hand against in the piano's left hand and in the voice. Upper number between 50 and 59 53 "Interlude V" by Mannheim Steamroller from the album Fresh Aire II contains one measure of . Upper number more than 59 256 "Entertain Me" by Tigran Hamasyan is in , with a repeating motif in laid over it. Fractional time signatures Bicinium by Charles Wuorinen has a measure of . Driftwood Suite, for piano, by Gardner Read uses , , and . Hill-Song I and II by Percy Grainger contain measures of and . Intrada, nebst burlesquer Suite, for two violins (the so-called "Gulliver Suite") by Georg Philipp Telemann. "Reverie der Laputier, nebst ihren Aufweckern" is in . Lincolnshire Posy by Percy Grainger. Movement V, "Lord Melbourne", uses and . Mädchentotenlieder, by Bo Nilsson. Bar 83 is in time. Bar 97 is in time. Bar 123 is in time. Bar 112 is in time. Le marteau sans maître, by Pierre Boulez. Movement III "L'Artisanat furieux". Bar 3 is in time. Bars 24, 35, and 43 are in time. Piano Sonata, Op. 43, by Harry Farjeon has three measures of in the first movement. Piano Sonata No. 2, Concord, Mass., 1840–1860, by Charles Ives. In movement III "The Alcotts", bar 20 is in time. Piano Sonata No. 3 by Carlos Chávez. Movement IV has measures in , , and . "Schism" by Tool is described by the band as largely in and includes numerous other times. Sensemayá by Silvestre Revueltas includes three bars in . Study in Sonority by Wallingford Riegger contains several bars. Study No. 23 by Charles Ives has . Touch Piece, for piano, by Gardner Read uses , , and . "Upstart" by Don Ellis is in (originally written in ). Irrational time signatures Bicinium by Charles Wuorinen has a measure of . Berceuse from The Exterminating Angel by Thomas Adès has and . Contrapunctus by Mark Andre has , , , , , , , , , and . The Exterminating Angel Symphony by Thomas Adès has , , , and in the first and third movements. The Four Quarters by Thomas Adès has , , , , and . Glaubst du an die Unsterblichkeit der Seele? (1983) by Claude Vivier has , , , , , , , , , , , and . I'Itoi Variations by Kyle Gann. Bar 275 is in time, bar 277 is in