Mercer" "With Plenty of Money and You" with lyrics by Al Dubin "Nagasaki" with lyrics by Mort Dixon, a 1928 song rather than a link between the Atomic bombings of Hiroshima and Nagasaki and the radioactive ode "Tic, Tic, Tic" earlier in the film "Canadian Capers (Cuttin' Capers)" with lyrics by Blane and Warren, music by Henry Cohen, Gus Chandler, and Bert White "Someone like You” has been subsequently recorded by Ella Fitzgerald in 1949 and Peggy Lee. Production The film serves as a remake of Twenty Million Sweethearts (1934), in which the aspiring singer was male. The film Swing Hostess (1944) also had a similar plot, in which aspiring singer Judy Alvin (Martha Tilton) is spinning records in a jukebox factory, and her roommate and friend Marge (Iris Adrian) tries to help her start her career. Eve Arden has a key supporting role as Vivian "Vi" Martin, Doug Blake's co-worker in the radio show The Hour of Enchantment. She is depicted as a highly competent professional woman. She at first agrees to financially support Doug in exchange for half his business earnings. She then allows Martha and her son Freddie to move in with her. When more is needed to finance Martha's career, Vivian has to sell her own mink coat. The film features a love triangle among Doug Blake, Martha Gibson, and Gary Mitchell. Vivian Martin has her own romantic subplot with Thomas Hutchins, though it is limited to a few suggestive glances. This was the third and last time that Arden co-worked with Adolphe Menjou. According to gossip columnist Sheilah Graham, Day missed three days of shooting in May 1948, due to being sick with a fever. The film features the final, feature film appearance of comic actor Edgar Kennedy, who died on November 9, 1948. The film is perhaps best remembered today for an extended dream sequence combining animation and live action which featured a cameo appearance by Bugs Bunny, dancing with Jack Carson and Doris Day to the tune of Hungarian Rhapsody No. 2, as well as an appearance by Tweety, which was a favorite of animation director Friz Freleng. The sequence has an Easter theme and features the actors in bunny suits. Reception Box Office According to Warner Bros records the film earned $1,994,000 domestically and $748,000 foreign. Critical Time magazine's review was not favorable, finding that the film merely reused elements from older