Hyun, Kim Han, Shin Hak-Chul, and Lee Kunyong were the only four artists of the association that participated in the final exhibition, signaling to group's ultimate dissolution. Exhibition Catalogs AG Group's efforts to accompany each of its shows with a catalog have been recognized as noteworthy, especially when a publishing system in the art scene was not yet fully established. Even so, recent scholarship has noted the difficulty in researching individual works showcased in the four exhibitions. For example, the first and third exhibition catalogs did not present an accurate checklist, as much of its information had to be gathered before the final form of installation. The catalog for the group's second exhibition, held in 1971, thus, serves as particularly significant historical documentation. As Korea's first post-exhibition catalog, it included installation photographs that capture the works in situ, in their final form. AG Journal AG Group's journal, AG, was primarily led by critics Lee Yil, O Kwang-su, and In Hwan Kim. While there had been artist groups such as Origin Society (오리진), Zero Group (무동인; 제로그룹), and the New Exhibition Group (신전동인) that preceded AG's attempts to propagate experimental and avantgarde art, the AG Group's approach was set apart by its members centering their practices upon theoretical discourse encapsulated in a journal form. There were a total of four issues: the first issue was published in 1969, the second and third in 1970, and its fourth and final in 1971. Each issue balanced the amount of texts written between critics and artists. Such texts introduced contemporaneous art trends and major critical theories hailing from the West, particularly France and the US. This included discussion on land art, conceptual art, and experimental architecture such as that practiced by the British architectural group Archigram. The first page of each issue declared the AG Group's motto: “Premised on a strong consciousness towards avant-garde art, [the AG Group] seeks out and creates a new formal order upon the vision-deprived Korean art scene to contribute to the development of Korean Art (전위 예술에의 강한 의식을 전제로 비젼 빈곤의 한국 화단에 새로운 조형질서를 모색 창조하여 한국 미술 문화 발전에 기여한다).” This motto is repeatedly seen in the group's publications and copied onto all exhibition catalogs. The first 1969 issue was published prior to the group's first exhibition. It presented the names of the following members: artists Choi Myoung Young, Ha Chong Hyun, Kim Gulim, Kim Han,