"Mr. Sandman" (or "Mister Sandman") is a popular song written by Pat Ballard and published in 1954. It was first recorded in May of that year by Vaughn Monroe & His Orchestra and later that year by the Chordettes and the Four Aces. The song's lyrics convey a request to "Mr. Sandman" to "bring me a dream" – the traditional association of the folkloric figure (but in this context the meaning of dream is more akin to 'dreamboat'). The pronoun used to refer to the desired dream is often changed depending on the sex of the singer or group performing the song, as the original sheet music publication, which includes male and female versions of the lyrics, intended. Emmylou Harris' recording of the song was a hit in multiple countries in 1981. Other versions of the song have been produced by Chet Atkins (1954) and Bert Kaempfert (1968). Background Vaughn Monroe, with his orchestra, was the first to record the song in 1954. It was released as the B-side of "They Were Doin' the Mambo", on RCA Victor label as catalog number 20-5767 / 47-5767. This record lacked the complex vocal harmonies found in many later versions of the song. In December 1954, the song reached No. 1 on the Cash Box Top 50, in a tandem ranking of the versions by the Chordettes, the Four Aces, Buddy Morrow, Vaughn Monroe, Les Elgart, the Lancers, and the Song Singers, with the Chordettes and the Four Aces' versions marked as bestsellers. It also reached No. 1 on Cash Boxs chart of "The Nation's Top Ten Juke Box Tunes", in the same tandem ranking, and No. 1 on Cash Boxs chart of "The Ten Records Disk Jockeys Played Most This Week", with only the Chordettes version listed initially, but later in a tandem ranking of the Chordettes and the Four Aces' versions. The song also reached No. 1 on Billboards "Honor Roll of Hits", with the Chordettes and the Four Aces' versions listed as best sellers, and was ranked No. 12 on Billboards ranking of "1955's Top Tunes" based on the Honor Roll of Hits. The Chordettes version The Chordettes' recording of the song was released on the Cadence Records label on both 78 RPM and 45 RPM formats. Cadence's founder, Archie Bleyer, was the orchestra conductor on the recording and provided a rhythmic beat on the recording, using his knees. Bleyer's