The Paris Opera Ballet () is a French ballet company that is an integral part of the Paris Opera. It is the oldest national ballet company, and many European and international ballet companies can trace their origins to it. It is still regarded as one of the four most prominent ballet companies in the world, together with the Bolshoi Ballet in Moscow, the Mariinsky Ballet in Saint Petersburg and the Royal Ballet in London. Since December 2022, the company has been under the direction of José Martínez, the director of dance. The ballet company consists of 154 dancers, among them 17 Danseurs Étoiles. The principal dancers give 180 dance performances each year, primarily at the Palais Garnier. Just as prestigious as the Paris Opera Ballet is its dance school, the Paris Opera Ballet School (French: École de danse de l'Opéra national de Paris), considered to be one of the world's best dance schools. Its former pupils have won a record of 20 Benois de la Danse awards. The school celebrated its tercentennial in 2013. The competition for admission to both institutions is extremely fierce. For a dancer to enter the Paris Opera Ballet, it is almost compulsory to be admitted to the Paris Opera Ballet School, to pass the annual competitive examinations in May, and to attend at least the final two classes. 95 percent of the admitted dancers in the Paris Opera Ballet are French. History Naming The Paris Opera Ballet has always been an integral part of the Paris Opera, which was founded in 1669 as the Académie d'Opéra (Academy of Opera), although theatrical dance did not become an important component of the Paris Opera until 1673, after it was renamed the Académie Royale de Musique (Royal Academy of Music) and placed under the leadership of Jean-Baptiste Lully. The Paris Opera has had many different official names during its long history, but since 1994, it has been called the Opéra National de Paris (Paris National Opera). Background The Paris Opera Ballet had its origins in the earlier dance institutions, traditions and practices of the court of Louis XIV. Of particular importance were the series of comédies-ballets created by Molière with, among others, the choreographers and composers Pierre Beauchamps and Jean-Baptiste Lully. The first was Les Fâcheux in 1661 and the most important, Le Bourgeois gentilhomme in 1670. Many of these were also performed by Molière's company at the