‘sprawling immersive-theater/film/installation’, ‘totalitarian reality show’, ‘not just film or theatre but also of site-specific improvisational performances’ and also as ‘the entire culture of the 1930s-1960s’. Apart from movie products, the project has additionally manifested in other formats such as books, conferences and complex installations. Books Transcribed conversations of characters recorded during the shooting as well as off shooting were available at the Paris premiere. Thames & Hudson prepared the publication of DAU Document, collecting stills from all footage, on-set photographs shot with Soviet-era Leica cameras (selected from 1.5 million images) and results of the scientific experiments carried out in the film. Essays exploring themes such as the nature of community, power, love, altered states of consciousness and violence intersperse the visual chronological account. The final section catalogues the 80,000 items of period clothing and props as well as the characters who populate the project, where frames from all the footage are presented in chronological order. In 2018 Comme des Garçons collaborated with DAU project to release an album of photographs as part of their annual initiative of publishing the work of artists and photographers. In 2018 The DAU Rooms at Le Châtelet special edition was released as ‘a gift to the city of Paris’ containing the works of Bakst, Larionov and Natalia Goncharova next to the fragments of DAU installations with forewords by the Mayor of Paris Anne Hidalgo, Artistic Director of the Châtelet Theater Ruth Mackenzie and others. Conferences In 2017 a series of conferences started in London to explore the wide range of cultural, social, and political issues raised in DAU, and continued in Paris at the premiere of the project in 2019. Complex Installations The Institute. Complex installations have been an integral part of the project since the Institute functioned during the shooting, creating immersive experiences for visitors and residents. Berlin. An installation supposed to take place at the planned Berlin premiere of the project in 2018 was cancelled by the city authorities referring to safety and technical issues. The concept was to rebuild a part of the Berlin wall to create ‘a closed-off mini-state, complete with visa checks for visitors’. On this closed territory visitors were to immerse into performances and concerts of artists including Romeo Castellucci, Carsten Höller, Massive Attack and in particular a performance by Marina Abramović and Teodor Currentzis who planned to wash people referring to the procedure in concentration camps where prisoners