Chen Wen Hsi (; 1906–1991) was a Chinese-born Singaporean artist, known for his avant-garde Chinese paintings. Early life and education Chen was born in Jieyang, Guangdong, China, and had his early education at Chen Li Primary School and St. Joseph Middle School. After graduation from secondary school, Chen decided to study full-time in fine art at the Shanghai College of Art in 1928, despite his uncle's objection. Unhappy with the college, Chen transferred to the Xinhua College of Art in Shanghai, where he was taught by renowned artists such as Pan Tianshou, with half of his classmates a year later. It was at Xinhua where he became acquainted with Chen Jen Hao, Chen Chong Swee and Liu Kang, all of whom were to become Singapore's Nanyang pioneer artists and art educationists. After four years at Xinhua, Chen graduated and returned to Jieyang. Career After getting married in Jieyang, Chen went to Shantou in 1929, at the age of 21. His work was exhibited in Shanghai (1931, 1933) and Guangzhou (1932, 1936). In 1937, he received recognition and praise of Chinese painter Xu Beihong at the second Chinese National Art Exhibition in Nanjing. In the same year, an English arts magazine elected him as one of contemporary China's ten greatest artists. He left China in 1947 and had further exhibitions in Saigon (1948), Hong Kong (1949), Bangkok – Kuala Lumpur (1949), and Bangkok-Singapore (1950). In 1948, Chen arrived in Singapore, where he originally planned to stay for not more than three months. After his visa expired he was convinced by fellow artists such as Liu Kang, and then commissioner general Malcolm MacDonald to stay. In Singapore, he proceeded to teach art at The Chinese High School (1949–1968) and the Nanyang Academy of Fine Arts (1951–1959). Chen travelled to various places in Southeast Asia to collect drawing materials during his vacations, and he was especially inspired by the people and customs of Bali and Java. In June 1955, Chen took part in a seven-artist group exhibition organised by the Singapore Art Society. In 1968, Chen retired from teaching, and decided to concentrate on drawing. Between 1923 and 1992, he conducted 38 one-man exhibitions in Singapore and other countries such as China, Taiwan, Malaysia, Japan, Australia, New Zealand and Hong Kong. Style Chen was proficient in both traditional Chinese ink and Western oil painting, and experimented with a variety of styles ranging from