at the end of December 2012, and completed the album with the release of Part III on 25 April 2013. The Indelicates also ran a successful Kickstarter campaign to fund the 12" vinyl edition. To promote the album, the band released a videos for the song "Class" on 10 September 2012 and "I Used to Sing" on 17 September. God Is in the TV praised the first two tracks ("Bitterness is the Appropriate Response" and "Pubes") as having "more muscle" and as a departure from the band's usual style, but lamented that the rest of the album did not follow suit. The reviewer concluded that it remained "a fine album, with some great instrumentation and clever lyrics". Author and journalist Kieron Gillen singled out "Not Alone" as one of his songs of the year, "their Everybody Hurts, but with all the necessary cruelty to make us cynics swallow it." Maria Schurr of PopMatters said that Diseases of England "is as grand as anything in the duo’s back catalog" while being somewhat "slower and less reliant on humour" than the band's previous albums. She also noted the different tone of the first two tracks, from which the album moves to a more deliberate pace replacing their "youthful defiance" with "potent revulsion". Schurr said that while approximately "90% of the songs on here evoke filthy streets mottled with contaminated rainwater ... the Indelicates are the band that can make such unsavory visions inviting". She concluded that the album was "a grimily beautiful release worthy of the heart that was put in to it". The Indelicates also released music videos for "Not Alone", "Everything Is Just Disgusting"—which features puppets of the band—and the machinima "Dovahkiin", which was created using the video game The Elder Scrolls V: Skyrim. In October 2013, the band also released Part IV of "Diseases of England" as DLC, consisting of four new songs recorded at Dean Street Stuidos with Keith TOTP, and ten demo versions of other songs from the album, recorded at Simon and Julia's home. Elevator Music By 2013, the Indelicates remained somewhat popular and acclaimed in Germany, but had still found success in the UK elusive. After analysing the band's website traffic, Simon claimed that larger numbers of visitors had come from "obvious places" such as London and New York, but the remainder were single-person hits from "pretty much every city I've ever heard of". He