a thorough investigation of how the structure of feeling of a just-passed historical moment might be visible in its remnants and remainders." A version of the feature-length video Kubasa in a Glass: the Fetishised Winnipeg TV Commercial 1976-1992 was screened at the 2006 Images Festival in Toronto, where the artists' statement in the festival program guide claimed, "the purest form of Winnipeg cinema is the disposable filmmaking of the city's televisual ephemera." Barrow continued collecting the work of 1980s cable access stars, and in 2009 Video Pool Media Arts Centre released, Winnipeg Babysitter, a DVD compendium of cable access clips featuring early performances of Guy Maddin, Marcel Dzama, Neil Farber, The Cosmopolitans, the Pollocks, and many more. In the summer of 2007, l'Atelier presented Beefs and Bouquets, a series of short programs of new films by friends and associated filmmakers such as Deco Dawson, Victoria Prince, Darryl Nepinak, Daniel Gerson and Eve Majzels, at the Winnipeg Cinematheque. Death by Popcorn: the Tragedy of the Winnipeg Jets (2005) In December 2005, l'Atelier national du Manitoba presented a 60-minute video-collage Death by Popcorn: the Tragedy of the Winnipeg Jets at the Winnipeg Film Group's Cinematheque for three screenings. The video was edited in October and November, 2005. Subsequent to the video's Winnipeg premiere, l'Atelier became involved in a highly publicized public controversy and legal battle with media conglomerate CTV BellGlobeMedia over Fair Use of de-accessioned television footage. Throughout 2006 and 2007, Death By Popcorn screened across Canada and the United States. Newspaper film critic Randall King described the video as a "comic work in which the Jets become the fulcrum of a meditation on Winnipeg self-loathing." The Oxford Handbook of Canadian Cinema describes the video as, "a mostly found-footage film that examines the deep emotional investment the city had with its National Hockey League franchise and explores the collective civic trauma that came as a consequence of the Jets' departure from Winnipeg in 1996." Writing in 2019, Cultural Studies scholar Andrew Burke states that, "Death by Popcorn in particular and the work of L'Atelier more generally use format historicity and medium specificity to demarcate, investigate, and, to a certain degree, celebrate the video era. In this way, it should be considered complementary to the work of SCTV. Just as SCTV's satire betrays a fascination with local affiliates and regional broadcasting, L'Atelier's fascination with local access cable programming marks an archival effort to