The True Story of Ah Q is an episodic novella written by Lu Xun, first published as a serial between December 4, 1921 and February 12, 1922. It was later placed in his first short story collection Call to Arms (吶喊, Nàhǎn) in 1923 and is the longest story in the collection. The piece is generally held to be a masterpiece of modern Chinese literature, since it is considered the first piece of work to fully utilize Vernacular Chinese after the 1919 May 4th Movement in China. It was first published in the Beijing Morning News supplement as a serial. Originally Lu Xun wrote the story under the name "Ba Ren" (巴人, "crude fellow"), and so few people knew who wrote the novella. The first installment was published on December 4, 1921, and additional installments appeared weekly and/or fortnightly. The final installment was published on February 12, 1922. The story had nine chapters. Synopsis The story traces the "adventures" of Ah Q, a man from the rural peasant class with little education and no definite occupation. Ah Q is famous for "spiritual victories", Lu Xun's euphemism for self-talk and self-deception even when faced with extreme defeat or humiliation. Ah Q is a bully to the less fortunate but fearful of those who are above him in rank, strength, or power. He persuades himself mentally that he is spiritually "superior" to his oppressors even as he succumbs to their tyranny and suppression. Lu Xun exposes Ah Q's extreme faults as symptomatic of the Chinese national character of his time. The ending of the piece is equally poignant and satirical. Novella form Both the novella form and the low social station of the protagonist were new in Chinese literature. But the story consisted of nine serial episodic chapters (an old Chinese method for long folklore 章回體形式, which can consist of hundreds of chapters). This is the only novella published by Lu Xun. Metaphor Lu Xun believed that the purpose of literature was to transform the minds of and enlighten fellow Chinese. He followed the concept of "Wén Yǐ Zài Dào" (, "literature as a vehicle for Tao (moral message)"). In Chapter One, the author ironically claims that he could not recall nor verify Ah Q's correct name, thus giving the character symbolic anonymity. "Ah" (阿) in Chinese is a diminutive prefix for names. "Q" is short for "Quei", which would today be