The Bus Driver's Prayer & Other Stories is the seventh solo album by Ian Dury, released in 1992 by Demon. Despite being recorded after the successful live reunion of Ian Dury and the Blockheads, inspired by the death of their drummer Charley Charles, the album is not a Blockheads record. All of the band, however, except bassist Norman Watt-Roy, appear on the album. History The album has its origins in a 1991 Irish film After Midnight. When asked to produce music for the film, Dury recruited Blockhead Mick Gallagher and Music Students member Merlin Rhys-Jones. Two songs, "O'Donegal" and "Quick Quick Slow", along with another, "Bye Bye Dublin", were written around this time, and at least the latter two were recorded in Shepherd's Bush, London along with incidental music for the film. Dury's in-studio behavior had become notably better than during the 1980s and would steadily improve. One notable drink-fueled event, however, while recording the album, on the Mile End Road, London (owned by the brother of Madness keyboard player Mike Barson), is recounted often by Gallagher and Rhys-Jones. Dury, drunk on Budweiser became furious, allegedly after a technician named Frasier erased Gallagher's keyboard part for "Quick Quick Slow", and threatened to burn the studio down. When he wouldn't calm down, the police were called and after spitting at them and calling them 'homosexuals', Dury was arrested. Bus Driver's Prayer is almost always considered a 'return to form' for Dury as a lyricist, and is considered as such by both Dury biographies Ian Dury & The Blockheads: Song by Song and Sex & Drugs & Rock & Roll: The Life of Ian Dury. The most commonly quoted songs to illustrate this are "Poor Joey" and "Poo-Poo in the Prawn". Demon Records were unhappy with the final album and hardly promoted it, despite favorable reviews including a March 1993 issue of Vox, where it was awarded six out of ten stars. Mick Gallagher continues to praise the album as one of his favorites, and noted in Song by Song that it was the album by which he personally mourned Dury, following the singer's death in 2000. The album has received criticism, however, for its use of a drum machine. Reception AllMusic's Stephen Thomas Erlewine called the album "an engaging collection of character sketches and stories," and added that "the album may lack strong hooks and melodies, yet Dury diehards will find