had run the Newport Jazz Festival through 1960; instead, he freshly incorporated the festival as an independent business venture of his own. He was a music festival pioneer and would run many festivals besides the Newport Jazz Festival during his career. The 1964 festival was the last at Freebody Park, since the event had outgrown that venue also. Festival organizers saw a need to move the festival outside of the downtown area, since the festival-caused gridlock there was a contentious point in the community. A suitable site, actually a simple but ample field, which would become known as Festival Field, was identified, and the move was completed for the 1965 festival. Frank Sinatra played the festival that year, and new attendance records were set. Festival Field remained the venue for the jazz festival until 1971. 1969 – experimentation and excess crowds The festival's 1969 program was an experiment in fusing jazz, soul, and rock music, and their respective audiences. The Thursday evening set featured performances by jazz musicians Sun Ra, Bill Evans, George Benson, Freddie Hubbard, and Anita O'Day, and a jazz jam session hosted by organist Jimmy Smith and featuring, among others, Art Blakey, Hampton Hawes, Sonny Stitt, and Howard McGhee. Friday afternoon featured a rock-oriented bill featuring the jazz-fusion group Blood, Sweat & Tears, eclectic jazz saxophonist Rahsaan Roland Kirk, and the rock acts The Jeff Beck Group, Ten Years After, and Jethro Tull. Saturday's schedule mixed jazz acts, such as Dave Brubeck and Miles Davis, with rock, blues and R&B artists such as John Mayall, Sly & The Family Stone, Frank Zappa and his band The Mothers of Invention, and O. C. Smith. Sunday's bill featured a morning performance of Brubeck's oratio The Light in the Wilderness, an afternoon set by James Brown, and an evening finale headlined by the British rock band Led Zeppelin, jazz keyboardist Herbie Hancock, blues guitarists B.B King and Johnny Winter, and jazz drummer Buddy Rich and his orchestra. Davis remarked that the various artists involved were highly encouraging to each other and that he enjoyed the festival more than ever before. He also noticed and appreciated the spirited nature of the younger audience. But some clashes did occur. Excess crowds, estimated at 50,000, who had been unable to obtain tickets filled an adjacent hillside, and the weekend was marred by disturbances, including fence crashing and crowd surging, during the most popular