fish.' " Kron also reflects on looking at a poem on exhibit during their trip to Auschwitz: "I repeat the words that have undone me. 'People burn people here.'" One of the most memorable scenes in the play is when her father tells her about the death of her grandparents at Auschwitz: "...I don't think I accepted it until a few years ago, in Lansing. It was the winter and it was so cold and I was shivering…And I realized this would only happen to them once. They were old and they stood outside, lined up in the cold and they were of no use to anyone and they were killed..." Well explores her mother Ann's experiences with social activism and illness, The play uses physical illness as a metaphor for social "illnesses" such as racism. Kron's description of Well: "A multicharacter theatrical exploration of issues of health and illness both in the individual and in a community." Kron describes her mother: "My mother is a fantastically energetic person trapped in an utterly exhausted body…when she has a burst of energy it's awe inspiring. For instance, when we were very young she decided she wanted my brother and me to be raised in a racially integrated neighborhood, and then she set about to create one." Fun Home (2013) was Kron's first musical and first work based on an existing work by another artist. Alison Bechdel's acclaimed graphic novel/memoir Fun Home serves as the basis for the musical. Kron wrote the book and lyrics, and Tony-nominated composer Jeanine Tesori wrote the score. It looks at the experience of cartoonist Bechdel growing up in small-town Pennsylvania as the not-yet-out lesbian daughter of a closeted gay man. All of Kron's previous works have been based on her own experiences. She discussed the process of adapting another person's work in an interview for GLAAD. The thing about adaptation is you have to re-originate a thing. You can't just say, "This is a musicalized version of this graphic novel." It has to have its own originating impulse, so that you feel like the experience you are having is the primary experience. And at the same time, you don't feel like you're watching a different thing, that whatever the effect of the book was, you'll feel like it's represented. All three works have been very well received, 2.5 Minute Ride, directed by Mark Brokaw, won an