quality, purporting to be the original ad, uses a more recent recording of the music performed by another Zimbabwean musician, and former studio director, Bud Cockcroft. You Tube also features another video with the original soundtrack on the Shed Studios channel Stadium concerts In 1987, Andy Zweck from Harvey Goldsmith Productions in London, and Neil Dunn, a friend of Roskilly’s, brought the offer of becoming promoter for a pair of upcoming concerts for Paul Simon. The African Concerts were to be filmed as a promotional tool for the release of the “Graceland (album)”. The project went ahead as planned, promoted by Shed Recording Studios. Two concerts were recorded, playing to multi-racial audiences of 20,000 at a deliberately low ticket price of ZIM$5.00. Since the total budget was Zim$446,000, a shortfall of ZIM$246,000 was paid into Zimbabwe by Paul Simon to make up the difference. Acting as technical manager Roskilly went on to work with Dunn for a series of further concerts including the Reebok Sponsored Human Rights Now! Harare concert in October 1988 with Bruce Springsteen, Tracy Chapman, Sting, Youssou N’Dour,and Peter Gabriel. Controversially, the PA for this concert came from Johannesburg in apartheid South Africa. Other concerts included UB40, Eric Clapton, and Randy Crawford until 1989 when such concerts were then able to be performed instead in the newly independent South Africa. More studio developments In 1989, the company pulled out of the Gramma building and constructed 3 new studios in the basement of 123 Robert Mugabe Way. A Fostex B16 half inch 16 track and Allen & Heath Saber mixer handled studio 1 band recordings, a C Lab Notator sequencing system with Soundscape SSHDR-1 hard-disc recorder and A & H series 8 mixer handled the ad industry music in studio 2, and sponsored radio programmes were recorded by Cherry Productions in Studio 3, based on Revox recorders. During the move, Scobie pulled away to set up his own studio and Peters left for Germany. Two new shareholders came aboard in the shape of Benny Miller, Thomas Mapfumo's preferred engineer, and briefly, Peter vanDeventer. This was really the golden age of the studios. Benny Miller did many band recordings in studio 1 including some classic Mapfumo tracks and Kelly Rusike, another outstanding bassist, and younger member of The Rusike Brothers band, became engineer in 1990, handling the regular record company band sessions. Roskilly composed, performed and engineered advertising jingle