Motets by Peter Maxwell Davies. "O Fortuna" from Carl Orff's Carmina Burana (first four bars). Passacaglia in D minor by Johann Philipp Krieger. Piano Sonata No. 3 by Sigfrid Karg-Elert, in one measure. Rosary Sonatas, by Heinrich Ignaz Franz Biber, for part of No. 11. Symphony No. 3 by Camille Saint-Saëns, in two sections (a total of 22 bars) at the end of the finale. Symphony No. 4 by Charles Ives. "Um Mitternacht" by Gustav Mahler (Rückert-Lieder No. 5). Bar 27 is marked " ()". Abraham and Isaac by Igor Stravinsky. Apollo by Igor Stravinsky, near rehearsal mark 23. Cantata No. 1 by Anton Webern, in the second movement. Concerto for Piano and Wind Instruments by Igor Stravinsky, after rehearsal mark 39. Concerto for Two Pianos by Igor Stravinsky, in the second movement. Concerto in E-flat by Igor Stravinsky has a measure of + a few measures after rehearsal mark 4. Donna Diana Overture, by Emil von Reznicek. Mädchentotenlieder, by Bo Nilsson, at bar 114. Piano Sonata No. 1 in C major, Op. 1, by Johannes Brahms. Movement II, bars 47–49 and 51–53. Piano Sonata No. 1 by Charles Wuorinen, at measure 29 of part 1. Requiem Canticles by Igor Stravinsky. The Rite of Spring by Igor Stravinsky, in the concluding "Sacrificial Dance". String Quartet, Op. 28, by Anton Webern in bars 40-41 and 44-51 of the third movement. Symphonic Studies, Étude IX (first version) by Robert Schumann. Toccata, Op. 10, by Niels Viggo Bentzon, in a single measure. Variations for piano, Op. 27, by Anton Webern, movement I. Intrada, nebst burlesquer Suite, for two violins (the so-called "Gulliver Suite") by Georg Philipp Telemann. Movement II, "Lilliputsche Chaconne". Mädchentotenlieder, by Bo Nilsson, at bar 3. Piano Sonata No. 1 by Charles Wuorinen, at measure 13 of part 1. Pribaoutki by Igor Stravinsky, for bar 15 of the fourth piece, "Starets i zayats". String Quartet, Op. 28, by Anton Webern in bars 28-37 of the third movement. Upper number of 4 Carmina Burana by Carl Orff has a measure of at the start of the movement Ecce gratum. 5 Motets by Peter Maxwell Davies. Abraham and Isaac by Igor Stravinsky. Le chant du rossignol by Igor Stravinsky, at the measure before rehearsal mark 37. Homenaje a Federico García Lorca by Silvestre Revueltas, for the entire first movement, "Baile" (Dance), except for one free-rhythm bar at the beginning and two at the