cities modernized and changed in structure. Architecture was dominated by eclectic pseudo styles like classicism, neo-renaissance, neo-baroque, and even neo-Romanesque as well as neo-gothic. A unique pseudo style is the“oriental eclectic” style (also referred to "Pseudo-Moorish style"), based on Moorish architecture found in Southern Spain and Egypt. The style contrasted markedly with the urban ambient of Bosnian cities at the time, as can be seen in Sarajevo (National Library and City Hall), Mostar Gymnasium and Travnik (Retirement Home). The first Bosnian artists were educated in large European academies in Vienna, München, Prag, Krakow, Budapest and Paris, thanks to scholarships of cultural societies like Prosvjeta and Napredak. Artists like Atanasije Popović, Lazar Drljača, Gabrijel Jurkić, Branko Radulović, Petar Šain etc., are influenced by academism with slight touches of impressionism, art nouveau, and pointillism. After the Great Exhibition of Bosnian Artists in 1917, the native born artists have prevailed. Modern styles that entered B&H were expressionism and Cézannes-ism. Art in the Yugoslavian Kingdom After the end of World War I, the society of artists from SHS (state of Serbians, Croats and Slovenians) was created and held numerous exhibitions and artistic gatherings like the Blažuj colony of Vladimir Becić. Participants o were Roman Petrović and Jovan Bijelić, both with abstract proclivities, while Karlo Mijić was devoted to colouristic landscapes. However, art production in B&H was severely restricted, leading many artists to never return to B&H from their studies in Zagreb and Beograd, while many were leaving the country. The first renewal happened with the "Group of Four" and "engaged art" of Roman Petrović and his circle, "The children of the Street". Mijić and Đoko Mazalić founded an art association called Krug (The Circle) with a strong focus on urban aesthetics of nature. Vojo Dimitrijević painted the Spain in 37, a representative artwork of colouristic expression with traces of Picasso and Chagall. In the 1930s, architects were influenced by ideas of functionalism, humane architecture and Bauhaus. Those buildings were uniting function, content and form, without unnecessary plastic decoration, and with a simple rhythm of windows and modern constructions. Art in the Socialist Federal Republic of Yugoslavia Right after World War II, Communist Yugoslavia was founded, which allowed artists to find a new expression through the themes of Revolution and War. Prominent representatives of this are Ismet Mujezinović and Branko Šotra. Architecture was also under the direct influence of Socialistic architecture, but never reached the