Louis Feuillade (; 19 February 1873 – 25 February 1925) was a French filmmaker of the silent era. Between 1906 and 1924, he directed over 630 films. He is primarily known for the crime serials Fantômas, Les Vampires and Judex made between 1913 and 1916. Early life and career Feuillade was born in Lunel (Hérault) to Barthélémy Feuillade, a modest wine merchant, and Marie Avesque. From an early age, he showed a deep interest in literature and created numerous drama and vaudeville projects. His excessively academic poems were occasionally published in local newspapers, and he acquired a reputation for his articles devoted to bullfighting. At twelve, he was sent by his parents to a Catholic seminary in Carcassonne, which has been credited for his gothic stylization in his later career. His biographer Francis Lacassin has suggested that "the strange, surrealist flashes of anarchy which spark through the work of this pillar of society can only be explained as some sort of unconscious revolt to which he gave rein in his dreams — that is to say, in his films." He then began his compulsory military service in 1891 until 1895, when he married Jeanne-Leontine Jaujou on 31 October 1895. After the deaths of his parents, he went to Paris in 1902 seeking literary success, but would suffer miserably for several years. At the beginning of 1905, he started to submit screenplays to Gaumont, and Gaumont's artistic director Alice Guy-Blaché both bought his scripts and invited Feuillade to direct them himself. Concerned about his financial difficulties and family to support, Feuillade declined the directing job in order to continue working as a journalist. At his suggestion, Guy-Blaché hired Étienne Arnaud to direct Feuillade's early screenplays at Gaumont. But, by 1906, he had gained enough confidence to start directing his own scripts, which were mostly comedies. In 1907, Guy-Blaché moved to the United States and upon her suggestion Feuillade was made Artistic Director of Gaumont. He would work for Gaumont until 1918, while at the same time producing his own films, so that by 1925, the year of his death, he estimated that he had made around 800 films. (At the time he started in cinema, a film rarely lasted more than ten minutes). He made films of all types—trick films at the beginning, modeled on those of Georges Méliès, comedies, bourgeois dramas, historical or biblical dramas, mysteries and exotic adventures—but he