Paris. The views shown appear very accurate where they can be confirmed by later pictures, or their survival to the present, and the view of Saint-Denis in particular is a valuable record of the church-furnishings of the day, all destroyed before or during the French Revolution. Other works More specific Netherlandish connections include his adaptation of Madonna types developed by Rogier van der Weyden, evinced by the head of a lady at the Metropolitan Museum, and a Madonna and Child, probably early, in the Louvre. To him is attributed a portrait of Philip the Handsome (Winterthur), who visited Paris in 1501, that appears to be the original version of one of the most common portrait types of this prince. There are two saints in Bern which show a more massive French style. A Betrayal of Christ in Brussels is a night-scene, illuminated only by a lantern. Like the Estonian-born Michael Sittow and Jean Hey (the Master of Moulins), he may demonstrate the international spread of Netherlandish style, or like Juan de Flandes, the spread of Netherlandish painters. Gallery - the altarpiece panels Notes References Woolf, Martha in: J.O. Hand & M. Wolff, Early Netherlandish Painting, pp. 162–176, National Gallery of Art, Washington(catalogue)/Cambridge UP, 1986, The National Gallery, Complete Illustrated Catalogue, National Gallery Publications, 1995, External links National Gallery of Art: Master of Saint Giles National Gallery, London Web Gallery of Art: Master of Saint Gilles Virgin and Child, Louvre Museum Fifteenth- to eighteenth-century European paintings: France, Central Europe, the Netherlands, Spain, and Great Britain, a collection catalog fully available online as a PDF, which contains material on Master of Saint Giles (no. 4) 15th-century French painters 16th-century French painters Year of birth missing Year of death missing Early Netherlandish painters Saint Giles, Master of