Nobile Teatro di San Giacomo di Corfù, Italian for The Noble Theatre of Saint James of Corfu, or simply Teatro di San Giacomo, was a theatre in Corfu, Greece which became the centre of Greek opera between 1733 and 1893. Despite its provincial origins it attracted Italian musicians and composers, many of whom became permanent residents of Corfu and contributed to the local music scene. The theatre acted as a catalyst in this cultural interaction and gave impetus to the development of the Ionian School of Music. Corfiot composer Nikolaos Halikiopoulos Mantzaros was a beneficiary of the synergy between the Italian and Corfiot musical traditions. The Theatre and its historical archives were destroyed during a German Luftwaffe bombing raid in 1943. History Nobile Teatro di San Giacomo was named after a Catholic cathedral in Corfu. Established in 1693, during the Republic of Venice period, as a gathering place of the Venetian nobility of Corfu it was converted into a theatre in 1720 and became the first modern theatre to be established in Greece. Initially the theatre staged theatrical plays but in 1733 an opera was performed there for the first time. The opera was A. Aurelli’s Gerone, tiranno di Siracusa. The operas were continuously staged especially between 1771 and 1892 when the theatre was converted to a City Hall. The musical tradition established by the theatre is especially important to the history of modern Greek music since it helped establish a Greek musical presence at a time when the Greek State did not even exist. The theatre staged the type of comic opera known as opera buffa which was less elaborate and therefore more economical than the full-fledged opera seria. San Giacomo's opera crews were mainly from southern Italy. The opera house functioned during times of upheaval unabated as, for example, during the arrival of the French in 1797. In 1799, during the Russia-Ottoman siege, the theatre continued its performances even as the foreign opera troupe was unable to leave the island due to the blockade. The performance at such a challenging time was used as a means for propaganda and to raise the morale of the population. The theatre attracted many Italian professional musicians who came to Corfu as teachers as well as composers and performers. This had the effect of generating an appreciation for music among the locals and this gradually led to the appearance of the first