main entrance, near the eastern end of the 50th Street elevation, is sheltered by a bronze-and-glass marquee. Originally, the hotel contained a second entrance on the Lexington Avenue facade, which led to the hotel's dining room. The keystones above the arches contain corbels with foliate decoration, which are alternatively topped by sculptures of owls or pelicans. The outermost bays contain reconstructed double arches at the first story, which include roundels and bas-reliefs. Above these are rectangular windows, which contain window sills with corbel tables and are flanked by engaged columns. On both 50th Street and Lexington Avenue, numerous objects have been installed at the base over the years, including flagpoles, security cameras, display boxes, signs, ventilation openings, and utility meters. In addition, arched corbel tables are placed above the second story and below each setback. Upper stories On the upper stories of the Lexington Avenue and 50th Street elevations, each of the outer bays has one window per floor, while the center bays each have two windows per floor. On the third story, the center bays have terracotta frames and are separated by mullions with terracotta decoration, while the outer bays contain corbels that depict warriors' heads. The fourth-story windows contain corbel tables, as well as spandrel panels with rosettes and plaques, beneath their window sills. At the fifth story, a band course runs horizontally across the facade; it contains spandrel panels with roundels, in addition to a carved window sill beneath each fifth-story window. The windows on the 14th story are designed similarly to an arcade, with three arched windows per bay; each of the windows contains columns and imposts that are topped by curved lintels. The spandrel panels above the 14th story contain rosettes, and the center bays also have balconettes with corbel tables. The outer windows on the 15th and 16th stories contain terracotta frames and are flanked by ornamental piers that contain carvings of pelicans. The center bays at the 15th story have flat-headed windows with ornate frames, in addition to lintels with rosettes, while the outer bays contain balconies with cartouches and spandrel panels with balustrades. At the 16th story, the center windows are also designed like arcades, with columns, imposts, and curved windows. On the 17th through 19th stories, the windows in the center bays contain terracotta frames, balconettes, and spandrels with rosettes. In addition, the 17th-story contains niches with pelicans and finials, and