Jacopo del Sellaio (1441/42–1493), was an Italian painter of the early Renaissance, active in his native Florence. His real name was Jacopo di Arcangelo. He worked in an eclectic style based on those of Botticelli, Filippino Lippi, and Domenico Ghirlandaio. The nickname Sellaio derives from the profession of his father, a saddle maker. According to Vasari, Sellaio was a pupil of Fra Filippo Lippi. In Lippi's workshop he would have met Sandro Botticelli, who had a lasting influence on Sellaio's work. Sellaio joined the Florentine painters' confraternity the Compagnia di San Luca in 1460. In 1472 he was sharing a workshop with Biagio d'Antonio, and in 1473 he formed a partnership with Filippo di Giuliano that he maintained until his death in 1493. A painter named Zanobi di Giovanni is documented in the workshop in 1490. Neither Filippo nor Zanobi's extant works have been identified, but the former is sometimes identified with the anonymous painter known as the Master of the Fiesole Epiphany. Today Sellaio is best known for paintings from the fronts of cassoni, or wedding chests. These often depict stories from ancient mythology, Roman history, or the Bible. His most famous such commission is the Morelli and Nerli pair of 1472 (now London, Courtauld Institute Gallery), manufactured by the carpenter Zanobi di Domenico and painted by Sellaio in collaboration with Biagio d'Antonio. Sellaio's three panels with the Story of Esther, now in the Uffizi Gallery, Florence, also belonged to a pair of cassoni along with two other panels now in the Museum of Fine Arts, Budapest and the Louvre, Paris. Sellaio produced a large number of religious panels, including many of the Saint Jerome and Saint John the Baptist. His altarpieces include two panels of the Annunciation for Santa Lucia de' Magnoli, Florence, painted in 1473; a Pietà commissioned in 1483 for the chapel of the Compagnia di San Frediano detta della Brucciata in the Florentine church of San Frediano (later at the Royal Museum in Berlin and destroyed in 1945); and a Crucifixion painted around 1490, also for San Frediano and now in the church of seventeenth-century church of San Frediano in Cestello. Sellaio's son, Arcangelo (1477/78-1531), was also a painter, and was formerly known as the Master of the Miller Tondo. During the German occupation of France, Sellaio's "Madonna and Child, Saint John the Baptist and two angels," was seized in Paris from Austrian refugees Anne