the National Park Service in Truro, Cape Cod, Massachusetts. The drawing was burned at Long Nook Beach which is located on the ocean side of the Cape in Truro. The burning of the drawing took 00:10:15:07 minutes to complete and was filmed in Super 8 which was then transferred to MiniDV and finally to 16 mm film. The ash and charcoal was removed from the sand and was used to make a drawing of the black page on Arches paper. The film was screened in New York City, through the organization Light Industry, alongside Rachel Harrison as presented by David Joselit. Artworks from the series were included in The Evryali Score an exhibition at David Zwirner Gallery. PublicationsMEC was published by Steidl/Mack in May 2010 and is designed to reflect the conceptual system by which Carroll makes art. Its chapters bear the titles of sixteen of the 209 categories that Carroll has used since 1988 to organize a card catalog index of her ideas and potential works. The book received the AIGA award in 2010. "A Modest Proposal/A Modist Prepozel" by Mary Ellen Carroll and Jonathan Swift The book includes illustrations from the artist visually representing every word of Swift's text on World War I1 era armylnavy blankets, taking even a version of Swift's title for her own. It is a phonetic translation which forces the viewer to pay close attention to the text, also is stitched in a Bauhaus typeface to the blankets, showing her fidelity to Swift's text.(New York, NY: Presse Endémique, 1994. "Without Intent" is a documentation of Manhattan, using a camera mounted on the photographer's back. The focus is set to infinity and the walk is from Broadway from the Harlem River to Battery Park. The photos, printed to the edge, give the reader a near-actual walk through New York City—almost better than a videotape, since the interactivity comes with the hand. Yet people are real, and blocks are actual. Edition of 500, signed and numbered by the artist. New York, NY: Presse Endémique, 1996. "100 German Men" Synopsis: After more than a year's worth of nearly one thousand encounters with men on the street, Carroll collected photographs of one hundred men who responded "Germany" when asked where they were from (implying their heritage), and who then also agreed to be photographed. In this investigation of ethnicity, Carroll examines the effects of history on the development