the direction of the band's sound, largely due to the influence of producer Gene Eugene. Where previous albums had emphasized guitars and loud rock and roll, The Fashion Focus was a significantly softer album. This album featured the introduction of keyboards in the music, which replaced layered guitars. The new sound was more pop-friendly than earlier albums, while not abandoning the signature Starflyer sound. The song "Too Much Fun" would be the band's last song in the early shoegazing style. Everybody Makes Mistakes, released the next year, continued in the same direction as The Fashion Focus. On November 21, 2000, Starflyer 59 released Easy Come Easy Go, a two-disc "best-of" set. The first disc consisted of the band's most popular songs from their first five LPs (three songs from each album), while the second disc was a collection of rarities, B-sides, and eight songs from a live performance. 2001 saw the release of Leave Here A Stranger, Starflyer's next full-length album. The band's sound continued to evolve, as Leave Here A Stranger would come to be lauded and praised by many music critics as Starflyer 59's best release to date. After the untimely death of Gene Eugene, Martin called on long-time musical hero Terry Scott Taylor to take over production of the new album. In a tribute to the Beach Boys' monumental album Pet Sounds, Leave Here a Stranger was recorded in mono. 2002–2008: Extensive album production From 2003 to 2006, Starflyer 59 released one full-length album a year, all of them self-produced. The first of these albums was Old. Old maintained a more pop-oriented sound that had begun with The Fashion Focus, but was also more guitar-oriented than Leave Here A Stranger. However, the music of Old was still significantly softer than the band's early work. In 2004, I Am the Portuguese Blues was released. With this album, Starflyer 59 returned to the heavy guitar format that was so prominent on their early albums Silver, Gold, and Americana, as well as to the monochromatic album covers that had characterized these albums. I Am the Portuguese Blues was not a true follow-up to Old, but instead was a set of older songs that Jason Martin had written for a follow-up album to Americana. The material was originally shelved when the band shifted gears and instead recorded The Fashion Focus. This confused many newer fans and critics who were familiar with