Frank Gohlke (born April 3, 1942) is an American landscape photographer. He has been awarded two Guggenheim fellowships, two fellowships from the National Endowment for the Arts, and a Fulbright Scholar Grant. His work is included in numerous permanent collections, including those of Museum of Modern Art, New York; the Metropolitan Museum of Art; and the Art Institute of Chicago. Gohlke was one of ten photographers selected to be part of "New Topographics: Photographs of a Man-Altered Landscape," the landmark 1975 exhibition at the International Museum of Photography at George Eastman House (now the George Eastman Museum). During a career spanning nearly five decades, Gohlke has photographed grain elevators in the American midwest; the aftermath of a 1979 tornado in his hometown of Wichita Falls, Texas; changes in the land around Mount St. Helens during the decade following its 1980 eruption; agriculture in central France; and the wild apple forests of Kazakhstan. Early life Frank Gohlke was raised in Wichita Falls, Texas. He bought his first camera as a teenager and was a member of the Wichita Falls camera club during high school, eventually purchasing an enlarger and learning to process gelatin silver prints. His early subjects included family members and models hired by the camera club. Late in high school, Gohlke's interest in photography waned; he sold his enlarger and, save for family snapshots, stopped taking pictures altogether. After graduating high school, Gohlke first attended Davidson College in North Carolina before transferring to the University of Texas at Austin, where he received a B.A. in English Literature in 1964. He went on to complete an M.A. in English Literature at Yale University in 1966. During a period of writer's block while at Yale, Gohlke returned to photography. He began making near-still films with a Super 8 movie camera before transitioning to 35-mm still photography. He eventually showed his work to documentary photographer and then-Yale professor Walker Evans, whose mode of seeing the American vernacular landscape would exert an enduring influence on Gohlke's work. From 1967 to 1968, after leaving Yale, Gohlke studied with the landscape photographer Paul Caponigro, making weekly visits to Caponigro's Connecticut home. Career In 1971, Gohlke relocated to Minneapolis, and a year later, in 1972, he began his first major body of work, documenting the grain elevators of America's central plains. Over the next five years, from 1972 to 1977, the project took Gohlke from Minnesota