an 85% on Rotten Tomatoes. Produced on a budget of $35 million, Trainwreck grossed $140.8 million worldwide. In November 2017, Apatow returned to stand-up after a long hiatus to headline a show in New York City's Carnegie Hall called Judd Apatow and Friends. He announced over Twitter that the show would benefit Everytown for Gun Safety, a non-profit organization founded by Michael Bloomberg which advocates for gun control and against gun violence. 2016–present: Love, Crashing, The King of Staten Island In 2016, he created the Netflix television comedy series Love, on which he also serves as a writer and executive producer. The series followed a young couple navigating the thrills and agonies of modern relationships, and ran on Netflix for three seasons. Later that year, HBO picked up Crashing, a semi-autobiographical television series which follows Pete Holmes as he tries to become a stand-up comedian after his wife cheats on him. It's only with the help of other famous comedians (playing fictional versions of themselves) that Pete is able to learn the ropes of the stand-up comedy world. The series was created by and stars comedian Pete Holmes, and executive produced by Apatow. It was first reported in 2010 that Apatow would be producing a new Pee-Wee Herman film starring Paul Reubens that would be written by Rebuens and Paul Rust. The film, Pee-wee's Big Holiday, was released by Netflix in March 2016. Apatow made his first documentary piece in 2016, Doc and Darryl, which documents the career and relationship of New York Mets players Dwight "Doc" Gooden and Darryl Strawberry. It aired as part of ESPN's series of sports documentaries 30 for 30 in July 2016. In 2017, he produced the romantic comedy The Big Sick. The film stars Kumail Nanjiani as himself, a stand-up comedian who comes from a Muslim Pakistani background and falls in love with an American woman, based on Nanjiani's real-life wife Emily V. Gordon. Produced on a budget of $5 million, it grossed $56.4 million worldwide. A New York Times review described the movie as "a joyous, generous-hearted romantic comedy that, even as it veers into difficult terrain, insists that we just need to keep on laughing" while revitalizing "the often moribund romantic comedy subgenre with a true story of love, death and the everyday comedy of being a 21st-century American". In 2018, the film was nominated for an Academy Award in the category