However, Malek wrote that offerings scenes are rarer in New Kingdom tombs than in the Old Kingdom. Two corresponding scenes are depicted on the east wall next to the entrance to the broad hall. These scenes show Nakht and his wife, Tawy, making offerings to Ra, who is manifested by the sunlight that would emerge from the doorway. This scene is depicted to show the continuation of an earthly ritual in the afterlife – in the New Kingdom private individuals had access to an afterlife meaning that they could expect to enter the Field of Reeds. A scene on the south side of the west wall represents a banquet scene. This genre of scene is frequently represented in New Kingdom tombs. The family of the deceased, in this case Nakht and Tawy, is also shown together being entertained by the musicians and dancers. Malek wrote "domestic scenes are frequent" because they emphasise the closeness of the family and their continued existence together in the afterlife. However, these scenes may also have a sexual or potent purpose for the afterlife. Mannich wrote that by including such scenes in the tomb, the deceased could be guaranteed potency in the hereafter. She writes that banquet scenes "are littered with such references" including the inclusion of mandrakes and lotus flowers, which are being held by the women in the second register. These type of scenes were highly common in New Kingdom Theban tombs. On the south side of the east wall, there is an agricultural scene. Nakht is shown overseeing men who are ploughing, sowing and harvesting the fields. The scenes of agriculture may show the continuation of Nakht’s life in the Field of Reeds. However, as suggested by Noblecourt, these scenes may metaphorically show an eternal life through the process of farming, through the seasons. If Noblecourt’s view is accurate, then the scenes are different from that of Old Kingdom mastabas, where any agricultural scenes were designed primarily as a means of magically ensuring the continuity of farming on the estates of the deceased, thereby allowing sustenance for their ka. On the north side of the west wall, Nakht is shown in a further frequently depicted scene: the fishing and fowling scene. This type of scene is also commonly found in New Kingdom, and although they were not uncommon in Old Kingdom mastabas, within the latter their primary purpose was to provide magical