that their struggle since the first year had finally paid off as Kaguluhan's hype incredibly increased, thanks to the growing fan base and followers of its homegrown artists among the well-known established acts who also joined the festival. The fourth year was held at an auditorium near a public wet market in Noveleta, Cavite, where the event debuted its first ever vanity wall where spectators got the chance to take pictures of themselves in front of it or with their rock idols as well. The production also revitalized their official social networking pages and uploaded countless streaming videos that includes a retrospective highlight reel, video blogs and a profile video featuring in-depth interviews with some band members and personalities involved, giving their personal insights and testimonials to the festival's growing success which are viewed and posted on YouTube. The fifth year was held at the Cavite School of St. Mark in front of SM City Bacoor. Spectators from different municipalities from Cavite and Metro Manila came to witness history as the attendance record of the previous four events was broken by an estimated total of seven hundred patrons. The performing bands experienced tears of joy as the crowd sang along with their original songs while some were moshing, and others stage diving. Some vocalists accidentally broke the wooden center stage floor raising the massive crowd up to their feet. According to some spectators, the media, and even celebrities begin to take notice of the annually held music festival; some of the big music events held prior to Kaguluhan have even moved their scheduled dates either to witness or feel its enormously growing reputation in the music scene. In the wake of its sixth year, the organizers hope that other event production outfits from different regions would step up and most importantly, help their fellow unsigned artists from their respective region fulfill their goals to become the next big thing in the local music scene making sure those talents gets exposed everywhere. The seventh year broke the attendance of the fifth year with at least 1,200 attendees to cheer on their hometown heroes and welcomed guests from Manila by charging the crash barriers and forming epic mosh pits until the wee hours of the morning, creating just enough of a ruckus and racket for the entire country to see and hear and proving once more that the best bands in the