the World Tour. "Drowse" "Drowse" is the only song on the album written by Roger Taylor, who, in addition to playing the drums, did all of the vocals and played rhythm guitar; May played the slide guitar. Like "I'm In Love With My Car", Taylor's song on the previous album, "Drowse" is in 6/8. The song has never been performed live, but it was rehearsed by Queen + Adam Lambert before their Rock Big Ben Live concert. It made an appearance on both the standard and deluxe editions of Queen Forever. "Teo Torriatte (Let Us Cling Together)" "Teo Torriatte (Let Us Cling Together)" was May's tribute to the band's Japanese fans, and was performed live in Tokyo during the Jazz Tour in 1979, and again when the band visited Japan during The Game and Hot Space tours in 1981 and 1982, respectively. It has two choruses sung in Japanese, making it one of only three Queen songs in which an entire verse or chorus is sung in a language other than English (the others being "Mustapha", from Jazz and "Las Palabras de Amor" from Hot Space). The song features a piano, a plastic piano, and a harmonium, all of which are played by May. The harmonium melody that ends the song is a longer reprise of the second part of the introduction to "Tie Your Mother Down", the first track on the album. May described it as "a never-ending staircase", otherwise commonly known, especially in music, as a Shepard tone. Singles In the UK, the first track from the album to be released as a single was "Somebody to Love", on 12 November 1976 (EMI 2565); it reached number two. "Tie Your Mother Down" followed on 4 March 1977 (EMI 2593), reaching number 31, and "Good Old-Fashioned Lover Boy" on 20 May 1977, reaching number 17. In the US, "Somebody to Love" was released on 10 December 1976 (Elektra E45362) and reached number 13. It was followed by "Tie Your Mother Down" (Elektra E45385) in March 1977, which reached number 49. Both of these were released in Japan, as was "Teo Torriatte", which was not released as a single in any other territory. Tour Reception and legacy The album garnered mixed reviews from critics. The Washington Post described it as "a judicious blend of heavy metal rockers and classically influenced, almost operatic, torch songs." The Winnipeg Free Press was also