often being drowned by the last seconds of the 'next time' trailer and the start of the actual theme. A further revision of the arrangement was made for the 50th Anniversary special "The Day of the Doctor". The fanfare over the opening bars was absent for the first time since 2010, and more of the electronic elements were removed or replaced (but the percussion and bassline were made more prominent, and the bass slides were re-instated as well) . The 'middle eight' section was also reinstated, for the first time since 2010's "The Beast Below". For the 2013 Christmas special, "The Time of the Doctor", the theme used throughout Series 7 Part 2 was reinstated. The arrangement of the theme was once again revised in 2014 to mark the introduction of Peter Capaldi as the twelfth incarnation of The Doctor. This version removed the opening fanfare of the 2010–2012 and 2012–13 versions, returning to the traditional opening bars with a prominent bassline, accompanied by bells and a variety of futuristic sound effects, as well as a new sting as the theme opens. This leads into the main melody, now more electronic and screech-like in homage to the Howell and Glynn themes of the 1980s. The 'middle eight' is absent from any broadcast version of the theme, and as such the closing credits cut straight to the main melody as they did in Series 7 Part 2. However, it was reinstated for an extended version of the theme released on the series 8 soundtrack album in May 2015. As of the third episode of Capaldi's debut season, "Robot of Sherwood", the new 2014 theme was suddenly polished further, blending in the intro transition sound and bass elements of the 2008 version. In the fourth episode of the ninth series, the intro has an electric guitar playing throughout, which continues from the Doctor playing Beethoven's Fifth Symphony in the pre-intro scene on an electric guitar. The theme music received another revision in 2018 for Jodie Whittaker's first series as the Doctor, this time by new composer Segun Akinola. Akinola's version of the theme incorporates several elements of previous versions of the theme, including the melody line from the original 1963 version and cliffhanger "sting" introduced in 1970, remixed with newly synthesised elements and a drum-based bassline rhythm. For the end credits of Series 11 Episode 6, "Demons of the Punjab," Akinola created