the Warwick Arts Trust, the Camden Arts Centre and Kettle's Yard. From 1988 Clough was represented by Annely Juda Fine Art. In 1999, the year of her death, she was awarded the Jerwood Prize for Painting, and in 2007 she received a retrospective exhibition at Tate Britain. Prunella Clough is recognized as an accomplished artist, yet did not become as famous as some of her peers. A contributing factor to this was her love of privacy. She also was very generous in regards to money and her art. She would let people reproduce her work, but did not want money for it. When she sold or gave away a painting, she did not try to exercise authority or ownership over it anymore. Artistic Style Prunella Clough's paintings often share a mild or neutral colour palette, sometimes with punctuating strong or harsh colors. Clough cites the weather in England as the probable cause for this trend. Clough often made changes to her paintings after she had begun working on them. In doing this she left traces of the old lines and shapes, creating a many-layered surface. Her actual painting techniques furthered this by adding more texture. “Clough employed thick impasto, she daubed, she scraped, she gauged and scratched, she obliterated, experimenting with a variety of mixed media”. Gerard Hastings has described how Clough used a variety of tools and materials to apply paint to her canvas and create a variety of visual effects, including sandpaper, wire wool, rollers, wallpaper scrapers, and pieces of wire mesh. She would sometimes mix textured materials like sand into her paint. Clough's paintings gave unique views of everyday features of the urban landscape. Prunella Clough sometimes took photographs of her subject matter, but more important to her was the memory of the experience of seeing something. "Her subjects are closely observed details and scenes from the landscape. The images are combined and filtered through memory, and evolve through a slow process of layering and re-working." In an interview with Bryan Robertson she said, “I work from the subject matter, things perceived, and the things that I see tend to be somewhat murky”. Awards The City of London Midsummer Prize (1977) The £30,000 Jerwood Prize for painting (1999) She declined an OBE in 1968 and a CBE in 1979. Selected exhibitions Leger Gallery, London (1947) Roland, Browse and Delbanco, London (1949) Leicester Galleries, London (1953) Whitechapel Gallery,