"You and I" is the only song on the album written by Deacon. It is in the key of D major, is mainly piano-driven, and features Deacon on acoustic guitar. The song was featured as the B-side for "Tie Your Mother Down", but was never played live. Side two "Somebody to Love" "Somebody to Love" was written by Mercury. The song was inspired by gospel music, especially that of Aretha Franklin, and Mercury, May, Deacon, and Taylor all multi-tracked their voices to achieve the impression of a 100-voice gospel choir. Mercury's vocal part features a wide range of notes, going from an A2 (in the last choral verse) to a falsetto A5 (at the peak of his melisma on "ooh" over the choir break). Staying true to Queen's guitar-driven style, the track was also filled with intricate harmony parts and a solo by May. The song was the biggest hit single from the album. It went to number two on the UK charts (kept from the number one spot by "Under the Moon of Love" by Showaddywaddy) and number 13 on the US singles chart. "White Man" "White Man" was written by May about the suffering of Native Americans at the hands of European immigrants, taking the viewpoint of native peoples. It is one of Queen's heaviest works, thematically and musically. The song featured a notable vocal solo by Mercury on the A Day at the Races Tour, and both a vocal solo by Mercury and a guitar solo by May on the 1977–78 News of the World tour. On the later Return of the Champions (2005) and Rock The Cosmos (2008) Tours, the riff to "White Man" was used as an introduction to "Fat Bottomed Girls". "Good Old-Fashioned Lover Boy" "Good Old-Fashioned Lover Boy" was written by Mercury. It starts with a piano and vocal introduction by Mercury, and the bass and drums join in at the start of the chorus. Part of the bridge of the song is sung by Mike Stone (the lines: "Hey boy where'd you get it from? Hey boy where did you go?"). The recording is enhanced by multi-tracked vocals, as well as May's guitar choirs. The song was performed live on Top of the Pops in June 1977, with Taylor singing Stone's part. Most of the track was a concert staple on the band's A Day at the Races Tour and News of