"Ode on Melancholy" is one of five odes composed by English poet John Keats in the spring of 1819, along with "Ode on a Grecian Urn", "Ode to a Nightingale", "Ode on Indolence", and "Ode to Psyche". The narrative of the poem describes the poet's perception of melancholy through a lyric discourse between the poet and the reader, along with the introduction to Ancient Grecian characters and ideals. Background While studying at Enfield, Keats attempted to gain a knowledge of Grecian art from translations of Tooke's Pantheon, Lempriere's Classical Dictionary and Spence's Polymetis. Although Keats attempted to learn Ancient Greek, the majority of his understanding of Grecian mythology came from the translations into English. "Ode on Melancholy" contains references to classical themes, characters, and places such as Psyche, Lethe, and Proserpine in its description of melancholy, as allusions to Grecian art and literature were common among the "five great odes". Unlike the speaker of "Ode on a Grecian Urn", "Ode to a Nightingale", and "Ode to Psyche", the speaker of "Ode on Melancholy" speaks directly to the reader rather than to an object or an emotion. With only three stanzas, the poem is the shortest of the odes Keats wrote in 1819; however, the original first stanza of the poem was removed before the poem's publication in 1820. It was: According to Harold Bloom, one can presume that the "harmony was threatened if fully half of [the poem] was concerned with the useless quest after "The Melancholy". Despite its adjusted length, Keats thought the poem to be of a higher quality than "Ode on Indolence", which was not published until 1848, after Keats's death. Structure "Ode on Melancholy" consists of three stanzas with ten lines each. Because the poem has fewer stanzas than "Ode on Indolence" and "Ode on a Grecian Urn", the rhyme scheme appears less elaborate, with the first and second stanzas sharing a rhyme scheme of: ABABCDECDE, while the third takes on one of its own: ABABCDEDCE. As with "Ode on a Grecian Urn", "Ode on Indolence", and "To Autumn", each stanza begins with an ABAB rhyme scheme then finishes with a Miltonic sestet. The general meter of the poem is iambic pentameter. Themes and critical responses Personification is implemented with words such as 'Joy', 'Beauty', 'Delight', and 'Pleasure' allowing the poet to create characters out of ideals and emotions as he describes his thoughts and reactions