"Honey Pie" is a song by the English rock band the Beatles, from their 1968 eponymous double album The Beatles (also known as "the White Album"). The song was written entirely by Paul McCartney and credited to the Lennon–McCartney partnership. Interpretation The song is a direct homage to the British music hall style. It concerns a famed actress, called only by the term of endearment "Honey Pie", who becomes famous in the United States, and her old lover, who wishes for her to rejoin him in England. The premise – a humble admirer yearning for the return of his lover – is not unlike a typical music hall plot. To establish an appropriate, old-timey sound, the band added the third line, "Now she's hit the big time!", along with "crackles" taken from a 78 rpm record. The song begins with a slower intro, and becomes fast after that. Clarinet and saxophones The song also contains a saxophone and clarinet arrangement. The clarinets, according to Alan W. Pollack, "produce water sprays in parallel thirds" and the saxophones play in tight harmony. Recording Recording began on 1 October 1968, at Trident Studios in London's Wardour Street. Only one take was recorded on the first day, although it is likely that a number of rehearsal attempts had previously been recorded and wiped. The next day, McCartney taped his lead vocals, and a lead guitar part was added. According to George Harrison, John Lennon played the guitar solo. The song's woodwind arrangement by George Martin was recorded two days later on 4 October. McCartney added a final vocal overdub at the end of the session. Before recording sessions for the album began, the Beatles recorded a demo of Honey Pie at George Harrison's Esher home studios. This version contained slightly different lyrics and lacked the introduction of the final version. The demo was later released in 1996 on Anthology 3 and the 2018 Super Deluxe edition of The Beatles album. Legacy Coinciding with the 50th anniversary of its release, Jacob Stolworthy of The Independent listed "Honey Pie" at number 25 in his ranking of the White Album's 30 tracks. He wrote: "A catchy if uninspiring homage to music hall entertainment from a wartime-era that succeeds in feeling fresh." He called the song one of McCartney's weaker tracks. Cover versions The song has been covered by Alan Klein (1969), Barbra Streisand, Jack Sheldon, the King's