and his group, moved straight from South Carolina to Rosedale, Queens, where they finished an album for Tin Pan Apple Records and appeared on the Fresh Fest Tour. But PolygGram's rival, Def Jam, quickly became a household name and by the summer of 1987, the group broke up. Todd eventually ran out of money and had to move back to South Carolina. With no rural job opportunities, and his pre-med scholarship lost, Todd worked non-stop on music production. Unable to afford even the floppy disks to save the beats, he would just record them on cassette. Ray helped his family build furniture out of wood, which he dubbed 'folk art' furniture, with the tree bark still attached. People began paying handsomely for his chairs and he was able to save enough money to make the trip back to New York. Ray got a call back on his application as an intern at Big Beat Records. Todd played a tape of his beats for Craig Kallman and informed him "All I have is music". The morning after, Kallman called Todd (about Kenny Dope's promo for Red Alert) and told him "if you know how to make this [recorded loop] into a record, you've got a job". T-Ray was the producer of Big Beat Records' first hip-hop 12-inch, 'Supa Cat' (1991- Todd is credited on the album as 'The Mad Racket'). 'Supa Cat' sold 70,000 copies and was the true beginning of T-Ray's career as a producer. He went on to produce an entire album for Double X, with 'Not Gonna Be Able To Do It" (1992) becoming his first video. T-Ray produced 'I Aint Goin' Out Like That' for Cypress Hill's album Black Sunday (1993) and was nominated for a Grammy for it (Best Rap single). Todd then became closely affiliated with the DJ Muggs-led Soul Assassins producing for Cypress Hill and Funkdoobiest, among others. By 1996, Todd had begun to produce rock & roll. His 1993 remix of House of Pain/Helmet collaboration (Judgement Night soundtrack) led to his producing of the entire Helmet album, which led to more rock gigs, including 311, KoЯn, Snot, Hed PE, John Spencer Blues Explosion and White Zombie. In 1999, T-Ray did production for Santana (which led to a Grammy Award in 2000 for Album of the Year) and a Latin group named Ozomatli who he won two other Grammys with, including a Latin Grammy-