says that he has thrown away the keys, and Kirk and Linda set out across the desert on foot. Varla drives back to the house and tells Billie and Rosie that they should kill the men and the girl to cover up Linda's kidnapping and the murder of her boyfriend. Billie refuses, but as she walks away, Varla throws a knife into her back just as the old man and his younger son arrive. Rosie and Varla hit the old man with their car, killing him and knocking over his wheelchair to reveal the money hidden inside. Rosie is stabbed and killed by the younger son while trying to retrieve the knife from Billie's body. Varla tries to ram him into a wall with her car, injuring him. She drives off in the truck and overtakes Kirk and Linda, chasing them into a gully. Varla and Kirk fight hand-to-hand. She gets the better of him until Linda hits her with the truck, and she dies. Kirk and Linda drive off together in the truck. Cast Tura Satana as Varla Haji as Rosie Lori Williams as Billie Susan Bernard as Linda Stuart Lancaster as the Old Man Paul Trinka as Kirk Dennis Busch as the Vegetable Ray Barlow as Tommy Mickey Foxx as the Gas Station Attendant John Furlong as the Narrator Production Development The film was a follow up to an earlier Meyer movie. "'We had just done a film called Motorpsycho, which was about three bad boys, and it had gone through the roof. So I said, 'Well, let's do one with three bad girls'." The screenplay is credited to Jack Moran from an original story by Russ Meyer. The first draft was titled The Leather Girls and was written over a brief four-day period by Moran, who also collaborated with Meyer on Common Law Cabin and Good Morning and... Goodbye! The screenplay went through a second working title—The Mankillers—and had already begun production when the sound editor, Richard S. Brummer, came up with the now-immortal final title. Although neither Moran nor Meyer overtly cited any prior works as inspiration, the plot has been called a "loose remake of The Desperate Hours, or possibly The Virgin Spring" by one prominent film critic and a "pop-art setting of Aeschylus's Eumenides" by one classical scholar. Casting Haji had worked with Meyer on Motorpsycho. She recommended Tura Satana to him. Lori Williams