holding above her head a cauldron for burning the incense. All three figurines were found in the pit of the Sacred Way along with the chryselephantine statues and several other finds. Along the western side there is a case displaying bronze figurines dated to the first half of the 5th century BC, as well as parts of larger bronze statues. Among the latter stand out the part of a crane and the part of a himation decorated with maeander motifs with inlay copper. Room 10, on the other hand, contains parts of the Tholos of Delphi, the round building standing out in the sanctuary of Athena Pronaia, dated to the first quarter of the 4th century BC. Two rows of simae with lion-heads and two rows of metopes have been found. The first row of metopes decorated the external side and the row with the smaller figures belonged to the internal side of the pteron. The sculpted decoration was complete with acroteria in the form of women dressed in floating peplos. The outer metopes depicted an Amazonomachy and a Centauromachy. The sculptures of the Tholos date to 380–370 BC and constitute magnificent specimens of late Classical sculpture, reminding of the sculptures of the Asclepeion of Epidaurus. Unfortunately, several of them had been damaged in Late Antiquity. Room 11 The room contains Late Classical and early Hellenistic objects, among which the Dancers of Delphi and the ex voto of Daochos. Daochos II was the tetrarch of Thessaly between 336 and 332 BC. The ex voto consisted of a rectangular base 11 meters long which bore openings for supporting nine statues, discovered around it. Eight of the statues were identified by inscriptions. From right to left were depicted possibly a seated Apollo, next to him Acnonios, former tetrarch of Thessaly, with his three sons, Agias, Telemachus and Agelaus, victors in various athletic games, then Daochos I, Daochos II and finally Sisyphus II, the latter's son. Some of the figures, at least, have been attributed to Lysippus. The Dancers of Delphi on the other hand, is a column identified due to the inscription of its base. It was dedicated by the Athenians, made of Pentelic marble. The column ended in a composition consisting of acanthus leaves out of which sprang three female figures with their hands lifted, as if dancing. They probably held a tripod (not extant) crowned by the omphalos displayed also