Newberry had left the band, who were joined by Laurence Owen on bass and sometime guitarist and backing vocalist Lily Rae. The band continued with a rotating line-up for live shows. In early 2009, they released the download-only single "The Recession Song", which also featured Art Brut's Mikey Breyer. Author Laurie Penny said of the song, "I have been stamping around to it all day; it takes a very special song to make my heart hammer like a tiny flywheel, and this is it." In early 2009, Weekender had said that it intended to move away from record production into artist management, and unsure if the label would exercise its contractual right to a second album, the Indelicates asked to be released from their contract. In January 2010, the label closed its UK operations entirely. Corporate Records was a joint venture with musician Keith Top of the Pops, who had produced the studio version of "We Hate the Kids". After deciding to self-release their second album, the band decided that the label could serve a wider audience than just themselves. The Corporate Records website invited artists to "promote, share and sell their work" and let fans download work on a pay-what-you-like basis. Apart from a PayPal charge and 20% "server costs and admin" the Corporate Records contract promised 80% of the proceeds of sales to artists. Songs for Swinging Lovers On 12 April 2010, the Indelicates released their second album, Songs for Swinging Lovers, through the Corporate Records website for the UK, US and other territories, except Germany, where it was released through Snowhite Records (in conjunction with Universal Music Group) on 10 December. The album was produced by Ed East and recorded at Studio East in Berlin, with additional recording by Keith TOTP at Dean Street Studios in London. The band released the CD version on 2 June, and a 12" vinyl special edition followed. The Indelicates also made available a "Super Special Edition"—a £300 package including the "CD, signed vinyl, exclusive download, art/poster book, lyric book, signed print, jewellery, fudge and rope." The special edition also included a live performance of the album at "any UK venue" which would be recorded and the copyright for that recording given to the buyer, who could then sell the recording on the Corporate Records website if they wished. Simon said that musically the album better represented what the band heard in