the years, she taught such harpists as Cynthia Otis (formerly New York City Ballet Orchestra, Little Orchestra Society, Joffrey Ballet Orchestra), Beatrice Schroeder Rose (formerly Houston Symphony, faculties of Rice University, U. of Houston), Maria Pinckney (formerly St. Louis Symphony), Grace Wong (Israel contest prize-winner, Rochester Symphony), Sara Cutler (soloist, now NYC Ballet), Karen Thielen (Monterey Opera Orchestra, faculty San Jose State University and Santa Clara University), Susan Robinson (Kennedy Center Opera Orchestra, Ibis Chamber Music Society), Faye Seeman (Wheaton College, Northern Illinois University faculties), Jennifer Hoult, Elizabeth Richter (faculty, Ball State University), Susan Miron (Centaur recording artist), Jacquelyn Bartlett (Artist Faculty, University of North Carolina School of the Arts, FIRE PINK TRIO, formerly Indianapolis Symphony and North Carolina Symphony), Ray Pool, Saul Davis Zlatkovski (artistic director, Harp Festival of Philadelphia), Donald Hilsberg (Colorado Springs Symphony), Elizabeth Panzer (soloist), Ellen Ritscher Sackett (former North Texas State University faculty), Jim Pinkerton (soloist), Hank Whitmire, Beth Schwartz Robinson (formerly Pittsburgh Symphony, faculty Kean University), Lise Nadeau Harmon (New Jersey Symphony, other orchestras), Lois Colin, Emily Halpern Lewis (faculty, M.I.T.), Francziska Huhn (faculty, Longy Schoo, New England Conservatory and Tanglewood), Elizabeth Morse Feldman (Williams College), Carolyn Mills (New Zealand Symphony Orchestra) and hundreds of others with solo, teaching, orchestral or careers that combine all of the above. She also touched countless other harpists' lives as a coach, friend and adviser. Among her final students were Yu-Hsin Huang, a doctoral student at Boston University, and Helen Gerhold. Her former pupil, Franziska Huhn now teaches harp at Boston University, as well as New England Conservatory, the Longy School of Music, and at Tanglewood. She published with G. Schirmer the seminal texts Method for the Harp, ABC of Harp Playing and Art of Modulating, all with musical contributions by Carlos Salzedo, and Peer-Southern's Pathfinder to the Harp, with one study by Salzedo ("Conflict"), and other preludes composed by Miss Lawrence. She published her many editions of numerous solos, frequently with Lyra, and the ever-popular Solos for the Harp Player, which ranges from baroque to twentieth-century composers such as Alojz Srebotnjak and Rudolf Forst. She recorded a comprehensive two-LP recording of many works by Carlos Salzedo: his Prelude for a Drama, Five Preludes and Five Poetic Studies, along with Intrada by Josef Tal, and her monumental edition from manuscript of the Sonata for Harp by Carl Philipp Emanuel Bach. She also collaborated with Carlos Salzedo on a