group saw the release of two more singles, "We've Got a Way Out of Love" and "Green Grow the Lilacs", which failed to chart, in 1969. The Originals found their biggest commercial success under the guidance of Marvin Gaye, who co-wrote and produced two of the group's biggest singles, the doo-wop influenced ballads "Baby, I'm for Real" and "The Bells". The former was such a hit that the group's debut album, 1969's Green Grow the Lilacs, was soon reissued as Baby, I'm for Real. The latter disc, from 1970s Portrait of the Originals, sold more than one million copies and received a gold disc awarded by the R.I.A.A. Both songs became seminal soul music recordings, and both have since been covered: 1990s R&B group After 7 re-recorded "Baby, I'm for Real" and made it a hit again in 1992, while another 1990s R&B group, Color Me Badd, re-recorded "The Bells" for one of their albums. The release of Originals singles remained constant throughout the early 1970s, although chartings proved lower and more sporadic. The year 1970 saw two album releases and four singles, all of which were top 20 R&B Hits. Ballads like "We Can Make It, Baby" and "God Bless Whoever Sent You", both from Naturally Together, continued the group's hit-making streak. "Don't Stop Now", an uptempo number produced by Smokey Robinson, also became popular, despite not being released as a single. Chart appearances subsequently became less frequent, with only two appearances on any US charts between 1971 and 1975. In this time the group went through changes in personnel and style, with C.P. Spencer leaving in 1972 and being replaced by former Voice Master Ty Hunter. 1974's Game Called Love saw the Originals experimenting with a more country sound (surprisingly the title track was written and produced by Stevie Wonder) and 1975's California Sunset was an album of modern soul written and produced entirely by Lamont Dozier. Communique from 1976 marked the group's first foray into disco, expanded on with 1977's Down to Love Town. In total the group released some eight albums during their tenure at Motown. Although the group went on to have more modest success in both the soul and disco fields near the end of the decade, including "Down to Love Town", a No. 1 dance chart hit, the songs they made with Marvin Gaye are arguably their most memorable and notable. Spencer returned