a 58% approval rating on Rotten Tomatoes based on 213 reviews and an average rating of 5.80/10. The consensus statement reads: "The International boasts some electric action sequences and picturesque locales, but is undone by its preposterous plot." Metacritic gives the film a 52% rating based on 34 reviews. In his review for The Guardian, Peter Bradshaw wrote, "I felt occasionally that Owen's rumpled performance is in danger of becoming a little one-note ... but this is still an unexpectedly well–made thriller with brainpower as well as firepower". Philip French, in his review for The Observer, called the film a "slick, fast-moving conspiracy thriller" and the gunfight in the Guggenheim "spectacular". In his review for The Independent, Anthony Quinn wrote, "It's reasonably efficient, passably entertaining, and strenuously playing catch-up with the Bourne movies: flat-footed Owen doesn't look as good as Matt Damon sprinting through city streets, and the editing doesn't match Doug Liman's whiplash pace". The New Yorker magazine's David Denby wrote, "And there's a big hole in the middle of the movie: the director, Tom Tykwer, and the screenwriter, Eric Warren Singer, forgot to make their two crusaders human beings". In his review for The New York Post, Lou Lumenick wrote, "There, an anticlimactic rooftop chase reminds us that Tykwer, the German director who reinvented the Euro thriller with Run, Lola, Run a decade ago, has been far surpassed by Doug Liman and the Bourne adventures, yet thankfully lacking the rampant and nonsensical roller-coaster style of editing, where no shot lingers for longer than a nano-second.". A.O. Scott, in his review for The New York Times, wrote, "The International, in contrast, is so undistinguished that the moments you remember best are those that you wish another, more original director had tackled". In his review for the Los Angeles Times, Kenneth Turan wrote, "It's got some effective moments and aspects, but the film goes in and out of plausibility, and its elements never manage to unify into a coherent whole". Claudia Puig, in her review for USA Today, wrote, "The dialogue by screenwriter Eric Warren Singer is spotty. There are some great, pithy lines and others whose attempt at profundity ring false". Roger Ebert gave the film three out of four stars and wrote, "Clive Owen makes a semi-believable hero, not performing too many feats that are physically unlikely. He's handsome and has the obligatory macho stubble, but he has