Alun Ashworth-Jones (31 October 1945 – 1 June 2008), known as Al Jones, was an influential English folk and blues songwriter, guitarist and singer, noted for his distinctive and original folk-rock guitar style and his often darkly humorous lyrics. Early career He first came to prominence in the Bristol folk scene in the mid-1960s, where he formed a trio with harmonica player Elliot Jackson and singer/guitarist Ian A. Anderson. They were resident performers at the Bristol Troubadour Club and frequently played at Les Cousins in London. Jones' recording debut was as part of that trio on an EP in 1966. He moved to London in 1968/1969 and featured on "Matchbox Days", an early Village Thing compilation of tracks by the white British "Blues Boom" artists of that period, alongside Jo-Ann Kelly, John James, Mike Cooper and Dave Kelly. He made an album before moving to Cornwall, where he became reclusive. Anderson persuaded him to make a further album in 1972, "Jonesville", which featured a very early Rodney Matthews cover. Jones' reputation gained cult status in Britain and abroad, his albums becoming highly sought-after, and he occasionally emerged from his self-imposed obscurity to play gigs in Europe, particularly Belgium and Germany, where he had a particularly dedicated following. Instrument making His main business became the manufacture of his Ashworth range of instrument pick-ups and he later joined with Nigel Thornbory, the guitar maker, to produce the silicone rubber-stringed Ashbory bass, which is the only British instrument ever licensed to Fender; it is no longer in production. Re-emergence from obscurity Colin Irwin, in fRoots magazine in 1998 wrote about Jones: "In 1991 he had a call from a friend who wanted to put on a concert, and couldn't believe it when he found himself agreeing to appear. 'I couldn't play anything at first, it had been such a long time and my fingertips had gone soft.' But on a business trip to London he got his hands on a Strat and it felt so good he couldn't put it down. Gradually he eased back into gigging and sitting in with any damn band that passed by. 'People like Wizz Jones and John Renbourn would come down and I'd play guitar with them. I remember John playing something and it sounded familiar and I said 'John I know that one!' He said 'you should do you wrote it!' He started writing again. Prolifically.