better understand Lee's profession. His first scene was a sex scene with Ramona. Despite leaving the series in 2001, Fay Ripley was persuaded to return to the programme for one last appearance as Jenny in the final episode. To make sure the rest of the cast agreed to return, their salaries were increased to £75,000 per episode, a 50% increase on their pay for the fourth series (though Joseph earned less). Episodes one and two were directed by Ciaran Donnelly, episode three by Simon Delaney and episode four by Tim Sullivan. Ripley was in the late stages of pregnancy and permitted to work for only a short amount of time, so the fourth episode was filmed before the third. Ripley did not travel to Portmeirion with the rest of the cast, so a make-up artist stood in as Jenny in the beach and clifftop scenes, wearing the prosthetic stomach originally made for Ripley in the first series. A close-up of Jenny standing next to Jo was filmed in front of a similar backdrop in Manchester and edited into the location footage. The producers endeavoured to film on location once per series but the high cost of the Sydney episode and the rising salaries of the cast meant the budget could not permit travel any further than Portmeirion, a village most famous as the location in The Prisoner. Rachel's car accident was filmed on location in Moston, Greater Manchester in the early hours of 6 October 2002. Following the completion of filming, the sets were dismantled and moved to landfill sites. Robert Bathurst was displeased with the development of David and Robyn's relationship; he told The Times, "I had a long run-in with the producers. Here was an opportunity for the character to have his first friendship and they used the stock telly drama for friendship of having a shag. I said it's shallow and it's sordid. So they wrote a scene with a self-disgusted David saying 'It's shallow and it's sordid.'" Mark Russell composed an extended score for the scenes depicting Rachel's death and its aftermath, using music software to recreate the acoustics of the Cathedral of Chartres: "We decided what we wanted was quite an elegiac piece of music that becomes more and more emotional so it doesn't reflect the frenzy of the hospital." Broadcast The four episodes were broadcast in a Sunday night timeslot from 9 p.m. to