Wonder cover sung with as much faux-soul as Carl Wilson could have possibly mustered". Writing in his Encyclopedia of Popular Music, Colin Larkin pairs the album with the "scrappy" Smiley Smile as two "hastily released" works that show how the Beach Boys' music had "lost its cohesiveness", with Brian Wilson's reduced involvement. Noel Gallagher, who considers the Beach Boys to be "the most vastly overrated band in the history of popular culture", named "How She Boogalooed It" among the group's only "six good tunes". Influence and legacy Back-to-basics trend and DIY music In the wake of Wild Honey, numerous contemporaries of the Beach Boys adopted a similar back-to-basics approach, including Bob Dylan (John Wesley Harding), the Band (Music from Big Pink), the Beatles (The Beatles), and the Rolling Stones (Beggars Banquet). Uncuts David Cavanaugh remarked that despite the poor critical response afforded to the album at the time of its release, Wild Honey heralded rock trends of the late 1960s and effectively pioneered "a post-psychedelic music while the Summer of Love was still in full swing. And wouldn’t you know it, The Beatles' 'Lady Madonna' would get the credit." Author Mike Segretto echoed, "Ten days before Dylan got all the credit for popping the psychedelic balloon with John Wesley Harding, the Beach Boys had done it first with Wild Honey." Similarly, music journalist Tim Sommer characterized the album as boldly subverting "rock's expansion into pompous avenues of volume, psychedelia and lyrical pretension" and called it a precursor to albums such as the Kinks' Village Green Preservation Society and the Byrds' The Notorious Byrd Brothers (both 1968). Editors at Rolling Stone credited the LP with starting "the idea of DIY pop". 1967 – Sunshine Tomorrow In 2017, a complete stereo mix of Wild Honey was released for the first time on the rarities compilation 1967 – Sunshine Tomorrow. The set also includes numerous session highlights, alternate takes, and live renditions of Wild Honey tracks in addition to other unreleased material recorded during the Smiley Smile and Lei'd in Hawaii era. Several months later, the compilation was followed with two more digital-exclusive releases: 1967 – Sunshine Tomorrow 2: The Studio Sessions and 1967 – Live Sunshine. They include more than 100 tracks that were left off the first compilation. Track listing Personnel Credits per Craig Slowinski. The Beach Boys Al Jardine – vocals, rhythm guitar on "I'd Love Just Once To See