– Yugoslavian Republic of Macedonia invited the Undermain to perform Goran Stefanovski’s play Sarajevo in commemoration of the fiftieth anniversary of the United Nations. Undermain performed in Roman amphitheaters and on the steps of orthodox cathedrals. 2000 – Toured Serbia to perform at the DAH Eater celebration. 2000 – Began the production of plays in New York (six to date) including in the original adaptation of Neil Young’s Greendale. 2002 – Established an archival website in partnership with Texas Humanities which provides on-going production information to theaters and audiences. 2008 – Performed Greendale at the Ohio theatre's SoHo Think Tank Ice Factory Festival. 2009 – The Dallas Public Library produced Beneath the Surface, an exhibit celebrating 25 years of design at Undermain Theatre. 2010 – Completed on restoration of the historic Frank Lloyd Wright audience chairs. 2011 – Collaborated with David Rabe on his play, The Black Monk and on Port Twilight with Len Jenkin. The Black Monk was published by Simon and Schuster. Port Twilight was published by Broadway Play Publishing Inc.. 2013 – Produced the first full theatrical production at the Dallas City Performance Hall with Enda Walsh's Penelope, opening the space to capacity houses and rave reviews. Travel In 1995, Undermain Theatre traveled to the Republic of Macedonia to perform Goran Stefanvovski's Sarajevo in commemoration of the 50th anniversary of the United Nations. Undermain also performed at the ancient Roman Theatre at Bittola and at the Ohrid Theater Festival. In 2000, the theater company traveled to New York City for the first time, producing three shows there (Coaticook by Lenora Champagne, Gold Into Mud and Swedish Tales of Woe by Erik Ehn) as well as four shows in Dallas. In 2001, the company returned to the Balkans with a new work and performed at the DAH Teatar Anniversary Celebration in Belgrade, Yugoslavia. The building The unique building, constructed in 1913 by B.D. Milam and E.C. Connor as the first US Customs warehouse in Dallas, is a six-story, Chicago-style building billed as absolutely fireproof with an exterior that was made with red and ironspot bricks and concrete. Jim and Michelle Herling, the owners of the building in the early 1980s, were patrons of the arts, already housing an art gallery on the first floor of the building, and were willing to allow Owens and Parry to rent the entire basement floor at a very low price. From that,