James Dickson Innes (27 February 1887 – 22 August 1914) was a British painter, mainly of mountain landscapes but occasionally of figure subjects. He worked in both oils and watercolours. Style Of his style, art historian David Fraser Jenkins wrote: "Like that of the fauves in France and the expressionists in Germany, the style of his work is primitive: it is child-like in technique and is associated with the landscape of remote places." Biography James Dickson Innes was born on 27 February 1887 in Llanelli, in south Wales. His father, John Innes, who had come from Scotland, was an historian and had an interest in a local brass and copper works; his mother was of Catalan descent. He had two brothers, Alfred and Jack. His parents sent him to be educated at Christ College, Brecon. Afterwards he studied at the Carmarthen School of Art (1904–05), from where he won a scholarship to the Slade School of Art in London (1905–1908). His teachers at the Slade included P. Wilson Steer. From 1907 he exhibited with the New English Art Club; and in 1911 he became a member of the Camden Town Group. The Camden Town Group included Walter Sickert who was an influence on Innes's art, and Augustus John with whom Innes became friends. In 1911 Innes had a two-man exhibition with Eric Gill at the Chenil Gallery, London: "Sculptures by Mr Eric Gill and Landscapes by Mr J. D. Innes", and in he Innes exhibited in the influential Armory Show in New York City, Chicago and Boston. The Welsh politician and philanthropist Winifred Coombe Tennant (1874–1956) was an important patron of his work. In 1911 and 1912 he spent some time painting with Augustus John around Arenig Fawr in the Arenig valley in North Wales; John describes him thus in his memoirs, Chiaroscuro: He himself cut an arresting figure: a Quaker hat, a coloured silk scarf, and a long black overcoat, set off features of a slightly cadaverous cast, with glittering black eyes, a wide sardonic mouth, a prominent nose and a large bony forehead, invaded by streaks of thin black hair. He carried an ebony cane with a gold top, and spoke with a heavy English accent, which had been imposed on an agreeable Welsh sub-stratum. Much of his work was done overseas, mainly in France (1908–1913), notably at Collioure, but also in Spain (1913) and Morocco (1913) –