and his performance as the Man in Monologue (1980); Michael Billington, leading a roundtable discussion on "Working with Pinter" with composer James Clarke, visiting playwright in residence Donald Freed, and Pinter directors Katie Read and Ian Rickson; and plenary speakers Steven H. Gale and Susan Hollis Merritt. The conference poster features a photograph of a portrait of Harold Pinter by artist Amy Shuckburgh. The portrait ("pastel and acrylic on wood, 2006") was on display at the Workshop Theatre during the conference, displayed later at Trafalgar Studios, during Harry Burton's production of The Dumb Waiter, and also "reproduced in the programmes for The Dumb Waiter; the touring production of Old Times; Betrayal at the Donmar Warehouse; and The Hothouse at the National Theatre, London." Following the honorary degree ceremony, on the evening of 13 April 2007, the Free Theatre, of Minsk, Belarus, where several of its members have been censored, imprisoned, and "under attack" by the authorities, performed their "collage" of Pinter's work Being Harold Pinter, introduced by "their patron" Sir Tom Stoppard, receiving strong notices from Billington and his colleagues; Pinter participated in the post-performance discussion with the company through a Belarusian-English interpreter. After Pinter added his support to recommendations by Tom Stoppard, Václav Havel, and Arthur Kopit, the European Theatre Convention invited the Belarus Free Theatre to become a member, waiving the membership fee. The Pinter Centre for Performance and Creative Writing Goldsmiths College, University of London, inaugurated its Pinter Centre in June 2003, installing Harold Pinter as its honorary president. Directed by Professor of Drama Robert Gordon, it is "an interdisciplinary research centre, involving principally the Departments of English & Comparative Literature and of Drama, the latter organising and hosting the Centre, and with links in Media and Communications, Music, PACE and the Digital Studios." Consistent with "Pinter's keen awareness of the centrality of political issues", according to its mission statement, the Pinter Centre "is particularly committed to looking at postcolonial and diasporic literature and performance, and the ways in which contemporary creativity is forging new forms that respond to the cultural diversity of the world in which we live. It also has a strong interest in questions of gender, and writing and performing the body." The section on the Pinter Centre in "Introducing the Department of Drama", part of a document on "Drama" published by Goldsmiths, observes that "The Department of Drama founded the Pinter Centre in