diss track to Antoinette "Shut the Eff Up! (Hoe)", which was originally the b-side of the single Lyte as a Rock, was included on the album. On the track "Slave 2 the Rhythm" she would say "It took a whole album for you to try and diss me/And ha-ha-ha, slum bitch, you still missed me/But yo, I'm off the dissin tip, cause that takes no creation" and would add "'Gangstress', don't make me laugh" in reference to Antoinette's nickname. "Shut the Eff Up! (Hoe)" was later sampled on TLC's Hat 2 da Back, The Lox's "Goin' Be Some Shit" and Common's "Orange Pineapple Juice". "Slave 2 the Rhythm" was sampled by Naughty by Nature on "Strike a Nerve" and by electropunk group Mindless Self Indulgence on "Tornado". Artwork The cover photo, taken by Robert Manella, shows Lyte with her DJ K-Rock with two Porsche Carrera '89. This was taken at pier 6 of Brooklyn Bridge Park, with the World Trade Center complex of buildings visible behind them. In December 2010 the cover was included by Flavorwire in their "11 Stylish '80s Hip-Hop Album Covers" list, reviewing "MC Lyte’s hairstyle and oversized power suit haven’t necessarily aged well, but her DJ looks smooth, and there’s something ageless about lounging by a couple of Porsches before the city skyline. The soft focus adds a touch of mystery to the proceedings." Critical reception In his "Consumer Guide" column in The Village Voice, critic Robert Christgau commented "backtalk like a pro, sometimes like an original --the rhythmic obscenities on the spectacularly unsisterly "Shut the Eff Up! (Hoe)" are mind-boggling. Her tales of the drug wars are tough and prowoman, and the narrative tone of "Cappucino"—part fable, part metaphor, part confessional revery, part dumb it-was-only-a-dream—is avant-garde. Elsewhere she's a pro." He also highlighted a better production compared to his debut album. Rolling Stone magazine described the album as a "slamming, street-smart" endeavor. People's Michael Small considered MC Lyte on the album “maintained her reputation as an insult-hurling tough talker who rapped to hard, simple beats”. For his part, Jon Pareles of The New York Times would write in his review of the album "Most of the songs continue to brag and sling insults, a gambit that can wear thin in the course of an album" although he highlighted the presence of songs like Please Understand, Not Wit 'a Dealer and Cappuccino "Even so, MC Lyte