material has been created. Film to film Some films are remade in an almost identical "frame-to-frame" fashion. Alfred Hitchcock's black-and-white Psycho was remade by Gus Van Sant as nearly a shot for shot remake, with different actors. The 1952 color version of The Prisoner of Zenda went so far as to use the same shooting script as the 1937 black-and-white adaptation. Amateur filmmakers Eric Zala, Chris Strompolos, and Jayson Lamb created a shot-for-shot adaptation of Steven Spielberg's Raiders of the Lost Ark during their youth in the 1980s, titled Raiders of the Lost Ark: The Adaptation. The film was unearthed and championed years later by filmmaker Eli Roth; a film about the boys' creation of the film was made in 2015. Michael Haneke's 2007 film Funny Games is a remake of his own 1997 film by the same title, albeit with a mostly American crew and actors instead of the original German/Austrian. Star Wars Uncut is an online fan-remake of Star Wars, which consist of close to 500 fifteen-second shot-for-shot segments created and submitted from a variety of participants. The sequel Empire Uncut was also released. Walt Disney Pictures' 2019 film The Lion King by Jon Favreau is a computer animated remake of Disney's traditionally animated 1994 film of the same name. It features mostly different actors, with James Earl Jones reprising his role from the original film. In the early days of sound film, it was common for Hollywood studios to produce foreign language versions of their films using the same sets and costumes but a different set of actors as the original. Although a different director would be brought in for the foreign-language version, they would have access to the daily footage from the English language production and would often use the same shots and camera setups. Often the result would be similar to a 'shot-to-shot' remake, although in some notable examples (such as Dracula (1931 Spanish-language film)), the alternate director exercised more creative freedom. Animation to animation In the 1930s and 1940s, several American animated shorts originally produced in black-and-white were remade in color several years alter. Key examples include Disney's Mickey Mouse cartoon Orphan's Benefit (1934) remade under the same title in 1941, and Warner Bros.' Porky in Wackyland (1938), remade in part in 1943 as Tin Pan Alley Cats and in full in 1949 as Dough for the Do-Do. At the Metro-Goldwyn-Mayer cartoon studio, William