addition to their fishlike tails. In the trailer, one of the mermaids is shown relaxing in an inflatable pool. |} Music Mermaids have long been associated with music, and much like that of Orpheus, the power of their singing voices is said to have had the ability to enthrall. Along with their legendary vanity, the hair-combing and mirrors, the association of mermaids with music is coupled with another association of a vocal nature: they are said to be able to confer verbal eloquence, much like the Muses of the ancient Greek myths. In the 18th-century sea shanty, "The Keeper of the Eddystone Light", the singer's father is a lighthouse keeper and his mother is a mermaid. Alexander von Zemlinsky's symphonic poem Die Seejungfrau (The Mermaid), first performed in 1905 but then forgotten until its second performance in 1984, is based on Andersen's detailed fairy story. Zemlinsky briefly explained its plan to Arnold Schoenberg; a more detailed matching of story and music is provided by its second conductor, Peter Gülke. 1985 hit by French duo Les Rita Mitsouko, "Marcia Baila", includes the verse "...la sirène en mal d'amour" (A lovesick mermaid). The song's video clip includes a mermaid. In Finnish musician J. Karjalainen's song Merenneito ja minä ("Mermaid and Me"), he describes a wonderful tour in the underwater kingdom with a mermaid with whom he has fallen in love. In the song he is able to breathe under water due to the mermaid's magic medicine. Another Finnish song, Koskenlaskijan morsiamet ("Brides of Log Driver") is about a mermaid who falls in love with a skillful log driver. Unfortunately, he is already engaged to a human woman. When the mermaid sees her love riding the rapids with his human bride, she in a burst of jealousy raises a rock off the river bed, drowning them both. Seeing them drown and die, she immediately regrets her deed, and in the end of the song she is left weeping alone on the rock. Joanna Newsom's song "Colleen" tells the story of a girl from the sea who adapts to life on land, but is plagued by dreams and memories of her past. The song is told from the girl's perspective, and it is left open to interpretation whether or not she eventually returns. The music video for "Cherish" by Madonna includes several merman and a merman child. Another Madonna music video, Music had an