Trichy Sankaran (born 27 July 1942) is an Indian percussionist, composer, scholar, and educator. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 2011. As a mridangam vidwan, he has been called a "doyen among the percussionists of India" in Sruti magazine. Since the early 1970s, he has performed and recorded in a number of cross-cultural projects. In 2017, he was awarded the "Tiruchirapalli Carnatic Musicians Lifetime Achievement Award". Sankaran has lived in Toronto since 1971. He is the founder of the Tyagaraja Aradhana in Toronto and is a professor of music at York University. He has regularly performed at all leading organisations in Chennai every December Music Season and continues to accompany a wide array of top ranked musicians. Early life Born on 27 July 1942 in Thiruchirapalli, Tamil Nadu, India, Sankaran had his early musical training first under his cousin, P. A. Venkataraman, and later became the star disciple of the legendary mridangam maestro, Pazhani Subramania Pillai. He made his debut at the age of 13 in a concert given by the Alathoor Brothers at Nanrudayan Temple in the town of Thiruchirapalli. For Radha Viswanathan's wedding (daughter of MS Subbulakshmi), Semmangudi presented a concert for which Palani Subramania Pillai requested double mridangam and Trichy Shankaran was the second player at the age of 15. Since then he has performed with many significant Carnatic musicians, including Ariyakudi Ramanuja Iyengar and T. R. Mahalingam. He won the All India Radio gold medal in 1955 and the President of India award in 1958. Teaching Sankaran is the co-founder (in conjunction with vocalist Jon B. Higgins) of the Indian Music Program and a Professor of Music at York University in Toronto, Ontario, Canada, where he has been teaching since 1971. In addition, he has also conducted workshops and seminars at Wesleyan University, the Berklee College of Music, the University of Michigan, the California Institute of the Arts, the University of Illinois, McMaster University, Cornell University, and Dalhousie University. He has made valuable contributions at many scholarly conferences across North America and has also published a number of his works in the leading journals of the continent. He has also written a textbook on the mridangam, which defines the basic techniques and principles of Carnatic percussion, entitled The Rhythmic Principles & Practice of South Indian Drumming. In addition, in 2010 he authored a comprehensive textbook which focuses on the subject of solkattu