UPN television series One on One. His production was featured on the song "Off We Go" from the J. Lo/Ben Affleck film Gigli and in BET Films original movie The Walk starring Eva Marcille. "Cry No More" from the album Pronounced Toe-Nay was featured in the HBO film Prison Song starring Q-Tip and Mary J. Blige, while the track "The Good Song 2005", a remake of the song "The Good Song", was included on the soundtrack of the action movie xXx: State of the Union starring Ice Cube. B.Slade's song "Don't Wake Me" was featured on the second episode of the 2013 BET series Second Generation Wayans. In 2013, he produced the score for the 44th Annual NAACP Image Awards telecast. In 2014, Williams produced and co-wrote the theme song to OWN (The Oprah Winfrey Network) series, Flex & Shanice, starring Flex Alexander and Shanice Wilson, and guest-starred on a number of episodes. The first season of the series garnered two singles written & produced by B.Slade, "Gotta Blame Me" and "We Can Fly". He also performed the theme song for Bounce TV's sitcom One Love. In 2021, Williams guest-starred on Pose in the episode titled "Take Me to Church." Media appearances In 2005, Williams co-hosted the 20th Annual Stellar Awards with Donnie McClurkin and Yolanda Adams. As "DJ Tonéx" he hosted his own syndicated contemporary gospel radio show in partnership with SupeRadio Networks and Blue Sky Productions entitled Club Virtue from 2005 to 2007. He also briefly hosted the BET J (now BET Her) show Lifted which blended positive secular and gospel music programming. In 2010, The New Yorker published a lengthy article on the artist, highlighting his journey as one of the first major gospel artists to come out. Public image Williams' appearance has included extremely conservative suits with close cropped hair, outlandish, flamboyant garb with feather boas, fur coats, punk-inspired multi-colored hairstyles, Sanjaya-like headpieces, Stevie Wonder-style dreadlocks and also platform shoes, that brought to mind the "glam" rock bands of the 1970s and 1980s. As Tonéx, his image raised eyebrows in the conservative gospel and contemporary Christian music communities, and he eventually took the sharper edges off his look for a short time. But he made no apologies. "It wasn't me trying to make a statement; I've always been different," he told George Varga of the San Diego Union-Tribune. "And it really worked. Out of church, people