Leeds Art Gallery in Leeds, West Yorkshire, England, is a gallery, part of the Leeds Museums & Galleries group, whose collection of 20th-century British Art was designated by the British government in 1997 as a collection "of national importance". Its collection also includes 19th-century and earlier art works. It is a grade II listed building owned and administered by Leeds City Council, linked on the West to Leeds Central Library and on the East via a bridge to the Henry Moore Institute with which it shares some sculptures. A Henry Moore sculpture, Reclining Woman: Elbow (1981), stands in front of the entrance. The entrance hall contains Leeds' oldest civic sculpture, a 1712 marble statue of Queen Anne. In front of the gallery is Victoria Square, at the eastern end of which is the city's war memorial. This square is often used for rallies and demonstrations because of the speakers' dais provided by the raised entrance to the gallery. History The original concept of this gallery was initiated by an executive committee formed in 1876 for the purpose, by Leeds Fine Art Society. The original committee included its president, the Marquis of Ripon, Hon. Sec. John Joseph Willson, Rev. John Gott (vicar of Leeds, and son of Benjamin Gott), John Atkinson Grimshaw, and architect William Henry Thorp (1852–1944). The gallery was built between 1886–88 by Thorp, as an extension to the Municipal Buildings to the west (built 1878–84 by George Corson, now housing Leeds Central Library). It opened on 3 October 1888 as Leeds City Art Gallery and was paid for by public subscription, collected in honour of Queen Victoria's Golden Jubilee in 1887. It was opened by the Mayor, Alderman Archibald Witham Scarr (1827–1904), with the artist Hubert von Herkomer in attendance. What is now the Tiled Hall Café was the sculpture gallery, having been modified from the Reading Room of the adjacent public library, to be illuminated by electricity. All other galleries were lit by daylight from rooflights. The new building had a central court of two storeys with a glass roof and a fountain of Burmatofts faience. (A floor was later put in to create additional space.) In 1912, the Leeds Art Collections Fund (now known as the Leeds Art Fund) was formed to support the gallery's acquisitions. At its centenary exhibition in 2012, it displayed the 430 works it had helped to acquire for the city. In