the film Saturday Night Fever. Twenty years later, Cohn admitted that he'd done no more than drive by Odyssey's door, and that he'd made the rest up. It was a recurring problem of what Wolfe, in 1972, had labeled "The New Journalism." In 1976, the Australian media baron Rupert Murdoch bought the magazine in a hostile takeover, forcing Felker and Glaser out. A succession of editors followed, including Joe Armstrong and John Berendt. 1980s In 1980, Murdoch hired Edward Kosner, who had worked at Newsweek. Murdoch also bought Cue, a listings magazine founded by Mort Glankoff that had covered the city since 1932, and folded it into New York, simultaneously creating a useful going-out guide and eliminating a competitor. Kosner's magazine tended toward a mix of newsmagazine-style stories, trend pieces, and pure "service" features—long articles on shopping and other consumer subjects—as well as close coverage of the glitzy 1980s New York City scene epitomized by financiers Donald Trump and Saul Steinberg. The magazine was profitable for most of the 1980s. The term "the Brat Pack" was coined for a 1985 story in the magazine. 1990s Murdoch got out of the magazine business in 1991 by selling his holdings to K-III Communications, a partnership controlled by financier Henry Kravis. In 1993, budget pressure from K-III frustrated Kosner, and he left for Esquire magazine. After several months' search, during which the magazine was run by managing editor Peter Herbst, K-III hired Kurt Andersen, the co-creator of Spy, a humor monthly of the late 1980s and early 1990s. Andersen quickly replaced several staff members, bringing in many emerging and established writers (including Jim Cramer, Walter Kirn, Michael Tomasky, and Jacob Weisberg) and editors (including Michael Hirschorn, Kim France, Dany Levy, and Maer Roshan), and generally making the magazine faster-paced, younger in outlook, and more knowing in tone. In August 1996, Bill Reilly fired Andersen from his editorship, citing the publication's financial results. According to Andersen, he was fired for refusing to kill a story about a rivalry between investment bankers Felix Rohatyn and Steven Rattner that had upset Henry Kravis, a member of the firm's ownership group. His replacement was Caroline Miller, who came from Seventeen, another K-III title. 2000s In 2002 and 2003, Michael Wolff, the media critic hired by Miller in 1998, won two National Magazine Awards for his column. At the end of 2003, New York was sold again, to