types of African-Americans as "Oreo cookies", an epithet implying that they appear black on the outside, but have, internally, negative white tendencies. Arsenio Hall is specifically mentioned as being a "sell-out." Cube also heavily criticizes R&B and hip hop radio stations for watered-down broadcasting. The title song directly parodies the television show, America's Most Wanted, alleging bias and denouncing the glee the program displays in arresting African-American men. A later skit, "The Drive By," returns to the same theme at the end, with newscaster Tom Brokaw reporting on rioting, stating: "Outside the south central area, few cared about the violence because it didn't affect them." He also addressed gender relations on "It's a Man's World", a duet between Cube and rapper Yo-Yo. Cube and Yo-Yo verbally spar and trade sexist barbs back and forth in an exposé of sexism between men and women. Amidst critics' accusing Ice Cube of sexism, Peter Watrous of The New York Times wrote, in review of a live show at New York's Apollo Theater: Release AmeriKKKa's Most Wanted initially charted without the support of a lead single or video, although the title track would later receive a pressing, and a rare video for "Who's the Mack?" eventually surfaced. It was directed by Alex Winter. Singles The title track was the first official single from the album - the B-side for the song was "Once Upon a Time in the Projects". "Who's the Mack?" was released as a promo single and music video. A remix of the album track "Endangered Species (Tales From The Darkside)" was later released as a single the EP Kill at Will. Critical reception Upon release, AmeriKKKa's Most Wanted received critical acclaim, and over the years it has been regarded by many as a hip-hop classic. Davis Mills from The Washington Post praised the album for its lyrical dexterity, stating: "Ice Cube has now proven that he was N.W.A's crucial element. He's an unusually gifted rhymer, and his delivery is even more self-assured." Greg Sandow from Entertainment Weekly called it "not necessarily cohesive art", but complimented the album's vivid depictions of urban realities and wrote that Ice Cube "emerges as a rapper most original for his uncompromising tone. He throws ghetto life in our faces and dares us to draw our own conclusions". Rolling Stone originally gave the album 2½ out of 5 stars in 1990, with Alan Light commenting; "The relentless