its priorities for the future. At Unda, broadcasting of radio and television channels in Africa was also one of its priority concerns. In 1973, OCIC installed its first jury at FESPACO and the first prize went to Sambizanga by Sarah Maldoror denouncing colonialism and its atrocities. Since then, OCIC and now SIGNIS, developed actions to promote not only African cinema in Africa but also elsewhere in the world. The second issue of CineMag, presented at the Zlín Film Festival in May 2019 to celebrate the 20th anniversary of the Ecumenical jury at the festival, gave a focus on the child in the film and how OCIC and SIGNIS dealt with this issue in its cinema activities. Since the beginning of cinema, children in relation to cinema has been a concern of OCIC / SIGNIS and was even one of the main reasons why OCIC was founded in 1928. Catholics organized educational sessions for children in their schools and parishes. This experience has been recognized by the League of Nations. After the war, the festivals of Cannes and Venice had taken several initiatives on cinema for children. In 1950, the Venice International Film Festival invited OCIC to organize study days on the production and distribution of children's films. In the following years, OCIC's director of the Children's Films Service, P. Leo Lunders O.P., worked with UNESCO to launch the International Film Center for Children and Youth (CIFEJ) in 1957, in which he stayed active for years. His experiences were also shared with other organisations, such as the International Catholic Child Bureau (or Bureau International Catholique de l'Enfance) (BICE). Between 1970 and 1987, an OCIC Jury gave its award at the children's film festival in Gijón (Spain), known as the Certamen Internacional de Cine para la Infancia y la Juventud (International Film Competition for Children and Youth of Gijón). Film education became one of the priorities of OCIC / SIGNIS. Since the 1990s, members of OCIC / SIGNIS in Latin America were involved in UNICEF's Plan DENI (Plan de niños) as the film festival Divercine in Montevideo and linked cinema with media education such as Cine Mundo Chico in Argentina. It also organized with its film critics and juries in international festivals specializing in children's films such as Zlín, Schlingel-Chemnitz, and also Divercine. For more than seventy years, juries with OCIC / SIGNIS members have always given great attention to films evoking