Santa María de Quintanilla de las Viñas, whose layout will later be repeated in other later temples belonging to the "repopulation style" (misnamed "Mozarab»). For the rest, at this time the early Christian tradition is basically followed in religious architecture. The most representative buildings can be related to the following: Church of San Pedro de la Nave in San Pedro de la Nave-Almendra (Zamora) Church of Santa Comba de Bande (Orense) Church of San Juan Bautista de Baños de Cerrato (Palencia) Crypt of San Antolín in the cathedral of Palencia (Palencia) Church of San Pedro de la Mata de Sonseca (Toledo) Chapel of Santa María de Quintanilla de las Viñas (Burgos) Asturian architecture The kingdom of Asturias arose in 718, when the Astur tribes, rallied in assembly, decided to appoint Pelayo as their leader. Pelayo joined the local tribes and the refuged Visigoths under his command, with the intention of progressively restoring Gothic Order. Asturian Pre-Romanesque is a singular feature in all Spain, which, while combining elements from other styles as Visigothic and local traditions, created and developed its own personality and characteristics, reaching a considerable level of refinement, not only as regards construction, but also in terms of aesthetics. As regards its evolution, from its appearance, Asturian Pre-Romanesque followed a "stylistic sequence closely associated with the kingdom's political evolution, its stages clearly outlined". It was mainly a court architecture, and five stages are distinguished: a first period (737–791) from the reign of the king Fáfila to Vermudo I, a second stage comprises the reign of Alfonso II (791–842), entering a stage of stylistic definition. These two first stages receive the name of 'Pre-Ramirense'. The most important example is the church San Julián de los Prados in Oviedo, with an interesting volume system and a complex iconographic fresco program, related narrowly to the Roman mural paintings. Lattices and trifoliate windows in the apse appear for the first time at this stage. The Holy Chamber of the Cathedral of Oviedo, San Pedro de Nora and Santa María de Bendones also belong to it. The third period comprises the reigns of Ramiro I (842–850) and Ordoño I (850–866). It is called 'Ramirense' and is considered the zenith of the style, due to the work of an unknown architect who brought new structural and ornamental achievements like the barrel vault, and the consistent use of transverse arches and buttresses, which made the style