34 reviews, while the critical consensus on the site says the film is "aimed at adults perhaps more than children" and is a "respectful, beautifully animated adaptation of Richard Adams' beloved book." As for The Plague Dogs, it was praised for its visual style, while others believed that the film was downbeat due to an unhappy ending. Currently the film has a 57% on Rotten Tomatoes based on 7 reviews with an average rating of 7 out of 10. Pink Floyd – The Wall, an adaptation of Pink Floyd's concept album of the same name, was highly metaphorical and symbolic imagery and sound are present most commonly. The film is mostly driven by music and does not feature much dialogue. The film is best known for its imagery of mental isolation, drug use, war, fascism, dark or disturbing animated sequences, sexual situations, violence and gore. Despite its turbulent production and the creators voicing their discontent about the final product, the film generally received positive reviews and has an established cult following. Reviewers praised the film for its "stunning vision of self-destruction" while others called it "unrelentingly downbeat and at times repulsive" It earned two British Academy Awards: Best Sound for James Guthrie, Eddy Joseph, Clive Winter, Graham Hartstone and Nicholas Le Messurier, and Best Original Song for Waters. and "unremitting in its onslaught upon the senses." Gilmour stated (on the "In the Studio with Redbeard" episodes of The Wall, A Momentary Lapse of Reason and On an Island) that the conflict between him and Waters started with the making of the film. Gilmour also stated in the documentary Behind The Wall (which was aired on the BBC in the UK and VH1 in the US) that "the movie was the less successful telling of The Wall story as opposed to the album and concert versions." Later, although the symbol of the crossed hammers used in the film was not related to any real group, it was adopted by white supremacist group the Hammerskins in the late 1980s. In terms of the animation, even before the original Pink Floyd album was recorded, the intention was to make a film from it. The original plan was for the film to be live footage from the album's tour, together with Gerald Scarfe's animation and extra scenes, and for Waters himself to star. EMI did not intend to make the film, as they did