Almaviva (30 performances), Susanna (10 performances) and Barbarina (8 performances), she has sung Zerlina in Don Giovanni (29 performances), Despina in Così fan tutte (14 performances), Servilia in La clemenza di Tito (11 performances), Pamina in Die Zauberflöte (9 performances), and Ilia in Idomeneo (9 performances). Among the roles she has sung (but not at the Met), are the title role in Massenet's Manon, Musetta in La bohème, Tatyana in Eugene Onegin and Leila in Les pêcheurs de perles. Although the Met has been her main stage since her debut, after giving birth to her third child she began to sing in Europe as well. She has sung at various opera houses including the Royal Opera House in London (as Mimì and Liù), Vienna State Opera (as Mimì), Bavarian State Opera in Munich (as Mimì), Opéra Bastille in Paris (as Liù, Countess Almaviva, Micaëla in Carmen), Verona Arena (as Micaëla), Rome Opera House (as Liù). On January 28, 2003, she made her debut at La Scala in Milan as Musetta in La bohème. She returned to La Scala as Liù in Turandot (January 2004) and Mimì in La bohème (June 2005). On June 4, 2006, she sang Violetta in La traviata at the Met, becoming the first Asian soprano to sing the role at the Met. And on March 1, 2007, she sang Eva in Die Meistersinger von Nürnberg at the Met for the first time. According to the Metropolitan Opera homepage, through September 2015, her most frequently sung role at the Met has been Mimì in La bohème (64 performances), followed by Micaëla in Carmen (35 performances), Liù in Turandot (33 performances) and Countess Almaviva in Le nozze di Figaro (30 performances). Hong also has wide experience in orchestral repertoire. She has sung Bach with Trevor Pinnock and the Montreal Symphony, and the conductor and composer Giuseppe Sinopoli wrote his Lou Salome Suite for her, which they premiered together with the New York Philharmonic. She has appeared with the Boston Symphony, the Cleveland Orchestra, the Chicago Symphony, the Philadelphia Orchestra, and many others under conductors such as Charles Dutoit, Mariss Jansons, Seiji Ozawa, André Previn, and Lorin Maazel, with whom she sang the final scene from Strauss' Daphne for the Bayerische Rundfunk. Personal life Hong is a Christian whose grandparents were elders at a Presbyterian church in Gwangju. Hong was featured on the June 2007 cover of Opera News