her daughter to live purely, like tofu. She buries her face in an all white frosting covered cake and weeps as Jenny hugs her. Cast Lee Young-ae as Lee Geum-ja Choi Min-sik as Mr. Baek (Baek Han-sang) Kwon Yea-young as Jenny Kim Si-hoo as Geun-shik Oh Dal-su as Mr. Chang Lee Seung-shin as Park Yi-jeong Go Soo-hee as Ma-nyeo ("Witch") Kim Byeong-ok as The Preacher Ra Mi-ran as Oh Su-hee Seo Young-ju as Kim Yang-hee Kim Boo-seon as Woo So-young Ko Chang-seok as So-young's husband Lee Dae-yeon as parent of abducted child Nam Il-woo as Detective Choi Kim Hee-soo as Se-hyun Oh Kwang-rok as Se-hyun's father Lee Byung-joon as Dong-hwa Choi Jung-woo as Dong-hwa's father Ryoo Seung-wan as passerby Song Kang-ho as assassin 1 Shin Ha-kyun as assassin 2 Yoo Ji-tae as grown-up Won-mo, as seen in a vision Seo Ji-hee as Eun-joo Won Mi-won as Eun-joo's grandmother Kim Ik-tae as Won-mo's father Kim Yoo-jung as Jae-kyung Im Soo-kyung as prison officer Choi Hee-jin as prisoner 3 Jeon Sung-ae as prisoner 4 Kim Jin-goo as Ko Seon-sook Kang Hye-jung as TV announcer Tony Barry as Jenny's adoptive father Anne Cordiner as Jenny's adoptive mother Production Music The film's score, composed by Choi Seung-hyun, is heavily baroque-themed, featuring many pieces with harpsichord, baroque guitars, and other instruments. The main theme is an edited version of Vivaldi's "Ah ch'infelice sempre" from "Cessate, omai cessate". The song is appropriate since the unedited version's melody is sung by a woman who is seeking revenge on a man who has betrayed her, much like the film itself. The 24th Caprice by Paganini also appears many times. The final scene is accompanied by an arrangement by Jordi Savall of the Spanish song Mareta, a lullaby in the Valencian language by an anonymous 17th century composer from Alicante. Fade to Black and White version Two versions of the film exist, the standard version and the "Fade to Black and White version". The latter version begins in full colour, but throughout the film the colour gradually fades until it is totally black and white at the end of the film. In conjunction with the camera technique of removing the colours, there is also a change in the environmental colours used in backgrounds and clothing. At the beginning of the film, the environments contain a lot of primary colours, whereas toward the end of the film pastel shades, blacks