of those who died were buried in the English Cemetery on Mount Urgull. At the beginning of the 19th century, the local government was still ruled by the principle of nobility, while inhabitants of foreign origin or descent had always been numerous in the town, especially among the trading community. Although San Sebastian benefited greatly from the charter system established in the Southern Basque Country (foruak, with borders in the Ebro river and no duties for overseas goods), the town was at odds with the more traditional Gipuzkoa, even requesting secession from the province and annexation to Navarre in 1841. In 1863, the defensive walls of the town were demolished (their remains are visible in the underground car park on the Boulevard) and an expansion of the town began in an attempt to move on from its previous military function. Jose Goicoa and Ramon Cortazar were appointed to oversee the work. They modelled the new city according to an orthogonal shape in a neoclassical Parisian style, and Goicoa designed several elegant buildings, such as the Miramar Palace and La Concha Promenade. The city was chosen by the Spanish monarchy as a summer retreat following the French example of nearby Biarritz, and Spanish nobility and the diplomatic corps opened residences in the town. As the "wave baths" at La Concha were in conflict with nearby shipbuilding activity, the shipyards relocated to Pasaia, a nearby bay that had formerly been part of San Sebastian. However, in 1875, war came to the town again, and in 1876 shelling over the city by Carlists claimed the life of acclaimed the poet Bilintx. From 1885, King Alfonso XII of Spain's widow Maria Cristina spent every summer in Donostia along with her retinue, staying at the Miramar Palace. In 1887, a casino was built, which eventually became the current city hall, and some time later the Regional Government building was completed in Plaza Gipuzkoa following Jose Goicoa's design. Cultural life thrived in this period, giving rise to various events that still take place in the city, such as the Caldereros or the Tamborrada, and journalistic and literary works in both Spanish and Basque. After much debate in the city over whether to pursue an economy based on tourism or manufacturing, Donostia developed into a fully-fledged seaside resort, but some industry developed in the district of Antiguo and on the outskirts of the city. Following the outbreak