there is. In an interview with James Lileks of the Star Tribune, King said: It's a natural allegorical situation, without whamming the reader over the head with it. I don't like books where everything stands for everything else. It works with Animal Farm: You can be a child and read it as a story about animals, but when you're older, you realize it's about communism, capitalism, fascism. That's the genius of Orwell. But I love the idea about isolating these people, addressing the questions that we face. We're a blue planet in a corner of the galaxy, and for all the satellites and probes and Hubble pictures, we haven't seen evidence of anyone else. There's nothing like ours. We have to conclude we're on our own, and we have to deal with it. We're under the dome. All of us. Speaking to Time regarding the novel's politics, King said: I was angry about incompetency. Obviously I'm on the left of center. I didn't believe there was justification for going into the war in Iraq. And it just seemed at the time, that in the wake of 9/11, the Bush Administration was like this angry kid walking down the street who couldn't find whoever sucker punched him, and so turned around and punched the first likely suspect. Sometimes the sublimely wrong people can be in power at a time when you really need the right people. I put a lot of that into the book. But when I started I said, "I want to use the Bush–Cheney dynamic for the people who are the leaders of this town." As a result, you have Big Jim Rennie, the villain of the piece. I got to like the other guy, Andy Sanders. He wasn't actively evil, he was just incompetent—which is how I always felt about George W. Bush. Speaking to The New York Times Book Review, King said: I enjoyed taking the Bush–Cheney dynamic and shrinking it to the small-town level. The last administration interested me because of the aura of fundamentalist religion that surrounded it and the rather amazing incompetency of those two top guys. I thought there is something blackly humorous in it. So in a sense, Under the Dome is an apocalyptic version of The Peter Principle. Release The paperback edition of Just After Sunset, released on September 29, 2009, included an excerpt from the novel. A 4,000-word excerpt