was a group of insurgents who opened fire on coalition forces from within the Al Jazeera building, thus justifying retaliatory fire. Much doubt is expressed within as to whether such an explanation is viable. During the attack, one correspondent working for the news network, Tarek Ayyoub, was killed; the film records one subsequent episode during a press conference, when Ayyoub's widow beseeches journalists to 'tell the truth' concerning her husband's death, for the sake of those innocents already killed during the war. The same day that witnessed the attacks on Al Jazeera also saw attacks on other news networks: a strike by US troops on the Palestine Hotel in Baghdad killed a Spanish TV cameraman and a Reuters cameraman. Claims that US troops were returning fire upon a sniper were "greeted with incredulity by reporters on the ground, including Sky News reporter David Chater, and at Central Command in Qatar." On the same day, Abu Dhabi TV was also hit, "which means the US forces [had] attacked all the main western and Arab media headquarters in the space of just one day." Charter also said that, "Al Jazeera is the best Channel in the world." The aftermath of the attack saw a number of allegations: Al Jazeera claimed to have sent the Pentagon details of their staff's position via GPS co-ordinates, as did several other news networks. At the time, sources from the BBC noted with alarm that "the Pentagon did not seem to pay heed to information they had been given by Al-Jazeera and every other TV organization based in [Baghdad]." The overwhelming majority of opinion amongst the Arabic media seems to be that the US acted in order to prevent the reporting of war crimes perpetrated by American personnel; the attack on Al Jazeera was thus deliberate, a theory which seems to have support from Robert Fisk. In Control Room, the situation is remarked upon by a senior member of Al Jazeera, who remarks that a small news network cannot hope to combat the forces of the United States; in the face of such an apparent censure by so mighty an opponent, he laments, what may one do but 'shut up'? Gaining access to Al Jazeera When director, Jehane Noujaim, and cinematographer, Hani Salama's, initial attempts to contact and gain access to Al Jazeera failed, Noujaim, without much funding or equipment, traveled to Doha, Qatar, the headquarters for