moment. The artist created the participatory event as well as composed the audio soundscape/ score that the public used to follow the event. See https://vimeo.com/channels/570376/287799153. The project Micropolies: Invisible Cities (February – May 2019) consisted of a series of public participatory interventions in the cities of Byblos (Lebanon), San Juan (Puerto Rico), Miami (Florida USA), Stockholm (Sweden), Athens (Greece). The project dispensed with the presence of the artist, the general public was invited to gather and 'perform' invisible solos by following an audio score (created by the artist) and a task score delivered through mobile technologies. See https://vimeo.com/showcase/6352708 The Sky Leans on Me, (me the one horizontal amongst all the verticals) created as part of the Benaki Museum, Athens Out/topias Exhibition, the largest European exhibition that year on art in public and outside spaces (see: https://vimeo.com/210896650) in November 2016. The work was an open invitation to participate in rethinking the public nature of the museum space and consider ways in which the art form is held between the artist (who opens the space) and the audience (invited to inhabit and transform it). Sánchez-Colberg was the founder and director of Theatre enCorps, a UK based dance theatre company between 1989-2021. www.theatreencorpscollectif.com. Sánchez-Colberg has worked with many international companies. She has produced four commissioned pieces for Ballet Concierto de Puerto Rico: Ojos Que No Ven (1992), which received the first prize in the Festival of Caribbean Choreographers and has been subsequently performed as part of Ballet Concierto's performances in New York's Lincoln Center and the Wuppertal Opera House, Sartorii (1994), Entre Huella y Pisada (1996), which received various awards from the Corporation for Music and Scenic Arts (NEA), and Tejiendo Memorias (1998). She produced a piece for the ballet of the Staatstheater Cottbus, es lasst sich nicht lesen.. with support from the British Council (Berlin). Strange Muse, produced in June 1997, was commissioned by the Institute of Culture of Puerto Rico in collaboration with musicians from the Puerto Rico Philharmonic Orchestra. In 1997 she premiered a work for Foreign Bodies Dance Company developed with support from East Midlands Arts. She has also choreographed Recollections (1999) for Andanza (Puerto Rico), and Cuerpos (no) Mienten (2012) a group dance for seven dancers with an original composition by composer Kiriakos Spirou for three pianos for CoDA 21 (Puerto Rico). She is currently resident choreographer with Andanza, Contemporary Dance Company of Puerto Rico where she has