– "Je sens lorsque je t'aperçois" – I feel when I see you Finale (all) – "On sonne, on sonne" – They ring the bells Act II Entr'acte Chorus – "Qu'elle est belle" – She is beautiful, Couplets (pages) – "Excusez mon audace extrême" – Excuse my extreme boldness Duet (Bettina, Laurent) – "Ah laissez-moi!" – Oh leave me! Couplets (Bettina) – "Que je regrette mon village" – How I miss my village Chorus – "Ah! quel spectacle charmant" – Ah, what a charming sight Air (Pippo) – "Salut à vous seigneur!" – Hail, Prince Duet (Pippo, Bettina) – "Sais-tu que ces beaux habits-là" – Do you know these beautiful clothes Couplets (Fritellini) – "Des courtisans qui passeront" – Courtiers, as they pass Couplets (Laurent) – "Chasser le cerf au son du cor" – Hunting the deer to the sound of the horn Finale (all) – "C'est le futur de la princesse" – He is the princess's intended Acte III Entr'acte Chorus of soldiers – "Verse, verse à boire" – Pour, pour the drinks Entrance of the Prince (Fritellini) – "Très bien? bonjour, soldat" et – Very good, hello, soldier Couplets of the tambour (Fritellini) – "De nos pas marquant la cadence" – Marking time for our steps Entrance of the strolling minstrels (chorus) – "Ne tremblez pas braves gens" – Do not tremble, good people Song of the orang-outan (Fiametta) – "Le grand singe d'Amérique" – The great ape of America Entrance of the wedding party (Pippo, chorus) – "Je touche au but" – I am nearing the goal Quartet (Bettina, Pipo, Laurent, Rocco) – "Quoi Pippo! quand je vous réclame" – What Pippo! When I call you Finale (all) – "Pourquoi donc crier ainsi" – Why shout so. Source: Vocal score. Revivals and adaptations There were twelve revivals of the piece in Paris between 1883 and 1944. The work was presented in Vienna at the Theater an der Wien on 12 February 1881 and revived in 1893. Brussels first saw the piece the next month. The first production in New York was at the Bijou Opera House on 5 May 1881, starring Emma Howson. Ten New York revivals between then and 1887 (including one in German) are detailed in Gänzl's Book of the Musical Theatre, which notes that there were regular productions in subsequent years, including 1892, 1909 and 1926. The first London production was at the Comedy