Rubens' oil sketches, van Lint produced a large number of copies of Rubens' work. Pieter van Lint was together with Abraham Willemsens and Willem van Herp one of the principal producers of such copies for the Antwerp art dealers. Many of these were executed on copper, a material for painting that was highly prized both for durability and its glossy finish in Spain. Four oils on copper works by van Lint are in the collection of the Prado Museum in Madrid, including a copy after Rubens. An album with travel sketches, including two sketches which are signed 'P.V.L.' in the collection of the Martin von Wagner Museum in Würzburg, which were formerly attributed to Pieter van Laer (the central figure of the Bamboccianti) has now been re-attributed to Pieter van Lint. The album contains sketches, which the artist made of scenes, including of his fellow travelers, during his travels in Italy around 1636. The drawings give a lively idea of the conditions and the manner in which travelers undertook their travels at the time. Pieter van Lint was also active as a designer of tapestries. Correspondence between the Antwerp trader Hendrik Lenaerts and the Brussels weavers Jan van Leefdael and Gerard van der Strecken dated 1660 shows that van Lint had designed 8 cartoons for a Story of Domitian. A tapestry series dated 1639 on the Story of the Virgin Mary still preserved in the Pottery convent in Bruges is believed to have been made after models by Pieter van Lint. References External links 1609 births 1690 deaths Flemish Baroque painters Flemish history painters Flemish portrait painters Artists from Antwerp Painters from Antwerp