Stavanger, Zone Trondheim, Inferno Metal Festival and Codevilla, Thunder Road (Milano). S.Winter and Kine left the band. In 2006, Gehenna signed with ANP Records. Dirge Rep returned as a live session member, and Martin joined as a live session member. They performed with Thundra at Tribute, Sandnes. In 2007, the previous contract signed with ANP Records was cancelled, and Dirge Rep became a full-time member again. The band performed with Mayhem at Folken, Stavanger and planned a new album. In 2008, Gehenna announced that they had signed with Norwegian-based Indie Recordings. In 2009 Skinndød replaced Amok as guitarist in Gehenna. In 2012, Dirge Rep left the band again after their show at the Wacken Open Air festival in Germany and was immediately replaced by Slaktaren. In 2013, five years after signing to Indie Recordings, Gehenna finally recorded and released a new album called Unravel. This was Skinndød and Slaktaren's first recordings for Gehenna and the band's first album to feature Sanrabb as the only lead vocalist. Dolgar left after the album was finished and was replaced by Byting, with Sanrabb taking all further vocal duties. Musical style Jackie Smit of Chronicles of Chaos called Gehenna's second album, Malice, "a sterling example of symphonic black metal". According to Sanrabb, the album was "more influenced by the music we listen to ourselves, which basically is classical music and straight-forward heavy metal". Gehenna broke with symphonic black metal after that album. According to Smit, Murder was "a misguided attempt at a death metal record", which disappointed many fans of the band's earlier style. The vocals on that album were closer to shoutings typical for thrash metal than to the high screams typical for Norwegian black metal. In 2002, the band announced that the following album would be "a bit more melodic and keyboard-based than the last two", and that "people who liked the first three albums will be into the new material". Yet WW was "not so much a black metal phoenix rising from the ashes, but a band completely redefining their philosophy toward songwriting […], choosing […] to throw its lot in with the grim sounds of Darkthrone and Burzum. Indeed the record's harsh, raw guitar tone is very similar to the one that gave Hvis Lyset Tar Oss such a maleficent feel, while Dolgar's vocals drip with an unnerving and coarse hatred as the band hammer out their themes of war