crushes him. Five months later, Wendy experiences more omens while riding on a subway train with her roommate Laura and her friend Sean. As Wendy is about to disembark, she suddenly reunites with Julie and Kevin, who had also boarded the train. Wendy receives another premonition that the train will crash, killing everyone on board. Panicked, the remaining survivors attempt to stop the train as it is about to crash, leaving their fates unknown. Cast Production Development Final Destination 3 was originally the last part of a trilogy and had been in development since the release of Final Destination 2. Franchise creator Jeffrey Reddick and one of the co-writers of the first two films did not return for the third installment. Director James Wong said that unlike the second film, which was closely tied to the first and continued its story, the producers always envisioned Final Destination 3 as a stand-alone sequel featuring new characters. He said:[W]e really felt that the idea of Final Destination, or the fact that Death can visit you and you can cheat death ... could happen to anyone." By not using characters from the first film the producers could use a new plot, with new characters who would be unaware what was happening to them and react accordingly. The film's original title, Cheating Death: Final Destination 3, changed during development. Craig Perry and Warren Zide's Zide/Perry Productions, and Wong and Glen Morgan's own Hard Eight Pictures that co-produced Final Destination returned to produce Final Destination 3 with Practical Pictures and Manitee Pictures. Initially, the film was to be filmed in 3D, but this was abandoned. Morgan said it was for financial reasons and because he believed fire and blood effects would not be shown properly through the red filters of anaglyph 3D systems. The idea of using a roller coaster derailment as the opening-scene disaster came from New Line Cinema executive Richard Bryant and was not inspired by the Big Thunder Mountain Railroad incident from 2003 when a derailment occurred that crushed a rider. The Omen (1976) was the inspiration to depict death omens in photographs. Morgan said he searched the aisles of a store on Sunset Boulevard for days for inspiration for Erin's hardware-store death. Loss of control is a major theme he and Wong had envisioned for the film from the very beginning; both Wendy, who is afraid of losing control, and the