BMOPSound, and Centaur Records, among others. He has received both the Charles Ives Fellowship and a Music Award from the American Academy of Arts and Letters, as well as grants from the NEA and Chamber Music America. Writings Since 1994, Carl has been a critic for Fanfare magazine, where he writes extensively on new music recordings. In addition, he has completed a book on Terry Riley’s In C, published in 2009 by Oxford University Press. His interest in Japanese music (Carl often performs his own music on the shakuhachi) led to a residency in Tokyo in spring 2007, which resulted in interviews with 25 contemporary Japanese composers. In 2013, Carl published "Eight Waves a Composer Will Ride in This Century" on an emerging common practice period that he observes in twenty-first-century compositional practice, based on the universality of music technology, globalism, cross-disciplinary collaboration, and sonic essentialism. This essay has become the basis for Music Composition in the 21st Century: A Practical Guide for the New Common Practice, published by Bloomsbury in August 2020. He has also edited the final (posthumous) book of Jonathan Kramer, Postmodern Music, Postmodern Listening, also published by Bloomsbury. Selected works Orchestral and Ensemble Symphony No. 2 "Liberty and/or Death" (1989–1992) Marfantasie for electric guitar and large ensemble (2004) A Musical Enquiry Into the Sublime and Beautiful for chamber orchestra (2006–2007) La Ville Engloutie for wind ensemble (2007) Symphony No. 4 "The Ladder" (2008) Rocking Chair Serenade for string orchestra (2013) Symphony No. 5, "Land" (2013) What's Underfoot for chamber orchestra (2016) Symphony No. 6, "Dome of Refuge" (2017) Chamber Music String Quartet No. 1 "A Path between Cloud and Light" (1985) Roundabout for contrabass and fixed electronic part (1988) Time/Memory/Shadow for double trio (piano, 2 violins, viola, cello, harp or synthesizer/sampler) (1988) Duke Meets Mort for saxophone quartet (1992) A Sampler of the Senses for viola, cello and piano (1994) Open for string trio (1998) Violin Sonata No. 2 "Angel Skating" (1999) String Quartet No. 2 "Fear of Death/Love of Life" (2001) Piano Trio No. 2 "The Blossom" (2002) Excavating the Perfect Farewell for viola and piano (2003) The Wind's Trace Rests on Leaves and Waves for string quintet (2005) A Clean Sweep for shakuhachi and Max/MSP (2005) River's Bend for flute duo (2012) Piano Quintet, "Search" (2013) Open/Empty for Pierrot sextet (2014) Jyun On for two shakuhachis and ichigenkin (2016) Piano Quartet, "Just Listen" (2018)