classifying the text as part of the Kumarbi Cycle, as Ea learning about the outcome of the conflict between Kumarbi and Teshub could explain why his attitude towards the latter seemingly changes for the better through the individual myths. Song of Oil (Song of Ḫašarri) has been classified as a part of the Kumarbi Cycle by Ilya Yakubovich, Erik van Dongen and a number of other authors, though this proposal has been evaluated as implausible by Meindert Dijkstra. In this composition, which is known from a number of fragments in Hurrian, Kumarbi apparently advises Šauška to seek the help of Ea when she faces troubles related to the development of the eponymous being, apparently a personification of olive oil or an olive tree. However, most of his speech is not preserved. It has also been proposed that the fragment KUB 22.118 belongs to the Kumarbi Cycle. It alludes to intercourse between Kumarbi and the personified mountain Wāšitta. The interpretation of two frequently words frequently repeated in it, tuḫḫima- and tuḫḫae-, is a matter of dispute, and the early assumption of Johannes Friedrich, who assumed they can be translated as “to have labor pains, to begin to have contractions” is no longer accepted as this term also occurs in other texts in context which makes a link to pregnancy implausible. Emmanuel Laroche instead suggested interpreting them as terms referring to gasping and suffocation, which has been adopted by a number of dictionaries of Hittite, such as Hethitisches Handwörterbuch and Chicago Hittite Dictionary. However, this translation did not find universal support either. Alwin Kloekhorst proposes interpreting both terms as related to the stem tuḫḫ-, which occurs in words related to smoke. On this basis he suggests that Wāšitta was a personified volcano, a “smoking mountain”, and that rest of the narrative, which is now lost, described her giving birth to another new opponent of Teshub through an eruption. Other myths A reference to Kumarbi has been identified in a fragment of the Hurrian version of the myth of Kešši, though it is not known what role he played in this narrative. A Hittite version of Atrahasis (KUB 8.63 + KBo 53.5), presumably adapted from Hurrian, casts Kumarbi in the role assigned to Enlil in the Akkadian original. A man named Hamsha informs his son, the eponymous protagonist, about actions this god plans to take, but their description is not preserved. Kumarbi is