the information. But financiers rewrote and reinserted narration during post-production after test audience members indicated difficulty understanding the film. Scott did not have final cut privilege for the version released to cinemas. Ford said in 1999, "I contested it mightily at the time. It was not an organic part of the film." It has been suggested that Ford intentionally performed the voice-over badly, in the hope it would not be used. But in a 2002 interview with Playboy, he said, "I delivered it to the best of my ability, given that I had no input. I never thought they'd use it. But I didn't try and sandbag it. It was simply bad narration." The "Happy Ending" refers to the scene after Deckard and Rachael leave the apartment. Gaff spares Rachael's life, allowing her and Deckard to escape the nauseating confines of Los Angeles. They drive away into a natural landscape, and Deckard's voice-over narrative explains that Gaff's words ("It's too bad she won't live. But then again who does?") do not ring true, since Rachael does not have the four-year lifespan limit of the other replicants. The film's narration was captioned as an internal monologue in the 1982 comic adaptation written by Archie Goodwin and published by Marvel Comics. International theatrical release (1982) The International Cut (1982, 117 minutes)—also known as the "Criterion Edition" or unrated version—included three more violent action scenes than the US theatrical version. It was distributed in Europe, Australia, and Asia via theatrical and local Warner Home Video releases. Although initially unavailable in the US, it was later released on VHS and The Criterion Collection laserdisc in North America and re-released in 1992 as a "10th-Anniversary Edition". US broadcast version (1986) The US broadcast version (1986, 114 minutes) was the US theatrical version edited by television company CBS to tone down the violence, profanity, and nudity to meet broadcasting restrictions. The Director's Cut (1992) The Ridley Scott-approved Director's Cut (1992, 116 minutes) was prompted by the unauthorized 1990 and 1991 theatrical release of the workprint version of the movie. The Director's Cut contained significant changes from the theatrical workprint version. Scott provided extensive notes and consultation to Warner Bros., although film preservationist/restorer Michael Arick was put in charge of creating the Director's Cut. In October 1989, Arick discovered a 70mm print of Blade Runner at the Todd-AO vaults while searching for soundtrack masters for other films.