dated April 8, 1968. Among the by-lines were many familiar names from the magazine's earlier incarnation, including Breslin, Wolfe (who wrote "You and Your Big Mouth: How the Honks and Wonks Reveal the Phonetic Truth about Status" in the inaugural issue), and George Goodman, a financial writer who wrote as "Adam Smith". Within a year, Felker had assembled a team of contributors who would come to define the magazine's voice. Breslin became a regular, as did Gloria Steinem, who wrote the city-politics column, and Gail Sheehy. (Sheehy would eventually marry Felker, in 1984.) Harold Clurman was hired as the theater critic. Judith Crist wrote movie reviews. Alan Rich covered the classical-music scene. Barbara Goldsmith was a Founding Editor of New York magazine and the author of the widely imitated series, "The Creative Environment", in which she interviewed such subjects as Marcel Breuer, I. M. Pei, George Balanchine, and Pablo Picasso about their creative process. Gael Greene, writing under the rubric "The Insatiable Critic", reviewed restaurants, cultivating a baroque writing style that leaned heavily on sexual metaphor. Woody Allen contributed a few stories for the magazine in its early years. The magazine's regional focus and innovative illustrations inspired numerous imitators across the country. The office for the magazine was on the top floor of the old Tammany Hall clubhouse at 207 East 32nd Street, which Glaser owned. 1970s Wolfe, a regular contributor to the magazine, wrote a story in 1970 that captured the spirit of the magazine (if not the age): "Radical Chic: That Party at Lenny's". The article described a benefit party for the Black Panthers, held in Leonard Bernstein's apartment, in a collision of high culture and low that paralleled New York magazine's ethos. In 1972, New York, after a lot of convincing by Gloria Steinem, also launched Ms. magazine, which began as a special issue. New West, a sister magazine on New York model that covered California life, was also published for a few years in the 1970s. As the 1970s progressed, Felker continued to broaden the magazine's editorial vision beyond Manhattan, covering Richard Nixon and the Watergate scandal closely. In 1976, journalist Nik Cohn contributed a story called "Tribal Rites of the New Saturday Night," about a young man in a working-class Brooklyn neighborhood who, once a week, went to a local disco called Odyssey 2001; the story was a sensation and served as the basis for