1999 ballet The Trap. In 2004, Laterna magika created the production Argonauts to commission for the Greek Olympic Committee. Choreographed by Jan Kodet, it was premiered on the eve of the Summer Olympic Games in Athens. The following year, the co-production with ’s Rendez-vous, choreographed by Jean-Pierre Aviotte, was first performed in Avignon. In 2008, Laterna magika celebrated its 50th anniversary with the production Cocktail 008, made up of extracts from its best repertoire works, and supplemented with a bonus in the form of the short retro revue Code 58.08, which was created to mark the anniversary of Expo 58 and premiered under the title The Brussels Dream in May 2008. The present In 2010, Laterna magika was reintegrated in the National Theatre. From 1 January 2010 to 31 December 2011, it operated as the National Theatre’s fourth company, headed by its artistic director, Zdeněk Prokeš, and on 1 January it became a section of the New Stage of the National Theatre. The spring of 2011 saw the premiere of the production Legends of Magic Prague, directed by Jiří Srnec and choreographed by Petr Zuska, in which Laterna magika returned to its artistic legacy: the traditional combination of theatre with film and dance. In the 2011/12 season, the production Wonderful Circus celebrated its 35th birthday and Cocktail 008 was transformed into the new retro show Cocktail 012 – The Best Of. The mixed bill was modified and the oldest repertoire pieces served as the basis for the reconstruction of the legendary The Breakneck Ride, a sequence from the 1966 piece “Variations”. Under the heading of the New Stage, in the 2012/13 season Laterna magika premiered two titles. The first of them, a short family show As Far As I See, directed by Maria Procházková, the fruit of collaboration with several drama actors, is intended for the youngest audiences and schools, and has also been performed in a version interpreted into sign language. In March 2013, the New Stage hosted the premiere of the experimental production Anticodes, inspired by Václav Havel’s eponymous 1960s visual poetry and directed by Braňo Mazúch. The major principle applied in the production by the multimedia artist Dan Gregor, the sound designer Stanislav Abrahám and the choreographer Věra Ondrašíková was real-time tracking, detecting people and objects in pre-determined zones. In the 2013/14 season, Laterna magika premiered the critically acclaimed multimedia project Human Locomotion, depicting episodes from the