Return of Saturn is the fourth studio album by American rock band No Doubt, released on April 11, 2000, by Trauma Records and Interscope Records. It marked the band's first album as a quartet, following the departure of original keyboardist Eric Stefani in 1994. After touring for two and a half years to promote their breakthrough third studio album, Tragic Kingdom (1995), No Doubt wrote several dozen songs for its follow-up and eventually settled on working with producer Glen Ballard. Creating the album became a tumultuous process lasting two years, during which there was dissension among band members and between the band and its label. The album was completed after the band returned to the studio and recorded what became two of its singles. The album maintains the ska punk and reggae influences of the band's previous work, but with slower, more ballad-like songs. The lyrics to many of the songs describe singer Gwen Stefani's pining for a more domestic life, contrasting that with her commitment to a music career. Upon its release, Return of Saturn received favorable reviews from music critics, although several of them were divided over its different sound to its predecessor. It debuted at number two on the Billboard 200 but was unable to measure up to the sales of Tragic Kingdom. The album spawned four singles, only one of which charted on the Billboard Hot 100. At the 43rd Grammy Awards, Return of Saturn was nominated for Best Rock Album. Background After the success of No Doubt's breakthrough album Tragic Kingdom (1995), the band wrote more than 20 songs for a new album, influenced by artists such as the Cure. Having toured extensively for two and a half years since the release of Tragic Kingdom, they initially had trouble producing material and decided to experiment with new sounds. Many of the songs were written in a rented house in Hollywood Hills, Los Angeles, where bassist Tony Kanal was living. During early production in mid-1998 the band worked on seven tracks in Los Angeles with Matthew Wilder, who had produced Tragic Kingdom, but had creative differences with him. They planned on going to New York City to work with producer Michael Beinhorn, who had produced for alternative rock acts such as Red Hot Chili Peppers, Hole, and Soundgarden. When scheduling conflicts arose with Beinhorn, the band interviewed several producers and decided on Glen Ballard, who had