said whether the boy is a slave, a servant, or a peer of Florence's. If the boy is a slave then it is probably the earliest depiction of a slave in the UK. Mary Carpenter's piano The piano in the Mary Carpenter Room is the original Broadwood piano bought by Mary Carpenter in 1845. The fabric panel on the front of a Broadwood is usually made from silk, so it is possible that the fabric and embroidery on this one were a project for the school girls. 18th-Century Spinet The spinet in the Print Room was made by Benjamin Slade in 1702. It has been at the Red Lodge since at least 1935 when Alec Hodson restored it. The museum and the "Bristol Savages" tune it every year and it is used as part of the "Bristol Savages"' festivities. Walnut Bureau with hidden compartments The Walnut Bureau and shelves in the Reception Room hide multiple hidden compartments. The Skinner Chair The Skinner Chair in the Parlour was carved for Bishop Robert Skinner in the late 17th century. The story told in the relief is that of Actaeon the Hunter who angered Artemis and was punished by being turned into a deer and attacked by his own hunting party. The back of the chair also carries the Arms of the Skinner family. The same Arms (impaled) are also featured on his grave in Worcester Cathedral. The chair has been used on two royal occasions – Prince Albert sat on it in 1843 when he visited Bristol to launch Brunel's ship, the , and Edward VII sat on it in 1908 when the Edward VII Dock was opened. The Knot Garden The Garden viewed from the Parlour and Great Oak Room is a 1980s interpretation of an Elizabethan Knot Garden. The box hedge 'knot' is copied from the design incorporated into the ceiling of the Bedroom. Herbs and flowers are mixed together in beds as was the fashion in the 1630s, and all the plants used would have been common in a similar garden of the period. The trellis is copied from a French seventeenth century design. Media and modern-day usage Art and sculpture In 2006, Bristol City Council, Arts Council England and Bristol Museum and Art Gallery partnered with Plan 9 for a one-off modern sculpture exhibition at the Red Lodge. Responding to the building, the selected artists take on board