built up through a series of orthogonal architectural surfaces, and indicated by overlap occlusion, foreshortening, diminution, pronounced aerial perspective, but without consistent vanishing points. Modelling is indicated by side-shading with slight, selective cast shadow. Pompeian red in front planes, contrasting with the blue tone of the fainter, further planes, provides an additional effective cue for depth. The room had one, north-facing, outside window, through which pyroclastic flows from Vesuvius appear to have entered. As part of the sophisticated depictive scheme, the dado or lower parts of the walls are depicted as themselves, but in First Style. Ledges and niches there show near objects: "metal and glass vases on shelves and tables appearing to project out from the wall", playfully belying the common impression that perspective is always for depicting recession from the picture plane. In other parts of the Villa there are brightly colored nonfigurative walls, in First Style, some of which are on display at the Metropolitan Museum of Art and the Louvre Museum. Gallery Villa della Pisanella The villa was unearthed by the landowners over several seasons from 1876. In 1894 excavations brought to light a villa rustica covering 1000 sqm with clearly defined residential sector and farm buildings with baths, warehouses for the manufacture and storage of wine and oil. Everything was still in place and arrangement of the objects were exactly as they would normally have been: furnishings, bronze bathtubs decorated with masks in the shape of lion heads seemed to be ready for use. In a large chest there were fifty keys and silver tableware; in the kitchen the skeleton of a dog on a chain; in the stable the bones of several tethered horses, one of which had managed to wriggle out and escape. In the pressing-room (torcularium) the first three human skeletons came to light, including that of a woman, probably the mistress of the house, who wore splendid gold earrings with topaz jewels. In 1895 on the floor of the wine cellar a dead man was found in the midst of the so-called Boscoreale Treasure consisting of 102 items: silver tableware, bracelets, earrings, rings, a double gold chain. The last owner of the silver was probably a woman named Maxima, a name written on many of the vessels. A thousand gold coins were still in the remains of a leather bag. The treasure had been found in the torcularium which at the