measure in the left hand of the second piano part. Carmina Burana by Carl Orff, in the movement Fortune plango vulnera. Last Dance by Andrew Violette. Lincolnshire Posy by Percy Grainger, in the fifth movement, "Lord Melbourne". Lonely Child (1980) by Claude Vivier, in several measures. Mädchentotenlieder, by Bo Nilsson, at bar 53. A Nightmare to Remember, by Dream Theater, in bar 31. On an Overgrown Path, by Leoš Janáček, for two bars in the third movement. Piano Sonata No. 1 by Charles Wuorinen, at bar 84 of part 1. Piano Sonata no. 2 by Roger Sessions, at bar 223. Piano Sonata No. 3 by Carlos Chávez, at bar 165 of the second movement. A próle do bébé, Book 2 by Heitor Villa-Lobos. The fifth piece, "O Cavalinho de páu" (The Little Wooden Horse), bar 68 is in time. Mädchentotenlieder, by Bo Nilsson, at bar 11. Piano Sonata no. 2 by Roger Sessions, at measure 257. Mädchentotenlieder, by Bo Nilsson, in bar 9. Piano Sonata No. 1 by Charles Wuorinen, in bar 43 of part 1. "A Headache And A Sixty-Fourth", from Ron Jarzombek's album Solitarily Speaking of Theoretical Confinement, has a constant time signature pattern of and . Upper number of 2 Káťa Kabanová, by Leoš Janáček. Act II is in from rehearsal number 20 to just before rehearsal number 24; act III is in for four bars before rehearsal number 27 and six bars before rehearsal number 28, followed by a mixture of and between rehearsal numbers 28 and 29, and one bar before rehearsal number 36. 5 Motets by Peter Maxwell Davies. Partita No. 6 in E minor, BWV 830, by Johann Sebastian Bach. The last movement, a gigue, is in in the Bischoff edition; however, the symbol (the mensuration sign for "tempus perfectum, prolatio minor, diminutum") appears in the first edition of 1731, and = in the autograph manuscript. This time signature is unusual for gigues, which are usually in or . Piano Sonata No. 3 by Sigfrid Karg-Elert, in one measure. Comme le vent, first of the Douze études dans toutes les tons mineurs, Op. 39, by Charles-Valentin Alkan. Requiem Canticles by Igor Stravinsky, for the last measure of the Prelude. The Rite of Spring by Igor Stravinsky. is used in the concluding "Sacrificial Dance". Sketch, Op. 1 No. 10, by Alexei Stanchinsky. Upper number of 3 Chaconne in D major by Samuel Capricornus. 5