Breaking Glass is a 1980 British film starring Hazel O'Connor, Phil Daniels and Jonathan Pryce. It was co-produced by Dodi Fayed and written and directed by Brian Gibson, his feature film debut. The film was screened out of competition at the 1980 Cannes Film Festival. The soundtrack album, featuring songs performed by O'Connor, reached number 5 in the UK and was certified Gold by the British Phonographic Industry. Two singles, "Eighth Day" and "Will You", both reached the UK Top 10. Plot The film depicts the rise and fall of Kate Crowley (Hazel O'Connor), an angry but creative young singer and songwriter. At the beginning of the film, she is discovered by Danny (Phil Daniels), a young man who desperately wants to become a promoter of music bands but is stuck working for another agent (who forces him to buy hundreds of copies of the singles of one of his artists, Suzie Sapphire, to fix the music charts). Danny takes an active part in controlling Kate's career, impressed with her talent if not her band, whom he promptly fires. He arranges auditions and reaches out to former friends, and in doing so Kate's new band, Breaking Glass, is formed. Breaking Glass consists of Kate on vocals and keyboard, best friends Tony (Mark Wingett) and Dave (Gary Tibbs) on lead and bass guitar respectively, the heroin-addicted and partially-deaf Ken (Jonathan Pryce) on saxophone and the 'mental' Mick (Peter-Hugo Daly) on drums. Danny does his best to promote the band but finds it hard-going. The best he can do is several nights in a pub frequented by neo-Nazis, which, given Kate's anarchist and liberal tendencies that shine through in her songwriting, doesn't go well. After a brawl breaks out one night and the publican refuses to pay the band, Danny finally manages to persuade the anti-establishment Kate to record a demo tape. Danny and Kate then take the demo tape to some gig promoters who show no interest. The band keep struggling to get by, despite being hassled by the police, and in the meantime Kate realises she is falling in love with Danny. The hard work eventually pays off when the gig promoters finally agree to help out but only by offering the band a contract that Danny describes as "feudal". Several months pass as the band tours the country, building up a large fanbase. On Christmas Eve the band is