Descants, the author presents multiple possible events occurring simultaneously—in one section the babysitter is murdered while in another section nothing happens and so on—yet no version of the story is favored as the correct version. Magic realism Magic realism may be literary work marked by the use of still, sharply defined, smoothly painted images of figures and objects depicted in a surrealistic manner. The themes and subjects are often imaginary, somewhat outlandish and fantastic and with a certain dream-like quality. Some of the characteristic features of this kind of fiction are the mingling and juxtaposition of the realistic and the fantastic or bizarre, skillful time shifts, convoluted and even labyrinthine narratives and plots, miscellaneous use of dreams, myths and fairy stories, expressionistic and even surrealistic description, arcane erudition, the element of surprise or abrupt shock, the horrific and the inexplicable. It has been applied, for instance, to the work of Jorge Luis Borges, author of Historia universal de la infamia (1935) is considered a bridge between modernism and postmodernism in world literature. Colombian novelist Gabriel García Márquez is also regarded as a notable exponent of this kind of fiction—especially his novel One Hundred Years of Solitude. The Cuban Alejo Carpentier (The Kingdom of This World, 1949) is another described as a "magic realist". Postmodernists such as Italo Calvino (The Baron in the Trees, 1957), and Salman Rushdie (The Ground Beneath Her Feet, 1999), commonly use magic realism in their work. A fusion of fabulism with magic realism is apparent in such early 21st-century American short stories as Kevin Brockmeier's "The Ceiling", Dan Chaon's "Big Me", Jacob M. Appel's "Exposure", and Elizabeth Graver's "The Mourning Door". Technoculture and hyperreality Fredric Jameson called postmodernism the "cultural logic of late capitalism". "Late capitalism" implies that society has moved past the industrial age and into the information age. Likewise, Jean Baudrillard claimed postmodernity was defined by a shift into hyperreality in which simulations have replaced the real. In postmodernity people are inundated with information, technology has become a central focus in many lives, and one's understanding of the real is mediated by simulations of the real. Many works of fiction have dealt with this aspect of postmodernity with characteristic irony and pastiche. For example, the virtual reality of "empathy boxes" in Philip K. Dick's novel Do Androids Dream of Electric Sheep? in which a new technology-based religion called Mercerism arises. Another example is Don