Huiji Temple. Mount Wutai is associated with the bodhisattva Manjusri, who is believed to frequently appear on the mountain, taking the form of ordinary pilgrims, monks, or most often unusual five-colored clouds. It is home to over 360 temples which date back to the Tang dynasty (618 - 907), such as Puhua Temple and Longhua Temple. It is also home to some of the oldest wooden buildings in China that have survived since the era of the Tang dynasty (618 - 907), including the main hall of Nanchan Temple and the East Hall of Foguang Temple, built in 782 and 857, respectively. Mount Jiuhua is associated with the bodhisattva Ksitigarbha. It was identified as the bodhisattva's bodhimaṇḍa after Kim Qiaoque, a prince from the Silla Kingdom on the Korean peninsula, came there in 719 and cultivated himself for 75 years. After dying, his corporeal body stayed intact. Because he was very similar in appearance to iconography of Ksitigarbha, the monks there believed he was the reincarnation of the bodhisattva. As a result, the mountain came to be associated with Ksitigarbha. During the Ming and Qing dynasties, there were over 360 temples located at the mountain. In contemporary times, the temple is home to over 93 temples, with more than 10,000 Buddha statues. Mount Emei is associated with the bodhisattva Samantabhadra and is the location of the first Buddhist temple built in China in the 1st century CE. It is home to over 76 Buddhist monasteries, most of which were constructed during the Ming dynasty (1368 - 1644). Taoism Taoism recognizes numerous sacred mountains. Of these, a grouping of five mountains, which are arranged according to the five cardinal directions of Chinese geomancy (which includes the center as a direction), have been regarded as the most important. The grouping of the five mountains appeared during the Warring States period (475 BC – 221 BC), and the term Wuyue ("Five Summits") was made popular during the reign of Emperor Wudi of the Western Han Dynasty (140-87 BC). In Chinese traditional religion they have cosmological and theological significance as the representation, on the physical plane of earth, of the ordered world emanating from the God of Heaven (Tian–Shangdi), inscribing the Chinese territory as a tán (壇; 'altar'), the Chinese concept equivalent of the Indian mandala. Since the early periods in Chinese history, they have been the ritual sites of imperial worship and sacrifice