he designed the inaugural cover page and illustrated the cover pages regularly even after Soumitra had stopped editing the magazine. Nirmalya continued editing the magazine, and several of Ray's scripts were published in the magazine. Other works Besides working with Ray, Soumitra excelled in collaborations with other well-known Bengali directors such as Mrinal Sen and Tapan Sinha. He earned critical acclaim for his role of an impostor in Mrinal Sen's Akash Kusum (1965). He was equally confident in playing the swashbuckling horse-riding villain in Tapan Sinha's Jhinder Bandi (1961) giving the legendary Uttam Kumar a tough challenge. In the romantic film Teen Bhubaner Pare (1969), he shared the screen with actress Tanuja, the film was noted for his "flamboyant" style of acting. Besides films, Chatterjee continued acting in Kolkata-based Bengali theatre, and also published over 12 poetry books. Entering the 1980s and 1990s, he started working with contemporary directors, like Goutam Ghose, Aparna Sen, Anjan Das and Rituparno Ghosh, and even acted on television. In 1986, he played the role of a swimming coach, Khitish Singh(Khidda) in film Kony (1986) directed by Saroj Dey, who was part of the film collective Agragami. The film is about a young girl from a slum, who wants to become a swimmer. At the 32nd National Film Awards, the film won the National Film Award for Best Popular Film Providing Wholesome Entertainment. Later in a 2012 interview, he called Kony one of the best films of his career. He even recalled using film's catch-phrase "Fight-Koni-fight" in hard times, as a chant to himself to lift his "aging spirits". The phrase had become popular with middle-class Bengalis at the time. He also starred in his biopic Abhijaan directed by Parambrata Chatterjee, an artist himself. The movie was released in April 2022 posthumously as a tribute to Soumitra featuring Jisshu Sengupta who portrayed the younger self of the late artist. Theatre He replaced Mrityunjay Sil as the lead artist in 1958. Mrityunjay Sil was at the peak of his theatre career at that time. But due to personal issues he suggested his friend, Soumitra's name. Mrityunjay Sil is often credited with being one of the few people to have helped Soumitra. But he soon left his job. After a two-decade long busy career as a leading man of Bengali cinema, he returned to theatre in 1978, with his production Naam Jiban, staged at Biswarupa Theatre in