Philip Rahv (March 10, 1908 in Kupin, Russian Empire – December 22, 1973 in Cambridge, Massachusetts) was an American literary critic and essayist. In 1933 he and William Phillips co-founded Partisan Review, one of the most influential literary periodicals in the first half of the twentieth century. Initially affiliated with the Communist Party and adhering to their agenda of proletarian literature, Rahv went on to publish a broad spectrum of modern writers in the pages of his magazine. He was one of the first to introduce Kafka to American readers. Life He was born to a Jewish family in Kupin, Russian Empire which was part of the Galicia region. The family migrated and spent two years in Vienna, where Philip attended the gymnasium. He was born under the name Fevel Greenberg. He made his way to Providence, Rhode Island, with his father and two brothers, Selig and David. He lived for a time in Palestine where his mother chose to live, and worked as a teacher of Hebrew, in Portland, Oregon, from 1928 to 1931. He wrote at first under the name Philip Rann. Then came the modification to "Rahv," which appeared in an essay he published in 1932. In 1933 Rahv joined the American Communist Party. Partisan Review broke with the Soviet line in 1937 in the wake of the Moscow Trials and maintained an ongoing feud with Stalinist Popular Front advocates such as Granville Hicks of New Masses. He was officially expelled as a Trotskyite by the American Communist Party on October 1, 1937. Rahv taught at Brandeis University in his later years and died in Cambridge, Massachusetts, in 1973. Literary career Philip Rahv's writing career began during the Depression. It reflected the prevailing literary currents of Marxism and the rise of proletarian literature. In search of a collective ideology, he and others of his generation rejected the formalism and social disengagement of the great writers of the twenties. An exception was T. S. Eliot, whose intellectual depth and historic sense Rahv continued to admire, Eliot's increasingly reactionary politics and traditional religiosity notwithstanding. Because Rahv believed the creative contradictions within a writer are the greatest measure of his achievement, he welcomed the opportunity to reconcile Eliot's conservative views with revolutionary ones that his writing also contained. Rahv's literary influence arose from his role as editor, author, and reviewer for Partisan Review and other magazines including The New York