along with the employees of Big Time Attic, formed a "convergence media" studio called Puny Entertainment, half of which was bought by Chris Hardwick in 2015. The studio went defunct around a decade later. In 2016, Petosky stated that creating Puny Entertainment was her only option if she wanted to do "creative work." Shadi was later described as the "cofounder and creative director" of PUNY. In the years that followed, Petosky and Stall created video games and animation for Cartoon Network and created animation for the Nickelodeon/Nick Jr. television show Yo Gabba Gabba!. While acting as an animation supervisor on the show, she was "introduced to opportunities in kids’ animation." She later described how animation came as a surprise after doing it on Yo Gabba Gabba! When she worked on Mystery Science Theater 3000 in 2007, Petosky talked about the financial cost of the show. She stated that she suspected that the show had problem generating revenue, selling t-shirts, post-it notes, and mouse pads to pay for the show's production because fans did not like the poorly designed and written animated characters. Then, in 2009, Petosky and Stall opened the Pink Hobo - Geek Art Gallery in 2009 to showcase art work inspired by pop culture, digital media, and lowbrow art. In its first year, the art gallery, in northeast Minneapolis, had exhibitions on Barack Obama and the art of Yo Gabba Gabba. Later, Feral Audio was launched from her apartment in Franklin Village, near the Upright Citizens Brigade Theater, with her, and other artists at PUNY, creating the brand identity, website, and cover art for Feral's first slate of podcasts. In 2010, Petosky developed the pilot for Danger & Eggs titled "Philip, the Safety Egg." Petosky was interviewed at Amazon's request as a writer for Transparent but was rejected because she came from another part of the entertainment industry though she consulted on the show. After public outcry that the show had no transgender writers, Shadi was part of a second season training program and competition to find a trans writer from six possible candidates. The following year, Petosky began working on Danger & Eggs even more, pitching the show, and later becoming the executive producer who was "responsible for everything." The show would be traditionally animated, which she called "super labor intensive." Six years later, in June 2017, Petosky launched the Danger & Eggs, an animated series streaming