Additional material was recorded December 1996 at Trauma III Studios in Het Brook. The recordings were produced by Frey and producer Remko Schouten. The Cover was yet another photograph by Egon Notermans. It shows a red-hot screw. There is also a warning printed on the CD cover: "Warning! This CD is not suitable for Radio Air Play! It is mastered at 10 dB overhead! If radio broadcasted: dear DJ—take all Limiters off!" Just as on Lifelong Deadline, the songs on Mest 694’3 are interspersed with samples and absurd voice recordings. The Song In The Name Of Evil, Rotten & Gore was accompanied by guest musicians R. Yen (keyboards) and Gino Taihuttu (mouth harp). Gore released their last album Slow Death in May 1997. In a limited edition of 6000, the CD came with issue #27 of Gonzo Circus Magazine. There is only one new song on the CD. Beyond The Black Hole PT. III, a sound collage of electronic noises. Slow Death also contains three songs from Mest 694’3 remixed by Frey (“Deranged Slow-Death Remix”), and live versions of four songs from Lifelong Deadline. The live songs were recorded June 27, 1993 at Knitting Factory, New York, when Gore performed there for the New Music Seminar. Furthermore, there is a Version of In The Name OF Evil, Rotten & Gore performed by the renowned Metropole Orkest, that was recorded live in February 1997. The last Track on Slow Death consists of an 11-second spoken intro followed by 10 minutes of silence. After the release of Slow Death GORE disbanded. After the split Rob Frey joins Dutch folk rock band De Nieuwe Blijdschap in which he plays guitar. Guitarist Johan van Reede and Dutch singer Annemiek van Gründling formed the band Super Spade and play classic rock cover versions. In 2008 the American label Southern Lord re-issues Hart Gore and Mean Man's Dream. Each record contains the ten songs from the original LP and each song in a live or demo version recorded 1986 & 1987. The re-issue of Hart Gore contains three additional songs. A studio left over of The Hunt that was not used for the original release of Hart Gore; a quite interesting very early version of Death Has Come, recorded live with Pieter de Swart on guitar; and a practice room recording of Gore destroying David Bowie's Station to Station. Each album was issued as a double