learned of his rebellion he was disappointed. He accompanies the Haths to seek the homeland. He continuously keeps doubting Ira's ability to lead them there. In the epilogue of Firesong, he has opened a school in the homeland for all the children. Themes Order and Control Order and control play a major role in the trilogy. They symbolize that which is at the heart of evil, and the Haths (especially Kestrel and Ira) symbolize freedom, and individuality. At the beginning of "The Wind Singer", Aramanth and its inhabitants are subject to a strict system, and when someone like Kestrel defies the system they are severely reprimanded, showing the grip that the Morah has on the city. The High Examiner is so bent on control that he acts almost insanely when he is crossed. He displays utter disbelief that anyone could undermine or dislike the examination system. The control is illustrated by the rules such as having everyone wear colours to define their place in society, which promotes a sense of having to conform to the group. In Slaves of the Mastery, control is achieved with fear and threats. If one person disobeys, many are killed, to discourage others from doing the same. Also, control via strength of mind features frequently, and is a skill which at the end of the book " Firesong" enables the Manth people to fly to their homeland. This control of oneself symbolises the liberation of the Manth people (and the world). Individuality This is the converse side of order. The Hath family's patchwork quilt of many colours shows that they are important, as they are the only ones who seem not to be affected by the monotony that subdues the rest of the city. The Evil army, The Zars, is made up of an infinite number of people who all act as one. When they march towards Aramanth there is a canyon blocking their way, which they walk straight off, knowing that eventually the pile of the dead will be high enough for the remainder of the army to walk over. The Wind Singer, with its voice returned, promotes individuality, and destroys the Zars. Likewise, The Morah is eventually revealed to be a conglomerate of souls and their violent emotions rather than an actual individual. Fear Nicholson uses powerfully emotive devices to create not only a real sense of fear amongst the characters, but also