October 2014. João Pessoa, Brazil. Bilingual Anthology of Short Stories. Selection of awarded works at the Literary Award "Agua no terceiro Milenio", Brazil. Published in Portuguese and Spanish. Pilar Editors, Brasília, 2000. P. 142, 143, 144. Includes the short story "Das schwerste gewicht" previously published in "Ya se que todo es mentira" (1999), Editorial del Nuevo Extremo, Buenos Aires 1999. Sperling & Kupfer Editori, Milan, Italy, 2001, 164pp. Translated by Gina Maneri. Collection: Continente Desaparecido, directed and coordinated by Gianni Minà . The book includes interviews with Ariel Dorfman, Eduardo Galeano, Ana María Shua, Martín Caparrós, Fernando Birri, Aida Bortnik, Roberto Cossa, Liliana Hecker, Federico Luppi, Hector Olivera, Nico Orengo, Dalmiro Saenz, Gianni Minà, and others. One of the recurrent themes through the book is the idea of exile, Peronism, and the political turmoil in Argentina during the 1970s. The book is based on the homonymous documentary film by the author. Includes correspondence between Osvaldo Soriano and Adolfo Bioy Casares, Julio Cortázar, and Juan Gelman.Osvaldo Soriano: Una contrautopía posmoderna, by Cristián Montes, Published by RIL Editores, 2004. pp. 45, 53, 87. (trad. I know it Its All Lies). Some of the short stories included have been previously published in literary magazines. Foreword by Osvaldo Bayer. 199 pp. 23 cm. Foreword by Osvaldo Bayer. Design by Oscar "Negro" Díaz. 'Senxo', Selected Poems. Editorial Grupo Archivo de Comunicación, New York City, 1984. Foreword by Armando Tejada Gómez. Out of print. Journalism Montes-Bradley has contributed to El País, Babelia, Les cinemas de la Amerique Latine by the Association Rencontres Cinémas d'Amérique Latine de Toulouse France; La Jornada, México; the monthly review Latinoamérica e Tutto il Sud dell Mondo, Italy; and in Argentina to the literary magazine Esperando a Godot; the art-magazine Revista Lote, Venado Tuerto, Suplemento Radar published by Página/12, El Amante de cine, "Diario Perfil," "Revista Ñ" Clarin, Critica de Argentina; and La Nación. Montes-Bradley was a frequent collaborator with the literary blog "Nación Apache." His interventions in the media can be classified as a. In-depth articles on subjects as diverse as the life of Dean Reed in the Soviet Union, and the aftermath of the Battleship Potemkin; b. Sudden and brief pieces on current affairs with a particular emphasis on domestic politics in Argentina. One of Montes-Bradley's bull's eyes of choice appears to be the National Institute of Cinematography (INCAA) a government institution repeatedly denounced for corruption, censorship and the discretionary