Hend al-Mansour (born 1956) is a Saudi-American visual artist and physician. Her printed silkscreens, installation art and portraits of Muslim women explore the religious and social belief systems of Arab communities. She earned degrees in cardiology and internal medicine, practicing medicine for 20 years. She immigrated to the United States in 1997 after receiving a fellowship at the Mayo Clinic in Minnesota. She then pursued an art career, attending the Women's Art Institute at St. Catherine University and earning her MFA from Minneapolis College of Art and Design. Biography Hend al-Mansour was born in Hofuf, Saudi Arabia in 1956. She obtained a degree of medicine from Cairo University in 1981. For 20 years, al-Mansour worked as a physician, as an Arab women, a career that provided her "personal freedom and self-worth." She practiced medicine in Saudi Arabia at Hofuf and Riyadh until 1997 when she immigrated to the United States, having received a fellowship at the Mayo Clinic in Rochester, Minnesota. During her medical career she obtained degrees in internal medicine and cardiology. In 2000 she shifted careers from medicine to art, attending the Women's Art Institute at St. Catherine University. She was the program's teaching assistant the following year. While a student and participating in the institute she began to answer the question "Who's your audience?" She obtained a Master of Fine Arts from Minneapolis College of Art and Design (MCAD) in 2002. Al-Mansour is an installation artist, silkscreen printer and a public speaker. Her work is about women in the Islamic world. She creates spaces representing private lives of women out of silk-screened fabrics. She has shown in Minnesota and other states in the United States as well as in Saudi Arabia and United Arab Emirates. She is married to Dr. David Penchansky, a theology professor and writer, and they live in St. Paul, Minnesota. Themes, media and style Al-Mansour's work explores religious and social belief systems of the Arab communities, especially those dealing with women, sexuality and understanding the other. She uses Arabic calligraphy, images of Arab people, Islamic ornamentation and architecture. She investigates the status of contemporary Arab art and cultivates its independence from Western art and its distinction from other Middle Eastern and Islamic identities. She defines her audience as people from home, Saudi Arabia, and people in the Middle East because they can most easily identify with her work and she is a part