John Rodgers (born 1962) is a Brisbane-based Australian composer, improviser, violinist, pianist and guitarist. Early life Rodgers was born in North Queensland and spent his early years there. Education Rodgers was awarded the 1983 Vada Jefferies Prize Griffith University Queensland Conservatorium of Music. He graduated with a Bachelor of Music from the Queensland Conservatorium of Music in 1984. Career Rodgers had an early background in classical music. He played with the Australian Youth Orchestra in 1980 -1982 (Violin 1) and in 1983-1984 (Violin) was leader. During this time they performed in Adelaide, Melbourne, Sydney, Perth and in 1984 undertook a tour of European Festivals. He played with the Queensland Theatre Orchestra, and the Hunter Orchestra. With these and other orchestras, he toured Europe and Asia, often appearing as a soloist on violin. Rodgers chose not to follow the path that led to a career in classical music, instead forming controversial sex-and-death cult rock band Madam Bones Brothel with Pearly Black and together they released a CD Family of Abjects in 1994. He later played improvised music in ensembles such as The John Rodgers Trio and Artisan's Workshop early 1990s. Rodgers has been a contributor to the Australian Art Orchestra and was its Associate Artistic Director in 2005. He has worked with the New York performance artist Penny Arcade (Vienna Festival 1997), the Robyn Archer band and many of Australia's leading musicians and artists. He has performed solo concerts in the Adelaide Festival and the Melbourne Summer Music Festival. Rodgers has produced many works in fields including music theatre and new media. He has performed and recorded with the Antripodean Collective over a number of years. In 2011 John Shand in the Sydney Morning Herald said of the collective, "[it] stands in the forefront of the world's improvisers ... shared harmonic and rhythmic conceptions and vocabularies ... For the listener, the upshot is moments of stunning confluence materialising from nowhere and an intriguing dichotomy between the intellectual and the aesthetic, the conceptual and the visceral." In 2012 he performed at the Powerhouse in Dangling my Tootsies a show featuring the "songs and sites of cabaret legend Agnes Bernelle", He has performed with number of artists both on recordings and live including William Barton on Birdsong at Dusk CD) , Kate Miller-Heidke at the Powerhouse and Resonance Festival (2012) where he composed and performed Hear me, and Remember. From 2012 to 2014