the home of pictures from Walt Disney's company, as well as other studios' family fare. By the late 1960s, Dayton's changing business patterns Downtown and the proliferation of freeways and suburban shopping malls threatened the Victory Theater's existence, and in 1975 it was slated for demolition, in favor of a proposed parking lot. A public outcry for the theater's preservation that year helped to earn the building its listing in the National Register of Historic Places and, thus, it escaped demolition. However, portions of the building were in poor or fading condition. All the while, it continued to be visited extensively by traveling theater companies. Choreographer Twyla Tharp used the Victory as a try-out venue for various productions before taking the material to the East Coast. A popular vintage film series drew patrons during the summertime and featured pipe organ house music and silent film accompaniment, thanks to the acquisition of an NCR-donated Estey pipe organ. The theatre had a network of access tunnels stretching out beneath the city's streets for several blocks. It was said that, during Vaudeville times, the tunnels allowed circus animals to be unloaded from railroad cars blocks away from the theatre, and held underground until showtime. As late as 1979, much of the tunnel network was accessible to employees, although some sections were blocked off by city steam pipes. The stage also bore remnants of its original gas footlights. Throughout the 1970s, the theater was operated as "The Victory Theater". It staged legitimate theatrical shows, rock concerts and movies. The theatre was also home to the nationally known Dayton Ballet Company. A mainstay through the period was its screening of "Midnight Movies", offered by a local independent producer, on Friday and Saturday nights that drew a, largely, teen audience for films with counter-cultural themes. During revitalization efforts in the late 1970s, the stage manager, Gary Kuzkin, overhauled much of the stage's technical capabilities. Crews from the Stagehands Union (IATSE) local restored much of the theatre's ancient hemp-and-sandbag fly galley, replacing several hundred thousand feet of rope—along with miles of electrical wiring. In 1978, the theatre was greatly benefited by the donation of a cache of equipment and stage draperies from National Cash Register's (NCR) auditorium, which had been slated for demolition. NCR also donated its historic five-rank Estay pipe organ to the Victory, which was renovated and installed by aficionados. In 1986, Virginia Kettering donated