including Paul Vera, Roger de La Fresnaye, Marie Laurencin, and Charles Dufresne, and text by Paul Valéry. They declared that their objective was to create ensembles which were "serious, logical, and welcoming." The Dining Room for Paul Girod (1920–21), (now in the Museum of Decorative Arts in Paris) was typical of the Mare and Süe Art Deco style; it featured exquisite craftsmanship and extremely expensive materials; the walls were covered with rosewood and mahogany, and the lighting fixtures were set in a ceiling decorated with gold leaf. On the upper portion of the walls, Bas-reliefs in gilded stucco by Paul Vera illustrated "Summer" and "Autumn". The room also featured a fountain and faucets with sculptural decoration of gilded bronze. However, in his later years, his health, damaged during the war, began to fail. In 1927 André Mare decided to leave the Compagnie des Arts Français for health reasons, and instead devoted himself exclusively to painting. In 1930, he painted a large panel: The Funeral of Marshal Foch with landscapes inspired by his native Normandy. In November 1932, he died of tuberculosis, a result of serious mustard gas poisoning in the war. He is buried in the small cemetery of Lignerits in the Auge. In October–November 1933, a large body of his works was shown in the 23rd exhibition of the Société Normande de Peinture Moderne in the Musée des Beaux-Arts de Rouen. Selected works in French museums La Dactylo (1922), oil on canvas, . Intérieur de l'abbatiale à Bernay, oil on canvas, Musée des beaux-arts de Bernay. Satan. Esquisse de chevaux dans une écurie (1926), oil on canvas, Musée des beaux-arts de Bernay. Le Jockey (1928), oil on canvas, Musée des beaux-arts de Bernay. Vue de Caen. Le Port St-Jean et St-Pierre (1931), oil on canvas, Musée des beaux-arts de Bernay. Le Haras du Pin (1924), oil on canvas, Musée d'art moderne de Troyes. L'Étalon (1928), oil on canvas, Musée d'art moderne de Troyes. Carnets de guerre, (1914–1918), watercolour notebooks, Archives nationales (France). Salle à manger Art Déco, (1920–1921), furniture, textiles and at the Musée des Arts Décoratifs, Paris. Bibliography Léger, Fernand, Lettres à Charlotte et André Mare (1906–1932), correspondance présentée par Tristan Rondeau et préfacée par Michel Onfray. Textes d’introduction de Laurence Graffin, Jean-Christophe Orticoni, Yves Chevrefils Desbiolles et Benoît Noël, Sainte-Marguerite-des-Loges, Éditions BVR, 2019 Mare, A. Cubisme et Camouflage, 1914–1918. Musee municipal des Beaux-Arts, Bernay, 1998. (in French)