Ellen Jane Willis (December 14, 1941 – November 9, 2006) was an American left-wing political essayist, journalist, activist, feminist, and pop music critic. A 2014 collection of her essays, The Essential Ellen Willis, received the National Book Critics Circle Award for Criticism. Early life and education Willis was born in Manhattan to a Jewish family, and grew up in the boroughs of the Bronx and Queens in New York City. Her father was a police lieutenant in the New York City Police Department. Willis attended Barnard College as an undergraduate and did graduate study at University of California, Berkeley, where she studied comparative literature. Career In the late 1960s and 1970s, she was the first pop music critic for The New Yorker, and later wrote for, among others, the Village Voice, The Nation, Rolling Stone, Slate, and Salon, as well as Dissent, where she was also on the editorial board. She was the author of several books of collected essays. At the time of her death, she was a professor in the journalism department of New York University and the head of its Center for Cultural Reporting and Criticism. Writing and activism Willis was known for her feminist politics. She was a member of New York Radical Women and subsequently co-founder in early 1969 with Shulamith Firestone of the radical feminist group Redstockings. She was one of the few women working in music criticism during its inaugural years when the field was predominantly male. Starting in 1979, Willis wrote a number of essays that were highly critical of anti-pornography feminism, criticizing it for what she saw as its sexual puritanism and moral authoritarianism, as well as its threat to free speech. These essays were among the earliest expressions of feminist opposition to the anti-pornography movement in what became known as the feminist sex wars. Her 1981 essay, Lust Horizons: Is the Women's Movement Pro-Sex? is the origin of the term, "pro-sex feminism". She was a strong supporter of women's abortion rights, and in the mid-1970s was a founding member of the pro-choice street theater and protest group No More Nice Girls. A self-described anti-authoritarian democratic socialist, she was very critical of what she viewed as social conservatism and authoritarianism on both the political right and left. In cultural politics, she was equally opposed to the idea that cultural issues are politically unimportant, as well as to strong forms of identity