Tell Me How Long the Train's Been Gone is James Baldwin's fourth novel, first published in 1968. Plot Leo Proudhammer, an African-American actor who grew up in Harlem and later moved into Greenwich Village, has a heart attack while on stage. This event creates the present tense setting for the novel, which is mostly narrated in retrospect, explaining each relationship with a story from the actor's life. Barbara, a white woman, and Leo, a black man, are artistic partners for life—sometimes sexual partners, sometimes not. Jerry, their white friend, was Barbara's partner for a while, before Barbara revealed her love for Leo. Their life stories are intertwined, but not joined, due both to the racial pressures of society and Leo's bisexuality. One of Leo's lovers, "Black Christopher", is a significant political and emotional figure in the novel. Christopher's friends are all African-American, and his life centers on the struggle for racial justice. Barbara and Christopher have one sexual encounter, but, like much of the sex in the book, it is exploratory, and only significant for what it reveals to each of them. Barbara, Leo, and Christopher remain friends throughout the novel. Caleb, Leo's brother, a World War II vet, was falsely imprisoned when he was a young man, and eventually conquers his anger at white society through his conversion to fundamentalist Christianity. He judges Leo harshly for choosing "the world" over "the kingdom of God". Caleb's religion painfully isolates him from Leo. Black Christopher, the foil for Caleb, advocates violent revolution as the means for creating a just society. Leo recovers from his heart attack and returns to the stage at the end of the novel. Characters Leo Proudhammer, the protagonist, is an actor who grew up in Harlem. Leo's father Caleb, Leo's brother. Barbara, a white girl from Kentucky. Jerry, a white man of Italian extraction. Christopher, a young African-American activist. Major themes Institutional racism Incarceration as a means of preserving economic and racial inequality White privilege Bisexuality and sexual exploration Impact of racism on military/civilian life in World War II Fundamentalist Christianity Homosexuality Racism. Among other issues, the novel touches upon the mathematics of blood in racism. when Caleb Proudhammer says, "Our mama is almost white, but that don't make her white. You got to be all white to be white.". Literary significance and criticism Lynn O. Scott has observed that the novel has been unjustly dismissed, alongside