for Neal, who was recovering from a debilitating stroke she had suffered three years earlier and hadn't appeared on screen since In Harm's Way in 1965. During filming, the actress was beset with memory problems and physical limitations she struggled to overcome, and in her autobiography As I Am, she described the experience as a career milestone that convinced her she still was a good actress. She also discussed her effort to memorize a five-page monologue she was required to do in one take and her pride at doing so successfully. The film was shot on location in New York City, Spring Lake, New Jersey, and Belmar, New Jersey (the Belmar Fishing Club). The soundtrack includes "Who Knows Where the Time Goes?" (written by Sandy Denny) and "Albatross," both performed by Judy Collins (who wrote the latter song). Critical reception Vincent Canby of The New York Times called the film "one of those . . . middle-class domestic dramas that — for various reasons — time has passed by, as it has the Philco Playhouse . . . The play has been brought to the screen with flat, fatal fidelity by Mr. Gilroy . . . Quite awkwardly (since it makes you aware of everything else you are not seeing), the one-set play has been opened up with several excursions outside the Bronx apartment. What's worse, Mr. Grosbard has retained the Broadway pace, which is particularly evident in the performances of Mr. Albertson and Mr. Sheen . . . The tempo of the acting often seems to be outrunning the movie itself . . . Miss Neal's presence . . . gives the movie an emotional impact it wouldn't otherwise have . . . She has, in fact, simply too much style and wit for this kind of monosyllabic nonsense." Roger Ebert of the Chicago Sun-Times thought Gilroy's "extraordinary play . . . has been filmed with the greatest care, but it fails as a movie. It is hard to say exactly why. There's nothing obviously wrong, but when you walk out you don't feel as if you've been there. Something was missing." He added, "Part of the problem is with the actors, I think . . . Albertson and Sheen . . . talk loudly, their movements are too obvious, they are trying to project . . . Miss Neal, who knows the movies, is better suited to the