design despite nearly a century apart from each buildings construction. Eclecticism and Academic Style Eclecticism was a common architectural movement in throughout Serbia in the later half of the 19th and early 20th century. It was a mixture of several historic revival styles common in Western Europe at the time, such as neo-classical, neo-renaissance, neo-romanticic, neo-baroque styles, even Serbo-Byzantine Revival. Most revival styles tended to incorporate eclecticism in exterior and interior designs. Classical Revival Neoclassicism movement was concentrated in large city centers such as Belgrade, used for important institutions and religious buildings between the 18th and early 20th centuries. It would often be used as a basis design element for other historic revival styles at the time (most notable Neo-baroque), contributing to eclecticism. Pure classical revival architecture of Western Rome and ancient Greece as seen in other European countries is rare in Serbia, due to the more common movement towards Eastern Roman, or Byzantine, architectural designs reminiscent of medieval Serbian architecture. Renaissance Revival Renaissance Revival architecture was a short lived movement at the end of the 19th century, mostly relegated to few buildings in Vojvodina province, with fewer examples in southern cities, such as Belgrade and Niš. Baroque Revival Neo-baroque movement occurred at in the late 19th century, often mixing classic baroque architecture elements with existing architecture movements at the time, especially neo-classical and secession styles. Romanticism and Byzantine Revival Neo-romanticism was mostly inspired by French and Hungarian architecture of the time. It would develop in parallel with Serbia's own national romanticism revival movement, often blending the two revival movements. Serbo-Byzantine Revival The 19th century was a time of development of Serbian nationalism, which sought to develop a "national style" in architecture too, in line with national romanticism ideas. Within the broader movement of historicism, in parallel to neoclassical architecture, Serbia saw the development in particular of a Byzantine Revival architecture style. Prior to the Exposition Universelle of 1889 and especially the Exposition Universelle of 1900, the Byzantine Revival movement in Serbia did not have a solidified national style, often taking Byzantine design elements interpreted through neo-romanticism styled façades and spires, with few examples of truly national revival architecture (St. Mark's Church, Belgrade and House of Vuk's Foundation). The Exposition in Paris was one of the key moments in developing and solidifying the Serbo-Byzantine Revival style (both internally and internationally), as the newly formed Serbian Paris Exhibition Committee brought together