and recognition of the bicentennial of the French Revolution. He resigned in 1988. Until the mid-1990s he held a number of official positions in France, including an honorary counselorship at France's supreme administrative court, Conseil d'État. In 1996, he published a memoir of his life, translated into English as Régis Debray, Praised Be Our Lords (Verso, 2007). 2003 onwards Debray was a member of the 2003 Stasi Commission, named for Bernard Stasi, which examined the origins of the 2003 French law on secularity and conspicuous religious symbols in schools. Debray endorsed the 2003 law. This was in defense of French laïcité (separation of church and state) which intends to maintain citizens' equality by the prohibition of religious proselytism in the school system. Debray, however, seems to have encouraged a more subtle treatment of religious issues with regard to school history teaching in France. Debray is preoccupied with the situation of Christian minorities in the Near East (and with the status of the Holy Places in Jerusalem, Bethlehem and elsewhere), a traditional interest of the French state, and has established an observatory to monitor the situation. His recent work investigates the religious paradigm as a social nexus able to assist collective orientation on a wide, centuries-long scale. This caused him to propose the project of an Institut Européen en Sciences des Religions, a French institute founded in 2005 for monitoring of sociological religious dynamics, and informing the public about religious issues through conferences and publications. Work: mediology Debray is the initiator and chief exponent of the discipline of médiologie or "mediology", which attempts to scientifically study the transmission of cultural meaning in society, whether through language or images. Mediology is characterized by its multi-disciplinary approach. It is expounded best in the English-language book Transmitting Culture (Columbia University Press, 2004). In Vie et mort de l'image (Life and Death of Image, 1995), an attempted history of the gaze, he distinguished three regimes of the images (icon, idol and vision). He also strove explicitly to prevent misunderstandings by differentiating mediology from a simple sociology of mass media. He also criticized the basic assumptions of the history of art which present art as an atemporal and universal phenomenon. According to Debray, art is a product of the Renaissance with the invention of the artist as producer of images, in contrast with previous acheiropoieta icons or other types of so-called "art," which did not primarily