Scoutmaster, Rene Weverbergh, encouraged his artistic ability, and published one of Remi's drawings in the newsletter of the Saint-Boniface Scouts, Jamais Assez (Never Enough); his first published work. When Weverbergh became involved in the publication of Boy-Scout, the newsletter of the Federation of Scouts, he published more of Remi's illustrations, the first of which appeared in the fifth issue, from 1922. Remi continued publishing cartoons, drawings and woodcuts in subsequent issues of the magazine, which was soon renamed Le Boy-Scout Belge (The Belgian Boy Scout). During this time, he experimented with different pseudonyms, using "Jérémie" and "Jérémiades" before settling on "Hergé", the pronunciation of his reversed initials (R.G.), a name that he first published under in December 1924. Les Aventures de Totor, C.P. des hannetons began serialisation in Le Boy-Scout Belge in July 1926, and would continue to appear in the magazine until July 1929. The meaning of the name has been translated differently; Hergé biographer Pierre Assouline translated it as "The Adventures of Totor, C.P. of the June Bugs", while Tintinologist Harry Thompson instead translated it as "The Adventures of Totor, patrol leader of the Cockchafers", but conversely, biographer Benoît Peeters had it as "The Adventures of Totor, patrol chief of the Scatterbrains". ("hanneton" is French for Cockchafer, a type of beetle, but also the French for "scatterbrain"). Hergé had hoped that being the author of an ongoing comic strip would improve his job prospects, for at the time he was beginning to develop a reputation as a designer of postcards, stationary, and advertisements. Rather than representing an example of a comic as the medium would come to be understood in the following decade, The Adventures of Totor consisted of square boxes containing illustrations with the captions written separately underneath, as was the style found in French comic creator Christophe's works La Famille Fenouillard (The Fenouillard Family) and Sapeur Camembert (Sapper Camembert). Initially using four boxes per page, as the series progressed this was increased to six and then eight, with each page ending on a cliffhanger. Hergé did not make use of speech bubbles, an innovation that was yet to become widespread in Europe, and instead his cartoons were accompanied by captions, three to five lines long. He would begin to add simple speech bubbles into the series, stating simple comments like "Eureka!", "Bang!", and "Hip! Hip! Hip! Hurrah!". Hergé later noted that "From time to time... I