"Rockin' Over the Beat" is a song by Belgian dance act Technotronic. It was released in 1989 as the fourth and final single from the act's debut studio album, Pump Up the Jam. It is accredited to "Technotronic featuring Ya Kid K", who co-wrote the track with Jo Bogaert (aka Thomas De Quincey). The song is an upbeat house tune espousing the pleasures of dancing. It is representative of the positive and melodic feel of the Pump Up the Jam album. "Rockin' Over the Beat" was a respectable hit for Technotronic; it reached number nine in the UK, number eleven in Ireland and breached the Billboard Hot 100 at number 95. Releases The single was released on vinyl and Compact Disc. In the UK the 7" edition comprised an edit of the LP version together with an album track, "Raw". In Belgium the "Rockin' Over Manchester 7" Remix" by Bernard Sumner of New Order was the A-side, again with "Raw" as the B-side, while in France the Sumner mix appeared as the B-side with a single edit as the first track. Most 12" releases featured three remixes by Bernard Sumner: the "Piccadilly", "Hacienda" and "Instrumental" mixes, all of which were prefixed with "Rockin' Over Manchester" (where Sumner is from), with the album version included as the first track in France and Britain. A European CD maxi-single collected the edited and full LP versions together with the "7" Remix" and "Dub Version" mixes by Sumner. Critical reception Larry Flick from Billboard commented, "While so many acts scramble to recreate the unique hip-house sound of Technotronic's debut album, Belgian act returns with a smoother, almost ambient house cut, boasting a tuneful performance from Ya Kid K." David Giles from Music Week stated that the fourth track from the LP is "still worthy as it coincides with the act's dates at Wembley as support to Madonna later in the month. That exposure can only ensure another hit." Gene Sandbloom from The Network Forty wrote that "the heavy house sounds you've come to know from this Belgian dance phenomenon take a back seat to former model Felly's vocals this time out. The results are the first single with actually more radio than dance floor appeal from this group that brought a whole new wave to the clubs a year ago. Expressing her words through her trademark blue lipstick, Felly's attitude filled vocals float over