1952. Karol Mondral passed away in Poznań on December 16, 1957. His remains rest together with his wife at the cemetery of Pyry, Warsaw, where his daughter Camilla had them transfered in 1983. Exhibitions Karol Mondral took part in the "Henryk Grohman Graphic Competition": in 1911, he received the first prize in Zakopane with the etching "Shoemaker"; in 1914, for the second edition, he was awarded the second prize with the etching "Zuzanna". In Paris the painter could exhibit in solo at two occasions: in 1919 at the "Société Nationale des Beaux-Arts" and in 1921 at the seat of "L'Association France-Pologne". In Poland, he presented his works at: the "Sciety for the Encouragement of Fine Arts in Warsaw" (1903–39); the Polish Art Society (1931); the "Instytut Propagandy Sztuki" (Institute for the Propaganda of Art) (1936). Additionally, Mondral took part in many exhibitions in and around his country: Lviv (1913, 1916, 1926, 1928, 1930); Warsaw – individual exposition (1923, 1930); Poznań (1925, 1927, 1929, 1930, 1932, 1933) – individual exposition (1928, 1947); Bydgoszcz (1924, 1931, 1932, 1936); Zamość (1926), Łódź (1925), Toruń (1930), Kraków (1931) and Vilnius (1931). In 1959 a posthumous exhibition was held in Poznań presenting a cross-section of Mondral's work, with 157 graphics from 1910 to 1938 and 14 oil paintings between 1913 and 1953. In May 1979 Poczta Polska issued a stamp commemorating Karol Mondral, displaying one of his etchings, "Portret żony z naparstnicami" (Portrait of a wife with digitalis), supposedly inspired by his wife. In the 21st century the following exhibitions have been set up in his memory: "Karol Mondral, 1880–1957", in Bydgoszcz (2012); In 2013, "Karol Mondral. Twórczość graficzna między Paryżem, Bydgoszczą a Poznaniem" (Karol Mondral. Graphic arts between Paris, Bydgoszcz and Poznań), displayed in Bydgoszcz, Poznan and Paris (at the Bibliothèque Polonaise de Paris). Works Mondral mainly used techniques on metal for creating etchings, aquatints or drypoint and soft varnish. He less often used lithography and woodcut (though in Paris he dealt more frequently with color woodcuts). He realized as well some paintings: Figural scenes influenced by Jacek Malczewski symbolist style; Portraits; Impressionist landscapes and still lifes with flowers. Karol Mondral's prints decorated the tourist class cabins of the ocean liner "Piłsudski", which interiors were adorned in 1934 by a team of 78 Polish artists. Nowadays his works can be found in private collections and in many public places, among which: the "Stanisław Fischer