as a two-track 7" vinyl single (with "Burn all the Photographs" as a B-side) and four-track digital download (with additional remixes). The song was a re-recording of the original demo, which had been recorded in Alastair's bedroom and was removed from the band's site ahead of the release. The new version was produced by Keith Mahony and co-produced and mastered by Les Carter. It was Sad Gnome Records' first release. Hancox had called the first version of the song the Indelicates' "most exciting ... a cynical, disaffected, lo-fi anthem", and "We Hate the Kids" received positive reviews in NME and Rolling Stone. In 2012, "We Hate The Kids" was used on the soundtrack of German film Drei Zimmer/Küche/Bad (English title: Move), and in September 2020, God Is in the TV listed it at #67 in its list of 100 songs deserving to be rescued from the indie rock "landfill" era. The band's last release while signed to Sad Gnome was the EP "The Last Significant Statement To Be Made in Rock'n'Roll", on 12 February 2007. The six-track CD consisted of the title track, plus "Sixteen", "Heroin", acoustic track "Unity Mitford", live track "Stars" and a remix of the title track. The EP was released to tie-in with the Indelicates' tour of Germany in the same month. Jetzt chose "Sixteen" as one of the most interesting song releases of the week, calling Julia's vocals irresistible and complimenting the song's brevity. The magazine also praised the EP as a whole, in particular the way in which Julia and Simon "complement each other, support each other, drive each other on ... they harmonize so perfectly". Weekender years Touring and singles Through 2007, the Indelicates had continued to play venues in the UK and Europe. In Germany they headlined several times and played support for Art Brut, whose lead singer, Eddie Argos, had previously called the Indelicates his favourite band. In April 2007, for British Music Week the German edition of Vanity Fair profiled "the most important" British bands that were playing German cities that year, calling the Indelicates' "We Hate The Kids" and "Waiting For Pete Doherty to Die" "so very brilliant". By mid-year, the Indelicates had left Sad Gnome to join another independent label, Weekender Records, and in July released "Julia, We Don't Live in the 60s" as a CD single and 7" vinyl. The latter featured "Point Me to the West"