a worksheet for the poem, he wrote, "Make it factual (as the Life is factual-almost casual-always sensual-usually visual: related to thought)". Williams considered, but ultimately rejected, putting footnotes into the work describing some facts. Still, the style of the poem allowed for many opportunities to incorporate 'factual information', including portions of his own correspondence with the American poet Marcia Nardi and fellow New Jersey poet Allen Ginsberg as well as historical letters and articles concerning figures from Paterson's past (like Sam Patch and Mrs. Cumming) that figure thematically into the poem. Response The Poetry Foundation biography on Williams notes the following critical response to Williams' Modernist epic: <blockquote> [Williams biographer James] Breslin reported "reception of the poem never exactly realized his hopes for it." Paterson'''s mosaic structure, its subject matter, and its alternating passages of poetry and prose helped fuel criticism about its difficulty and its looseness of organization. In the process of calling Paterson an "'Ars Poetica' for contemporary America," Dudley Fitts complained, "it is a pity that those who might benefit most from it will inevitably be put off by its obscurities and difficulties." Breslin, meanwhile, accounted for the poem's obliqueness by saying, "Paterson has a thickness of texture, a multi-dimensional quality that makes reading it a difficult but intense experience."</blockquote> Poet/critic Randall Jarrell praised Book I of the poem with the following assessment:Paterson (Book I) seems to me the best thing William Carlos Williams has ever written. . .the organization of Paterson is musical to an almost unprecedented degree. . . how wonderful and unlikely that this extraordinary mixture of the most delicate lyricism of perception and feeling with the hardest and homeliest actuality should ever have come into being! There has never been a poem more American. However, Jarrell was greatly disappointed with Books II, III, and IV of the poem, writing the following: Paterson has been getting rather steadily worse [with each subsequent Book]... All three later books are worse organized, more eccentric and idiosyncratic, more self-indulgent, than the first. And yet that is not the point, the real point: the poetry, the lyric rightness, the queer wit, the improbable and dazzling perfection of so much of Book I have disappeared—or at least, reappear only fitfully. Awards The U.S. National Book Award was reestablished in 1950 with awards by the book industry to authors of 1949 books in three categories. William Carlos Williams won the