In Praise of Shadows is an album by the Chicago Underground Duo, featuring multi-instrumentalists Rob Mazurek and Chad Taylor. It was recorded during August 2005 at Soma Electronic Music Studios in Chicago, and was released in 2006 by the Thrill Jockey label. Reception In a review for AllMusic, Thom Jurek called the album "an adventurous, multi-textured series of sonic explorations that exist between the worlds of experimental music -- jazz, free and structured improvisation, and conceptual music." He wrote: "In Praise of Shadows is a provocative and rewarding listening experience that will take any listener brave and patient enough to give it a fair shake on a musical journey unlike any other." Dave Segal of JazzTimes stated: "Shadows is an acquired taste, but if you value challenging music, it's one worth cultivating." Writing for All About Jazz, Nathan Haselby commented: "In Praise of Shadows is an advance both musically and conceptually for the Chicago Underground Duo. Their sheer range of sounds has always been impressive, and without sacrificing stylistic breadth, they have created an album of impressive coherence." AAJ'''s Troy Collins described the album as the group's "most stylistically varied and sonically dense recording," and remarked: "In Praise of Shadows represents a marked step forward for the duo. Using an expanded instrumental arsenal and a variety of stylistic approaches, they have opened a new chapter in their discography. With a decade worth of albums to their credit under the banner of the Chicago Underground, Mazurek and Taylor prove they have plenty of room left to explore with this project." In an article for PopMatters, Scott Hreha called the album "Mazurek and Taylor's strongest statement to date in the Duo configuration," and stated that Mazurek "remains unafraid of space in either his composed or improvised material; one gets the impression that even seemingly random note choices and placements are made with great precision and deliberation, often allowing the listener plenty of room to digest the overall contours of the music." A reviewer for Pitchfork noted that the album "feels like a suite, at least in the sense that each track has a single function," and singled out "The Glass House" for praise, writing that it "envelops you like... a garden of endless, hanging sculptures." Lars Gotrich of Tiny Mix Tapes commented: "In Praise of Shadows continues the Duo's metamorphosis, but holistically extends the idea into a more pure form of textural