the video. Synopsis It begins with Brown and two friends walking towards his car. As his friends leave, he hears a female voice calling his name. He then gets inside his car, only to see in the other seat a female grab him by the head and bite him with her fangs. He wakes up sometime later dressed all black clothing and wearing fangs, indicating he has been turned into a vampire. Brown drives to a remote building, while the sound of the female's voice grows stronger. He gets out of the car and as the song begins, he takes off his vampire trench coat which leads to the dance sequences with two young dancers. They then enter the building with flashlights, which is filled with women reaching out to Brown. He then sees the female vampire that bit him and he notices three women doing acrobatics on the wall. After performing a dance sequence on a wall with two other dancers, Brown escapes. The female vampire sees him escape, she makes a run, takes off her vampire trench coat and tries to surround him while many women enter the room and surround him as he begins to levitate in the light. During this levitation, the moon moves away from and in front of the sun, causing Brown to transform back to a human and then to a vampire again. It then enters a dance sequence with the female and male dancers, which lasts up until the last twenty seconds of the video. Sean Garrett, one of the song's writers, makes a cameo appearance. After the dance sequence ends, Brown transports back to the scene where the female vampire appears in his car and bites him. Critical reception Andy Kellman of Allmusic named "Wall to Wall" one of the album's highlights. Allison Stewart of The Washington Post called the song a "thumping, hook-happy beaut" and wrote that "it has just the right mix of familiarity and invention." DJ Z of DJ Booth called the song an "infectious dance number that should have ladies running towards the floor." Nathan S., a writer for the same publication, praised [the producers] production and called it a "perfectly enjoyable R&B/pop track", but commented "it's no "Kiss Kiss"." Patrick Robinson of 411 Mania praised the song as a "decent club jam" despite its low chart standings and said it had the same energy as "Run