Vista, California, and the Pacific Youth Choir of Portland, Oregon. Albums Pink Martini has released seven studio albums and one live concert DVD on the band's own record label, Heinz Records and partnered with other labels worldwide, including Naïve Records in France, Wrasse Records in the United Kingdom and South America, Audiogram in Canada, Urtext in Mexico, Random Records in Argentina and Chile, Inertia Recordings in Australia and New Zealand, Ales in Korea, and Top 2 in Southeast Asia. The band's debut album Sympathique was released in 1997, and received nominations for "Song of the Year" and "Best New Artist" in France's Victoires de la Musique awards. Sympathique (1997), Hang on Little Tomato (2004), and Hey Eugene! (2007), Splendor In The Grass (2009) and Joy To The World (2010) have all gone gold in France, Turkey, Greece, and Canada selling over 2.5 million copies worldwide. In Fall 2011 the band released two albums – A Retrospective, a collection of the band's most beloved songs spanning their 17-year career, which includes eight previously unreleased tracks, and 1969, an album of collaborations with legendary Japanese singer Saori Yuki. 1969 has been certified platinum in Japan, reaching #2 on the Japanese charts with the Japan Times raving "the love and respect Saori Yuki and Pink Martini have for the pop tradition shines through on every track." Individual appearances In addition to his work with Pink Martini, Lauderdale has collaborated with cabaret performer and singer Meow Meow, the surf band Satan's Pilgrims and writer Tom Spanbauer. In Spring 2008, he completed his first film score for Chiara Clemente's documentary Our City Dreams, a portrait of five New York City-based women artists of different generations. In 2008, he performed as the featured piano soloist in Beethoven's Choral Fantasy with the Choral Arts Ensemble of Portland under the direction of Roger Doyle, and Gershwin's Concerto in F with the Oregon Symphony under the direction of Christoph Campestrini. In 2011 Lauderdale again appeared as the featured soloist with the Oregon Symphony, this time under the direction of Carlos Kalmar. He has appeared as soloist with numerous orchestras and ensembles, including the Oregon Symphony, the Seattle Symphony, the Portland Youth Philharmonic, Chamber Music Northwest, the Choral Arts Ensemble of Portland and Oregon Ballet Theatre (where he collaborated with choreographer James Canfield and visual artists Storm Tharp and Malia Jensen on a ballet based on the original story of