San Francisco de Asís Mission Church is a historic and architecturally significant building on the main plaza of Ranchos de Taos, New Mexico. Originally the center of a small Mexican and Indian 18th Century agricultural community. Built between 1772 and 1816 replacing an earlier church in that location. New Mexico was then part of the Vice-Royalty of New Spain. It is a fine example of a New Mexico Spanish Colonial Church, and is a popular subject for artists. It was designated a National Historic Landmark in 1970. Description San Francisco de Asís is located about south of Taos, New Mexico, at the center of the main plaza in the unincorporated community of Ranchos de Taos on the south side of New Mexico State Road 68. It is a large adobe structure, about in length, with a cruciform plan. An adobe wall extends from the back of the church and one of the transepts to form an enclosed rectangular area on the building's south side. Adobe buttresses project from several portions of the main walls, including architecturally distinctive beehive-curved buttresses at the ends of the transepts. The roof is formed out of adobe laid on planking supported by timber vigas, set in distinctive doubly corbelled mounts. The vigas are also more closely spaced than is typically found in other examples of Spanish colonial architecture. The entrance is flanked by a pair of bell towers. History The mission at Ranchos de Taos was established in the early 18th century. Initial construction began circa 1772 and completed in 1815 by The Franciscan Fathers; its patron is Saint Francis of Assisi. It was the center of the fortified plaza, which provided for protection against Comanche attacks. The church has undergone several restorations or subsequent works in 1850, 1916 and 1933. Including a thorough restoration in 1967. In 1967 a new roof was placed over the structure and all the ceiling beams (vigas) and most of the corbels were replaced with copies of the original. The doors were also replaced with copies of the original design. The original sanctuary woodwork was left intact. The community and parishioners gather annually to earthen plaster the church. Representation The church has inspired some of the greatest number of depictions of any building in the United States. It was the subject of several paintings by Georgia O'Keeffe, and photographs by Ansel Adams, Paul Strand and Ned Scott. Georgia O'Keeffe