Expo 58. The pavilion attained the highest number of points and was awarded the Gold Star, received 56 other prizes and numerous diplomas and medals. At the time when the programme was presented at Expo and shortly after it had finished, Laterna magika was invited to give performances in the USSR, Syria, Egypt, the USA, England, France, the Netherlands, Belgium, Austria, Spain and Israel, while representatives of other countries were interested in possible granting of a licence. Laterna magika duly became a globally renowned trademark and following its return to it launched its official activity, on 9 May 1959, as an independent company of the National Theatre, performing at the Adria palace (on the corner of Národní and Jungmannovo náměstí) in Prague. The programme, consisting of a variety of numbers, was above all the joint work of Alfréd Radok and Josef Svoboda, who right from the outset had defined the principles of relations between the action on stage and film, which have been developed by Laterna magika up to the present day: projection is not only a mobile backdrop, nor does it only create an appearance of reality, the key factor is the interconnection between the content of what is happening on stage and the action on the film screen. Today, Laterna magika employs a wide spectrum of media with which, with regard to its rich history, it has ample experience, thus every performance is based on a different principle of connecting the stage and the image. 1959–1973 For a long time, the form of the first representative programme served as a model for the creation of new multimedia performances. Laterna magika was part of the National Theatre as an independent "experimental" company with its own artistic management. Its first artistic director was Alfréd Radok. In the 1960s, Laterna magika focused on both domestic and foreign audiences, increasingly centred on tour programmes, in the case of which the composite nature of the first performances was an advantage. According to archival materials and personal testimony, parts of the premiere and subsequent tour programmes were changed, supplemented, re-arranged, or the productions were given different titles. The second Laterna magika performance was aptly called Tour Programme and was premiered on 5 December 1960 within a guest appearance in Leningrad. The creation of a new programme gave rise to a clash with the then Communist cultural cadres' notion of socialist realist art: the Minister