at Second Street. The land between 2nd and 3rd Streets on Cincinnati, occupied by a vacant Hotel Tulsa, was then made available and was given to the City by Williams for a performing arts venue. In May 1973, Williams and community philanthropist Leta Chapman made an offer to the citizens of Tulsa: If Tulsa citizens would vote to fund half of a performing arts center, Williams and Chapman would raise the other half. A bond campaign was launched, giving the proposed PAC the slogan “Everyone’s Place.” The bond election, held in August 1973, was passed by 69%. The new Tulsa PAC was funded at $14 million. Construction Prior to construction, a private corporation, PACI, was formed to take over the ownership of the construction project and then return the PAC property back to the City of Tulsa after building completion. This allowed for construction to move ahead at greater speed ahead of the rampant inflation. A committee was formed to procure art for the building. One percent of all construction costs of public buildings in Tulsa must be spent on art for the building being constructed to comply with an ordinance adopted by the City of Tulsa in 1969. A combination of local, national and international art, including a large representation of Native American art, was purchased. The works of artists such as Alexandre Hogue, Wolf Kahn, Barbara Hepworth, Louise Nevelson and Woody Crumbo were among the original collection. The initial plan for the Tulsa PAC was for one large performance hall seating almost 2,400 and a smaller proscenium theater seating approximately 430. During the initial construction phase, two more studio theaters were added to the plans. The acoustics for the facility were the work of Bolt, Berenek and Newman, the firm responsible for the acoustics at Lincoln Center in New York City. Ultimately, the cost of building the Tulsa PAC was approximately $19 million. Additional revenue sources were found to fund the difference. The facility underwent a major retrofit in the early 1990s to help the PAC become more accessible to people with disabilities. In 2000, the PAC completed a major expansion that included an additional studio theater, a large reception hall and a large suite of restrooms. This was the second addition of restrooms since the building opened in 1977. Performance venues The Tulsa PAC has four main performance venues: Chapman Music Hall, John H. Williams Theatre, Liddy