Building. King Kong's family, consisting of smaller apes, appear at the wedding, and Homer has a habit of eating people; at the end he eats Marge's father. King Homer also has a cameo in the music video for "Deep, Deep Trouble" from The Simpsons Sing the Blues CD, and years later, makes another appearance in the opening couch gag of "Jazzy and the Pussycats." Homer grabs Marge from the couch and scales the Empire State Building, all while fending off 1930s-style airplanes. King Homer (or Homer Kong) would reappear battling Bridezilla (a Godzilla version of Marge Simpson) in the episode "Wedding for Disaster". The character also appeared in video games such as Bart's Nightmare and Treehouse of Horror as well as various merchandise such as toys and T-shirts. The original film was referenced again on The Simpsons in the episode "Monty Can't Buy Me Love", where Mr. Burns captures the Loch Ness Monster and brings him back to America to entertain an audience; however, instead of the Monster going berserk during its debut, Burns himself is startled by the flash photography and causes the carnage. In the My Life as a Teenage Robot episode "Hostile Makeover", Jenny is turned into a Neanderthal and gorilla-like monster; when the cameras flashed their lights to take pictures of her, she roared. In the second Futurama film, The Beast With a Billion Backs Richard Nixon's head remarks about an alien invasion that King Kong is "too old to save us this time", and the camera pans to an elderly King Kong holding Ann Darrow's skeleton. King Kong is often used in commercial culture, for example in advertisements for Coca-Cola and Energizer Batteries. A New York insurance company used clips from the film to persuade people of the hazards of city life. A two-part Energizer Battery commercial had the 1933 Kong himself contracted by a rival battery corporation (SuperVolt) to get rid of the Energizer Bunny for them. The commercials were done in black-and-white, and used cleverly edited 1933 Kong sequences (possibly combined with new computer-generated Kong shots). The concluding second-part had Kong cornering the Bunny on the roof of a New York City building, complete with biplanes flying in the sky. His foot in an open window interrupts a couple that resemble Ann Darrow and Jack Driscoll having a romantic moment. The woman, extremely annoyed, slams the window on Kong's toes, making him lose