Koes Plus, formerly Koes Bersaudara (Koes Brothers), is an Indonesian musical group that enjoyed success in the 1960s and 1970s. Known as one of Indonesia's classic musical acts, the band peaked in popularity in the days far before the advent of private television companies, delivering stripped-down pop and rock songs at the then-only TV station, TVRI. In 2007, Rolling Stone Indonesia magazine placed 6 of the band's studio albums on their 150 Greatest Indonesian Albums of All Time list. Those are Dheg Dheg Plas (1969) at number 4, To The So Called The Guilties (1967) at number 6, Koes Bersaudara (1964) at number 14, Koes Plus Volume 2 (1970) at number 21, Koes Plus Volume 4 (1971) at number 30 and Koes Plus Volume 5 (1971) at number 38. In addition, Rolling Stone put 10 of the band's songs on the 150 Greatest Indonesian Songs of All Time list. The songs are "Bis Sekolah" (1964) at number 4, "Kembali Ke Jakarta" (1969) at number 6, "Nusantara I" (1971) at number 19, "Kolam Susu" (1973) at number 31, "Bunga Di Tepi Jalan" (1971) at number 80, "Kelelawar" (1969) at number 83, "Manis dan Sayang" (1969) at number 88, "Pelangi" (1972) at number 92, "Jemu" (1975) at number 100 and "Di Dalam Bui" (1967) at number 126. History Early days & controversy Hailing from the Bojonegoro-Tuban area in East Java, the band started out as Koes Bersaudara (Koes Brothers), initially consisting of all five Koeswoyo brothers: John Koeswoyo, Yok Koeswoyo, Yon Koeswoyo, Nomo Koeswoyo and Tonny Koeswoyo. Its antics of pioneering Beatles-influenced rock and roll subculture in Indonesia proved to be controversial. Such subcultures had been banned by President Sukarno in the early 1960s, and in 1965 the brothers were arrested by the Highest Operation Commando (KOTI) for performing covers of Beatles songs. They were eventually released just the day preceding the nation's coup d'état, on 29 September. This experience resulted in their song "Di Dalam Bui". Koes Plus When drummer Nomo quit in 1969, Murry was invited to fill the niche, but the decision caused an internal uproar as the band was initially projected as a family act. The feud was resolved by rebaptizing the band as Koes Plus. It consisted of the Koeswoyos plus an outsider; hence the name. Music historians have hypothesized that it was Murry's heavy drumming which led to the band incorporating rock tunes within their generally