Our Lady, Queen of the Most Holy Rosary Cathedral is a Roman Catholic church located at 2535 Collingwood Boulevard in the Old West End of Toledo, Ohio. The cathedral is the mother church of the 122 parishes in the Roman Catholic Diocese of Toledo. This cathedral is unique architecturally in that it was designed in the Spanish Plateresque style. It was designed with Toledo's Sister City, Toledo, Spain in mind. Finished in 1931, it was built in the spirit of the great European cathedrals of the Middle Ages. History The second bishop of the diocese of Toledo, Ohio, Samuel Stritch (1921-1930), made the final selection of plans approving the architectural drawings of William Perry of Pittsburgh, Pennsylvania. Ground breaking for the cathedral occurred in 1925 and the cornerstone was placed in 1926. The building was structurally completed amidst the Great Depression in 1931 at a cost of $3.25 million. It was not until October 1940, at the end of the depression, that Bishop Karl Joseph Alter (1931-1950), the third bishop of the diocese, dedicated the church as Our Lady, Queen of the Most Holy Rosary Cathedral. Architecture The cathedral has a basilica floor plan and is constructed of Massachusetts granite with Indiana limestone accents. The main facade has a single entry that is recessed in a barrel-vault arch framed by carved limestone details. Above the doorway is a statue of the Virgin Mary in a carved niche. Above the statue is a rose window with limestone tracery set into a larger arch. The window depicts scenes from the life of Mary and was financed through the donation of pennies by children throughout the diocese. Framing the entry are two octagonal towers which bear carvings of Sts. Peter and Paul on either side of the rose window. Above the window, on the pediment, are the diocesan coat of arms. The entire facade is surmounted by a crucifix and a frieze which encircles the exterior depicts notable events in the history of the church. The nave of the cathedral is topped by a barrel vault that is divided into seven bays and elaborately painted with figures from both the Old and New Testaments executed by artist Felix Lieftuchter. The paintings use the Keim process which utilizes mineral paints that does not evaporate or interfere with acoustics. Each bay holds a triple window measuring high and wide. Along the nave are altars dedicated