Sales of the Jack Sparrow material were not particularly high, and the Wailers were focussing on their own careers. Noting that harmony groups were all the rage in Jamaica, Dillon subsequently made an exit from the Studio One stable to form a harmony group of his own with Taylor, Morrison, and a youth known as Foresight, who he encountered on the street in Waterhouse; the Ethiopian Reorganization Centre became their main rehearsal space. Foresight dropped out early, so by the time Dillon brought the group back to Studio One, they were a trio, debating whether to call themselves the Heartaches or the Ethiopians, until Studio One founder Clement "Sir Coxsone" Dodd decisively stated that the latter was more distinctive, and more fitting for a group that was spiritually minded. The first songs the group recorded at Studio One included "Live Good", "Why You Gonna Leave Me Now" and the rocksteady classic "Owe Me No Pay Me", produced by Lloyd Daley, and aimed at a man known as Stampede that owed Dillon money. The uncertain nature of the music business caused Morrison to then quit the group, since he had a young family to support. Undaunted by his departure, Dillon and Taylor went back to Studio One to record another half-dozen tracks, including the boastful "I'm Gonna Take Over Now", and a late-ska number called "I Am Free," which castigated an unfaithful lover. Success Despite the popularity of the material, their earnings were still not sufficient for the group to concentrate on music full-time. Continuing with the masonry led Dillon to the Ethiopians' next phase, once he found a financial backer for the group in the form of real estate speculator, Leebert Robinson, who financed the self-produced single "Train to Skaville", issued in Jamaica on WIRL (West Indies Records Limited). Subsequent singles, "The Whip" and "Cool It Amigo", were recorded at WIRL studio with top rocksteady band, Lynn Taitt and the Jets, (and engineer Lynford Anderson), and licensed to Sonia Pottiger for release in Jamaica, as well as Graeme Goodall's Doctor Bird label in Britain; the three songs were all significant hits in 1967. "Train to Skaville" made an impact overseas and brought the Ethiopians to the UK for their first tour in 1968, since the song had briefly appeared in the UK Singles Chart. The tour lasted three months in 1968, and another two months in 1969, and was arranged