Nitzsche, Lofgren would join an augmented Crazy Horse sans Young before enjoying success with his own group as well as solo cult success and membership in Bruce Springsteen's E Street Band. Biographer Jimmy McDonough has asserted that Young was intentionally trying to combine Crazy Horse and CSNY on this release, with members of the former band appearing alongside Stephen Stills (who contributed backing vocals to "Only Love Can Break Your Heart") and Reeves. The cover art is a solarized image of Young passing an old woman at the New York University School of Law campus in the Greenwich Village district of New York City. The picture was taken by photographer Joel Bernstein and was reportedly out of focus. It was because of this he decided to mask the blurred face by solarizing the image. The photo is cropped; the original image included Young's friend and CSNY bandmate Graham Nash. Songs on the album were inspired by the Dean Stockwell-Herb Bermann screenplay for the unmade film After the Gold Rush. Young had read the screenplay and asked Stockwell if he could produce the soundtrack. Tracks that Young recalls as being written specifically for the film are "After the Gold Rush" and "Cripple Creek Ferry". The script has since been lost, though it has been described as "sort of an end-of-the-world movie." Stockwell said of it, "I was gonna write a movie that was personal, a Jungian self-discovery of the gnosis ... it involved the Kabala , it involved a lot of arcane stuff." Graham Nash has claimed that "Only Love Can Break Your Heart" was written for him in the aftermath of his breakup with Joni Mitchell. According to the Neil Young Archives, After the Gold Rush was released on September 19, 1970. One month later, on October 24, the lead single "Only Love Can Break Your Heart" entered the Billboard Hot 100 chart. An outtake version of "Birds" recorded at the initial Sunset Sound sessions has now been added to the album on the Neil Young Archives website, as have two versions of the song "Wonderin'". Reception Critics were not immediately impressed; the 1970 review in Rolling Stone magazine by Langdon Winner was negative, with Winner feeling that, "none of the songs here rise above the uniformly dull surface." Village Voice critic Robert Christgau was more enthusiastic, saying: "While David Crosby yowls about assassinations, Young divulges darker agonies without even