a breakdown of its instruments playing out of sync from each other. It is regarded among fans and critics as one of the band's "masterpieces". Peter Doggett said of Dennis' performance, "he showed for the first time an awareness that his voice could be a blunt emotional instrument. ... his erratic croon cut straight to the heart, with an urgency that his more precise brothers could never have matched." Granata described the track as "disturbing" and "the antithesis of any prescribed commercial formula—a curious experiment marking an extreme deviation from the band." Howard similarly regarded its "stony lead vocal" and "warped string arrangement" as Wilson's "most ambitious arrangement to date." A 1975 recording of Brian performing the song on piano was released as a bonus track on the deluxe edition of his 2015 solo album No Pier Pressure. "Bull Session with the 'Big Daddy" "Bull Session with the 'Big Daddy'" ends the album with a spoof interview of the band, conducted by journalist Earl Leaf, in which they discuss the group's recent tour of Europe. The track is a 2-minute edit of a recording that originally ran for over 20 minutes. At one point, Brian remarks, "Well, I haven't made a mistake yet in my whole career", to which Love adds, "Brian, we keep waiting for you to make a mistake." Leftover songs "All Dressed Up for School" was a leftover track recorded by the band on September 14, 1964. The song was originally written by Wilson and Love for the singer Sharon Marie, as "What'll I Wear to School Today". Lambert described "All Dressed Up For School" as "packed with musical invention" and said that the lyrics are "interesting" despite being "unsuitable for release in 1964." In 1990, it was released as a bonus track on a reissue of Little Deuce Coupe and All Summer Long. "Guess I'm Dumb", written by Wilson and producer Russ Titelman, was tracked on October 14, 1964. Wilson's 2016 memoir states: "When I was finished, no one from the band wanted to sing it. The message was okay, but maybe it was just the idea of being dumb." In March 1965, Wilson gave the song to Glen Campbell as a show of thanks for his services with the touring group. It became Campbell's tenth single on Capitol, issued on June 7. Howard said it was Wilson's "most inspired" production to date, featuring a "surging,