of her memoirs, continuing from the 1914 close of [her Early Memoirs]." She also left a set of notebooks on ballet and other writings, which remain unpublished. Dance historian and critic Lynn Garafola is said to be currently working on a biography of Bronislava Nijinska. As described by others Margaret Severn, a dancer who did both vaudeville and classical, was for a time in 1931 a leading dancer in Nijinska's Paris-based company. Sometimes she'd abbreviate Nijinska as "Nij". Later she wrote an article from her notes at the time: "I was very favorably impressed with [Nijinska] personality. She is somewhat crazy, of course, but really a great artist. I could tell from the little she showed, and she had a marvelous technique herself. So I would simply adore to be in the company..." "Nij arranged a very short but very snappy little dance for me in the 'Variations'. ... [T]his half minute is quite likely to bring the house down. ... The dance is one of the most brilliant and most difficult concoctions I have ever seen." Lydia Sokolova, an English ballerina, performed in Ballets Russes from 1913 to 1929. Circa 1920 she married Leon Woizikovsky, also a dancer in the company. Her memoirs were edited by Richard Buckle and published in London in 1960. "Bronislava Nijinska, known as Bronia, was very like her brother Vaslav Nijinsky. She was blonde and wore her straight hair screwed into a tight little roll. She had pale eyes and pouting lips, wore no makeup at all and had not shaved off her eyebrows as most of us had in those days. ... Bronia was obstinate and once she had made up her mind nothing in the world would move her. She was brilliantly clever and inventive. No music seemed to present any difficulties for her, but her style of movement was even more pronounced and idiosyncratic than that of Massine, and she was not an easy person to work for in class or at rehearsal ... Her system of training seemed to depend more on improvisation than on traditional methods of technique ... [T]o watch her devise a sequence of steps and movements for one of her ballets was most interesting. I liked her, in spite of her moodiness and lack of humor." "There were two of us in the company whom Diaghilev could always make cry whenever he wished, Nijinska and myself."