Barcelona at the Palau de la Música Catalana on January 28 was released as a live album, Raimon Palau, with 12 songs. A last EP followed that same year. In 1968 he released his first disc with Discophon, the song Indesinenter (a setting of a poem of Espriu). This same year he had two more historic recitals, one at the Price labor movement festival and the other at the Faculty of Economics in Madrid. He also performed in Mexico, Germany, Switzerland, and Cuba that year. The next year, he returned to the Paris Olympia, and another LP was released solely in France. After another single, which included his first setting of Ausias March, Veles e vents, he released the disc Per destruir aquell qui l'ha desert in 1970, arranged by Lleó Borrell and with cover art by Antoni Tàpies. Side A was dedicated to settings of 15th century Catalan poets: the poem Desert d'amics (the original name, Presoner, was forbidden by the censors), by Jordi de Sant Jordi; a fragment of the Llibre dels bons amonestaments, of Anselm Turmeda, titled Elogi dels diners, and four poems of Ausiàs March: Veles e vents, Així com cell, Quins tan segurs consells and Si com lo taur. Side B featured Indesinenter and five songs written by Raimon: Societat de consum (one of his few songs with an ironic treatment), Quan creus que ja s'acaba, De nit a casa, T'ho devia and Sobre la pau. In 1971 he released another LP with included 13 de març, cançó dels creients and the love song Quan te'n vas. Other releases appeared in France, the U.S. and Uruguay, and he toured in Uruguay, Chile, and Argentina. The following two years he released further international discs and gave hundreds of live shows. In 1973 he published the book Poemes i cançons, with a prologue by Manuel Sacristán. In 1974 the album A Victor Jara was released, collaborating with a number of avant-garde French musicians like Michel Portal. It includes some settings, of Ausias March (No em pren així, Lo jorn ha por), Joan Roís de Corella (Si en lo mal temps), Joan Timoneda (So qui so) and Pere Quart (Una vaca amb un vedellet en braços). Raimon's originals were T'he conegut sempre igual, a song about secrecy written as a result of his fortuitous encounter with the persecuted Gregori López i Raimundo; Molt lluny, a nostalgic revisitation of