a race against Cambridge, to celebrate, they pooled their money and held a lottery, with the winner getting time with a prostitute (Jenny Hanley). Holmes won, but was nervous, because he did not want to sully his love for the girl he had seen. Then the prostitute turned around, and he realized that she was that same girl. Holmes tells Gabrielle that this episode taught him emotional involvement was not worth the risk for someone in his position. (This scene is entirely lost, only production stills and the script survive) - "The Dreadful Business of the Naked Honeymooners" - As Holmes and Watson travel back to England on an ocean liner, having solved a case for the Sultan in Constantinople, Holmes complains that anyone could have solved the case, even Watson. When a murder is discovered on board, Holmes tells Watson to attempt to solve the case himself. Holmes watches, without saying anything, as Watson proceeds to go to the wrong cabin, where he finds a honeymooning couple passed out drunk, naked, in bed. Mistaking them for the murder victims, Watson begins to deduce an elaborate solution based on the "evidence" he sees around him, while Holmes listens, amused. When the lovers wake up, Holmes tells Watson he has gone to the wrong cabin, and Watson decides not to try to solve a case again. (Only the film footage for this sequence survives, the audio is lost) - An epilogue scene, immediately after Holmes retreats into his room to use cocaine on learning of the death of Gabrielle/Ilse, in which Inspector Lestrade arrives at 221B Baker Street and asks Watson for Holmes's help in solving the ongoing Jack the Ripper murders. Watson regretfully says that Holmes is busy and must decline. Lestrade assures Watson that Scotland Yard can solve the case without Holmes. (Only the audio for this scene survives) - Another deleted scene involved Rogozhin arriving at 221B Baker Street to give Holmes the Stradivarius promised to him by Madame Petrova. Still believing Holmes's story that he and Watson are both gay, Rogozhin offers roses to Watson. Editor Ernest Walter unsuccessfully argued for this to be the final scene of the film, as a nod to the finale of Some Like It Hot, but Billy Wilder refused, preferring to end the film on a more mournful note. (This scene does not survive) Lost Loch Ness prop A 30 ft