People. Even though the title is similar to the previously referenced piece, the woodcut has some differences. In this scene, there are four different faces – each of which is half white and half black. The head on the far left is tilted to the side and close to the head next to it. It seems as both heads are coming out of the same body – taking the idea of split personalities to the extreme. The women are all very close together, suggesting that they relate to each other. In The Faces of My People, there were others pictured with different skin tones, but in My People all of the people have the same half black and half white split. Therefore, My People focuses on a common conflict that all the women in the picture face. Legacy Margaret and her husband Charles co-founded what is now the DuSable Museum of African American History in Chicago in 1961. The institution was originally known as the Ebony Museum of Negro History and Art and made its debut in the living room of their house at 3806 S. Michigan Avenue in the Bronzeville neighborhood on Chicago's south side, and Taylor-Burroughs served as its first Executive Director. She was proud of the institution's grass-roots beginnings: "We're the only one that grew out of the Indigenous Black community. We weren't started by anybody downtown; we were started by ordinary folks." Burroughs served as executive director until she retired in 1985 and was then named director emeritus, remaining active in the museum's operations and fundraising efforts. The museum moved to its current location at 740 E. 56th Place in Washington Park in 1973, and today is the oldest museum of Black culture in the United States. Both the current museum building, and the Burroughs' S. Michigan Avenue home are now listed on the National Register of Historic Places, and the house is a designated Chicago landmark. Burroughs was inspired by Harriet Tubman, Gerard L. Lew, Sojourner Truth, Frederick Douglass, and W.E.B. Du Bois. In Eugene Feldman's The Birth and Building of the DuSable Museum, Feldman writes about the influence Du Bois had on Burroughs' life. He believes that Burroughs greatly admired Du Bois and writes that she campaigned to bring him to Chicago to lecture to audiences. Feldman wrote: "If we read about 'cannabalistic and primitive Africa,'… it is a deliberate effort to put down