Joe Bataan (also spelled Bataán) (born Bataan Nitollano; November 15, 1942) is a Latin soul musician from New York. Early life Joe Bataan was born Bataan Nitollano and grew up in the 103rd Street and Lexington Avenue part of East Harlem in New York. In East Harlem, Bataan briefly led the Dragons, a local Puerto Rican street gang. Bataan served time in the Coxsackie Correctional Facility for a stolen car charge. His father was Filipino and his mother was African American. Career Upon his release from prison in 1965, Bataan turned his attention to music and formed his first band, Joe Bataan and the Latin Swingers. Bataan was influenced by two musical styles: the Latin boogaloo and African American doo-wop. Though Bataan was neither the first nor only artist to combine doo-wop-style singing with Latin rhythms, his talent for it drew the attention of Fania Records. After signing with them in 1966, Bataan released Gypsy Woman in 1967. (The title track is a Latin dance cover of "Gypsy Woman" by The Impressions). He would, in full, release eight original titles for Fania which included the gold-selling Riot!. These albums often mixed energetic Latin dance songs, sung in Spanish, with slower, English-language soul ballads sung by Bataan himself. As a vocalist, Bataan's fame in the Latin music scene at the time was only rivaled by Ralfi Pagan. Disagreements over money with Fania Records head Jerry Masucci led Bataan to eventually leave the label. While still signed to Fania however, Bataan secretly started Ghetto Records, a Latin music label which got its initial funding from a local gangster, George Febo. Bataan produced several albums for other artists, including Papo Felix, Paul Ortiz and Orquesta Son and Eddie Lebron. In 1973, he helped coin the phrase "salsoul", lending its name to his first post-Fania album. Along with the Cayre brothers, Kenneth, Stanley, and Joseph, he co-founded the Salsoul label, though later sold out his interest. He recorded three albums for Salsoul and several singles, including "Rap-O Clap-O" from 1979 which became an early hip hop hit. After his 1981 album, Bataan II, he retired from music-making to spend more time with his family and ended up working as a youth counselor in one of the reformatories he himself had spent time in as a teenager. In 2005, Bataan teamed up with producer Daniel Collás to break his long hiatus with the release of