He wrote a book about the coronation, Elizabeth Our Queen, which was given free to many schoolchildren at the time. He also wrote a London crime novel Storm at the Hook, published in 1948. He took part in the first Eurovision television relay in 1951 and appeared in the first live television broadcast from the Soviet Union in 1961. He also introduced a special programme in July 1962 showing the first live television signal from the United States via the Telstar satellite. In addition to heavyweight journalism, he took part in lighter sound radio programmes such as Twenty Questions (as a panel member) and Down Your Way (which he hosted). From 1955, he was the host of the flagship current affairs series Panorama. This programme saw him use his journalistic skills to full advantage in conducting searching, but polite interviews with key figures of the day, while acting as an urbane presenter for the programme. He was able to maintain his reporting talents by visiting places like Berlin, standing in front of the Brandenburg Gate a week before the Berlin Wall was erected across it by the communist authorities of East Germany. Dimbleby's reputation was built upon his ability to describe events clearly yet with a sense of the drama and poetry of the many state occasions he covered. Examples included the Lying-in-State of George VI in Westminster Hall, where he depicted the stillness of the guardsmen standing like statues at the four corners of the catafalque, or the description of the drums at Kennedy's funeral which, he said, "beat as the pulse of a man's heart." His commentary for the funeral of Churchill in January 1965 was the last state event he commentated upon. To produce his commentaries, he carried out encyclopedic research on all aspects of the venues of great events, their history and that of the ceremonies taking place, and the personalities involved. This was a necessary part of radio commentary, which transferred well to television coverage. He could also improvise extensively if there were delays in the schedule. His audience always felt that they were in "safe hands", especially in Panorama programmes like the one dealing with the Cuban Missile Crisis. Inevitably, because of his close association with establishment figures and royalty, some people criticised his "hushed tones" style of speaking at state occasions, claiming he was pompous. In an interview, he laughed off such attacks,