performed in the city, in Cordoba 5500 of the capacity of the venue where he was going to perform the concert were sold out, in Madrid the 10 000 tickets of the Palacio de los Deportes were sold out in 4 days and in Barcelona the date for a new concert was confirmed after selling all the tickets for the first concert scheduled at the Palau Sant Jordi. Reception In the week of its release in the Spanish market, Vinagre y rosas was number one in sales, becoming the strongest entry of the last seven days, maintained that number one position the following week and achieved a triple platinum record (more than 180,000 copies sold). In addition, it also debuted at number one on the best-selling albums chart in Argentina, where it also went platinum, and on the iTunes digital chart in Mexico. It remained 17 weeks at the top of Spain's best-selling albums chart. In general, the album has received rave reviews. For example, G. Cappa considers the album to be "a fertilized territory for the flowers of evil, for the songs that pinch the soul" and Luis García Montero, a friend of the singer-songwriter, affirms that Sabina is "more Joaquín than ever". On the contrary, other critics believe that the album is not at the same level of the singer-songwriter's previous works and focus their criticism on the production work of the album, carried out by Sabina's regular collaborators such as Pancho Varona, Antonio García de Diego or José Antonio Romero, and on the instrumentation of some of the songs. Juan Puchades affirms that "it is not a bad album, it is simply weak" and regarding the production work "when the producers [...] have decided to put some voltage they have done it with quite conventional, ugly and even tacky guitars, those that fall into the worst rockism" although he highlights as the best songs "Menos dos alas" (dedicated to the poet Ángel González), "Cristales de Bohemia", "Agua pasada" or "Parte meteorológico" and affirms that "Sabina in Vinagre y rosas sings as he wants". For his part, Diego A. Manrique affirms that "Vinagre y rosas has the makings of a good album by Joaquín. The mirage works if you refuse to recognize that you have enjoyed it all before, and in superior versions, in other albums of his" and believes that the lyrics of the songs have lost