chart television program Top of the Pops. The B-side of the single is the "Gloria Hitmix", a megamix which includes the songs: "I'm Not Giving You Up", "Reach", "You'll Be Mine (Party Time)", "Mi Tierra", "Live for Loving You", "Tres Deseos", "Everlasting Love" and "Turn the Beat Around." Critical reception Ben Wener from Beaver County Times noted "the lush orchestration" of the song in his review of gloria!. Larry Flick from Billboard described it as a "deliciously sweet confection that takes the listener back to the days of disco with its wonderfully vibrant strings and rumbling percussion." He added, "La G is in exceptional voice here, hitting high notes she's never touched before—and doing so with a delightfully romantic flair. The fingerprints of top clubland producer Tony Moran are all over the track, starting with its muscular bassline and unabashedly gleeful keyboards." He also noted that the song has "cute lyrics and instantly sing-along chorus." Another editor, Chuck Taylor deemed it as a "tasty" track. The Daily Vault's Alfredo Narvaez called it a "flamboyant" song, and stated that it is "pretty enough to be liked by teenage girls and danceable enough that older ladies will instantly recognize and like its vibe." Dave Sholin from the Gavin Report viewed it as "upbeat with a great hook" and a "winner". He added that "while some of her strongest hits have been ballads, it's wonderful to hear her pick up the pace on this latest endeavor." Joey Guerra from Houston Chronicle wrote that it is a "daring, delightful track" that "takes flight on the wings of its rousing chorus and themes of unexpected love." Jeremy Griffin from The Ithacan described it as "sensational". A reviewer from Music & Media commented that with this track, Estefan "yet again comes up with a near-perfect pop/dance crossover hit. The song has the hook to make it a radio favourite, and a couple of snappy remixes should help broaden its appeal." Gerald Martinez from New Sunday Times wrote that it "grooves to a latin disco beat of the 70s and 80s". Victoria Segal from NME said songs like "Heaven's What I Feel" "speak the international language of tedium". Larry Flick for Vibe noted its "twinkly synths, romantic live strings, and vibrant house bass line". "Heaven's What I Feel" was successful in Europe, Japan, and the US. It peaked at number 27 on the Billboard Hot 100 and