffin, and Antonio Hart. 1980s and