30, 2021, and continues to be daily at sunset on The School House, 101 Portman St, Kinning Park, Glasgow G41 1EJ, UK. • The Circle Game is a permanent installation in the collection of the Alserkal Foundation in Dubai, UAE. Carroll was commissioned in 2016 to realize two site specific works of art that consist of two channel letter LED signs that read, WHEN DID YOU ARRIVE and WHEN WILL YOU RETURN, and a temporary five-story structure that used standard construction scaffolding to erect an edifice within the courtyard of Alserkal Avenue in 2016. The drawing as a built three-dimensional structure provided a platform from which it was possible to see one's self within Alserkal Avenue. The shift in elevation made it possible to have a 360-degree view of the city, providing a comprehensive view. The height of the structure was arrived at from the average of elevations of structures in the city and discussions were held on considered urbanism that included partners from the architecture firm OMA. It provided a physical understanding of the city and pointed to its origins in Deira, that intimate its return. Al Quoz was ‘seeable’ and one physically understood the lateralization of Dubai and how the skyscrapers are anomalies to the rest of the metropolis and where the emphasis has shifted the foundation into the cultural and the social realm. • My death is pending ... Because. is a series of artworks and performances started in 1986 that was completed in 2017 at Irwindale Speedway in the demolition derby — Nite of Destruction in Los Angeles and was filmed by director Giorgio Angelini, Michael Isabell of Eyespy Films, with still photographs by Michele Asselin. The series conception and production was influenced by Rube Goldberg's stream-of-consciousness methodology. My death is pending ... Because. exhibition and performance at Third Streaming Gallery in New York City and in Bridget Donahue Gallery. • PUBLIC UTILITY 2.0 is the ongoing and architects the space of radio frequency as a work of conceptual art providing equitable Internet access and groundbreaking uses of spectrum in the cultural realm. Its path-marking in policy and technology is for the development of a sustainable model and will provide wireless broadband access and associative programming for cultural, educational, and economic development. It expands the design process from what is on the ground in the built environment to what is in the airwaves as a space.