Social Change, Cambridge Centre for the Study of Existential Risk(now a spin-off centre) Beyond the Cold War: Toward a Community of Asia Crossroads of Knowledge in Early Modern England: The Place of Literature Expertise Under Pressure Genius Before Romanticism: Ingenuity in Early Modern Art and Science Giving Voice to Digital Democracies: The Social Impact of Artificially Intelligent Communications Technology The Global as ARTEFACT: Understanding the Patterns of Global Political History Through an Anthropology of Knowledge – The Case of Agriculture in Four Global Systems from the Neolithic to the Present Making Visible: The Visual and Graphic Practices of the Early Royal Society Qualitative and Quantitative Social Science: Unifying the Logic of Causal Inference? Religious Diversity and the Secular University Bible and Antiquity in 19th Century Culture China in a Global World War II The Concept Lab Conspiracy and Democracy Conversions The History of Cross-Cultural Comparatism Limits of the Numerical Seeing Things: Early Modern Visual and Material Culture Technology and Democracy Visual Representations of the Third Plague Pandemic Research networks The CRASSH Research Networks Programme supports groups of Cambridge graduate students and faculty members working together with a common interdisciplinary research interest, bringing together early-career researchers, established academics and guest speakers on particular research topics for a year of collaborative work. Conferences The CRASSH Conference Programme] showcases arts, social sciences and humanities research in action. It enables Cambridge scholars to convene events designed to look beyond disciplinary boundaries and broker exciting collaborations with academics and practitioners from across the world. Fellowships CRASSH offers a number of Fellowship Programmes to bring scholars from all over the world to Cambridge. These schemes allow a community of scholars–from postdoctoral and early career researchers to more established visiting fellows–to interact in an interdisciplinary research environment. Alison Richard Building At the beginning of 2012, CRASSH moved into the new Alison Richard Building at the West Road gateway to the University’s Sidgwick Site, the main base for humanities and social science teaching and research at Cambridge. The building was designed by Nicholas Hare Architects and received a commendation at the 2013 Civic Trust Awards. The Centre’s relocation put CRASSH alongside the major regional studies centres as well as the Department of Politics and International Studies. The building is also home to Edmund de Waal's first piece of public sculpture, A Local History, a commission of three vitrines filled with porcelain and sunk into the pavement outside the