cello and double bass) 1986/1990 Evolution for solo cello 1990 Cooperation for 8 traditional Japanese and 8 Western instruments (English horn, clarinet, trumpet, trombone, percussion, piano, violin, and cello) 1993 Situations for alto saxophone and digital keyboard 2005 Turns for violin and koto Consonance for flute, horn, vibraphone, marimba, harp and cello Relations for flute and piano Percussion ensemble 1962 Alternance Keyboard Elevation for organ 1963/1969 Tendence pour piano 1996 Undulation A for piano The Bear who saw the Sea for two pianos Music for traditional Japanese instruments 1972 Tatuyai (Fluctuation) for koto, percussion, and singer 1972 Tuyatai (Fluctuation) for sangen 1973 Kyudo A (In quest of enlightenment) for shakuhachi 1973 Kyudo B for shakuhachi and harp 1981 Jushichigen-no-Umare (Birth of the bass koto) for 17-Gen 1981 Nagare for Shamisen for shamisen, sangen, kin and gongs Electronic music 1966 Memoires 4-channel electronic composition composed at the Institute of Sonology in Utrecht 1974 Broadcasting 1979 City Visit for 4-channel tape 1980 Passage for bass flute and stereophony To Rain and Wind for koto, percussion and live electronics Personnage References Sources Further reading Landy, Leigh. 1987. "An Analysis of Tayutai for Koto (1972) Composed by Makoto Shinohara". Interface: Journal of New Music Research 16:75–96 Shinohara, Makoto. 2003. "Zusammenspiel westlicher und japanischer Instrumente". In Komposition und Musikwissenschaft im Dialog. III (1999–2001), edited by Imke Misch and Christoph von Blumröder. Signale aus Köln 6. Münster: Lit-Verlag. 1931 births 20th-century classical composers 20th-century Japanese male musicians 21st-century classical composers 21st-century Japanese musicians 21st-century Japanese male musicians Japanese classical composers Japanese male classical composers Living people Pupils of Karlheinz Stockhausen Tokyo University of the Arts alumni