Ratansen passes the test, and is rewarded with gifts by the Ocean and Lakshmi. With these gifts, he recruits a new entourage at Puri, and returns to Chittor. In Chittor, Padmavati and Nagmati vie for Ratansen's attention. Initially, he placates them by spending nights with them alternately, but then establishes peace by reprimanding them. Meanwhile, he banishes the Brahmin courtier Raghav Chetan for fraudulently winning a contest. Padmavati gifts Raghav her bangle in order to placate him. Raghav goes to the court of Alauddin Khalji in Delhi. When asked about the bangle, he describes the unmatched beauty of Padmavati. Alauddin then besieges Chittor, and demands Padmavati for himself. Ratansen rejects the demand, offering to pay a tribute instead. Alauddin rejects the offer, and the siege continues. Finally, as part of fresh terms of peace, Ratansen invites Alauddin as a guest inside the fort, against the advice of his vassals Gora and Badal. Alauddin deceitfully catches a glimpse of Padmavati, captures Ratansen, and returns to Delhi. Padmavati asks Gora and Badal to help her free Ratansen. The two men and their followers enter the fortress of Delhi, disguised as Padmavati and her companions. They free Ratansen, but Gora is killed fighting during the escape, while Badal takes Ratansen to Chittor. During Ratansen's absence, the Kumbhalner ruler Devpal proposes marriage to Padmavati. On his return, Ratansen learns about this insult, and decides to punish Devpal. In the ensuing single combat, Ratansen and Devpal kill each other. Meanwhile, Alauddin's army reaches Chittor. Facing a certain defeat, Nagmati and Padmavati along with other women of the fort commit suicide by jauhar (mass self-immolation), while the men fight to death. Alauddin captures an empty fortress, thus denied his prize. Alauddin reflects on his Pyrrhic victory, and the nature of insatiable desire. He picks up the ashes of Ratansen and his wives Padmavati and Nagmati, lamenting that he "wanted to avoid this". Alauddin continues, "Desire is insatiable, permanent / but this world is illusory and transient / Insatiable desire man continues to have / Till life is over and he reaches his grave." Manuscripts The earliest extant manuscripts of Padmavat vary considerably in length, and are written in a number of different scripts, including Kaithi, Nagari and Nastaʿlīq. The Nastaʿlīq manuscripts form the oldest layer of the text. The earliest extant manuscript of Padmavat is a Nastaliq manuscript copied in 1675 in Amroha, by Muhammad Shakir.