Into Noise was published by Open Humanities Press in conjunction with the University of Michigan Library's Scholarly Publishing Office. Viractualism Viractualism is an art theory concept developed by Nechvatal in 1999 from Ph.D. research Nechvatal conducted at the University of Wales College. There he developed his concept of the viractual, which strives to create an interface between the actual and the virtual. Footnotes Further reading John Johnston, The Allure of Machinic Life: Cybernetics, Artificial Life, and the New AI, MIT Press, 2008, cover Donald Kuspit, The Matrix of Sensations VI: Digital Artists and the New Creative Renaissance Joline Blais and Jon Ippolito, The Edge of Art, Thames & Hudson Ltd, p. 213 Frank Popper, From Technological to Virtual Art, MIT Press, pp. 120–123 Johanna Drucker, Joseph Nechvatal : Critical Pleasure Robert C. Morgan, Voluptuary: An algorithic hermaphornology, Tema Celeste Magazine, volume #93, p. 94 Bruce Wands, Art of the Digital Age, London: Thames & Hudson, p. 65 Robert C. Morgan, Laminations of the Soul, Editions Antoine Candau, 1990, pp. 23–30 Margot Lovejoy, Digital Currents: Art in the Electronic Age Routledge 2004 Joseph Nechvatal, Immersive Excess in the Apse of Lascaux, Technonoetic Arts 3, no3. 2005 Joseph Nechvatal. Immersion Into Noise. Open Humanities Press in conjunction with the University of Michigan Library's Scholarly Publishing Office. Ann Arbor. 2011 Johanna Drucker, Joseph Nechvatal : Critical Pleasure, Redaktion Frank Berndt, 1996, pp. 10–13 Mario Costa, Phenomenology of New Tech Arts, Artmedia, Salerno, 2005, p. 6 & pp. 36 – 38 Dominique Moulon, L'art numerique: spectateur-acteuret vie artificielle, Les images numeriques #47-48, 2004, pp. 124–125 Christine Buci-Glucksmann, L'art à l'époque virtuel, in Frontières esthétiques de l'art, Arts 8, Paris: L'Harmattan, 2004 Brandon Taylor, Collage, Thames & Hudson Ltd, 2006, p. 221 Dominique Moulon, Conférence Report : Media Art in France, Un Point d'Actu, L'Art Numerique, pp. 124–125 Edmond Couchot, Des Images, du temps et des machines, édité Actes Sud, 2007, pp. 263–264 Fred Forest, Art et Internet, Editions Cercle D'Art / Imaginaire Mode d'Emploi, pp. 48 –51 Wayne Enstice & Melody Peters, Drawing: Space, Form, & Expression, New Jersey: Prentice Hall, pp. 312–313 Ellen K. Levy, Synthetic Lighting: Complex Simulations of Nature, Photography Quarterly (#88) 2004, pp. 7–9 Marie-Paule Nègre, Des artistes en leur monde, volume 2, la Gazette de l'Hotel Drout, 2008, pp. 82–83 Corrado Levi, È andata così: Cronaca e critica dell'arte 1970-2008, Joseph Nechvatal intervistato nel suo studio a New York