the first Newsletter of OCIC was published in Brussels. It was only in French. It was mimeographed and produced in the office and the first issue counted five pages send by post to the members and other stakeholders. Although it was not in German, the newsletter Informations de l'OCIC had also a German title Mitteilungen des Internationales Katholischen Filmbüro. When the war started in Belgium in May 1940, the publication didn't continue. It was picked up in November 1944 by Felix Morlion as "Les Formations de l'OCIC". "Bulletin of the OCIC – Office Catholique International du Cinema – International Catholic Office for Film Affairs – Continuation of the Bulletin" formerly published at 6 rue Traverstière, Brussels". Only a few issues were published and the last came out in 1947 when the situation in Belgium had become normal. In 1949, the International Film Review (English Edition) and Revue Internationale du Cinéma (French Edition) was launched under the direction of André Ruszkowski and published in Luxemburg. Later, a Spanish edition was published in Madrid Revista Internacional del Cine containing not the same articles as in its French and English edition. A German edition began at Trier in 1951. This important illustrated publication, directed after the departure of Ruszkowski by Pierre d'André and then by the Jesuit Emmanuel Flipo in Paris, reached more than 170 issues. In the first years, it became worldwide an eye opener for the professional film world and film journalists and film historians. It gave a lot of attention to non-American cinema: European, Asian, and Latin American. In 1955, it published a special issue dedicated to filmology, which was at that time, a new way of approaching film analysis. In 1948, the OCIC board members met the founder of filmology in Paris Gilbert Cohen-Séat at the Venice Film Festival. In 1973, through lack of funds, OCIC reverted to its bulletin OCIC Information published in French, Spanish, and English – which had then existed already more than twenty years. After an issue 0 published in July 1952, OCIC did launch at the end of that year for the second time Informations of OCIC, the result of a decision taken at the General Committee of OCIC at its Madrid meeting. There was obviously the International Film Review, but this was the magazine which was mostly directed to the secular film world and to make clear that Catholic professionals were contributing and