former Poco bassist Timothy B. Schmit, who had also replaced him in that band. Nevertheless, the fighting did not end with the addition of the mild-mannered Schmit, but it rather intensified during the recording of The Long Run, which took 18 months to complete, and Felder and Glenn Frey were especially hostile to one another, despite respecting each other's musical abilities. According to Henley, Felder attempted to gain more control by co-opting Walsh so frequently that it was the pair up against himself and Frey when the band was dividing into factions and even Henley and Frey began to have their differences, thus causing the Eagles to disband. At a concert in Long Beach, California, for Senator Alan Cranston on July 31, 1980, known as the "Long Night at Wrong Beach", things hit a breaking point in the band when the animosity between Felder and Frey boiled over before the show began after Felder said, "You're welcome – I guess" to Cranston and his wife, thus offending Frey. He angrily confronted Felder and the pair began to threaten beatings throughout the show. Felder recalls Frey telling him during "Best of My Love", "I'm gonna kick your ass when we get off the stage." After the concert, Felder smashed, according to Frey, Felder's "cheapest guitar". The Eagles disbanded shortly thereafter. Post-1970s career Following the 1980 disbandment of the Eagles, Felder focused more on his family, but also embarked on a solo career, concentrating on film composition and session work. He worked on the Bee Gees' 1981 album Living Eyes as a session guitarist. Through his association with Bee Gees' producer Albhy Galuten, Felder made session appearances on albums by artists as diverse as Diana Ross, Barbra Streisand, and Andy Gibb. During this time, he also contributed guitar work to Stevie Nicks' first two solo albums, Bella Donna and The Wild Heart. In 1983, Felder released his first solo album entitled Airborne. The album's single "Never Surrender", co-written with Kenny Loggins, was a minor hit, having also appeared on the soundtrack to the popular motion picture teen comedy Fast Times at Ridgemont High. In 1985, Henley offered Felder $5,000 a week (US $ in dollars) to go on tour with him, but Felder turned it down, citing both dissatisfaction with the pay and a desire to not go on tour. Among his musical film credits in the 1980s are two songs on