Swedish actors of the Royal Dramatic Theatre, such as Lars Hjortsberg, Maria Franck and Inga Åberg, and in 1787, an independent Swedish theatre troupe was founded under the leadership of Fredrik Ristell. The two troupes, the French and the Swedish, shared the same building but performed separately, was ruled independently and was considered two separate "Theatres", the French Theatre and the Swedish Theatre. In 1788, Fredrik Ristell fled the country to escape his creditors, and the actors formed a company and asked for the king's protection; he became the formal director, placed the theater under Royal protection, thus creating the Royal Dramatic Theatre. The Swedish theatre was to be ruled by the actors themselves by votes every fourteenth day under the supervision of the Royal Swedish Academy of Arts; according to the reports made by the academy, this rule was quite chaotic, and the voting is described as capricious and temperamental; " The male actors arguing with each other, one of the ladies voting yes because another lady voted no, other of them counting their buttons and letting fate decide", and in 1803, the actors themselves asked the system to be replaced by a director. In 1792, was deemed to be too old and decayed, and it was torn down 1793; in the actors moved to the palace Makalös, (also called The Arsenal), where the Royal Dramatic Theater was to reside until 1825, after which it again was reunited with the Opera. In 1798–1842, the theaters and operas of Stockholm were united by a royal monopoly. Actors and companies in the Theater of Bollhuset Until 1689, the theater shared localities with the stage of Lejonkulan. The Dutch troupe 1667–1674 This troupe opened the Theater at the stage of Lejonkulan with the play Orontes en Satira by Magnon in February 1667. Salomon Fino Jan Baptista van Fornenberg (1624–1697) director of the troupe. Helena Heusen (1622–1680) Daniel Loodewicx Anna Parkar-Boonefaes Geertruyt Rijndorp-Boonefaes Dorotea van Fornenbergh The Dutch troupe 1680–1684 This troupe performed the play Disa for the public in 1684, and thus, the theater is known to be more than a court theater from this point forward. Gillis Nozeman, husband of Ariana Nozeman Trial Parkar Jacob Sammers (1632–1689) The Swedish student troupe from Uppsala 1686–1691 This troupe was made up of idealistic students, all male. It had played in Uppsala in 1682–86. The theater was permanently moved to Bollhuset in 1689. Olaus