. No. 11 has , , , , , and (written as ). No. 15 has , , , and (beamed 2+2+2+3). No. 16 has , , , , , (), and . No. 17 has . No. 19 has , , (beamed 2+2+2+3), and . No. 20 has , , , and . Charon by Richard Barrett has , , , , , , , , , , , , , , and . Chichester Psalms by Leonard Bernstein uses irregular and , notated as , and . Contrapunctus by Mark Andre has , , and . The Death of the Hired Man by Andrew Violette has , , , , , , , , , (), and () Diversions for Piano Left Hand and Orchestra by Benjamin Britten has , , , and . Earth, the fifth part of Fictions by Richard Barrett, has , , , , , , , , , , , , , , , and . Emily Dickinson's Book of the Dead by Andrew Violette has , , , and . The Exterminating Angel Symphony by Thomas Adès has , , , , , and . Fantasy by Andrew Violette has , , , and . "Firth of Fifth": Introduction, by Tony Banks of Genesis, mixes duple and quadruple meters with and signatures. Intermezzo by Andrew Violette has , , , , , , , , , , and . I Open and Close, the sixth part of Fictions by Richard Barrett, has , , , , , , , , , , , , , , and . "I Say a Little Prayer" by Dionne Warwick uses two measures of , one measure of and two measures of for verses and for its chorus. K.G.L.W. by King Gizzard and the Lizard Wizard increments through , , , , , , , , , , , , , and . Klavierstück IX (1954–55/61) by Karlheinz Stockhausen uses , , , , and . Lemma-Icon-Epigram by Brian Ferneyhough has , , , (in an additive time signature), , , , , , , , (in various groupings such as ), and . Lieder vom Wasser, the tenth part of Fictions by Richard Barrett, has , , , , , , , , , , , , , , and . The Long and the Short by Charles Wuorinen has , , (in additive time