a Grammy for Song of the Year in 1991 and a "3 Million Airs Award" from Broadcast Music Incorporated. The song also reached the top 10 in Australia, Canada, Ireland, and New Zealand. In the United Kingdom, the song peaked at number six following a re-release in 1991. Midler re-recorded a Christmas edition for her 2006 Christmas album, Cool Yule, with additional lyrics by Los Angeles native Jay Landers. Additional recordings of the original have been performed by Gold, Griffith, Simon Nicol (of Fairport Convention) and many others. Critical reception Larry Flick from Billboard described "From a Distance" as a "soothing hymn that invokes inspirational images similar to "Wind Beneath My Wings", adding that the song "proves that the Divine Miss M still has what it takes to tackle top 40 territory." Hannsjörg Riemann from German Bravo gave Midler's version two out of three, viewing it as a "tearjerker". He added, "The scandal noodle of the US show scene has a great voice, as can also be seen here. Leisurely tempo, pleasant melody, medium strong arrangement." Alison Mayes from Calgary Herald called it a "sure-hit", saying that it "should have been done by Whitney Houston". Dave Sholin from the Gavin Report felt the singer's Grammy for "Wind Beneath My Wings" "reaffirmed her innate ability to extract every single ounce of emotion out of a song. Teaming once again with producer Arif Mardin, she seems right at home with a tune that has much of the same quality as her giant hit of last year. Bette's certain to go the distance again." Gene Sandbloom from The Network Forty found that the lyrics "manage to take in the globe (with a minimum of sugar) and deliver a song worth listening to a hundred times. The music, produced by sound specialist Arif Mardin, is a slow crescendo made to support Midler's voice without overwhelming." He added that she "again uses her "no frills" vocal approach which makes this song so genuine." Retrospective response In an 2020 retrospective review, Matthew Hocter from Albumism stated that the song "showcases her magnificent vocality, coupled with lyrics entrenched in hope and peace." Conversely, Midler's recording of the song ranked at number 37 on VH1's list of the "50 Most Awesomely Bad Songs Ever." and ranked at number 14 on Blender Magazine's list of "The 50 Worst Songs Ever". Criticisms focus on the song's lyrical content and the