for his style of adaptation, as it contains "some very racy bits". In May 2006, Ben Dowell from The Guardian stated that Fanny Hill had been commissioned by BBC Fiction Controller Jane Tranter, and it would be produced by Sally Head through her own production company. Davies admitted to having doubts as to whether a television adaptation would be commissioned. He expressed his delight at introducing a new audience to the novel, while executive producer Eleanor Moran commented "Andrew's adaptation brings out the joie de vivre of the novel, and is full of his trademark good humour and naughty wit." Fanny Hill was directed by James Hawes, who previously directed Davies's The Chatterley Affair. Hawes shot between five and eight minutes of screentime in a day, which was double the norm. He said it was a challenging shoot because of the limited budget. Hawes explained that the budget was half what it would have been if the show aired on BBC One, forcing the crew to think outside of the box. Filming lasted for four weeks. While Fanny Hill had been adapted for several films, the miniseries marked the first time the novel had been adapted for television. Fanny Hill aired as part of BBC Four's 18th century season and was accompanied by two documentaries, including The Curse of Success which told the story of Cleland and how he believed Fanny Hill ruined his reputation. 70 actresses auditioned for the role of Fanny, this was cut down to eight and then two. Upon learning she had an audition for Fanny Hill, Night went and purchased the book. She was in the first group of actresses that were seen for the part. Producer Nigel Marchant said Night stood out and called her a natural in the part. Actor Alex Robertson was already in mind for the part of Charles, but his casting was not confirmed until they had cast Night as Fanny. A couple of male actors read with Night and Robertson said that he had to go through two auditions. Producers noted that he had the right chemistry with Night. Reception The first episode of Fanny Hill gave BBC Four its biggest audience when it was watched by 1.1 million viewers. It had a 5.3 per cent audience share, outperforming other digital competitors. The second episode also had an audience of 1.1 million, with a 5.2 per cent share. The