measure and found it wanting; perhaps there is a little of both. Godwin was commenting on the increase in Japanese goods both original and made for the European market at the time. Stencilled mulberry wallpapers, fabrics made and imported with tussore silk on a wider loom by Liberty and Thomas Wardle alongside other Japanese imports were also said to be being sold by this time in London at William Whiteley's, Debenham and Freebody and Swan & Edgar.The imported silks were incredibly popular with painters like Moore who preferred their use in drapery on artists-models. In 1877, Godwin designed the white house for Whistler in Chelsea. He also made his William Watt Anglo Japanese Style furniture, and his Japanese Mon inspired wallpapers. Thomas Jeckyll also then designed the Peacock Room for the shipping magnate Frederick Richards Leyland; and these types of Japanese ornamentation can also be found in the design of his fireplaces. The Grosvenor Gallery opens; showcasing Whistler's Black Nocturne leading to the infamous dispute with Ruskin over the worth of an artwork. In 1878, Daniel Cottier finished a series of stained glass window panels Morning Glories which detail 'a lattice fence ... which adapt from a variety of Japanese ... screens, textile stencils, manga and ukiyo-e prints'. Indeed, Cottier ( a Glaswegian who worked in London and New York City) had his Studio and shop full of Aesthetic and Anglo-Japanese ebonised-wood furniture, his Studio producing through his apprentice Stephen Adam until the 1880s a number of Japanese decorative carpentry pieces, frequently using dark woods and gold floral Chrysanthemum accents, all popular Japanese motifs amongst westerners produced for the Western markets. Alcock also published his Art and Art Industries in Japan in 1878. In 1879, Dresser was in partnership with Charles Holme (1848–1923) as Dresser & Holme, wholesale importers of Oriental goods, with a warehouse at 7 Farringdon Road, London. Collectors such as the Liverpool magnate James Lord Bowes began collecting Japanese goods. James Lamb (cabinetmaker) and Henry Ogden & Sons also began making Anglo-Japanese furniture for the western market such as hanging cabinets and tables and chairs. With some pottery produced at the Linthorpe Pottery, founded in 1879, closely followed Japanese examples in simple forms and especially in rich ceramic glaze effects quite revolutionary in the English market. In commercial mass-produced tablewares, the style was most represented by transfer prints depicting Japanese botanical or animal motifs such as bamboos,