the same instrumentation as the original single, but has a more reggae-infused rendition and an added verse sung by Marley; the "hybrid" version features the song's original beat mixed with the remix version. Composition and lyrics "Now That You Got It" was written by Gwen Stefani, Sean Garrett and Swizz Beatz, with production being done by the latter two; Garrett also provided background vocals. The single version of the song features a "loping hip-hop beat and a staccato piano sample" while Stefani "splits wailing time with a chorus of alarms," according to Mark Pytlik of Pitchfork Media. It also presents elements of reggae music and "military snare drums" mixed with crunk militarism. Lyrically, on "Now That You Got It", the singer tells her lover that even though he is with her, he still has to work hard to keep her and give her everything she wants. "Now that you got it, what you gon' do about it?", she repeatedly asks in the chorus. Critical reception "Now That You Got It" received mixed reviews from music critics. A positive review came from Charles Merwin of Stylus Magazine, who referred to the original version as Stefani's best "Beastie Boy imitation over a '1 Thing' rip", and Sal Cinquemani, while reviewing the album, of Slant Magazine called it "instantly contagious". Norman Mayers of Prefix Magazine praised Swizz Beatz for "coming up with the most likely heir to the Hollaback crown, with the bumping chants and boasting raps". However, Alex Miller of the NME characterized it as "a track so desperate to be a club banger, its fraying tapestry of hand-claps, sirens and triumphalism has all the grace of a Pepsi Max advert". Quentin B. Huff of PopMatters criticized the song's songwriting, calling it "woefully thin, relying on tedious repetition." John Murphy of musicOMH gave the single a mixed review, writing "when the self-consciously wacky and kitsch side to her personality surfaces, as on the inane 'Now That You Got It', the temptation is to dive for the 'off' switch". The single version with Damian Marley received generally favorable reviews. Fraser McAlpine of the BBC Chart Blog conveyed it as a "perfect case" of Stefani making songs which are sleek and tough on the outside, but have a middle which is pure and vulnerable, ultimately rating it four out of five stars. Similarly, CBBC's Newsround portrayed the sound as "a very laid back, summery