She worked her notice at five until April 2008 before returning to the BBC as Controller of BBC One. In 2009, Hunt was accused of a conflict of interest after it was revealed she was secretary of a production company owned by her husband which had a contract with the BBC. The BBC said this did not breach their conflict of interest policy. In 2008 and 2009, BBC One won MGEITF Terrestrial Channel of the Year. At BBC One her commissions included Sherlock, Mrs Brown's Boys, Luther, Criminal Justice, Five Daughters, Bang goes the Theory, The Day the Immigrants Left and Famous, Rich and Homeless. She also commissioned Michael McIntyre's and John Bishop's first network programmes. She axed the sitcom Last of the Summer Wine, which had declining ratings in the last five-years of its run. In September 2010, Channel 4 announced Hunt's appointment to the new post of Chief Creative Officer. Immediately placed on "gardening leave" from the BBC, she joined Channel 4 in January 2011. While on leave, Hunt was a witness at the employment tribunal of the sacked Countryfile presenter Miriam O'Reilly, who accused Hunt of ageism and sexism. In January 2011, the day after Hunt began working at Channel 4, O'Reilly's claims for age discrimination and victimisation were upheld but the sexism claim was dismissed. As part of her strategy to improve the quality of Channel 4 News, from spring 2011 Hunt hired Matt Frei (Washington), Jackie Long (Social Affairs) and Michael Crick (Political Correspondent) from the BBC. At Channel 4, her commissions included Humans, Catastrophe, Gogglebox, Indian Summers, Derry Girls, The Island, The Undateables, Hunted, Benefit Street, First Dates, Child Genius, SAS: Who Dares Wins, Naked Attraction and The Secret Life of 4 Year Olds. She led the team that delivered the BAFTA award-winning coverage of the 2012 London Paralympic Games and in 2015 brought Formula One to Channel 4 with a new three-year deal for the sport. Under her role, Channel 4 was named The Edinburgh TV Festival Channel of the Year in 2014 and 2016, and Broadcast Channel of the Year in 2016 – with the channel receiving industry awards including more BAFTA TV awards in 2014 and 2015, and more Royal Television Society Programme Awards than any other channel in 2014 and 2016. In 2015, Channel 4's audience share increased for the first time in nine years. In June 2015, Hunt told