her dignity." Los Angeles Times critic Connie Johnson wrote: "Sounding like an unlikely hybrid of Phyllis Hyman, Anita Baker and Tracy Chapman, Braxton's sultry, earthy delivery makes her a standout in today's R&B arena." Similarly, People found that "when Braxton slides into her lower register she echoes Anita Baker, and when she skips around the higher notes there's also a hint of Whitney Houston. The influences are there, but Toni Braxton is most definitely her own woman. On this sophisticated, stylish and soulful album, she slates her case." Mitchell May, writing for the Chicago Tribune, noted that "Braxton wisely lets the mood of a tune dictate her approach, allowing her to supply an emotional depth that perhaps even the songwriters didn't know was there." He also found, however, that "the disc loses steam around midpoint." In a mixed review, Rolling Stone journalist John McAlley felt that "Braxton has got chops and spunk... And, yes, there are a handful of songs in which she gets to do the do. But there's not a poet in the house among LaFace's family of writer-producers – no Smokey Robinson, no Linda Creed. And for all its polish, too much of the music on Toni Braxton mistakes melodrama for passion and set pieces for soul." Marisa Fox of Entertainment Weekly found much of the album "generic" and concluded that Braxton "can sing, but there's nothing in her songs or delivery to set her apart from any number of wine-cooler R&B divas." Village Voice critic Robert Christgau gave the album a "neither" rating in his Consumer Guide book. Accolades The album earned Braxton several awards, including three Grammy Awards (for Best New Artist and two consecutive awards for Best Female R&B Vocal Performance in 1994 and 1995). She also won two American Music Awards (for Favorite Soul/R&B New Artist and Favorite New Adult Contemporary Artist) in 1994 and another one in 1995 (for Favorite Soul/R&B Album). Commercial performance Toni Braxton debuted at number 36 on the Billboard 200 for the week ending July 31, 1993. Following Braxton's appearance at the American Music Awards of 1994, the album rose from number seven to number one in its 31st week on the chart, on the issue dated February 26, 1994, becoming the first number-one album for LaFace Records. It spent a second non-consecutive week atop the Billboard 200 for the week ending March 19, 1994, following the 36th