was worshiped in Azuḫinnu. Furthermore, he was incorporated into the Hittite pantheon, and as one of its members appears in texts from Hattusa, presumed to reflect the traditions of Kizzuwatna. A depiction of him has been identified among the gods from the Yazılıkaya sanctuary. In the first millennium BCE he continued to be worshiped in Taite, and as one of its deities he is attested in the Assyrian Tākultu rituals. He is also attested in Luwian inscriptions from sites such as Carchemish and Tell Ahmar. Multiple myths focused on Kumarbi are known. Many of them belong to the so-called Kumarbi Cycle, which describes the struggle for kingship among the gods between him and Teshub. The texts usually agreed to belong to it include the Song of Kumarbi (likely originally known as Song of Emergence), the Song of LAMMA, the Song of Silver, the Song of Ḫedammu and the Song of Ullikummi. Kumarbi is portrayed in them as a scheming deity who raises various challengers to depose or destroy Teshub. His plans are typically successful in the short term, but ultimately the adversaries he creates are defeated by the protagonists. Further texts argued to also be a part of the cycle include the Song of the Sea, the Song of Oil, and other fragmentary narratives. Kumarbi also appears in an adaptation of Atrahsasis, where he plays the role which originally belonged to Enlil. Myths focused on him are often compared to other narratives known from the tradition of other neighboring cultures, such as Mesopotamian Theogony of Dunnu or Ugaritic Baal Cycle. It is also commonly assumed that they were an influence on Theogony, especially on the succession of divine rulers and on the character of Kronos. Further works argued to show similar influences include the Phoenician History of Philo of Byblos and various Orphic theogonies, such as that known from the Derveni papyrus. Name In standard syllabic cuneiform, the theonym Kumarbi was written as dKu-mar-bi. A byform, Kumurwe, is attested in sources from Nuzi. In Ugaritic texts written in the local alphabetic cuneiform script it was rendered as kmrb () or kmrw (), vocalized respectively as Kumarbi and Kumarwi. A late variant, Kumarma, appears in hieroglyphic Luwian inscriptions, where it is rendered with the signs (DEUS)BONUS, “the good god”. The correct reading has been determined based on a syllabic spelling identified in an inscription from Tell Ahmar, (DEUS.BONUS)ku-mara/i+ra/i-ma-sa5. Kumarbi’s name has