Death Bed: The Bed That Eats is a 1977 American surrealist folk horror film written, produced, and directed by George Barry in his only feature film, and starring Demene Hall, William Russ, Julie Ritter, and Dave Marsh. The plot centers on a demon-possessed bed that is passed on through generations, bringing tragedy upon those who come across it. Filmed in Detroit in the early 1970s on a budget of $30,000, Death Bed underwent approximately four years' worth of post-production by Barry, and did not receive distribution upon completion. Despite this, the film garnered a minor cult following in Europe after it was made available via bootleged VHS editions, initially through the United Kingdom-based label Portland Films. Barry was unaware of the these unofficial releases until 2001 when he came across a review of the film on an online forum. The film was championed by British film critic, writer, and musician Stephen Thrower, whose musical group, Cyclobe, composed a new musical theme for the film with Barry's approval. Cyclobe's music was integrated into the film before it had its first official theatrical premiere at the San Francisco Independent Film Festival in February 2003. The U.S. home media label Cult Epics released the film on DVD the same year, and a Blu-ray edition followed in 2013. Plot In 1897, a demon fell in love with a woman and conjured up a bed on which to make love to her. The woman died during the act, and, in his grief, the demon wept tears of blood which fell on the bed and caused it to come to life. While the demon rests, the bed's evil is contained, but once every ten years, the demon wakes, giving the bed the power to physically eat human beings. Only one man, an artist identified as Aubrey Beardsley, was spared, as the bed condemned him to immortality behind a painting, where he must forever witness the bed taking victims. The bed passed from owner to owner until the present day, and consumes a series of victims in divided vignettes: Breakfast A young couple trespass into the abandoned mansion where the bed is housed. They make love on the bed, and the bed devours them. The artist mocks the bed for its stupidity. Enraged, the bed telekinetically destroys most of the house except for the room it is in. Lunch Three women—Diane, Sharon, and Suzan—discover the remnants of