Edgard Félix Pierre Jacobs (30 March 1904 – 20 February 1987), better known under his pen name Edgar P. Jacobs, was a Belgian comic book creator (writer and artist), born in Brussels, Belgium. He was one of the founding fathers of the Franco-Belgian comics movement, through his collaborations with Hergé and the graphic novel series that made him famous, Blake and Mortimer. Biography Edgar Félix Pierre Jacobs was born in Brussels in 1904. Jacobs remembered having drawn for as far back as his memory would go. His real love though was for the dramatic arts and the opera in particular. In 1919 he graduated from the commercial school where his parents had sent him, and privately swore he would never work in an office. He kept on drawing in his spare time, focusing his greatest attention on musical and dramatic training. He took on odd jobs at the opera, including decoration, scenography, and painting, and sometimes got to work as an extra. In 1929 he received the annual Belgian government medal for excellence in classical singing. Financial good fortune did not follow, since the Great Depression hit the Brussels artistic community very hard. After a career as extra and baritone singer in opera productions between 1919 and 1940 in Brussels and Lille, punctuated by small drawing commissions, Jacobs turned permanently to illustration, drawing commercial illustrations and collaborating in the children's weekly comic magazine Bravo until 1946, after he was introduced there by Jacques Laudy. This review or periodical was a smashing success, hitting a circulation of 300,000 at times. When the American comic strip Flash Gordon was prohibited in Belgium by the German occupation authorities during World War II, he was asked to write an end to the comic in order to provide a denouement to the readers. German censorship banned this continuation after only a couple of weeks. Jacobs subsequently published his first comic strip in Bravo, Le Rayon U (The U Ray), largely in the same Flash Gordon style. Around this time, he became a stage painter for a theatre adaptation for Hergé's Cigars of the Pharaoh. Although the play was only a modest success, it brought him into contact with Hergé and the two quickly become friends. As a direct result, he assisted Hergé in coloring the black and white strips of The Shooting Star from Le Soir in preparation for book publication in 1942, and from