Drama is the tenth studio album by the English progressive rock band Yes, released on 18 August 1980 by Atlantic Records. It is their only album to feature Trevor Horn on lead vocals and the first with Geoff Downes on keyboards. This followed the departures of Jon Anderson and Rick Wakeman after attempts to record a new album in Paris and London had failed. Drama was recorded hurriedly with Horn and Downes, as a tour had already been booked before the change in personnel. The album marked a development in Yes' musical direction, combining the band's progressive signature with Horn and Downes' new wave sensibilities. Drama was released to a mostly positive critical reception, with most welcoming the band's new sound. It peaked at No. 2 in the UK and No. 18 in the US, though it became their first album since 1971 not to reach gold certification by the RIAA, and their first to miss the top ten there since The Yes Album. "Into the Lens" was released as the album's sole single. Yes toured the album with a 1980 tour of North America and the UK, and were met with some negative reactions from British audiences over the line-up change. The group disbanded at its conclusion; Horn would collaborate with Yes as a producer, while Downes would rejoin the band as a full-time member in 2011. Drama was remastered in 2004 with previously unreleased bonus tracks, and it was performed live in its entirety for the first time in 2016. Background In June 1979, the Yes line-up of Jon Anderson, Chris Squire, Steve Howe, Rick Wakeman, and Alan White completed their 1978–1979 tour in support of Tormato. The five reconvened in November 1979 to start work on a new album. After the various problems they faced while recording Tormato, Yes decided to work in Paris with Roy Thomas Baker to oversee its production. Anderson and Wakeman entered the sessions with enthusiasm and wrote more material together than they had before, but the rest of the band felt the songs were too light and folk-oriented and started writing more aggressive and direct arrangements. The growing internal differences, described by Anderson as a "loss of respect for each other", led to Squire, Howe, White and Baker coming to sessions late, which discouraged Anderson and Wakeman, the latter at times refusing to leave his hotel room to rehearse. Conversely, Howe recalls