hub for both young writers and Berrigan and Notley's contemporaries. Notley remained fairly prolific during this era, writing and publishing several full-length collections. Perpetually strapped for cash, the two took on whatever small jobs they could to support the family. Notley and Berrigan were frequent instructors at Naropa University's summer writing program. Some of Notley's most famous engagements with the poetry community while in NYC were her workshops at the Poetry Project at St. Mark's Church, which were attended by dozens of young poets including Bob Holman, Patricia Spears Jones, Steve Carey, and Susie Timmons. Eileen Myles wrote of their experience in Notley's workshops in their books Chelsea Girls (Black Sparrow Press, 2004; Ecco, 2015) and Inferno (O/R Books, 2010). Of her 1983 workshop, Notley wrote: In 1986, Notley led a workshop where participants were required to write an entire book during the course of their meetings. After the workshop ended, Notley teamed up with students to print copies of their works on the mimeograph machine in the St. Mark's basement. The books were published under the imprint Unimproved Editions and Notley made cover art for the majority of the titles. Her own book, entitled Parts of a Wedding, was published first in a small edition by Unimproved Editions then later as a section of the O Books anthology O One. Berrigan's death in 1983 struck the poetry community exceptionally hard and over the next decade, Notley would suffer the loss of many others who were close to her. Notley's 1985 play "Anne's White Glove," a commission by Ada Katz's Eye and Ear Theater navigated the pain of Berrigan's death, and her collections Margaret & Dusty (Coffee House, 1985), Parts of a Wedding (Unimproved Editions, 1986), and At Night the States (The Yellow Press, 1987) contain material written during a period of mourning. Notley's elegiac work during this era, including her poems "Beginning With a Stain" and "At Night the States," is some of her most widely celebrated. 1992–present: Paris In 1992, Notley moved to Paris with her second husband, the British poet and novelist Douglas Oliver (1937–2000), whom she met while living in England in 1974. The two worked on two magazines together, Gare du Nord and Scarlet, and self-published a compendium of their own books, The Scarlet Cabinet, which contained Notley's Descent of Alette. Descent would grow to be Notley's most widely read and taught collection after its