Sundgaard, music by Fritz Kreisler, and choreography by David Lichine. Zoritch danced with Patricia Bowman in "Chinese Porcelain Ballet" in act 1 and "Midnight Ballet" in act 2. 1946. Night and Day. A fictionalized biopic of Cole Porter, directed by Michael Curtiz and starring Cary Grant and Alexis Smith. Zoritch danced with Milada Mladova in a sultry "Begin the Beguine." 1947. Escape Me Never. A musical love story set in 1900 Venice, with Errol Flynn, Ida Lupino, Eleanor Parker, and Gig Young, who plays a composer of a ballet score. Zoritch dances the male lead in the ballet. 1949. Samson and Delilah. A Cecil B. DeMille epic, starring Victor Mature and Hedy Lamarr as the biblical lovers. Zoritch was eye-catching as the Sword Dancer. 1949. Look for the Silver Lining. A fictionalized biopic of vaudeville and Broadway star Marilyn Miller, starring June Haver, Ray Bolger, and Gordon MacRae. Zoritch appears in a balletic pas de trois with June Haver and Oleg Tupine while Gordon MacRae sings the waltz song "A Kiss in the Dark," written by Victor Herbert with lyrics by Buddy da Sylva. 1950. Pardon Our French. A musical revue with sketches by Ole Olson and Chic Johnson, music by Victor Young and Harry Sukman, and dances by various choreographers. Zoritch appeared as the Shadow Dancer in the opening number to the title tune; as the First Lover of Patricia Denise in "Venezia and Her Three Lovers," choreographed by Ernst Matray; and as a dancer in "A Face in the Crowd" and "The Polker Polka." 1956. Helen of Troy. A Technicolor epic directed by Robert Wise, with Rossana Podestá in the title role. Zoritch appears as an uncredited dancer. Of Zoritch's performance in Night and Day, a writer in the Hollywood Reporter commented, "If the handsome Zoritch can act the way he dances and looks, there is another new-name star from this film.: Unfortunately, Zoritch never shed his thick Russian accent, which doomed his chances of ever taking speaking parts. Back to ballet In 1951, Zoritch went to France and joined Le Grand Ballet du Marquis de Cuevas. Based in Cannes in summer and Deauville in winter, this company had regular seasons in Paris and often toured in France and other countries of western Europe. Wherever it performed, it was extremely popular with audiences. It had an illustrious roster of ballerinas, including Tamara Toumanova, Alicia Markova, and Nathalie Krassovska,