intercepted. The word "Torchwood" was later seeded in Doctor Who and became the name of the spin-off series Torchwood. Davies was interested in making an episode that would serve as a crossover with Star Trek: Enterprise, and involve the TARDIS landing on board the NX-01. The idea was officially discussed, but the plans were abandoned following the cancellation of Enterprise in February 2005. Writing The first series of Doctor Who featured eight scripts by Davies, the remainder being allocated to experienced drama writers and previous writers for the show's ancillary releases: Steven Moffat penned a two-episode story, while Mark Gatiss, Robert Shearman, and Paul Cornell each wrote one script. Davies also approached his friend Paul Abbott and Harry Potter author J. K. Rowling to write for the series, but both declined due to existing commitments. Shortly after securing writers for the show, Davies stated that he had no intention to approach writers for the old series; the only writer he would have wished to work with was Robert Holmes, who died in May 1986, halfway through writing his contribution to The Trial of a Time Lord. Elwen Rowlands and Helen Raynor served as script editors for the series. They were hired simultaneous, marking the first time Doctor Who had female script editors. Rowlands left after the first series for Life on Mars. Compared to the original series the role of the script editors was significantly diminished, with the head writer taking most of those responsibilities. Unlike the original series they do not have the power to commission scripts. Instead, they act as liaisons between the production staff and the screenwriter, before passing their joint work to the head writer for a "final polish". Raynor said that the job is not a creative one, "you are a part of it, but you aren't driving it." Under producer Davies, the new series had a faster pace than those of the classic series. Rather than four to six-part serials of 25-minute episodes, most of the Ninth Doctor's stories consisted of individual 45-minute episodes, with only three stories out of ten being two-parters. The thirteen episodes were, however, loosely connected in a series-long story arc which brought their disparate threads together in the series finale. Davies took cues from American fantasy television series such as Buffy the Vampire Slayer and Smallville, most notably Buffys concepts of series-long story arcs and the "Big Bad". Also,