as older genres such as soul, R&B and doo-wop. The reason for these many genres was because, according to Banks, Gaye's music was "progressing" and that it was "changing and it had to change because he didn't want any more ties to Motown". As Larkin Arnold later explained, "Marvin had been living in Europe, and was influenced by both reggae and the synthesizer work of groups like Kraftwerk" and that he "took the rhythm of reggae, the new technology and American soul and came up with something fresh and unique". "Midnight Lady" starts off with assorted percussion, provided by Gaye and other musicians, before its beat is delivered by a drum machine and overdubbed handclaps provided by the singer, followed by keyboard riffs (also played by Gaye), guitar lines by Banks and a horn section. It is almost two minutes before Gaye began singing the song's first lines. Musically the song has elements of funk, new wave and synthpop; Gaye's vocals were also influenced by the vocal styling in new wave records. The demo of this recording was listed as "Clique Games/Rick James". "Sexual Healing" was influenced by Caribbean music and reggae while also including funk elements musically; vocally the song recalls Gaye's gospel background while his background harmonies (which included Fuqua and Banks as co-backing vocalists) took influence from doo-wop. "Rockin' After Midnight" was also influenced by funk as well as boogie music while "'Til Tomorrow", the sole ballad in the album, was strongly influenced by doo-wop. The original version of "Turn On Some Music", titled as "I've Got My Music", included some spiritual and autobiographical lyrics, that changed to sexually erotic ones. In addition to the original demo, another alternate version mixed both versions. The reggae-inspired "Third World Girl" is a tribute to Bob Marley, though Gaye refused to mention Marley by name on the track, explaining, "I won't exploit a leader to make a commercial song". The gospel-influenced "Joy" is a tribute to his father's ministry and his own religious background. The song also includes a rock-influenced guitar solo from Banks. "My Love is Waiting" has elements of funk, synthpop and gospel music, as evident to Gaye's final words in his thank you calls, "we like to thank our Heavenly Father, Jesus!" The entire album's length is under just 40 minutes. A controversial outtake from the album sessions, "Sanctified Lady" was originally planned and expected by the