2010. From 2011 to 2012, he was Artistic Director of the 1st Kiev International Biennial of Contemporary Art entitled The Best of Times, The Worst of Times. Rebirth and Apocalypse in Contemporary Art. From 2013 to 2014, he was Artistic Director of the IV Moscow Biennale of Young Art A TIME FOR DREAMS. From 2015 to 2016, he was Artistic Director of the 56th October Salon in Belgrade entitled The Pleasure of Love. His exhibition Bye Bye Kitty!!! Between heaven and hell in contemporary Japanese art, opened at Japan Society, New York in March 2011 and was judged by the American Branch of the International Association of Art Critics [AAICA] as 'the best exhibition in a non-profit or public space in 2011'. Between Heaven & Earth. Contemporary Art from the Centre of Asia was shown at Calvert 22, London, from September to November 2011. From 2010 to 2012, Elliott was advising the Hong Kong Jockey Club Charitable Trust on the artistic development and programming of Tai Kwun, the Central Police Station Heritage site in Hong Kong. From 2010 to 2016, he was Chairman of the Board of the Triangle Arts Trust at Gasworks in London. From 2011 to 2017, he was on the jury of Kulturakademie Tarabya in Istanbul a residence scheme for artists of all kinds initiated by the German government to foster German-Turkish cultural exchange. Since 2010, he has been Chair of Judges of the Sovereign Asian Arts Prize in Hong Kong and Chair of the Advisory Board of MOMENTUM, Berlin. From 2015 to 2019, he was senior curator and vice-director to the Redtory Museum of Contemporary Art in Guangzhou. He is currently advising the Troy House Art Foundation in London. Art & Trousers. Tradition and Modernity in Contemporary Asian Art, an anthology of his writings, is published in 2021. Exhibitions David Elliott has conceived and curated a large number of exhibitions including: Art and Power: Europe under the dictators 1933–1945 (1995); Wounds: between democracy and redemption in contemporary art (1998); (with Pier Luigi Tazzi) After the Wall: art and culture in post-Communist Europe (1999); Organising Freedom: Nordic art in the '90s (2000); Tokyo Young Artists' Video Initiative (2001); Absences (2002); Happiness: a survival guide for art and life (2003); Africa Remix: the contemporary art of a continent (2004); (with Simon Njami) Ilya and Emilia Kabakov, Where is Our Place? (2004); Follow Me! Chinese Art at the Turn