Robert John Gibbings (23 March 1889 – 19 January 1958) was an Irish artist and author who was most noted for his work as a wood engraver and sculptor, and for his books on travel and natural history. Along with Noel Rooke he was one of the founder members of the Society of Wood Engravers in 1920, and was a major influence in the revival of wood engraving in the twentieth century. His early life Gibbings was born in Cork into a middle-class family. His father, the Reverend Edward Gibbings, was a Church of Ireland minister. His mother, Caroline, was the daughter of Robert Day, Fellow of the Royal Society of Antiquaries of Ireland and president of The Cork Historical and Archaeological Society. He grew up in the town of Kinsale where his father was the rector of St. Multose Church. He studied medicine for three years at University College Cork before deciding to persuade his parents to allow him to take up art. He studied under the painter Harry Scully in Cork and later at the Slade School of Art and the Central School of Art and Design. During the First World War he served in the Royal Munster Fusiliers and was wounded at Gallipoli in the Dardanelles, was invalided out and resumed his studies in London. In 1919 he married Moira Pennefather, daughter of Lieutenant Colonel Edward Graham Pennefather from Tipperary, with whom he had four children, Patrick (1920), Brigid (1923) and Lawrence and Finnbar (1927). Gibbings and the Society of Wood Engravers Gibbings's early contact with Noel Rooke at the Central School set the course of the rest of his artistic career when he asked Rooke: "Is it very foolish of me to try to be an artist?" and received the reply: "What else could you do?". Life as an artist meant life as a wood engraver, and a life where Gibbings often struggled financially whilst, at the same time, receiving critical acclaim. This was the case at this stage of his life. The critical acclaim came with an article in the Studio in February 1919, which reproduced a number of engravings, including two colour wood engravings. Commissioned work was more of a problem. Joseph Thorp obtained commercial commissions for Eno's Fruit Salts, Matinée cigarettes and Findlater's Port. For the London Underground he produced a poster for Wisley and a publicity booklet for London Zoo (1922), now