days. A story repeated by Eleanor Herman. Leopold von Ranke, who took pride in drawing on primary sources, used Leti's works. Ranke's work was very popular in the 19th century, but his approach was later challenged as naïve. Maidalchini's reputation can be seen in her unflattering bust by Alessandro Algardi (circa 1650), currently in the Doria Pamphili Gallery. Maidalchini was notorious for guarding access to Innocent X, and utilizing it to her own financial benefit. Her wired widow's hood in the bust was interpreted by Ann Sutherland as a jab at the fact that neither Maidalchini nor her family provided for the burial of Innocent X after his death in 1655, which was paid for by Innocent X's former butler. Eleanor Herman says that Olimpia locked the Pope alone in his chamber on the night from 26 to 27 December and she went to her palace in fear that the Pope died that night and that her palace was sacked and burned. The morning of the 27th, she was barred access to Innocent X's chamber, much to her chagrin since she was expecting to steal the two chests full of gold that were hidden under Innocent's bed. Right after Innocent's body was removed on 29 December, she entered the chamber, removed the chests, and then ran to her palace to lock herself in fear of what angry mobs could do to her. Olimpia allowed the pontiff's body to stay unburied for three days, and to be buried in "the simplest of forms imaginable". claiming that she was a poor widow that couldn't arrange a proper burial. Some historians describe Innocent X as "entirely under the control" of Maidalchini. This legacy is tied up in the accounts of the Roman Pasquinade as well as French (Innocent X had shunned France in favor of Spain and Protestant sources. The Catholic Encyclopedia refers to Maidalchini as the "great blemish" on the pontificate of the "blameless" Innocent X, whom it styles a "lover of justice." Maidalchini is sometimes referred to as "the papessa" ("lady pope"), a variant of a title also applied to Pasqualina Lehnert (confidant of Pope Pius XII), and (the legendary) Pope Joan. Some sources even allege that Maidalchini was Innocent X's lover, an accusation which goes back to Gregorio Leti's Vita di Donna Olimpia Maidalchini'' (1666), written under the pseudonym Gualdus, and that she poisoned cardinals (with the help of her