meter. American Song Set by Andrew Violette. One of the songs ends in () and another song has in the piano's right hand against in the piano's left hand and voice. Don Rodrigo by Alberto Ginastera. "Interludium III", except the last three bars, which are in . 4 Etudes, Op. 2, by Sergei Prokofiev. The second étude uses in one hand against in the other. Goldberg Variations, by Johann Sebastian Bach. Variation 26 uses in one hand against in the other, exchanging hands at intervals until the last five bars where both hands are in . 5 Klavierstücke, Op. 23 by Arnold Schoenberg, third piece, measures 26 to 30. Upper number of 19 "33 222 1 222" by Don Ellis. Its title represents the subdivision: "Hell's Bells" by Bruford, variously subdivided as and throughout the song. Piano Sonata No. 2 ("The Airplane"), by George Antheil, for one bar. "Rusty Cage" by Soundgarden, third section. "Celestial Terrestrial Commuters" by Mahavishnu Orchestra. "Home" by Dream Theater, ending. "Keep It Greasy" by Frank Zappa on Joe's Garage (the first verse, some bridges and the guitar solo are counted in and the second verse is in ). Upper number between 20 and 29 20 Piano Sonata No. 1 by Charles Wuorinen. Measure 155 of part 2 is in . Threni, id est Lamentationes Jeremiae Prophetae, by Igor Stravinsky In "Sensus spei", part 2 of "De Elegia Tertia", bar 4 is in time. 21 "The Art Of Dying" by Gojira (2008) cycles from to to (grouped ) and repeats this pattern during the intro and beginning of the song. 3 Danses from L'Oeuvre d'orgue by Jehan Alain, for one measure in the first dance. "In Re Con Moto Et Al" by Charles Ives uses . In the Dead of the Night suite by U.K., "contains an instrumental refrain in ". "Keep It Greasy" by Frank Zappa on Joe's Garage (the second verse is in ). Master of Puppets by Metallica features measures that can be interpreted as . 22 "The First Circle" from the album First Circle by the Pat Metheny Group. Composed by Pat Metheny and Lyle Mays (). 24 American Song Set by Andrew Violette. One of the songs is in () and two other songs have some measures in in the piano's right hand against in the piano's left hand and voice. Amor dammi quel fazzolettino by Andrew Violette has a passage