Balthus Through the Looking-Glass () is a 1996 French documentary film directed by Damian Pettigrew on the French painter Balthus. The film was honored in a cycle of film classics by Jean Renoir, Marcel Carné, and Jean Vigo at the Museum Ludwig (Cologne, Germany) in September 2007. Synopsis The feature length documentary highlights the painter's complex creative process with rare footage of the artist at work in his studio in the Swiss mountain village of Rossinière. Conversations with Balthus and his wife Setsuko, his daughter Harumi, his sons Stanislaus and Thadée, interviews with art critics Jean Leymarie, Jean Clair, Pierre Rosenberg, and James Lord, and with French painter François Rouan (who often assisted Balthus during his tenure at the Villa Medici), contribute to form a psychological portrait of a secretive and controversial artist. Also featured are photographs by Henri Cartier-Bresson and Irving Penn, and much unpublished material. The film was shot in Super 16 over a 12-month period in Switzerland, Italy, France, and the Moors of England. Reception The French weekly magazine Télérama described the film as "a beautiful portrait, vibrant, varied and, beyond the magnificent images, tender, respectful, and compelling." "Along with his habits and customs preserved on film," wrote Hervé Gaumont, art critic for Libération, "the master's slowness is admirably rendered." Le Journal des Arts praised the "subtle approach, neither didactic nor pedagogical, that succeeds in capturing the painter's intimate world." Art critic Florence Couturiau reviewed the film in Muséart as one "photographed with precision and magic, from Paris to Rome by way of Balthus's Italian castle. The geometry of the compositions and the subtlety of the painter's palette shine through each frame of film." Le Figaro regretted the artist's legendary reserve but admired "a visually stunning documentary that transforms an indiscreet visit into a poetic and analytical portrait... The film examines the cruelty and isolation of Balthus in the light of his close friendship with Artaud who, describing the painter as his double, descended into madness while his twin fled with his sanity still intact. In counterpoint, Philippe Noiret sees in Balthus a surrogate father offering a reassuring affection." Film critic Michel Parmentier of TéléCable Satellite applauded its intimate approach: "Near-definitive, the portrait examines the key moments of the painter's life and, more importantly, plunges the viewer into his strange and haunting universe... Balthus reveals various secrets. The level of intimacy is such that Pettigrew's documentary becomes