Il falegname di Livonia, o Pietro il grande, czar delle Russie (The Livonian Carpenter, or Peter the Great, Tsar of the Russias) is an 1819 opera buffa in two acts with music by Gaetano Donizetti set to a libretto by Gherardo Bevilacqua-Aldobrandini. The libretto was based in part on Felice Romani's libretto for Giovanni Pacini's opera Il falegname di Livonia, which had just been presented at La Scala in Milan on 12 April 1819. Another source was Alexandre Duval's comedy Le menuisier de Livonie, ou Les illustres voyageurs (1805). Donizetti's Il falegname di Livonia was premiered on 26 December 1819 at the opening of the 1819/1820 Carnival season at the Teatro San Samuele in Venice. It was the fourth of Donizetti’s operas to be performed during his lifetime and the first to achieve "more than one production". It had about seven stagings until 1827, when its last known performance in the 19th century took place. Performance history In 2004, the opera was presented by the Festival della Valle d'Itria in Martina Franca; those performances were recorded. Roles Synopsis Time: Late 17th century Place: The Baltic State of Livonia (now Latvia and Estonia) in an unnamed town under Russian rule. Act 1 Carlo, a carpenter, is in love with the orphan Annetta. He claims to be of noble origin and shows that he has a bit of a temper when the tsar and his wife, Catherine, arrive, both travelling incognito. They are looking for the tsarina’s lost brother, and have reason to suspect that it might be Carlo. The tsar asks the hotelier, Madame Fritz, about this carpenter. When Carlo enters, he does not know who the strangers are and he is rather insolent. An argument ensues, with Peter threatening Carlo with dire consequences. The town magistrate, Ser Cuccupis, also gets into an argument with Peter. This magistrate has pretensions of grandeur and goes so far as to threaten him with his friend, the tsar. Peter decides to pull rank on the magistrate, and tells him that he is Menshikov, a high officer of the tsar. The magistrate has Carlo imprisoned, and he is about to be convicted when Madame Fritz runs in with some documents proving that he is Catherine’s brother. Act 2 When Carlo becomes aware that he is the tsar's brother-in-law, he introduces Annetta to the imperial couple. Again, not knowing the true identity of the couple, he