Marco Lazzara (born 1962) is an Italian countertenor who sings a wide-ranging repertoire from baroque composers to those of the 20th century and has performed in a number of notable premieres and revivals of rarely performed operas. He has recorded widely on the Bongiovanni, Ricordi, Nuova Era, Forlane, Opera Rara and Dynamic labels. Career Lazzara received diplomas in piano, organ, harpsichord and singing, followed by studies at the Accademia Musicale Chigiana in Siena, and made his professional debut in 1989. In the field of baroque music, Lazzara has sung as a leading soloist with the Alessandro Stradella Consort in a series of performances and world premiere recordings, including, Stradella's Il barcheggio, Moro per amore, and Esule dalle sfere and Nicola Porpora's Dorindo dormi ancor? on the Bongiovanni label. He also appears in the world premiere recording of Niccolò Piccinni's Salve Regina and Dixit Dominus on Bongiovanni. Lazzara was the first countertenor to sing the role of Orfeo in Gluck's Orfeo ed Euridice in Italy with a series of 1996 performances in Mantua, Pisa and Ravenna. In 2001, he sang the title role of Antonio Cesti's Il Tito in its first modern revival since 1983. The production at the Opéra national du Rhin in Strasbourg with William Christie and Les Arts Florissants premiered a newly edited score by music scholar Alan Curtis. In the bel canto repertoire, Lazzara sang the role of Lurcanio in Simon Mayr's Ginevra di Scozia in a series of performances (and world premiere recording) in April 2001 at the Teatro Lirico Giuseppe Verdi in Trieste to mark the bicentenary of the opera's premiere and its first performance in modern times. Lazzara has also recorded an album of arias and duets by Rossini with Annick Massis (Duo d'amore) on the Forlane label, and a solo album of arias and songs by Bellini on the Dynamic label. The latter contains the first recording of Francesco Florimo's "Tu che al pianger" based on a theme from Bellini's La straniera. Lazzara's performances in 20th century works include the role of Edgar in the Italian premiere of Aribert Reimann's Lear at the Teatro Regio di Torino in October 2001; Manichino di Donna in the world premiere of Azio Corghi's Il Dissoluto Assolto at the Teatro Nacional de São Carlos, Lisbon, in March 2006 (reprised for its Italian premiere at La Scala the following September); Il delegato in the world premiere of Bruno