cranks that you could replicate the effect by staring at the innards of a domestic appliance, but when these CGI moto-men from another world duke it out, the images are often so screwy it’s impossible to do anything but sit and stare." There was considerable negative reaction to the characters Mudflap and Skids, who some perceived as embodying racist stereotypes. Manohla Dargis of The New York Times said that "the characters [...] indicate that minstrelsy remains as much in fashion in Hollywood as when, well, Jar Jar Binks was set loose by George Lucas". Critic Scott Mendelson said "To say that these two are the most astonishingly racist caricatures that I've ever seen in a mainstream motion picture would be an understatement." Harry Knowles, founder of Ain't It Cool News, went further, asking his readers "not to support this film" because "you'll be taking [your children] to see a film with the lowest forms of humor, stereotypes, and racism around." Bay (the director) has attempted to defend the film as "good clean fun" and insisted that "We're just putting more personality in." Writers Roberto Orci and Alex Kurtzman responded to the controversy with "It's really hard for us to sit here and try to justify it. I think that would be very foolish, and if someone wants to be offended by it, it's their right. We were very surprised when we saw it, too, and it's a choice that was made. If anything, it just shows you that we don't control every aspect of the movie." Tom Kenny stated in a late 2020 interview that he was hired as a placeholder for the role of Skids, but that Michael Bay ended up using his voice in the final version of the film; a decision that Kenny admitted he was embarrassed by. Another major complaint about the film was Bay's usage of the IMAX format. Instead of using IMAX for complete unbroken sequences similar to director Christopher Nolan's approach for The Dark Knight, Bay chose to use the format primarily on a shot-by-shot basis, combining conventional 35mm footage and IMAX shots in the same sequence. That approach, combined with rapid cutting, created a jarring, highly unpleasant experience for most moviegoers. Actor Shia LaBeouf was unimpressed with the film, stating "We got lost. We tried to get bigger. It's what happens to sequels. It's like, how do you top the first one?