La jolie fille de Perth (The Fair Maid of Perth) is an opera in four acts by Georges Bizet (1838–1875), from a libretto by Jules-Henri Vernoy de Saint-Georges and Jules Adenis, after the 1828 novel The Fair Maid of Perth by Sir Walter Scott. Many writers have reserved severe criticism for the librettists for their stock devices and improbable events, while praising Bizet's advance on his earlier operas in construction of set pieces and his striking melodic and instrumental ideas. It was first performed at the Théâtre Lyrique (Théâtre-Lyrique Impérial du Châtelet), Paris, on 26 December 1867. Performance history Although commissioned by Léon Carvalho in 1866 and completed by Bizet by the end of that year (with the soprano lead intended for Christine Nilsson), the dress rehearsal took place in September 1867 and the first performance three months later. It was next revived in Paris on 3 November 1890 at the Éden-Théâtre for eleven performances. La jolie fille de Perth was performed in Brussels in 1868 and Geneva in 1885; in German it was given in Weimar and Vienna in 1883, and in English in Manchester and London in 1917. It was staged at the Wexford Festival in 1968, the Théâtre Impérial de Compiègne in 1998 and the Buxton Festival in 2006, and recorded by the BBC in Manchester for the Bizet centenary in 1975. Roles Synopsis Place: Perth, Scotland Time: 14th century Act 1 The workshop of Henry Smith the armourer Workmen sing in the forge, on the eve of the Carnival. Alone, Smith muses on whether the coquettish Catherine Glover will consent to be his Valentine. Mab, Queen of the Gypsies enters hurriedly, seeking refuge in Smith's workshop from pursuing noblemen. When Catherine arrives unexpectedly, Mab hides in an adjoining room. Catherine, her father the glove-maker and his apprentice Ralph enter. Catherine sings of the joys of winter, and the two men retire to leave her and Smith alone. Smith gives his beloved a rose brooch in advance of St Valentine's Day. However, a stranger now enters and asks Smith to straighten the blade of his dagger. He is the Duke of Rothsay, who proceeds to flirt with Catherine, infuriating Smith, who is about to land a blow on the Duke when Mab comes from her hiding-place to protect him. Glover returns to a scene of confusion; Catherine throws away the rose, but Mab picks it up to