Medea's Dance of Vengeance is a composition (1955, Op. 23a) by the American composer Samuel Barber, derived from his earlier ballet suite Medea and loosely based on the play Medea by Euripides. Barber first created a seven-movement concert suite from this ballet (Medea, Op. 23), and five years later reduced this concert suite down to a single-movement concert piece using what he felt to be the strongest portions of the work. He originally titled it Medea's Meditation and Dance of Vengeance, but shortly before his death, he changed the title to simply Medea's Dance of Vengeance. Instrumentation Dance of Vengeance is scored for a larger orchestra than either preceding version (ballet or concert suite), being made up of the following: Woodwinds 3 Flutes (3rd doubling Piccolo) 2 Oboes English Horn Clarinet in E♭ 2 Clarinets in Bb (and A) Bass Clarinet 2 Bassoons Contrabassoon Brass 4 Horns in F 3 Trumpets in C 3 Trombones Tuba Percussion Timpani Triangle Cymbals Side drum (without snares) Tom-tom Bass Drum Tam-tam Whip Xylophone Harp Piano Strings Harp Violins I, II Violas Cellos Double basses Premiere The work was premiered on February 2, 1956, by the New York Philharmonic under the baton of Dimitri Mitropoulos. The concert suite was recorded by the New Symphony Orchestra, conducted by Barber. References 1955 compositions Compositions by Samuel Barber Works based on Medea (Euripides play)