was appointed art editor in 1932, a position he held until 1937. Morrow then retired as editor and was succeeded by 'Fougasse'. In 1940 Morrow returned to the magazine to fill the position of assistant literary editor due to the staff shortages of WW2. Other publications he contributed to included the Bystander, The Pall Mall Magazine, Sphere, Strand Magazine, Tatler, Windsor Magazine and the Radio Times. In 1908 Morrow and his brothers, Albert, Henry, Jack, Edwin and Norman, held an exhibition at the family business of 15 D'Olier Street in Dublin which consisted of seventy-three works, with several paintings by George, including Whitehead, Co.Antrim and Donaghadee. Snoddy speculates that this was at the launch of the business. Morrow was a founder of the Society of Humorous Art and was represented at the inaugural exhibition in 1912, alongside W Heath Robinson. By 1917 George Morrow was a household name when he joined his brother Albert, and 150 artists and writers, in petitioning the British Prime Minister Lloyd George to find a way of enacting the unsigned codicil to Hugh Lane's will and establish a gallery to house Lane's art collection in Dublin. Amongst the 32 notable artists who signed this petition were Jack B Yeats, Sir William Orpen, Sir John Lavery, and Augustus John. Morrow also designed posters for London Underground between the years 1918 to 1931. Morrow donated a picture of a mounted knight confronting a cheerful dragon upon an invitation from the Ulster Society for the Prevention of Cruelty to Animals for inclusion in their centenary publication. The volume is a virtual who's-who of Ulster artists, writers and musicians of the time. Morrow's work was later displayed in 1945 in a solo exhibition of 100 Punch drawings at the Belfast Museum and Art Gallery. For many years Morrow produced Royal Academy Depressions, a series of comic parodies of Royal Academy pictures. Several collections of his cartoons were published including An Alphabet of the War (1915) which reprinted cartoons from Punch Almanack. He also illustrated more than 70 books by other authors for adults and children. He collaborated in producing 12 books with EV Lucas, who was the editor of Punch from 1932 to 1949. Their best loved title was the satirical life story of a fictional English aristocrat, What a Life! An Autobiography published in 1911. Morrow also had a number of books published by Methuen, under his own