City Streets is a 1931 American Pre-Code film noir that is directed by Rouben Mamoulian from a story by Dashiell Hammett and stars Gary Cooper, Sylvia Sidney and Paul Lukas. This Pre-Code crime film is about a racketeer's daughter, Nan, who is in love with a shooting gallery showman, who is known as The Kid. Despite her prodding, The Kid has no ambitions about joining the rackets and making enough money to support her in the lifestyle to which she is accustomed. Her father implicates her in a murder, and she is sent to prison. Her father then convinces The Kid to join the gang to free Nan. Plot Nan Cooley (Sylvia Sidney), the daughter of racketeer Pop Cooley (Guy Kibbee), is in love with The Kid (Gary Cooper), a shooting gallery showman. Cooley tries but fails to urge him to join the gang to earn enough money to support her in the lifestyle to which she is accustomed. Soon, her father kills the bootlegging chief Blackie (Stanley Fields) at the urging of Big Fella Maskal (Paul Lukas) since Blackie was against Maskal's involvement with Blackie's gun moll Aggie (Wynne Gibson). After Pop shoots Blackie, he passes the gun to Nan, which implicates her in the murder. She naïvely takes the rap since she believes the mob will arrange for her acquittal, but she is sent to prison. Pop Cooley tries to convince The Kid to join the gang to free Nan, which he does out of love for her. However, her attitude had changed since she was railroaded to prison. When The Kid visits Nan in prison in a fur coat, she becomes terrified of his involvement with Pop's gang after she witnesses a fellow inmate's mobster boyfriend being gunned down outside the prison gate. When Nan is released, having served her term, she wants nothing more to do with the mob. She tries to persuade The Kid to quit the gang, but he refuses. Things go downhill from there. She finds that her father is unrepentant and involved with a loose, gold-digging woman named Pansy (Betty Sinclair). Maskal soon takes a strong liking to Nan, throws her a homecoming party, and forces her to dance with him all evening. When The Kid finally asserts his claim over Nan, Maskal threatens him and sends his thugs to kill him, but The Kid successfully disarms them and goes after Maskal.