human being who earlier ate other members of the duck's family. Three stones steps in the lower left corner lead to heaven. The centre one carries the message '3 steps to Heaven', a reference to the song 'Three steps to Heaven' by the American rock musician Eddie Cochran. In the sky is a flying saucer, lit by five burning candles, inspired by 'Flying Saucer Rock'n'Roll' (a spoof of a 1950s black and white science fiction movie) and '16 Candles' (a song performed by the American group The Crests). Right wing The artist suggests that Hell already existed in Nazi extermination camps such as Treblinka, Sobibor, Jasenovac and Auschwitz-Birkenau. So, he suggests that in hell we may expect a ‘wall of fame’ as depicted at the bottom of this panel. A brick wall has niches in which are the heads of dictators such as Stalin, the Pope, Jesus, Mengele and Himmler whom Thomassen believes was responsible for the killing of millions of people. Accepting that he is a heretic, he leaves one niche empty for himself. To the left of this empty niche a small candle burns for their souls. On a billboard is Adolf Hitler, whom Thomassen holds responsible for the Second World War, and as a consequence the deaths of 50 million victims. Hitler's message reads: ‘I am Jesus, your free host here’. To the left of the billboard is the door to one of the gas chambers of the Auschwitz ‘Fun Centre', over which a sign reads 'Gas chamber: Muslims, Christians, cardinals, mulahs and other scum'. The Nazi’s ‘Top resorts’ are noted with names like Bergen Belsen, Auschwitz and Nordhausen [Mittelbau-Dora]. A wagon is being pulled up a steep slope by a naked Rabbi, Pope and Mufti whom Thomassen depicts as being obese after a lifetime of delicious meals, drink and paedophilia. A skeleton of one of their victims lashes them with his whip to demand more action. In the right arch, Christian clergymen are being burned, while on the roof is an enormous pair of scissors that is being used to cut off the heads of Muslims. Left wing (back) This panel is full of incongruous details so typical of this artist. In the centre, a large carrot with wilting leaves is rather strangely shown with a window. The family of the commissioner of 'Last Judgement Day once lived in the small Belgian village of Wortel; in