vision. It isn't collaborative in the same way as other shows. We are probably closer to Curb Your Enthusiasm than we are to something like Friends." Apatow produced Wanderlust (2012), starring Jennifer Aniston and Paul Rudd as a married couple who leave New York City and live in a hippie commune. He also produced The Five-Year Engagement (2012), featuring Jason Segel and Emily Blunt as a couple who have a rocky five-year engagement. Apatow's fourth directorial effort, the Knocked Up spin-off This Is 40, was released by Universal Pictures on December 21, 2012, starring Paul Rudd and Leslie Mann as the characters Pete and Debbie (reprising their roles from Knocked Up) and had original music by Graham Parker and The Rumour (who play themselves). The film received mostly positive reactions from critics, with The New Yorkers Richard Brody writing that This Is 40 is "the stuff of life, and it flows like life, and, like life, it would be good for it to last longer." In 2012, Entertainment Weekly reported that 22 years after writing an episode of The Simpsons, Apatow's script ("Bart's New Friend") was being developed into an episode that would air in 2015. Apatow co-produced Anchorman 2: The Legend Continues, which was released December 18, 2013, with the plot focusing on "Ron Burgundy's struggle to find his place in the rise of new media and the 24-hour news cycle". Apatow produced Begin Again (2013), starring Keira Knightley who plays a singer-songwriter who is discovered by a struggling record label executive (played by Mark Ruffalo) and collaborates with him to produce an album recorded in public locations all over New York City. Writer-director John Carney first pitched the film in 2010 to Apatow, who produced the film alongside Tobin Armbrust and Anthony Bregman whose production company Exclusive Media financed the film's US$8 million budget. Apatow's fifth directorial feature was the 2015 romantic comedy entitled Trainwreck. Amy Schumer wrote and starred in the film as "a basket case who tries to rebuild her life" by attempting to commit to a serious relationship with a sports doctor (Bill Hader), after a string of one-night stands with different men. The Atlantic Christopher Orr opined that "this is a film that belongs not to its director but to its star, who, if there is any justice in the world, is about to ascend from cult icon to mass phenomenon." The film received