Driver Bill Keller as Texas Hitchhiker H.D. Stanton as Oklahoma Hitchhiker Don Samuels as Texas Policeman #1 Charles Moore as Texas Policeman #2 Alan Vint as Man in Roadhouse George Mitchell as Truck Driver at Accident A. J. Solari as Tennessee Hitchhiker Katherine Squire as Old Woman Melissa Hellman as Little Girl with Old Woman picked up by GTO James Mitchum as Man #2 at Race Track (billed as Jim Mitcham) Kreag Caffey as Boy with Motorcycle Production Two-Lane Blacktop originated with producer Michael Laughlin who had a two-picture deal with CBS Cinema Center Films. He convinced the production company to pay Will Corry $100,000 for his original story, about two men, one black and one white, who drive across the country followed by a young girl, which was inspired by his own cross-country journey in 1968. Returning from Italy after a film project had fallen through, Hellman was introduced to Laughlin who presented Hellman with two projects, one of which was Two-Lane Blacktop. He asked Hellman to direct, who found Corry's story "interesting, but not fully realized". Hellman agreed to make the film only if another screenwriter was hired to rewrite the script and Laughlin agreed. A friend of Hellman's recommended underground writer Rudolph Wurlitzer. Hellman read his novel Nog and was impressed enough to hire Wurlitzer, who began reading Corry's story, but gave up after five pages. Hellman and Wurlitzer agreed to keep the basic idea of the cross-country race as well as the characters of the Driver, the Mechanic and the Girl. Wurlitzer invented the GTO character and the rest of the supporting cast. To prepare for writing the script, he stayed in a Los Angeles motel and read car magazines, as well as hanging out with several obsessive mechanics and "stoner car freaks" in the San Fernando Valley. Wurlitzer said that he did not know much about cars, but did "know something about being lost on the road". He wrote a new script in four weeks. In February 1970, Hellman began location scouting and was a few weeks from principal photography when Cinema Center suddenly canceled the project. He shopped the script around to several Hollywood studios that liked it, but wanted a say in the casting. However, Ned Tanen, a young executive at Universal Pictures gave Hellman $850,000 to make the film and gave him control of the final cut. Hellman saw a picture of