Baradi, Pattaha Manjari (Pattamanjari), Rajabije (Ranabije), Ramakeri, Sankarabharana, Soka Kamodi among others. Bhanja belonged to a family that was rooted in literature and music of the times, and his grandfather Dhananjaya Bhanja was an eminent composer of Odissi songs and the writer of a Ramayana kabya. Style Upendra Bhanja wrote in the last decade of seventeenth and the early decades of eighteenth century and championed a style of poetry called 'Reeti' and 'Deena' in Sanskrit poetics. Though many poets in the seventeenth and eighteenth centaurs write in reeti style, Upendra Bhanja is decided by the greatest of them all. Whether it is shringara, viraha, bhakti or karuna rasa, Upendra Bhanja is the poet of unsurpassed rhetorical excellence. We may venture to say that, apart from Sanskrit, no other language has a poet to compare with him. Upendra Bhanja had practiced his great poetic talents in using "upama","alankara", "rasas"in all his kabyas. The greatness of Upendra Bhanja was in his "Alankara" use such as: Anuprasa, Jamak, etc. The style of presenting facts with comparable factors (upama) is very distinguishable in his “Baidehisha Bilasa” is the pioneer work of Upendra Bhanja as declared by the poet."Rasika Harabali" was written on the basis of his own experience at the early part of his young life.His contemporary poet of Bhakta Kabi, Dina Krushna Das as described in his work “Kala Koutuka”. The socio-cultural way of contemporary Odias are vividly described in his literature .Upendra Bhanja is not only eminent poet of Odisha but also his writings will be explained through all classical contemporary music systems of India Controversy Upendra Bhanja had a poetic excellence and he has written all his Kabyas as the rules of Alankarshastra of that time, but his kabyas have made some critiques irritated for the sexuality he used in his imagery descriptions. During the beginning of modern period or age of Radhanath, Upendra Bhanja was criticised by some modernist for the obscenity in his kabyas. There was a war of words between two literary periodicals The Indradhanu and The Bijuli. The two periodicals kept their support in favour of two poets Kabisamrat Upendra Bhanja and Radhanath Ray. It was also a war between conservatives and modernist in Odia Literature. Upendra Bhanja was also criticised for his obscure words. Once a modern poet Guru Prasad (See Odia literature) wrote "Upendra Bhanja means a woman and a Dictionary". Though he was criticised