crucial to pair Canadian and international artists (and their subject matter) to position the gallery in the local-global dialogue of contemporary art practice and to attract a culturally diverse audience. Throughout recent years The Power Plant has received many favourable reviews from local and international media outlets. Christian Marclay's The Clock, a world-renowned video called "a masterpiece of our time" by The Guardian, opened at the Power Plant in Fall 2012 after screenings at London's White Cube Gallery and New York's Paula Cooper Gallery, among other venues. The gallery partnered with Nuit Blanche to present special overnight hours and marathon viewings of the exhibition for the public. Toronto-based artist Micah Lexier's exhibition [One, Two and More than Two in Fall 2013, called a "landmark [exhibition]" by Toronto Star, involved the participation of 101 artists/duos/collectives from in and around Toronto, presenting a wide-ranging, multi-generational portrait of a robust Toronto art community. Shelagh Keeley's Fall 2014 Fleck Clerestory Commission, Notes on Obsolescence, was acquired by the Vancouver Art Gallery. Also during Fall 2013, the Power Plant presented Toronto-born, Brooklyn-based artist Julia Dault’s first solo museum exhibition and monograph, Colour Me Badd. Dault’s work has been acquired by the Solomon R. Guggenheim Museum, New York, as well as the Art Gallery of Ontario, Toronto. Unfinished Conversation: Encoding/Decoding in Winter 2015 presented the work of Terry Adkins (US), John Akomfrah (UK), Sven Augustijnen (Belgium), Steve McQueen (UK), Shelagh Keeley (Canada) and Zineb Sedira (Algeria/France/UK), six artists whose practice is devoted primarily to commenting on history and memory. What connects all these artworks is the artists’ involvement with significant social issues confronting humanity today, and their profound desire to push formal boundaries in order to tackle them. Toronto Star described the exhibition as "Powerful, convincing and emotionally resonant". In Winter 2022, Kate Taylor form The Globe and Mail noticed about Sasha Huber's exhibition YOU NAME IT “there’s a powerful drama to her presence that takes the work beyond the political and into art.” To further the reach and impact of the Power Plant's exhibitions, the gallery began to present virtual tours for online audiences unable to visit in person and to travel its exhibitions. Latest exhibitions include: Arctic/Amazon: Networks of Global Indigeneity (2022) Meriem Bennani, Life on the CAPS (2022) Paulo Nazareth, STROKE (2022) BREATHLESS, Flaka Haliti, Marguerite Humeau, Donna Kukama, Julius von Bismarck (2022) Hiwa K, Do you remember what you are burning? (2022)