Rebecca Horn (born 24 March 1944, in Michelstadt, Hesse) is a German visual artist, who is best known for her installation art, film directing, and her body modifications such as Einhorn (Unicorn), a body-suit with a very large horn projecting vertically from the headpiece. She directed the films Der Eintänzer (1978), La ferdinanda: Sonate für eine Medici-Villa (1982) and Buster's Bedroom (1990). Horn presently lives and works in Paris and Berlin. Early life and education Rebecca Horn was born on 24 March 1944 in Michelstadt, Germany. She was taught to draw by her Romanian governess and became obsessed with drawing with expression because it was not as confining or labeling as oral language. Living in Germany after the end of World War II greatly affected the liking she took to drawing. "We could not speak German. Germans were hated. We had to learn French and English. We were always traveling somewhere else, speaking something else. But I had a Romanian governess who taught me how to draw. I did not have to draw in German or French or English. I could just draw." Horn spent most of her late childhood in boarding schools and at nineteen rebelled against her parents' plan of studying economics and decided to instead study art. In 1963 she attended the Hochschule für bildende Künste Hamburg (Hamburg Academy of Fine Arts). A year later she had to pull out of art school because she had contracted severe lung poisoning. "In 1964 I was 20 years old and living in Barcelona, in one of those hotels where you rent rooms by the hour. I was working with glass fibre, without a mask, because nobody said it was dangerous, and I got very sick. For a year I was in a sanatorium. My parents died. I was totally isolated." After leaving the sanatorium Horn began using soft materials, creating sculptures informed by her illness and long convalescence. Horn lived in Hamburg until 1971, in London for a brief time (1971–2), and since 1973 has lived in Berlin. Work Horn is one of a generation of German artists who came to international prominence in the 1980s. She practices body art, but works in different media, including performance art, installation art, sculpture, and film. She also writes poetry. Sometimes her poetry is influenced by her work, and on many occasions it has inspired her work. When Horn returned to the