AmeriKKKa's Most Wanted is the debut studio album by American rapper Ice Cube, released on May 16, 1990, by Priority Records. It was his first solo album, after an acrimonious split from his former group N.W.A. The album was primarily produced by Public Enemy's production team The Bomb Squad. A critical and commercial success, it remains one of the defining hip hop albums of the 1990s. Background Conception After departing from Ruthless Records and the West Coast–based group N.W.A, Ice Cube immediately moved to record his own album. Cube maintains that originally, he and N.W.A producer Dr. Dre still wanted to collaborate for Cube's debut solo, but the move was nixed by label powers: Linking up with Sir Jinx, Dr. Dre's cousin, Cube made use of pre-written notebooks of songs meant for N.W.A member/Ruthless co-founder Eazy-E. After relocating to New York, they worked on the songs, which included "Once Upon a Time in the Projects", "Get Off My Dick & Tell Yo' Bitch to Come Here" and "Gangsta's Fairytale", among others. Under fire from his former group with the song "100 Miles and Runnin', from the EP of the same name, he also recorded the song "Jackin' for Beats", using beats allegedly planned for use on the next N.W.A album, though he would use this several months later on the Kill at Will EP. After contacting Public Enemy's production team The Bomb Squad, they completed the album. The album received a fair share of production credited to various Bomb Squad members, with an appearance by Public Enemy frontman Chuck D, despite Jinx's claims that the only Bomb Squad member fully present was Eric Sadler. Hank Shocklee spoke on meeting and working with Ice Cube in a Cool'eh Magazine interview: Content With socio-political conscious and gangsta rap content, its songs delve into the issues of ghetto life, drug addiction, racism and poverty. Throughout the album, Ice Cube incessantly attacks institutional racism, as well as social norms which directly or indirectly allowed the oppression of those living in the ghettos of Los Angeles to continue. On "Endangered Species (Tales from the Darkside)," he predicts that his neighborhood would become a flash point for violence before 1992's scandal over the beating of Rodney King, and takes police to task for the policies that would later lead to the L.A. riots that resulted. Throughout the album, Cube takes some controversial stands, referring to certain