many of the group's hit songs, with some or all of the other members of the group. Michael often composed music and lyrics for songs; the lyrics might then be reworked by Furnier. Two examples of this process are "Halo of Flies" and "No More Mr. Nice Guy". There are several Bruce-only credited songs including "Caught in a Dream" and "Long Way To Go" from Love It to Death, and "Be My Lover" from Killer. Bruce also sang lead vocals on "Beautiful Flyaway" from the group's second album Easy Action. Their debut album Pretties For You, released in 1969, was produced by Frank Zappa and Ian Underwood; their second album Easy Action, released in 1970, was produced by David Briggs, who had worked often with Neil Young. It turned out Briggs was not a fan of the Alice Cooper band's music, and Warner Brothers chose that the album released was actually the rehearsal tapes of the group, preparing for the studio recording with Briggs. Following next in 1971 was the band's breakthrough album Love It to Death, released on the Warner Bros. label. Love It to Death was the first of four Alice Cooper albums produced by Bob Ezrin. The Alice Cooper group released five more albums after Love It to Death, from 1971 to 1974 (four new original albums: Killer, School's Out, Billion Dollar Babies, Muscle of Love; and the compilation album Alice Cooper's Greatest Hits containing previously released songs, with no new recordings), before taking what was intended to be a one-year time off for the group to rest and relax from their years of non-stop touring, songwriting, and recording together. Three of the group members - Michael, Neal, and Vince/Alice - wanted to record their own solo albums, reflecting their individual musical tastes. Alice's Welcome to My Nightmare was the most successful of these three solo ventures. A full-length feature film of the original group was also released to the American cinema in 1974: Good to See You Again, Alice Cooper. The concert footage was shot on the Billion Dollar Babies Tour in 1973 and included a fictional story about an angry director seeking revenge against the band, shot at Universal Studios in Los Angeles (a scene in the "Welcome to My Nightmare" concert film, where Alice smashes the neon headstone with a shovel, was also shot during this time). The live concert portion of the movie