Obie award among others. Well was anthologized in Best Plays of 2003-2004, listed among the year's best plays by the New York Times and received two Tony Award nominations. Ben Brantley says of 2.5 Minute Ride: "(it)… puts Ms. Kron on a level with sterling monologists like Spalding Gray, autobiographers who combine novelistic complexity with stage-smart impudence." Michael Sommers says of Well: "Truly a beautiful play in many ways, Well paints a mother-and-daughter picture of rich, unusual artistry." Of Kron's recent work, Fun Home, The New York Times Ben Brantley said it is "a beautiful heartbreaker of a musical," and that "Ms. Kron has already established herself as a vibrant family memoirist with her plays 2.5 Minute Ride and Well, and her book and resonantly precise lyrics give this show its essential spine." The first college performance of Well occurred in the winter of 2008 at Kalamazoo College, Kron's alma mater. It starred a group of students as well as local professional actress Sharon Williams. Kron traveled to Kalamazoo for the week of the run, participating in "Lisa Kron Week in Kalamazoo" which, besides Well, included a performance of the Five Lesbian Brothers' "The Secretaries" as well as a public reading in which she read excerpts from all three of her works in addition to one of the pieces she is currently working on. The world premiere of Kron's play In the Wake opened at the Kirk Douglas Theatre in Los Angeles on March 28, 2010. Leigh Silverman (who also directed Well) directed. The play is about a family gathering set just after the presidential election of 2000. The main protagonist Ellen deals with the political turmoil as well as upheaval in her personal life. Charlotte Stoudt describes In the Wake: "Kron's comedy of deprecation and provocative social critique is part Sedaris, part Kushner, yet utterly her own." Career in theatre Kron's works are humorous and poignant looks at life by someone who has often described herself an outsider. Her experiences as a Jewish woman living in a predominantly Christian Midwestern city or life as a lesbian working in traditional theatre provide rich material for her plays. Her reflections from the outside looking in are insightful but not bitter. The critic Ben Brantley says of her: "…there is never condescension in her humor. It is simply a crucial part of her navigational equipment in finding her way through life's absurd