Hagar the Womb are an English punk rock band, originally active in the early 1980s and part of the anarcho-punk movement. In hiatus from 1987, members went on to form We Are Going To Eat You and Melt, with vocalist Julie Sorrell. A 2011 compilation of their back catalogue brought members back into contact with each other, and invitations to reform and play gigs and festivals led to Hagar The Womb gigging again from 2012. The band released a new EP in 2016. History The band was formed in London in 1980, in the toilets of the Wapping Anarchy Centre, established by the efforts of seminal anarchist bands Crass and Poison Girls. The original line-up was all-female, reflecting the band's purpose of giving women a voice in the anarcho-punk scene: Ruth Elias (vocals), Karen Amsden (vocals), Nicola Corcoran (vocals), Janet Nassim (guitar), and Steph Cohen (bass guitar). One week after forming they played their first gig with Zounds and The Mob, with 'Scarecrow' playing drums. They soon recruited a second guitarist, 'Jon From Bromley', and a permanent drummer, Chris Knowles, formerly of Cold War. Prior to joining Hagar the Womb, Chris Knowles had already recorded the dystopian single 'The Machinist/Illusion' with Cold War, playing bass and providing vocals, creating a sound akin to the work of Antisect and Amebix. A rare demo tape of Chris Knowles work with Cold War exists, containing music that still remains unreleased. Corcoran left, leaving two vocalists. The band's first demo included the track "For the Ferryman", which was released on the Mortarhate label compilation LP Who? What? Why? When? Where? in 1984. Cohen was replaced by Mitch Flacko (also of The Mekons) prior to the band's first release proper. The band toured the UK punk circuit for five years, releasing two 12-inch EPs and recording a Peel Session for BBC Radio 1 on 11 February 1984. Their first EP The Word of the Womb was produced by Pete Fender ( son of Vi Subversa and guitarist in Honey Bane's Fatal Microbes ) and released on Conflict's Mortarhate label, which was a hit on the UK Indie Chart during 1984, peaking at number six, and staying in the chart for more than five months. Elaine Reubens joined the band in time for the recording of their Peel session. The band released a second EP, Funnery In a Nunnery (UK Indie No. 9) the next year,