party, but she again refuses. He shows up at her apartment anyway, where Bobby and Tim help Frankie decide what to wear. At the party, Johnny attempts to convince Frankie that they are a good match. After the party, he buys her a flower and persuades her to take him back to her apartment, where they spend an intimate night together. Now convinced that they are meant to be together, Johnny shows up at her bowling night and professes his love to her. Frankie argues that he cannot love her after such a short period of time, and reveals that she cannot have children after Johnny mentions starting a family. Afterwards, Frankie avoids Johnny, not answering his phone calls and switching her shifts. However, Johnny switches his shifts too and they talk to each other. Johnny confesses that he is divorced and has two children whom he has not seen since he got out of prison for check fraud. Frankie encourages him to see them, and she confesses that her last boyfriend cheated on her with her best friend. After work, Johnny walks Frankie to her apartment, where they discuss their lives and listen to "Clair de lune". However, the intimacy makes Frankie uncomfortable and they argue. She asks him to leave, but before he does, he calls the radio station and asks them to play an encore of "Clair de lune". Frankie confesses that a previous boyfriend had physically abused her, at one point causing her to have a miscarriage which made her unable to have children. Frankie invites Johnny to stay and they watch the sunrise together. Cast Production Star Trek VI: The Undiscovered Country was filming in a nearby studio, and Garry Marshall arranged for the actors William Shatner (James T. Kirk), Leonard Nimoy (Spock) and DeForest Kelley (Leonard Mccoy) to appear fully costumed, out of camera shot, behind a door in one scene in order to elicit genuine surprise from Al Pacino when he opened it. Reception On Rotten Tomatoes, Frankie and Johnny the film holds an approval rating of 69% based on 35 reviews, with an average rating of 6.7/10. Peter Travers in Rolling Stone wrote: "there hasn't been a sharper, sassier, more touching romantic comedy this year... there's no denying Marshall's expert timing. This is the director's best work yet... In its celebration of cautious optimism, Frankie and Johnny becomes the perfect love story