Amy Peters - (stop-motion film) #& watch "Paperwork" a Gus Gavino film - (original music/sound design) #%& "Farewell Darkness" Daniel J. Pico - (documentary film) *= "Eat Your Fruits and Vegetables!" Diana Lawrence - Independent *= "ITS TIME" Chicago Junglebop Syndicate - IZM Records * "Outspoken: Los Angeles" David Bianchi/Carl Sondrol - (documentary film) *= (sample) <2006> "Farragut" Lucky 7s - Lakefront Digital *# "Live @ Ice Factory" Tomorrow Music Orchestra - ears&eyes Records *#%&~ "neon jesus garage" Tomorrow Music Orchestra - ears&eyes Records *#%&~ "New Orleans/Katrina=Chicago+Santa Fe" Grilly Biggs - High Mayhem *# "High Mayhem Festival 2005" (compilation) - High Mayhem *# "Eightballs in Angola" The Other Planets - Attention Spaniel * "Introducing ::" GKduo - ears&eyes *#%&~ "backGammon" backGammon - Independent *# <2005> "LIVE!" QMRplus - ears&eyes *#%&~ "Baghdad Music Journal" WATIV - High Mayhem *# "Dismantling Devotion" Daylight Dies - Candlelight Records =% "High Mayhem Festival 2004" (compilation) - High Mayhem * "No Bitch-Ass Hurricane Can Stop Us" EP, Grilly Biggs - Independent *#%~& "RedShift" RedShift - Independent *#%& (earlier) "To Tide You Over" Grilly Biggs - Independent *#&~ "Live at Left Bank" Macy-Golombisky Duo - Independent *&~ Press|Print "Montana Fix, from the Gunnelpumpers [is] instrumental music of the highest order...the record is intense, moody, introspective, groovy, transcendent, atmospheric, mind-expanding... a great collection of grooves that roam across the sonic horizon...the collective vibe of this group is stunning...inspired!", says JimmyDumps.com review. "...each and every second is interesting and provocative," says babysue.com review on Montana Fix. Bill Meyer (Chicago Reader) on The Spirit at Bell's: "Golombisky and Daniel Thatcher, are equally essential to the album's novel sound. The two double bassists fill the space between Robinson's adroit, graceful maneuvers and Bennington's loose grooves and colorful fills with a rich assortment of tightly woven walking lines, darting solo forays, and out-of-tempo strums." "...as the brainchild of bassist, composer and conductor Matthew Golombisky, TMO (as they're known)... the result is quite the aural and visual amusement, simultaneously artistic and intriguing. One minute they're pumping out a big-band sound before a completely natural-sounding Afrobeat seamlessly shakes its way into the ensemble. A playful yet serious blending of genres makes TMO an un-intimidating way to expose oneself to classical and traditional jazz blended with elements of rock. A word of caution: just sit back and enjoy it — because if you spend too much time trying to identify all the sounds, you'll