available to us in literary, ritualistic, or philosophical forms" (Hayward 1952: 225). Hayward also states that Bodkin criticised "Freud's critique of religion on the grounds that he knew only Zeus or Jehovah, the paternal-authoritarian type of God, a God who never underwent birth, suffering, death, as did Dionysos or Jesus" (Hayward 1952: 226). In addition, Aldrich (1953: 153) points out that Studies of Type-Images in Poetry, Religion and Philosophy is "a sequel and supplement" to Archetypal Patterns in Poetry and that the theme of both books is "the current widespread idea that we have not wholly awakened out of the 'dream' of mythic consciousness, whose symbols are still exploited in great poetry and religion and even metaphysics." Furthermore, "both books were written under the spell mainly of C. J. Jung, but also of Albert Schweitzer and Plato. Both use introspective, subjectivist methods of depth psychology, attempting to disclose or make explicit the 'archetypal patterns' of prelogical experience and culture" (Aldrich 1953: 153). Some writers felt that the "type-image" of Bodkin's last book was a more fruitful concept than the "archetype" of her first. For example, Walter Sutton published an essay in 1960 which "discusses C. G. Jung's concept of 'archetype' as it was used by various critics especially by Maud Bodkin. The conclusion of the discussion is to the effect that instead of 'archetype' we should rather use the concept of 'type-image' as Maud Bodkin did lately. We avoid thereby the dubious mythological and psychological connotations of the term: archetype—since the term ‘type-image’ admits the possibility of a historical succession of types without implying the existence of a unique prototype supposed to be the underlying substratum of all literary forms referring to a primordial ‘myth.’ The proposed new term retains the idea of uniformity and recurrence inherent in the idea of ‘archetype’ but makes us conceive literature as a culturally conditioned phenomenon valued not because of mythical uniformity but because of appreciation of historically varying originality” (Rieser 1962: 109). Publications Bodkin, M. (1934). Archetypal Patterns of Poetry: Psychological Studies of Imagination. London: Oxford University Press. [Subsequent printings retain pagination of the first edition.] Bodkin, M. (1935). Truth in Poetry. Philosophy 10(40):467–472. Bodkin, M. (1938). [Letter to the Editor.] Philosophy 13(51):379–380. Bodkin, M. (1939). The Eumenides and Present-Day Consciousness. [Review of T. S. Eliot's The Family Reunion.] Adelphi 15:411–413. Bodkin, M. (1940). [Letter to the Editor.] Philosophy 15(59):334–335. Bodkin, M. (1941).