Italy. The genre never really became mainstream enough for the whole European market, but received much airplay on Italian radio, especially the dance radio station m2o, and in southern parts of Europe plus in the German speaking European countries. United Kingdom After Cappella's Gianfranco Bortolotti set up Media Records in Brescia, northern Italy to release his 'commercial European dance music' (a set-up which included fifteen studios featuring various production teams working almost non-stop on a huge number of records) he decided to take the label into other markets and set up a UK office in the UK. Run by Peter Pritchard and featuring many records by Stu Allan's British Eurodance act Clock, this record company would eventually turn into hard house label Nukleuz (known for its DJ Nation releases). As Media turned into Nukleuz, it would fall to All Around the World Productions to be the label in the 21st Century which was more likely to release Eurodance tracks in the UK than other, with its Clubland TV music channel still having regular blocks of Eurodance videos in 2020 (though extending its scope to include hits by David Guetta as well as Cascada and Scooter) North America Canada During the 1990s, Eurodance became popular in Canada, which produced its own variant called Candance (although it was mostly referred to as "Eurodance" or "dance music"). Eurodance received significant airplay on radio stations in the Greater Toronto Area such as Power 88.5, Energy 108 and Hot 103.5. Montreal was also a major Eurodance market, with MC Mario's famous radio show on Mix 96, called "Party Mix" and Bouge de là, a popular TV show on MusiquePlus. Beginning in mid-1992, Eurodance began to dominate the RPM dance chart in Canada, with acts such as 2 Unlimited, Snap!, Captain Hollywood Project, Culture Beat, Haddaway, Whigfield, each reaching number-one. From approximately 1992 to 2000, Canadian acts such as Capital Sound, Love Inc., Jacynthe and Emjay had success with the Eurodance sound. The Toronto sound was more pop-oriented, while the Montreal one was more house-oriented. United States Eurodance is not well known in the United States outside of the major cities such as New York City, Los Angeles, Chicago, and Miami. Exemplifying this is the Eurodance classic "Scatman (Ski-Ba-Bop-Ba-Dop-Bop)", by Scatman John, an American artist; despite topping the charts in multiple European countries and reaching number 3 in the United Kingdom, it only reached as high