and booklet, or the use of oversized packaging. The importance of design was such that some cover artists specialised or gained fame through their work. Such people include the design team Hipgnosis, through their work on Pink Floyd albums and others; Roger Dean, famous for his Yes and Greenslade covers; Cal Schenkel, for Captain Beefheart's Trout Mask Replica and Frank Zappa's We're Only in It for the Money. The talents of many photographers and illustrators from both inside and outside of the music industry have been used to produce a vast array of memorable LP/CD covers. Photographer Mick Rock produced some of the most iconographic album covers of the 1970s, including Queen's Queen II (recreated for their classic music video "Bohemian Rhapsody"), Syd Barrett's The Madcap Laughs, and Lou Reed's Transformer. From 1972 to 1975, photographer Norman Seeff was creative director at United Artists and in addition to his many cover photographs (The Band, Kiss's Hotter than Hell, Joni Mitchell's Hejira, etc.), he art directed dozens of album covers including Exile on Main Street, many of which received Grammy Award nominations. In addition to the examples mentioned previously, a number of world-renowned graphic artists and illustrators such as Robert Crumb (Big Brother & the Holding Company), Shepard Fairey (Johnny Cash), Howard Finster (R.E.M., Talking Heads), Frank Frazetta (Molly Hatchet), Derek Riggs (Iron Maiden), H. R. Giger (Emerson, Lake & Palmer, Debbie Harry), Gottfried Helnwein (Marilyn Manson), Al Hirschfeld (Aerosmith), Ken Kelly (Kiss, Mati Klarwein, Santana, Miles Davis), Rex Ray (David Bowie), Jamie Reid (The Sex Pistols), Ed Repka (Megadeth), Norman Rockwell (Mike Bloomfield and Al Kooper), John Van Hamersveld (The Rolling Stones), Alberto Vargas (The Cars), and Andy Warhol (The Velvet Underground, The Rolling Stones) have all applied their talents to memorable music packages. A number of record covers have also used images licensed (or borrowed from the public domain) from artists of bygone eras. Well-known examples of this include the cover of Derek and the Dominos' Layla and Other Assorted Love Songs (from the painting "La Fille au Bouquet" by French painter and sculptor Émile Théodore Frandsen de Schomberg), "The Downfall of Icarus" by Genisson on the cover of the first album by Renaissance; Bosch on the cover of Deep Purple; Breugel on the cover of Fleet Foxes; the cover of Kansas's debut album, adapted from a mural by painter John Steuart Curry, Norman Rockwell's cowboy (Pure Prairie League),