The Starlight Express is a children's play by Violet Pearn, based on the imaginative novel A Prisoner in Fairyland by Algernon Blackwood, with songs and incidental music written by the English composer Sir Edward Elgar in 1915. Production On 9 November 1915, Sir Edward Elgar was invited by Robin Legge, music critic of The Daily Telegraph, to write the music for a children's fantasy play to be produced at the Kingsway Theatre that Christmas. The play was The Starlight Express, an adaptation of a novel by Algernon Blackwood called A Prisoner in Fairyland, by Blackwood and Violet Pearn. The baritone and composer Clive Carey had already started his own setting, but abandoned it when Elgar was commissioned. The producer was to be Basil Dean: but since he had been called up for army service in France, he was replaced by the actress Lena Ashwell. Elgar was soon shown the script by Ashwell and had successful meetings with her and with Blackwood. The story appealed to Elgar because of its similarities to the private fantasy world of his own childhood which he had depicted in the music he wrote for "The Wand of Youth"; his first thought was to re-use that music, and he wove many reminiscences of it into the score. He worked on it enthusiastically, and in just over a month had produced over 300 pages of score – songs and incidental music – in time for the rehearsals. On 6 December the two chosen singers, the Australian-born soprano Clytie Hine and baritone Charles Mott, rehearsed with Elgar. The Starlight Express was produced by Lena Ashwell at the Kingsway Theatre in London, as one of her high-quality wartime entertainments. The production was announced in The Times, mentioning that the small orchestra pit of the theatre would be enlarged to accommodate a full orchestra. It opened on 29 December 1915. The premiere was to have been the conducted by the composer, but because Lady Elgar had suffered concussion a few days before as the result of a traffic accident, he stayed at home with her, and the conductor was the young Julius Harrison. It ran for only one month, closing on 29 January 1916. The reasons for the failure were inappropriate design of the characters and scenery by Henry Wilson (who had been chosen and his work approved by Lena Ashwell), and the difficulty Pearn had in making something theatrical