as , i.e., an time with primary accent at 1, secondary accents at 5 and 8, and tertiary accents at 3, 7, and 10. The dancers thus dance to a meter composition , which may also be played by the musicians, e.g., in Traichovo horo (Трайчово хоро). In addition, some tunes may have considerable time bends, such as the Macedonian Žensko Beranče and Bajrače, though viewed as and written in . Therefore, in dance instruction, quick and slow beat descriptions, in combination with intuition and careful listening, may be a good approach, though not suitable for performing and notating the music. In addition, a dance instructor not familiar with the exact musical rhythms should not demonstrate these dance rhythms without music. It would be best to use a slowed-down playback, lest the dancers become confused at full speed. List of Bulgarian folk dances Below is a list of some Bulgarian folk dances, along with their commonly written rhythms and time signatures. The word horo means "dance" and is sometimes added to the name of the dance. Since the transliteration of Bulgarian is problematic, the official Bulgarian transliteration is used, which can be checked at Transliteration of proper names in Bulgaria, followed within parenthesizes by the Bulgarian name and, after a semicolon, (for searchability) alternative transliterations. Following a Bulgarian sheet music practice, more complex meters generally appear later in the list. Trite pati (Трите пъти; Trite puti, Trite pŭti) in : Line dance with rapid feet movement; step rhythm quick-quick-slow = . Tropanka (Тропанка) in : Stampy Dobrudzha men's dance, V handhold, with swinging and pumping arm motions. Opas (Опас) in : A varied dance often done with hands across the chest of the person next to you with the next in line. Pravo horo (Право хоро) in or , counted as : Often in music for the Pravo, both and time signatures will be used where is used for the singing and is used for the slightly faster instrumental portions. In Bulgaria, the portion is also transcribed in using triplets.Pravo is characterised by left-over-right arms "belt-hold" (in lieu of hand hold), a beginning right foot diving step toward the center of from one to many concentric broken circles, traveling ultimately counterclockwise. Each dance phrase corresponds to 3 musical measures counted as quick quick slow slow (corresponding to in time or in time). Shopsko horo (Шопско хоро; Shopluk horo, Shop dance)