Adalberto Santiago (born April 23, 1937, in Pozas barrio, Ciales, Puerto Rico) is an internationally known salsa singer. Career Adalberto's relaxed and flawless lead vocals are among the best in the salsa genre of Latin music. His early influences included the great Cuban vocalists Beny Moré and Miguelito Cuní. Santiago started his professional career singing with trios and playing guitar and bass. After stints with the bands of Chuíto Vélez, where he was called "The Puerto Rican Elvis Presley", Willie Rosario and Willie Rodriguez, his career reached new heights when he joined Ray Barretto's band. Between 1966 and 1972, Adalberto made seven studio albums with Ray Barretto, that contained hit songs like "Quitate La Mascara" and "Alma Con Alma". During this time period he also became an original founding member of the salsa "super-group" The Fania All-Stars. In late 1972, Adalberto and four other members of Barretto's band departed to found Típica 73. He appeared on three of their albums before disagreement over musical direction led him, and three other band members, to split during the mid-1970s to form Los Kimbos. Santiago sang lead vocals on charanga albums, Fantasía Africana/African Fantasy and Our Heritage - Nuestra Herencia, by flautist, composer and producer Lou Pérez. Los Kimbos had a similar sound to both the pre-split Ray Barretto and Típica 73 outfits. With Los Kimbos, Adalberto recorded Los Kimbos (1976) and The Big Kimbos With Adalberto Santiago (1977). That year he also made his solo debut on Adalberto, which was produced by Barretto. Los Kimbos continued under the leadership of Orestes Vilató. Santiago sang lead on one track on Louie Ramírez y Sus Amigos by Louie Ramírez. In 1979, Adalberto and Ramírez co-produced his solo follow-up, Adalberto Featuring Popeye El Marino. The same year, he reunited with Barretto on Rican/Struction. Barretto produced Adalberto's next solo album, Feliz Me Siento (1980). Sonora Matancera member, Javier Vázquez, produced, arranged, directed and played piano on Adalberto Santiago, which was Adalberto's contribution to the early 1980s típico salsa revival. In 1982, Santiago joined with Roberto Roena for Super Apollo 47:50. Santiago then co-produced Calidad with Papo Lucca, who also played piano, and oversaw musical direction. His Cosas Del Alma was an album of boleros which included his third recorded version of "Alma Con Alma" (which was previously contained on Barretto's The Message and Gracias ), and featured arrangements made by Steve Sacks, Ray Santos and Alberto