north, and of Saint Anne, to the south. In the fathers' choir, two rows of carved stalls were placed in 1619, each interrupted by a lectern. In 1624, a lectern was acquired and placed in the choir. The windows in the apse were installed in 1635, decorated with figurative stained glass by Brother Martin, a monk at Freiburg Charterhouse. The Treaties of Westphalia in 1648 put an end to the Thirty Years' War; the end of the hostilities marked a resumption of the church's decoration programmes. In 1652, the Protestant sculptor Samuel Klock created the brothers' choir stalls, which were decorated with paintings depicting the Passion of Christ. The last stalls, intended for visitors, were made by the same craftsman in 1653 and painted by Father Werner Hammacher or Hammenmacher, who was a monk at Molsheim from 1640 to 1686. An iron grate was also added in 1652, made by the master locksmith of the city of Strasbourg to separate the nave between the "brothers' choir" and the "secular benches", the latter being open to the rest of the monastery's inhabitants. In 1664, a sixth altar, dedicated to the three kings, was consecrated on the rood screen, between the altars installed in 1614. The bequest of Father Matthieu Reis, who died on March 9, 1672, allowed the commissioning of a new high altar from Jean-Christophe Feinlein, a cabinetmaker in Waldshut on the Rhine above Basel. This work cost the monks 2,500 florins and required sixteen months of work from July 1672 to November of the following year. It was transported by boat and then by cart before being installed and consecrated on December 11, 1673. A large canvas was donated to the monastery by Franz-Egon of Fürstenberg, bishop of Strasbourg, to decorate this high altar. It depicts the Virgin and Child and was painted in Cologne. The painting is framed by four Corinthian columns, which support a baldachin similar to the one in the abbey church of Ebersmunster. Also in 1672, four large statues representing Saints Bruno, John the Baptist, Peter and Paul were installed around this altar. The baldachin was modified by Prior Philip Zell between 1692 and 1715; he added two columns, moved the statues of Peter and Paul and completed six pyramidal reliquaries. Between 1686 and 1692, Prior Conrad Odendal had a wainscot installed to cover the upper part of the wall above the choir stalls, which