The Mother Hips is an American rock band based in the San Francisco Bay Area. History Formation and debut Tim Bluhm (vocals/guitar), Greg Loiacono (guitar/vocals), Isaac Parsons (bass) and Mike Wofchuck (drums) met in 1990 while attending California State University-Chico, living off campus in Bradley Hall. They jammed and played some original songs at a few parties (once billed as Pippi Longstocking and the Trunk-of-Funk), but soon Isaac and Mike were lured away by the prospect of playing Led Zeppelin and Jane's Addiction covers at big parties as the rhythm section of the Keystones. Meanwhile, Tim and Greg played acoustic guitars and sang harmonies to songstress Ali Weiss in the mellow trio Ali and the Cats. These bands played throughout 1990, but in early 1991, Tim, Greg, Isaac and Mike got back together and got serious about being a rock band. It didn't take long to step up from parties in Chico, CA to local bars and dance clubs like LaSalles and Juanita's. They began playing original songs rather than covers. The band released Back to the Grotto in February 1993. It was produced by the band with Bay Area-based musician/producer Paul Hoaglin (who would subsequently replace Parsons on bass upon his departure in 2002). Major label The Hips were courted by major record labels and did sign a deal with MCA. A&R Exec. Rob Kasino signed them to Rick Rubin's American Recordings even though they were still students at Chico. The Hips then became labelmates with Johnny Cash, Tom Petty, and the Black Crowes (whose Chris Robinson helped the band to sign with American.) The band visited The Black Crowes at Conway while they were recording Amorica on their way to SXSW. They did more recording and mixing on Back to the Grotto for its American re-release (March 1995) and set out to record a follow-up. Released in August 1995, Part-Timer Goes Full included new songs as well as tunes from their back catalog. American Recordings decided the song "Shut the Door" would be released as the first single, but this decision did not go over well with some fans, who thought the song was not representative of their sound. While the song didn't top any charts, the fanbase grew due to touring, including a concert at the Silver Dollar Fairgrounds with 2,400 tickets sold. They were also headlining major venues like the Fillmore in San Francisco and appearing