Ninšar (, dNIN.SAR; also read Nin-nisig) was a Mesopotamian goddess commonly associated with the preparation of meat. The reading of her name remains uncertain, and its possible etymology appears to be unrelated to her role in the Mesopotamian pantheon. She was chiefly worshiped in Nippur, though her original cult center was the settlement AB.NAGAR. Name The reading of the theonym written in cuneiform as NIN.SAR remains uncertain. Wilfred G. Lambert considered Ninšar to be the correct reading. This option is also accepted by Andrew R. George. Antoine Cavigneaux and Manfred Krebernik instead argue that the correct reading might be Nin-nisig. Ninmu and Ninezenna have also been proposed as alternatives. According to the god list An = Anum, the name could also be represented by the logograms dMUḪALDIM ("cook") or dGÍRI ("knife"). A syllabic spelling, Nin-nì-si, might be present in a god list from Mari, but both the restoration of the final sign and the identification of this deity with Ninšar remain uncertain. The name NIN.SAR is usually translated as "Lady Greenery" or "Lady Greens." One hymn to Nuska might contain a play on the name and the word SI12, referring to the color green. Antoine Cavigneaux and Manfred Krebernik note that the name's meaning shows no direct connection with her well attested functions. Ninšar should not be confused with Ninšár ("Lady of All"), who alongside the matching male deity Enšár appears in enumerations of ancestors of Enlil in sources such as the god list An = Anum and the incantation series Šurpu. Character Ninšar was associated with meat, and was often described as the "butcher of Ekur," as already attested in texts from the reign of Shulgi. An even earlier text from Lagash from the reign of Urukagina calls her the "butcher of Ningirsu." She could also be referred to with the epithet "she who makes the food good." She is also attested in the role of a divine housekeeper. An Early Dynastic text refers to her as an artisan or carpenter (nagar). In various documents, she appears in enumerations of the courtiers of Enlil, with the sequence of Ninimma, Ennugi, Kusu, Ninšar, Ninkasi and Ninmada occurring in at least two sources, An = Anum and the so-called Canonical Temple List. Her husband was the god Erragal, who like her was associated with knives. He is sparsely attested, and while he was likely distinct in origin from the better known