would be housed in separate huts. Aspirations to live in a more modern style, along with practicality, have led most families to abandon the round hut style for rectangular, flat-tin-roofed houses. Processes of forced and semi-voluntary relocation, and an apartheid government planning scheme implemented in the name of "betterment", have meant that many newer settlements, and the outskirts of many older ones, consist of houses built in grid-formation, occupied by individual families unrelated to their neighbors. Arts Important crafts included metalsmithing, beadwork, pottery, house-building and painting, woodworking (especially the making of drums). the arts of the Pedi, they are known for metal forging, beading, pottery, woodworking much more in drum making and also painting. Mmino wa Setšo Pedi music consists of a single six-note scale traditionally played on reeds, but currently it is played more on a jaw harp or autoharp. Migrants influenced by Kibala music involves playing aluminum pipes of different heights to reproduce vocal harmonies. Traditional dances, women dance on their knees, usually accompanied by drums, backing vocals and with a lead singer, involve vigorous shaking topless from the upper torso while the women kneel on the floor. Songs are also part of Pedi culture. While working the Pedi sang together to finish the job faster, they had A song about killing a Lion to become a man it was a bit peculiar song. The act of killing a Lion is very unusual and is no longer practiced. In fact, it was so unusual that if a boy was successful he would get high status and the ultimate prize - marrying the chief's daughter. The Bapedi, they also have the different types of cultural music: Mpepetlwane: played by young girls; Mmatšhidi: played by older men and women; Kiba / Dinaka: played by men and boys and now joined by women; Dipela: played by everyone Makgakgasa and also played by older women. Pedi music (mmino wa setso: traditional music, lit. music of origin) has a six-note scale. The same applies to variants of Mmino wa Setšo as practiced by Basotho ba Leboa (Northern Sotho) tribes in the Capricorn, Blouberg, Waterberg districts, as well as BaVhenda in the Vhembe district. Mmino wa Setšo (indigenous African music) can also be construed as African Musicology - a concept that is often used to distinguish the study of indigenous African music from the dominant ethnomusicology discipline in academe. Ethnomusicology has a strong footprint