besides revivals of Die Enführung aus dem Serail, Lucia di Lammermoor (role debut as Lucia), La fille du régiment, Rigoletto, and L'elisir d'amore. She made Metropolitan Opera history in the 2007/08 season by appearing as both Pamina and the Queen of the Night in different performances of The Magic Flute in the same run, after which she retired from playing the Queen, a role that she had sung in more than 15 productions. She made guest appearances at the Teatro Real (Zerbinetta), Semperoper in Dresden (Gilda), Theater an der Wien (Pamina), Festspielhaus Baden-Baden (Sophie in Der Rosenkavalier). She continued to be associated with the Bavarian State Opera, with performances including a new production of Ariadne auf Naxos in 2008. In the 2008/09 season she returned to Royal Opera, London for Gretel in Hänsel und Gretel and Adina in L'elisir d'amore. The 2009/10 season saw her Rosina and role debut in the title role in Manon (Vienna State Opera), role debuts of Marie in La fille du régiment (San Francisco Opera) and Donna Anna in Don Giovanni (Grand Théâtre de Genève), and her last Konstanze at the Liceu, in the 2003 Christof Loy production she premiered. Damrau has furthered her exploration of the bel canto repertoire with highlights including role debut in Elvira in I puritani in Geneva in January 2011, and the title role in Donizetti's Linda di Chamounix at the Liceu. She has since brought her portrayal in Donizetti's Lucia di Lammermoor to Berlin and Vienna. She premiered in a new production of Strauss' Die schweigsame Frau at the 2010 Munich Opera Festival, and portrayed all four heroines in Offenbach's The Tales of Hoffmann in a new production at the Bavarian State Opera premiered in October 2011. In May 2012, she returned to Geneva for Philine in Ambroise Thomas' Mignon. Following the birth of her second child in autumn 2012, Damrau returned to the stage with a new production of Verdi's Rigoletto at the Metropolitan Opera in February 2013; this was followed by her role debut in the title role of Verdi's La traviata in the same house. In October 2013, she sang in the world premiere of Iain Bell's A Harlot's Progress at the Theater an der Wien. In March 2014 she sang in La sonnambula at the Metropolitan Opera. She debuted in the role of Countess d'Almaviva in the new production of The Marriage of Figaro at