1989. Drummer Danny Arnold Lommen joined Caspar Brötzmann Massaker and stayed with them until they broke up in 1995. Lommen went on to work with Dee Dee Ramone in later years. Guitarist Frank Stroobants played in several bands after GORE and releases solo projects up until today. Gore III: Frey/Koolen/van Reede 1991–1997 1991 After a hiatus of two years, Frey brought Gore back to life with a new line up. With Johan van Reede (guitar) and Bardo Koolen (using the pen name Bardo Maria, drums) he re-established the band. The first recordings of that outfit were done on July 9. For the third Peel Session GORE recorded five songs from their next album. The session was broadcast in Peel's show on September 21, 1991. 1992 Lifelong Deadline, Gore's fourth studio album is recorded August / September 1992 and released by Armageddon Records that winter as a two-CD set. In contrast to previous albums all material was written between 1989 and 1992 by Rob Frey alone, and he also produced the album himself. The songs on Lifelong Deadline are more complex, composed and controlled than those on the earlier releases. The sound is clearer and cleaner. The new Gore are more technical and less noisy. With its atypical, complex rhythmic structures and odd time signatures Lifelong Deadline is just as much a predecessor of Math Rock as the earlier recordings had been precursors of Stoner Rock and Sludge Metal. The Album also is distinctly more experimental, and the first Gore album that is not entirely instrumental. There is still no singing but the songs are riddled with numerous samples of absurd spoken scenes in several languages and sounds of nature. The spoken scenes were recorded with a twenty-person ensemble called "The United Voices From The House Of Suspicion". For the first time there is a guest musician, piano player Bart Spaan plays the song Waiting Time. The French label Permis De Construire released the compilation Mortar in 1992. It contained two songs and the artist name was given as Gore/Hoer. These are actually no Gore recordings but a side project of Frey. The choreographer Xander Verwoort had asked Frey to write music for his performances. Frey produced scores for two of Verwoort's shows that consist of experimental sound collages. Both scores were released as albums. The first one, Stereo, under the band name "Rob Frey's Hoer" by Megadisc Records in 1991,