in : Men's dance often accompanied with bagpipes (gaida) and drum (tŭpan). Paydushko horo (Пайдушко хоро; Paidushko horo, Pajduško horo, Pajduška horo, Payduska horo, Baiduska horo) in or (): Often characterized as a "limping dance", this dance typically involves two footwork patterns, a "step hop" and a "step step". In the southern parts of Bulgaria, North Macedonia and Greece, the quick-slow pattern is sometimes reversed into a slow-quick pattern (). Chetvorno horo (Четворно хоро; Četvorno horo) in ( or ) Rachenitsa (Ръченица; Rŭchenitsa, Râčenica) in ( or ): Single or couple dance. Lesnoto (Лесното хоро) in (): A slow line dance with steps resembling the pravo horo. Ginka (Гинка) in (): A slow line dance from the Pirin Mountains. Svornato horo (Сворнато хоро) in (): From the Pirin Mountains, a four-phrase line dance. Varnensko horo (Варненско хоро) in (): A line dance with slow graceful steps. Elenino horo (Еленино хоро), Eleno Mome (Елено Моме) in , , or : A line dance. Smithsonian recording, performed metric beat proportions about . Petrunino horo (Петрунино хоро) in , , or . Daychovo horo (Дайчово хopo; Daichovo horo, Dajčovo horo) in ( or ): A circle dance where a leader calls what formations/variations the circle should do next. Grancharsko horo (Грънчарско хоро; Gryncharsko horo, Gruncarsko horo) in (). Gankino horo (Ганкино хоро), Kopanitsa (Копаница; Kopanica) in ( or ): Line dances. Acano mlada nevesto in ( or ): A Macedonian song, line dance. Krivo plovdivsko horo (Криво пловдивско хоро) in (): listen. Ispaychi (Испайчи, Испайче; Ispayche, Ispajče) in ( or ). Elbasansko horo (Елбасанско хоро) in ( or ). Buchimish (Бучимиш; Bučimiš) in (): A line dance. Yove male mome (Йове мале моме; Jove male mome, Jove malaj mome), Povela e Yova (Повела е Йова) in () Sandansko horo (Санданско хоро) in () Sedi Donka (Седи Донка), Plovdivsko horo (Пловдивско хоро) in ( divided as + + ): Done with left-over-right belt-hold in a straight line, moving forward (like a military phalanx) performing intricate steps selected by the leader, then repeated in reverse or mirror order while backing up, then stopping and going forward again with the same or even a different choice by the leader, who could be on one end or even in the middle of the phalanx. Suitable for a performance with 6 to 10 dancers on a stage or an exhibition area. Dunavsko horo (Дунавско хоро) Details on Bulgarian