Records (1972, Mums) Precious Times: The Best of P.F. Sloan (1965–1966) (1986, Rhino) Songs of Other Times (1988, Big Beat) Anthology (1993, One Way/MCA) Serenade of the Seven Sisters (1994, Pioneer) Child of Our Times: The Trousdale Demo Sessions 1965–1967 (2001, Varèse Sarabande) Sailover (2006, Hightone) Here's Where I Belong: The Best of the Dunhill Years 1965–1967 (2008, Big Beat) My Beethoven (2014, MsMusic) With Steve Barri Singles Albums Tell 'Em I'm Surfin''' – The Fantastic Baggys (1964, Imperial) The Surfing Songbook – Rincon Surfside Band (1965, Dunhill) The Surfing Songbook – Willie and the Wheels (1965, RCA) (identical release) Where Were You When I Needed You – The Grass Roots (1966, Dunhill) Let's Live for Today – The Grass Roots (1967, Dunhill) Reissues Sloan's early work has been poorly represented on compact disc, with only a smattering of releases to his name. Measure of Pleasure was reissued on CD by Collectors' Choice in January 2007. There is a collection of his demo recordings available (Child of Our Times, on the Varèse Sarabande), and there was a now-out-of-print 1993 collection of his Dunhill recordings (Anthology, on the One Way label). In 2008, UK-based Big Beat label did a near-definitive reissue of Sloan's solo recordings for Dunhill. Entitled Here's Where I Belong: The Best of the Dunhill Years 1965–1967, the CD omits the album tracks "When the Wind Changes" and "Patterns Seg. 4", while Sloan's final Dunhill recording, "I Can't Help But Wonder, Elizabeth", made its legal CD debut on this release. Eponymous song "P.F. Sloan" is also a song by singer-songwriter Jimmy Webb, who is better known for the 1960s hits "By the Time I Get to Phoenix" and "Up, Up and Away". Cover versions of the song were recorded by The Association in 1971, Jennifer Warnes, and by British band Unicorn in the early 1970s – released as a single and album track on Transatlantic Records. Jackson Browne performed the song with Webb on Webb's 2010 album Just Across the River. In 2012 it was covered by the British singer Rumer, who treated it as the signature song on her Boys Don't Cry'' album. While Sloan's insistence on becoming a recording artist was an inspiration to fellow songwriter Webb, who had worked with Sloan with Bones Howe and The 5th Dimension, a personal dispute led Webb to deny the existence of "P.F. Sloan" when asked about the song's title