Sharapanjara () is a 1971 Indian Kannada language film directed by Puttanna Kanagal, based on a novel by Triveni of the same name, and starring Kalpana and Gangadhar in lead roles. This film is considered one of the best Kannada movies ever made. Triveni's novel was richly visual and Puttanna not only stayed faithful to the novel on screen but also retained most of the novel's dialogues and credited Triveni for them. The film won the award for Best Feature Film in Kannada at the 20th National Film Awards in 1972. It also won three awards at the 1970-71 Karnataka State Film Awards including the award for First Best Film. The film was later remade in Telugu as Krishnaveni (1974) starring Vanisri. Plot The film revolves around the societal perception of the mentally ill. Kaveri is an educated, sophisticated, and beautiful woman who hails from a loving middle class family. A chance meeting at a friend's wedding and the hero Satish (Gangadhar) falls in love with Kaveri. They get married with the blessings of their parents. They build their dream house, have a son, buy a car - they not only form a picture-perfect couple but are also generally prosperous. When Kaveri conceives for the second time, the doctor expresses concern over her health. Once the baby is born, Kaveri is tormented by memories of forcefully losing her virginity during her college days and develops symptoms of post-partum psychosis. She is admitted to an in-house mental healthcare facility for treatment. After recovery, when Kaveri returns home, Satish treats her with callousness. Kaveri faces scorn of some sort or the other from her family, neighbours and society in general, as well, owing to the stigma around mental illness. Eventually when Kaveri discovers that her husband is having an extra-marital relationship with a female colleague, her post-partum psychosis symptoms relapse and he has to be readmitted to the mental healthcare facility. The movie dwells on two major social issues. One, the social acceptability of mental illness. The general response Kaveri receives from her cook and servants, her family members and neighbours, depicts the lack of sensitivity that is so much needed for people like Kaveri, and the repercussions. Two, the male ego and entitlement - her husband spurns her because of her past incident and uses it as an alibi to be unfaithful to her. In addition, even her guilt and trauma