(Dm7– Am7–Dm7–Gm7–Dm7–Am7–Dm7), occasionally mixing between the Dorian and Aeolian modes, especially in the song's intro. A curious blend of blues, rock, jazz, 3/2 afro-Cuban son clave, and "Latin" polyrhythms, Santana's arrangement added conga, timbales and other percussion, in addition to organ and piano, to make complex polyrhythms that give the song a "voodoo" feel distinct from the original. The introduction of the song, which was adapted from Szabó's "Gypsy Queen", consists of simple hammer-ons, pull-offs and slides on the guitar and bass, before moving into the introductory guitar solo of "Black Magic Woman". After the introductory solo, which follows the same chord progression as the verse, the song moves into an eight-bar piano solo in D minor, and proceeds to two verses sung by keyboardist Gregg Rolie. Two verses of guitar solo follow the two sung verses, which are then succeeded by another verse, before moving into a modified version of the "Gypsy Queen" section from the beginning of the song to end the piece. There is also a single edit, a slightly shorter version of the song that omits the opening piano solo and the "Gypsy Queen" portion, that runs for 3:15, while some radio versions play the full recording. Other longer versions have since been released, including one version which runs for 8:56. Charts References 1968 singles 1968 songs 1970 singles Fleetwood Mac songs Music published by Bourne Co. Music Publishers Santana (band) songs Epic Records singles Columbia Records singles Songs written by Peter Green (musician)