Gigantomachy. Both pediments are attributed to the Athenian sculptor Antenor. The sculptures of the pediments of the 4th century temple were made of Pentelic marble. On the eastern pediment Apollo was seated on a tripod, flanked by Leto, ARtemis and the Muses. On the western pediment was depicted Dionysus, surrounded by female figures, the Thyades. Both pediments are attributed to the sculptors Praxias and Androsthenes. Room 7 These two rooms contain objects from the Treasury of the Athenians; the first room contains the metopes, the second contains acroteria, pedimental sculpture and inscriptions. The two pediments of the Treasury of the Athenians are fragmentary and depict, apparently, the meeting of Theseus and Peirithus (eastern pediment) and Hercules in a battle scene (western pediment). Twenty-seven out of the thirty metopes of the treasury are also preserved. They bear representations in deep relief. The east side metopes depict an Amazonomachy. The south side metopes depict the heroic deeds of Theseus, such as the killing of the Minotaur, the bull of Marathon, the hero with an amazon, the hero with the goddess Athena, the fight against the bandit Cercyon and against Skiron. On the north side are depicted nine heroic deeds of Hercules, such as the fight against Geryones, in four consequent metopes, in an unusual "narrative" style. Room 8 The room contains the fragments of the Delphic Hymns and the Attic white-ground kylix with the depiction of Apollo playing the lyre. Rooms 9 & 10 The objects in these two rooms come from the Temple of Athena Pronaia. Among them stand out sculptures from the Treasury of the Massaliots and the Doric Treasury. Two acroteria in the form of running female figures have been attributed to the temple of Athena. Architectural members on the north wall of the room such as simae, gutters in the form of lion-head and acroteria in the form of anthemia, as well as parts of Nike acroteria belong also to various buildings of the sanctuary, date to the late archaic and classical periods and preserve traces of their initial colours. In the middle of the room there are free-standing cases, in which are displayed three bronze figurines, namely a Corinthian figurine of a man playing the double flute (460–450 BC), two naked athletes dated to the same period and coming from an Attic workshop, and a magnificent bronze incense-burner in the form of a "peplophoros", a female figure