Old Yarn of Peach Boy is an example of an that is attributed to the artist Nishimura Shigenobu. In the story, there is a scene of a woman kneeling by the bank of a river and floating towards her is a peach, from which will emerge the titular protagonist of the story. The dominant presence of the illustrations compared to the sparse text is characteristic of the akahon text type. In another scene from Princess Hachikazuki, the queen is shown bestowing jewels upon the head of her daughter on her deathbed and covering them with a large bowl. After the queen dies and the princess attempts to remove the bowl from her head, she discovers that it is stuck fast, giving rise to her name, which translates to "Princess who wears a Bowl on her Head". In Bunta the Salt Seller, although the story's protagonist, Bunta, is a poor man, who peddles the salt he dries from his local river, his luck changes due to his good deeds. In this scene, he is depicted releasing two mandarin ducks from captivity, who reveal that they are actually a samurai married couple who were transformed by a jealous villain. The samurai proceed to assist Bunta, reversing his fortunes. manga inspired the contemporary form of media known as manga from its entertainment centered content to its many genre. In fact, early forms of manga were known as " manga," despite the loss of its signature red cover. However, the transition from to manga faced societal and political headwinds. After World War II, Japanese society shunned as a vulgar medium that negatively influenced Japanese youths with violent and erotic themes. These themes are present in the manga categories of and manga today, although societal values have shifted such that these manga are now appraised on their entertainment value. A common criticism of manga was that they were designed to entice children into paying for them and that they had no real substantive value. Holmberg sums up this view by asserting that for manga, "content was an afterthought". In this comparison of the cover of an manga and its contents, it is evident that the vibrant colour scheme and art design of the cover were not representative of the contents of the manga. In response to the negative public perception of manga, a new genre of educational manga, known as , developed. This genre aimed