(the Collectif des cinéastes pour les sans-papiers) who have made a number of short films to bring wider attention to the risks faced by migrant workers. Another aspect of Cantet's interest in social issues is reflected in his preferred method for developing a film, particularly those which feature non-professional actors. He has said that he likes to give a lot of attention and time to the casting, seeking people who will play not themselves but a role similar to their own in real life of which they have a natural understanding (e.g. a factory manager and a trade unionist in Ressources humaines, the pupils in Entre les murs), and then to involve his actors in developing not only their own characters but sometimes the script as well, in a process of workshops and rehearsals. This method was used by Cantet for Entre les murs, and he returned to it in L'Atelier (The Workshop, 2017) in which he worked with a group of young people from La Ciotat on the Mediterranean coast, exploring their present-day problems in a former shipbuilding town which has been radically transformed since its industrial past. Their fictional project in the film shows them collaborating in a workshop to write a novel about their town and drawing on their own experiences to enrich it, mirroring aspects of Cantet's own method in making the film. Filmography Other accolades The 2001 film L'Emploi du temps was placed at 99 on Slant Magazine's best films of the 2000s, number 9 of The Guardian's Best Films of the Noughties, and number 11 at The A.V. Club's top 50 films of the 2000s (decade). In 2015 Cantet received the Volta Career Achievement Award at the Dublin International Film Festival. References External links 1961 births Living people People from Deux-Sèvres European Film Awards winners (people) French film directors French male screenwriters French screenwriters French cinematographers Directors of Palme d'Or winners