samples of music to listen to. Mäenpää compared the artwork to the song "Death and the Healing": "The man fallen into the snow could represent 'death' [and] 'despair,' and the light between the trees could represent 'home' [or] "birth/healing.'" "Beyond the Dark Sun" music video Concept The video begins with two shots of steel doors opening, revealing Mäenpää thrashing with his guitar in sharp silhouette against a single source of light, fog simulating the cold swirling around him. During the introduction portion of the song, the video cuts quickly between the contemporary band line-up, each member performing solely against a black backdrop: Mäenpää on guitar, Hahto performing on drums, Jukka Koskinen on five-string bass, and Oliver Fokin on rhythm guitar. The first visual effect is introduced with Mäenpää superimposed over the moon. The moon effect is revisited several times throughout the video, usually with varying backdrops that simulate galaxies, stars, and asteroids. When Mäenpää begins singing in clean voice, the motif of ice is introduced. A plane of white-blue tendrils of frost and frozen smoke separates the singer from the viewer; slight overexposure and pale makeup on Mäenpää's face increases the overall effect of coldness. The shots cut sharply to Mäenpää quickly stepping into the camera's focal plane, singing with harsh vocals into an upright microphone. Meanwhile, the video continues to cross-cut between the other band members. The music video eventually cuts between each of these established motifs for the remainder of the song, expanding on a few ideas, including the thawing of the frost; several shots of Fokin and Mäenpää playing together, each lit by their own spotlight; shots of Hahto's double mallets hitting the bass drum; and a single, dark shot of the entire band playing together. The final few shots of the video show Mäenpää being blinded by a brilliant beam of light. Production The music video for "Beyond the Dark Sun" was shot over a period of two days, on July 3 and 4, 2004. It was produced and directed by Maurice Swinkels for LowLifeMedia. The official video can be viewed here. The cameo lighting technique is used almost exclusively to separate the band members from the black background or frosted foregrounds, and, paired with overexposure, is effective at making Mäenpää appear deep within an ice encasing. Two spotlights are used at times to separate band members appearing together. Reception Eduardo Rivadavia of Allmusic calls Wintersun