Matsumura Goshun (jap. ; April 28, 1752 (traditional: Hōreki 2/3/15) – September 4, 1811 (traditional: Bunka 8/7/17)), sometimes also referred to as Matsumura Gekkei (), was a Japanese painter of the Edo period and founder of the Shijō school of painting. He was a disciple of the painter and poet Yosa Buson (1716–1784), a master of Japanese southern school painting. Life Goshun was born into a wealthy family of government officials working in the royal mint (jap. kinza ) as the oldest of six children. His parents wished him to be well educated in the basics of Chinese and Japanese culture and had him tutored in skills such as classical history and literature, calligraphy and painting as well as writing poetry. Thus he began his education as a painter very early. In those years his masters were painters of the nanga-style, learned scholars of the literati-traditions that had come over from China, among them Yosa Buson (1716–1784) who taught Goshun among other things literati-painting and haiku-poetry. He wasn't immediately successful as a painter but managed to support himself with the aid of Buson, who arranged him to be an advisor on literature for wealthy provincials. In 1781 his career took a turn for the worse when both his wife and his father died and his mentor Buson, himself nearing death was apparently no longer able to support him. As a result of that he left his residence in the Shijō-district of Kyōto and moved to Ikeda near Ōsaka. During his time in Ikeda he continued to paint in Busons Literati-style yet was not successful enough to support himself with his painting alone. By 1787 it was certain that he would have to join up with another band of painters, so he worked with the circle of painters around Maruyama Ōkyo (1733–1795) to work at the screen-doors of the Daijō-ji, a temple in Hyōgo prefecture. Later he would meet up with Ōkyo again, when they both sought shelter in the same temple after a fire devastated parts of Kyōto. What was apparently a good working partnership in Hyōgo now became friendship. Around 1789 Goshun returned to the Shijō-district of Kyōto, by now he had begun to incorporate elements of Ōkyos decorative and realistic art styles. He was never a formal member of Ōkyos Maruyama-school, the older friend had declined his offer to accept him as disciple stating he wanted him to