choreographed Janus (2022) and Tales of Mother Goose (2022), a collaboration with the Symphony Orchestra of Puerto Rico. With Andanza, she is currently establishing Festival Video [An]Danza International, an annual video dance and dance on screen festival. The first edition of the festival is set for March 17-19 2023, in collaboration with the Faculty of the Humanities University of Puerto Rico- Rio Piedras. Sánchez-Colberg has collaborated with filmmaker Chris Clow in film and documentary projects that aim to capture the intuitive and ephemeral moments that lead to works of dance. These include Mahler's fifths (2005) Holds No Memory (2005, stage 1) 2006 part 1, 2006 part 2 and We: Implicated and Complicated (2007). The documentary film of the creative process into 45, 46, 47 The Unbearable was premiered at Kinitiras Studio-Residency Centre, Athens on 16 March 2011. Artistic Research and Pedagogy Sánchez-Colberg is a guest teacher in dance schools and festivals and has taught in the Tanzwochen/Vienna, International Festival of Theatre in Bogota, Colombia, Helsinki Theatre Academy, University College Dance Stockholm, and the Hong Kong Academy of Performing Arts, amongst others. She has worked at centres for dance and theatre training, including the Laban Centre for Movement and Dance (now Trinity/Laban, the Royal Central School of Speech and Drama, Helsinki Theatre Academy, and most recently the University of the Arts Department of Dance and Circus in Stockholm where she has held the position of Visiting Professor of Choreography and Composition 2006–2013 and Programme Coordinator of the MA Contemporary Circus Practices 2020-2022. She was also Visiting Professor of Theatre at the Estonia Academy of Music and Theatre contributing to the MA Contemporary Physical Performance Practices and the MPhi/PhD Research degrees. Her publications can be accessed at https://www.researchgate.net/profile/Ana_Sanchez-Colberg Work in Theatre and Performance Sánchez-Colberg also has a track record in work in theatre and performance. Sánchez-Colberg holds a BA (Hons) Theatre Arts, Magna Cum Laude (with a double major in Drama Literature-20th Century ) from the University of Pennsylvania. As part of the work towards the honours, she followed an independent programme of study leading to a dissertation looking at the 'birth' of physical theatre in relation to changes to theatre and dance practices stemming from the avant-garde of the early 1900s in Europe. The work looked in detail at practitioners such as Meyerhold, Copeau, Checkhov, Lecoq, Artaud and Grotowski. The research had a practical dimension in collaboration with the physical theatre