he first went through India where he learned traditional musics from the Himalayan slopes to the Rajasthan desert. In 1996, he received a grant from the SPES Foundation to pursue his studies about oriental music in Vietnam, Cambodia and Indonesia. Afterwards, he travelled many times in Japan (from 2004 until now) where he went deeper into the knowledge of traditional musical practices and instruments of that country which counts as one of the most important for the composer. More recently he made also researches in China. Main musical activities In 2009, Claude Ledoux composed the compulsory work for the semi-final of the Queen Elisabeth Competition. Later, in 2012, he served as Artistic Director of the Ars Musica Festival. in that framework, he composed "Ayl" for Clarinet and orchestra, based on an Armenian traditional tune. Afterwards, he wrote an important number of works with an Eastern dimension : "Crossing Edges" for erhu and orchestra, "Echoes of Crossing Edges" for the Shanghai Sinfonietta, "Eurydice effacée", commissioned by the Muromachi Ensemble (Tokyo), a Shakuhachi concerto for Reison Kuroda. In 2016 he composed the compulsory concerto for the Final of the Queen Elisabeth Competition, piano, "A Butterfly's Dream" - based on the Chinese Zhuangzi (book) - and his "Trois Itinérances" was premiered at Tokyo. Recently, "Noema" - Saxophone concerto - was premiered at the Saxophone International Contest of Dinant 2019. Moreover, "Tomoe", a fifty minutes « Rappresentatione » for Soprano, Baryton, Japanese Biwa/singer and baroque ensemble, was performed at the Festival de Wallonie (2020). Some of his works are recorded on the labels Cyprès, Paraty, Harmonia Mundi, Sub Rosa, WBM. beside composition Claude Ledoux earned a Master in "Art and Sciences of Music" (musicology and communication) from the University of Liège. Artistic Director (and founding member) of LAPS, a new ensemble that combines laptops with acoustic instruments, the composer has also written numerous articles on composition, analysis and contemporary music. Nowadays he also works as a musical journalist as well as a Musical Analysis professor at the CNSMDP - Conservatoire National Supérieur de Musique de Paris (France) and Composition professor at Arts2 - Visual/Music Art School, Music Conservatory of Mons (Belgium). He also taught these subjects at the Universities of São Paulo and Campinas (Brazil: 2008-09) and at the Shanghai Conservatory (China: 2014-15). He is also member of The Royal Academies for Science and the Arts of Belgium since 2005. List of principal works