The film was full of so much Pre-Code humor that it ran into censorship problems in many areas. The film drew large crowds in Chicago where it played as an "Adults Only" feature. The soundtrack reveals some amazingly suggestive dialogue. In one sequence, Myrna Loy (playing a depraved dancer named Sophie) finds out Vultow (Walter Pidgeon) who had previously fallen for her charms and made love to her has met with Anna-Marie (Vivienne Segal) and fallen for her charms and has completely forgotten about her. Sophie declares "I'll get him back! I'll dance until his blood is steaming!" and proceeds to begin a smoldering dance number on top of a long dinner table in a very seductive manner in an attempt to lure back Vultow from the charms of Anna-Marie. In another scene, Vultow has a conversation with Anna-Marie. He believes he has had sexual relations with her during the previous night. In reality, however, he dozed off after drinking too much liquor and dreamed the entire episode. The conversation runs as follows: Vultow: "Have you learned that sometimes defeat can be sweet? That even surrender may have its, umm, compensation? Anna-Marie: "I've learned how a gallant soldier, umm, conducts himself in victory" Vultow: Merely a question of practice, my dear." Anna-Marie: "Ha Ha." Vultow: "My victories have been numerous." Anna-Marie: "Really?" Cast Vivienne Segal as Countess Anna-Marie Allan Prior as Count Adrian Beltrami Walter Pidgeon as Colonel Vultow Ford Sterling as Tangy Myrna Loy as Sophie Lupino Lane as Sprotti Songs "Broken-Hearted Lover" (Sung by Allan Prior) "Dream Away" (Sung by Walter Pidgeon and Vivienne Segal) "When Hearts Are Young" (Sung by Walter Pidgeon and Extras) "In a Gypsy Camp" (Danced by Myrna Loy) "Shrimp's Dance" (Danced by Lupino Lane) "Soldier Song" (Sung by Walter Pidgeon and Soldiers) "You Still Retain That Girlish Figure" (Sung by Lupino Lane and Louise Fazenda) Production The film is notable as the first Technicolor feature to include an outdoor sequence filmed at night, a difficult task due to the lighting that was necessary for Technicolor photography at that time. No expense was spared on the lavish gowns and sets and two thousand extras are reported to have been in the production. Aside from one tune retained from the original stage production - "When Hearts are Young (in Springtime") - the songs for the film were composed by Edward Ward and Al Bryan. The