sculpture. Raven Reshapes Boston: A Native Corn Garden at the MFA, by Elizabeth James-Perry, (Aquinnah Wampanoag, b. 1973), consists of corn, beans, and sedges planted in a small garden completely surrounding the statue. Ekua Holmes (African American, b. 1955), planted a large patch of sunflowers close by, called Radiant Community, as part of her ongoing Roxbury Sunflower Project. Other versions There is a full-scale replica in Muncie, Indiana, in the intersection of Walnut and Granville streets in the Wysor Heights Historic District; it is considered by many residents to be a symbol of the city. The statue was erected "In Loving Memory of Edmund Burke Ball" by "His Wife and Children". An edition of nine bronzes of Appeal to the Great Spirit was produced around 1922. One was the centerpiece of the Tower Room of Dartmouth College's Baker Tower, the college's main library and most iconic building, but has since been removed. A plaster example in this one-third scale is at the Cyrus Dallin Museum in Arlington, Massachusetts, and another is in the Rockwell Museum in Corning, New York. Central High School in Tulsa, Oklahoma, possesses another plaster example, which was used in 1985 as the model for a bronze version. The casting was done by American Artbronze Fine Arts Foundry under the direction of Howard R. Kirsch. The bronze is now installed in Woodward Park in Tulsa, Oklahoma, at the intersection of 21st Street and Peoria. Examples of the bronze statuette are at the White House, the US Department of State, and many American museums. An miniature edition was produced by the Gorham Manufacturing Company in 1913; in 2009, No. 263 sold for $9,375. In popular culture An early instance of the sculpture's place in American culture is its appearance (as photographed by Baldwin Coolidge) on the cover of "A-M-E-R-I-C-A" (1917), a World War I song by May Greene and Billy Lang and published by D. W. Cooper. The sculpture is used as the logo for the Beach Boys' vanity record label Brother Records. It was first seen in the lower-left corner on the band's 1967 album Smiley Smile and its attending single "Heroes and Villains", and was used more prominently on the cover of their 1973 album The Beach Boys in Concert. When Beach Boy Carl Wilson was asked in 1975 why the group used this as their logo, he said the Indian was chosen because Brian, Dennis,