It retrofits the raw material of unused radio frequency with state of the art software defined radios and the accompanying policy for broadband wireless access. PUBLIC UTILITY 2.0 was a commission featured in the biennial Prospect.3|New Orleans under the artist direction of Franklin Sirmans and used TVWS and experimental licenses from the FCC for deployments. The newly unlicensed spectrum known as the Citizens Broadband Radio Service (CBRS) will be deployed in urban and rural use cases and it will include prototype 180 in Houston for the urban deployment. • Nothing is the seminal series that was started by Carroll in 1996. Invited to participate in an exhibition and presentation in 2006 at the Foundation Telefónica and a residency in Ostende, Argentina Carroll walked out of the door of her New York residence and followed the written instructions for the work to leave with no possessions for use or exchange, and every interaction and element were considered a part of the performance for this iteration of Nothing. Carroll traveled with only her passport and the clothes on her back to spend six weeks in the county. By design there was no documentation of the performance. Nothing fomented public outcry in 2014 by noted art historians and art professionals including David Joselit-Harvard University, Frazer Ward-Smith College, and Yona Backer-Third Streaming when Marina Marina Abramović planned and titled a performance Nothing that for the Serpentine and failed to acknowledge Carroll's performance and historical precedent. in New York City. Carroll retains the registered trademark and copyright for Nothing. • Federal the 24-hour, two-theater movie was shot in 2003 and supported by the Guggenheim Foundation and the Rockefeller Foundation to Watch the Watchers. The movie is screened simultaneously with the north facade in one theater and the south facade in another starting at 9am and continues until 9am the following day, the same time the footage was shot in Los Angeles in 2003. The project title comes from the building where the movie was filmed, the Wilshire Federal Building. • Alas, poor YORICK!, 1998/99 - 2008, is the inclusive title of four artworks. In 1998/99 the entire text from Laurence Sterne's novel The Life and Opinions of Tristram Shandy, Gentleman was drawn on a 72 x 50 inches sheet of Arches paper, from which a silkscreen print was produced. On the ten-year anniversary of the drawing, August 8, 2008, Carroll procured a fire permit from