The Fantasticks is a 1960 musical with music by Harvey Schmidt and book and lyrics by Tom Jones. It tells an allegorical story, loosely based on the 1894 play The Romancers (Les Romanesques) by Edmond Rostand, concerning two neighboring fathers who trick their children, Luisa and Matt, into falling in love by pretending to feud. The show's original off-Broadway production ran a total of 42 years (until 2002) and 17,162 performances, making it the world's longest-running musical. The musical was produced by Lore Noto. It was awarded Tony Honors for Excellence in Theatre in 1991. The poetic book and breezy, inventive score, including such familiar songs as "Try to Remember", helped make the show durable. Many productions followed, as well as television and film versions. The Fantasticks has become a staple of regional, community and high school productions since its premiere, with approximately 250 new productions each year. It is played with a small cast, two- to three-person orchestra and minimalist set design. The show was revived off-Broadway from 2006 to 2017. As of 2010, its original investors had earned 240 times their original investments. The musical has played throughout the US and in at least 67 foreign countries. Background The 1954 Marc Blitzstein adaptation of The Threepenny Opera, which ran for six years, showed that musicals could be profitable off-Broadway in a small-scale, small orchestra format. This was confirmed in 1959 when a revival of Jerome Kern and P. G. Wodehouse's Leave It to Jane ran for more than two years. The 1959–1960 off-Broadway season included a dozen musicals and revues including Little Mary Sunshine, The Fantasticks, and Ernest in Love, a musicalization of Oscar Wilde's 1895 hit The Importance of Being Earnest. The musical is based loosely on The Romancers (Les Romanesques) by Edmond Rostand, which draws elements from the story of Pyramus and Thisbe, Shakespeare's Romeo and Juliet and A Midsummer Night's Dream, and Donizetti's L'elisir d'amore. Productions Early productions Jones, together with John Donald Robb of the University of New Mexico, first adapted the Rostand play as a Western titled Joy Comes to Deadhorse. The play premiered at the University of New Mexico in the spring of 1956. It was set in the American West, and featured a "half-breed Apache" as the show's antagonist. Jones was not happy with this instantiation and subsequently teamed with Schmidt. The script was substantially rewritten by Jones and Schmidt, with