prescribed texts in literature are totally renewed, and half the ones in Ancient Greek and Latin are changed. By two years, every text is therefore changed. The detailed specifics of the course vary from a preparation center to the other. The agrégatifs (candidates) follow a certain number of lectures about each author in the program, during which they are trained in the examination exercises; they also train for the Ancient Greek and Latin translation exercises, as well as for the dissertation française. They can follow the same lessons as the agrégatifs of Lettres modernes in what regards the French texts. The preparation, as well as the examination itself, remain very academic in nature; it has been criticised for selecting people who fit in a certain profile that is expected by the board rather than hiring people with an original approach on the subject. However, unlike the research work done when reading for an MA or PhD degree, the agrégation does not require a scholarly approach of the works. It is therefore not required to read extensively critical work on the authors (and some professors even warn their students not to) or engage in academic research about them ; the board of examinators expects the agrégatif to have above all a great personal knowledge of the text, irrigated by the reading of the foremost critics. It is quite frequent for the agrégatifs to make three or so attempts in order to become an agrégé. However, these preparation years do not give (in most cases) ECTS. It is also possible to pass the Concours interne de Lettres classiques, when one has already the CAPES and has been teaching for several years ; this examination differs from the concours externe in some ways. The examination The examination follows a two-step process: first a set of five written tests (épreuves écrites); and two and a half months later, a series of oral interviews (épreuves orales). The written examination lasts five days. One of the tests, the dissertation française is to be completed in seven hours. In order to concentrate on stylistic aspects, candidates are allowed to bring a range of dictionaries (e.g. and , amongst others) for the prose composition as well as unseen translation examinations. Once the written tests have been marked, successful candidates are declared admissibles, i.e. qualified for the second round of interviews (with a ratio typically corresponding to about a