transverse mustache. In popular depiction, Gajah Mada is mostly shown bare-chested, wearing a sarong, and using a weapon in the form of a kris. While this may have been true on civilian duties, his official outfit might have been different: a Sundanese patih explained in the kidung Sundayana that Gajah Mada wore a gold-embossed karambalangan (breastplate) and was armed with a gold-layered spear and a shield full of diamond decoration. According to Munandar, at first Gajah Mada was depicted as a Brajanata character from the Panji tales, and as Bima from the Mahabharata story in later eras. At first Gajah Mada was not directly depicted as a Bima character, he was depicted as a Brajanata character because the Panji story was known earlier than the activities of making Bima statues which apparently began in the mid-15th century. The glorification of Gajah Mada in the first stage is profane—in the form of its depiction as Brajanata, but then the glorification of Gajah Mada occurs in the second stage which is more sacred, which is equated with Bima as an aspect of Siva. In the statue found at the National Museum (No. 5136/310d), the statue is depicted with a sturdy body, transverse mustache, wavy curls, at the top of the head there is a hair tie with a ribbon forming like a tekes hat. He wears clothes and jewelry, bracelets and upper armband in the form of a snake like Bima's. The Bima statue was made at the end of Majapahit in the mid-15th century. The characteristics are: a) Wearing a supit urang crown (his hair is shaped in 2 arches at the top of the head like a shrimp tongs), b) Transverse mustache, c) Strong body, d) Wearing poleng (black and white) cloth, e) The phallus is always depicted standing out. In the Bima statue which is stored in the National Museum (No. 2776/286b), he is depicted standing upright with both hands beside his body, his right hand holding a gadha (a kind of mace), his phallus is depicted protruding with a shawl hanging between his legs, wearing a serpent upavita, a crown of supit urang, a grim face, a thick transverse mustache, the hair above the forehead is described as curly forming a jamang (forehead decoration). The similarity between the statue of Brajanata as the embodiment of Gajah Mada and the statue of Bima is not a coincidence, but there