for these troubled times." Janet Maslin in The New York Times wrote: "in the skillfully manipulative hands of Garry Marshall, who has directed from a screenplay by Mr. McNally that amounts to a complete revision, Frankie and Johnny has been reshaped into foolproof schmaltz. 'Foolproof' is the operative word... But somehow Mr. Marshall, Mr. McNally and their superb leading actors are able to retain the intimacy of their material. They also retain the story's fundamental wariness about romance, even when everything about Ms. Pfeiffer and Mr. Pacino has the audience wondering why they don't simply fall into each other's arms." Rita Kempley in The Washington Post wrote: "In its odyssey from stage to screen, Frankie & Johnny has undergone a sunny metamorphosis from ugly ducklings' romance to candy-coated, blue-collar valentine." Time Out summed it up thus: "Pacino wears a vest and bandanna and moons through the part. Pfeiffer plays dowdy. Marshall directs as if Marty had never happened." Much attention was paid to the controversial casting choices of Al Pacino and Michelle Pfeiffer, two actors perceived as "beautiful movie stars" with Hollywood glamour, cast to play "lonely little people struggling to find love," originated by supposed "ordinary" actors Kenneth Welsh and Kathy Bates. Stephen Farber in Movieline wrote: "Michelle Pfeiffer gives a very adept and winning performance in Frankie & Johnny, but she's simply wrong for the part of a plain, world-weary waitress. While Pfeiffer has protested to interviewers that physical beauty cannot guarantee happiness, the fact remains that anyone as gorgeous as she is has a lot more options than someone who looks like Kathy Bates (who originated the role on stage). The star casting robs the material of some of its poignancy." The Washington Post wrote that "casting Michelle Pfeiffer in a role written for Kathy Bates is going to have a definite effect on the story's dramatic weight. That's not to say that Pfeiffer isn't pfantastic or that this isn't the pfeel-good movie of the season. It's just ... well, imagine Kevin Costner as Marty." Variety asserted that no one would "believe that Pfeiffer hasn't had a date since Ronald Reagan was president, and no matter how hard she tries to look plain, there is no disguising that she just gets more beautiful all the time." However, some critics commended Pfeiffer for her performance, notably Rolling Stone, who called it "a triumph. She is among that rarefied