Music for Chameleons (1980) is a collection of short fiction and non-fiction by the American author Truman Capote. Capote's first collection of new material in fourteen years, Music for Chameleons spent sixteen weeks on the New York Times bestseller list, unprecedented for a collection of short works. Structure The book is divided into three sections. Part one, titled "Music for Chameleons", includes the short story after which the section and book are named, as well as five other stories ("Mr. Jones", "A Lamp in a Window", "Mojave", "Hospitality" and "Dazzle"). Part two, the core of the book, consists of a single piece: "Handcarved Coffins", ostensibly a "nonfiction account of an American crime" that suggests certain parallels with his best-known work, the difference being that Capote did not include himself as a character in the narrative when he wrote In Cold Blood. In the third section, "Conversational Portraits", Capote recalls his encounters with Pearl Bailey, Bobby Beausoleil, Willa Cather, Marilyn Monroe and others. These seven essays are titled "A Day's Work", "Hello, Stranger", "Hidden Gardens", "Derring-Do", "Then It All Came Down", "A Beautiful Child" and "Nocturnal Turnings." "A Day's Work" was Capote's account of a shift he spent with a New York day maid, an idea his friend Slim Keith recalled him having before he set out to work on In Cold Blood. Conception In the preface of the collection, Capote claims to have suffered a drug and alcohol-induced nervous breakdown in 1977, at which point he ceased working on his highly anticipated follow-up to In Cold Blood, Answered Prayers, portions of which had elicited a riotous reaction in the jet set when excerpted in Esquire magazine throughout 1975 and 1976. This is most likely the truth, although Capote would often contradict that statement and claim that the publication of the novel was imminent until his death in 1984. Publication history In 2001, Music for Chameleons was reprinted in a Penguin Modern Classics edition with a Jamie Keenan cover design and a cover photograph showing Capote dancing with Marilyn Monroe. Literary significance and reception Critics have debated the degree to which Capote's nonfiction pieces contain elements of fiction if not downright fabrication, but critics' objections are often qualified by praise for the mood, atmosphere, and range of human emotions Capote captured when creating these character studies. For example, in his review of Music for Chameleons for The New York Times (August