At the Beier workshop, Seven Seven was given basic tools and minimal instruction throughout his artistic processes. Through this, Seven Seven was able to create his own unique style of painting. Career and later life Twins Seven Seven's work is influenced by traditional Yoruba mythology and culture, and creates a fantastic universe of humans, animals, plants and Yoruba gods. Visually, his work resembles Yoruba carvings in the segmentation, division and repetition of his compositions; conceptually, it reflects this influence in the emphasis on transformation and balance, as well as its embodiment of dualities such as the earthly and the spiritual, past and present, industry and agriculture. Early works such as Dreams of the Abiku Child (1967) make allusion to concepts or figures in Yoruba cosmology and mythology, such as the abiku (devil child), and the orisha Osun. However, Twins Seven Seven also described his work as "contemporary Yoruba traditional art", not only paying homage to the influence of his cultural background but also to noting his responsiveness to current events and the postcolonial experience. Some of his early work was influenced by his reading a copy of Amos Tutuola's book My Life in the Bush of Ghosts that was gifted to him by Georgina Beier. However, as he progressed as an artist, Twins Seven Seven focused more on imagery based on Yoruba folklore and his own dreams. He attempted to avoid exposing himself to other painters who could potentially influence his unique individual painting style. Upon his first visit to the United States, he refused to attend a Picasso show, stating: "No, I don't want to risk being influenced by anyone else. All I am doing is in me already. I am not going to sit down in a studio and learn to mix colors like an European painter." In 1972, Twins Seven Seven taught in the US at Merced College in California and at the Haystack Mountain Crafts School, Deer Isle. He taught at the Ile Ife Black Humanitarian Center in North Philadelphia in the early 1970s along with Barbara Bullock and Charles Searles, whom he influenced. He was in line to become King of Ibadan upon which he would be named Osuntoki II. However, he first had to become the head of his clan, Mogaji. When the old Mogaji died, Twins Seven Seven was elected by his family to take his place, but the coronation kept being pushed