"Move Any Mountain" is a song by Scottish electronic music group the Shamen, first released under the title "Pro›gen". With an official remix by the Beatmasters, the song was re-released in the UK in summer 1991 and was their first top-10 single, reaching number four in the UK Singles Chart. It was included on the band's second album, En-Tact (1990), and is also their only top-40 hit in the US, where the song peaked at number 38 on the Billboard Hot 100 in February 1992. Release In response to demand for remixes from fans, the band released the entire sample list and a number of remixes on the album Progeny, which at the time meant the single and album release of the track made it the only record to chart on both UK Singles and Album Charts at the same time. The track was used for the entrance of Team Scotland during the opening ceremony of the 2014 Commonwealth Games at Celtic Park in Glasgow. The lyrics of the first verse also appeared as Super Hans' wedding vows in the second episode of the ninth series of Peep Show. The cover includes the kanji 山 (yama, meaning mountain). Critical reception AllMusic editor John Bush viewed the song as an "infectious techno-pop anthem". Upon the release of "Progen", Bill Coleman from Billboard described it as "an aggressive track that makes no bones about blurring the lines between industrial and house music." Another editor, Larry Flick, felt that the track "may be best remembered as the most remixed record in history", adding that "at last count, there are 35 versions of this song circulating throughout Europe, seven of which are on this U.S. pressing. Beneath abundant studio tricks, which alter song's stance from techno to house and then hi-NRG, lies a simplistic and memorable modern-pop tune." Andy Kastanas from The Charlotte Observer deemed it "a bright uptempo dance trip that will have your hiney shakin' before you can say "rave"." Dave Jennings from Melody Maker wrote, "'Pro›gen', starts brightly — the Shamen set up a spun-sugar dance sequence, croon "move any mountain", and you begin to believe that they could. Then in crashes guest rapper Mr C, rambling feebly and implausibly about his supernatural abilities, and the record descends to the depths of mediocre rap-ego-stroking. Shame!" David Giles from Music Week stated that the Shamen "are at their pulsating, electrobeat best; a