back to around 1855, before Jr. was born. There was also the very late La gloria de don Goyo (which told a story of April 1865 – late civil war era soon after César's "second arrival" in Los Angeles, where the Bella Union and Fort Moore were two frequently featured establishments in the novels). A late original Cliper novel, the six-year-celebration novel La casa de los Valdez and its sequel, told a story César picked up in Spain in 1857 about César I (his grandfather arriving in California in 1767 – the story begins and ends in 1872 at home at the San Antonio ranch). Simultaneously published were 10 Numero Extra (1945–1946), including a reedited version of the original 1943 pulp El Coyote (issued as Edicion Cliper Extra #0 in 1945) and the Especial of 1946 noted below (no numbering at all). The Extras told stories of pre-1851, early (and also late) 1850s and mid/late 1860s. Later came 62 "reformed" Nuevo Coyote (still on Cliper 1951–1953) – the first published in mid 1951 (Vuelve el Coyote) and telling later, new stories – some intervening in the old chronology (some relating to 1872) – and with a pocket size, turning from 19,7x14,7 cm and 64 pages to 15,5x10,7 cm and 128 pages. The last Nuevo Coyote was titled Los asesinos llegan a Monterrey, aka El Coyote Los asesinos van a Monterrey. International publishing The early "Coyote" novels were published in 16 countries in nine different languages. Italy published all 192, often with the same covers as Cliper and with the later ones (with non-Cliper covers) illustrated by Emilio Uberti (and especially Sergio Tarquinio inside). Germany published 84 novels, mostly with Batet's original Cliper illustrations – including reeditions (with different publishers) and new illustrators. Finland had 78 volumes, mostly with Batet illustrations. The original editions in Norway, Denmark and Sweden (with no illustration inside) often had identical covers (special unique ones made for these three countries 18x12 cm). The illustrations on the Scandinavian editions, by Harald Damsleth, are by many ranked as the finest. Only one of the Cliper cover illustrations was "recycled" in Scandinavia – the original Cliper cover of Huracán sobre Monterrey was "covered" by Damsleth in the Swedish (and Norwegian) versions of Plomo en una estrella, which actually was a circa 1874 story, featuring the father and his grown-up son in San Lorenzo Valley (fictional Farish City), not fitting