Piano Sonata, Op. 43, by Harry Farjeon for a few bars in the first movement. Piano Sonata No. 3, Op. 105, by Sigfrid Karg-Elert. Piano Sonata No. 5, Op. 53, by Alexander Scriabin, at bars 251 to 262 (Presto giocoso). Quartet, Op. 22, by Anton Webern, in many bars of the second movement. Rapsodie nègre by Francis Poulenc, for some bars in the third movement, "Honoloulou". String Quartet No. 1, by Béla Bartók, in bars 3, 10, and 22 of the third movement. Symphony No. 1, by Edward Elgar, in the second movement. Symphony No. 17 in G minor by Nikolay Myaskovsky, in many parts of the first movement. Alcancías by Silvestre Revueltas, in the second movement, for some bars between rehearsal marks 24 and 32. Carmina Burana by Carl Orff, in the movement Swaz hie gat umbe. Clarinet Sonata by Andrew Violette, at measure 97 of the first movement. Concerto for Piano and Wind Instruments by Igor Stravinsky, just before rehearsal mark 83. Divided Arpeggios, No. 143 from Mikrokosmos by Béla Bartók, for one bar, but incorrectly written as . "Etincelles," the first movement of Suite Bizarre by Joseph Achron. "The Eynsham Poacher", a traditional song; in the arrangement by Dave Pegg, most of the tune is in , but the finale includes one bar of . Fantasy on Themes from Mozart's Figaro and Don Giovanni, S. 697, by Franz Liszt and completed by Leslie Howard. Bar 431/427 is in time. Iberia by Isaac Albéniz, in the movement Jerez. Lonely Child (1980) by Claude Vivier, at bar 56. Mädchentotenlieder, by Bo Nilsson, in many bars. Metastaseis, by Iannis Xenakis, in the first 103 bars. Metropolis Part 1: The Miracle and the Sleeper, by Dream Theater, at the third bar of rehearsal R. On an Overgrown Path, by Leoš Janáček, for some bars in the sixth, tenth, and eleventh movements. Petrushka by Igor Stravinsky, for the bar before rehearsal 17. Piano Concerto No. 2 by Sergei Prokofiev, in two measures in the second movement. Piano Sonata no. 2 by Roger Sessions, at measure 178. Piano Sonata No. 3 by Carlos Chávez, in six bars of the first movement. Tzigane by Maurice Ravel, in four measures, the first of which is right before rehearsal 27. Zipangu (1980) by Claude Vivier in several measures. Alchymia by Thomas Adès has a measure of +. Amor dammi quel fazzolettino by Andrew Violette, for one