the Bangladeshi community in Britain. Some groups thought Ali had negatively portrayed people from the Sylhet Division, as they constitute the majority of the Bangladeshi immigrants living in the Brick Lane community. Film adaptation In 2007, the book was adapted as a film of the same name. Starring the Indian actress Tannishtha Chatterjee, the film was distributed both in the UK and internationally. When production was underway in 2006, some of the Bangladeshi community opposed Ruby Films' intention to film parts of the novel in the Brick Lane area. They formed the Campaign Against Monica Ali's Film Brick Lane. The writer and activist Germaine Greer expressed support for the campaign, writing in The Guardian: As British people know little and care less about the Bangladeshi people in their midst, their first appearance as characters in an English novel had the force of a defining caricature ... [S]ome of the Sylhetis of Brick Lane did not recognise themselves. Bengali Muslims smart under an Islamic prejudice that they are irreligious and disorderly, the impure among the pure, and here was a proto-Bengali writer with a Muslim name, portraying them as all of that and more. Greer criticised Monica Ali's "lack of authenticity", as she had never spent much time in the Brick Lane community, and no longer spoke the Bengali language fluently. The writer Salman Rushdie criticised Greer for getting involved, saying that her statements were "philistine, sanctimonious, and disgraceful, but ... not unexpected." Love Marriage After a ten-year hiatus, during which Ali suffered a 'loss of confidence' according to an interview in The Guardian, she returned with her fifth novel, Love Marriage. Described in The Times' culture section as a 'literary love story', the book is set in London in 2016–2017, and tells the story of Yasmin Ghorami, a 26-year-old junior doctor, who is engaged to be married to fellow doctor, Joe Sangster. In the same article, journalist Rosie Kinchen argues that we are living in 'a time when feelings are so fraught and people seem to be itching to taking offence', going on to say 'This is precisely why it's a good time to have her back. Nuance is one of Ali's greatest skills; she can lay out a character's flaws, self-delusions and inconsistencies and then make you love them anyway.' In a review in the Times Literary Supplement, novelist Tash Aw described it as a 'rich, sensitive and gloriously