like a high-shouldered cone with flattened sides. The forepart of the roof consists of a number of small domes springing from a flat roof, or rather of a flat trabeate roof, with domes here and there, the largest being in the centre. Outside at all the angles of the roof are figures of animals and the gargoyles. On walls, there are some scenes from the epics Mahabharata and Ramayana. Of the two inscriptions, one is to the left in the upper story and bears date 94 AD and 102 AD. This writing, cut in stone, is not very archaic and could not be of the date it professes to record. It may be a transcript of an older inscription or the record of an old tradition. The other, on copper at the entrance of the temple, records repairs executed in 1762 AD by the then Thakor of Tintoi. From these two inscriptions, name of the deity seems to be Gadadharji, the holder of the club, a well known title of Vishnu, Krishna, or Shamlaji. The cow idols are also worshiped depictiong childhood of Krishna as cowherd. It is one of the 154 important pilgrimage sites of Vaishnavism. The temple was claimed by Jains in the past. Years ago the Idar State rulers gave the fiefdom of Shamlaji temple to the Modhari Rao Saheb with other villages like Revdar, Devdar, Napada, Khalsa, Sunsar, Modhari, etc. The Rao of Modhari still holds trusteeship of Shamlaji Temple. Other places of interest Near the Shamlaji temple the river forms deep pools, much resorted to by persons bewitched or devil-possessed. To the north the waters of the Karmanu pond, and the Surya reservoir have the property of washing away sin. Nearby Old Shamlaji temple is said to have been the original temple. The temple dedicated to Somnarayan, is, except the adytum, open on all sides, with a flat ceiling, surmounted by a pyramidal roof, supported on plain square stone pillars with carved capitals. Part of the shrine walls seem to have been formed of a series of upright stone slabs with sculptured figures in low relief. Many of these still remain. The most curious thing about the building is that, at the front and rear and both sides, in the centre of the facade the roof ends in a triangular pediment composed of boldly sculptured figures. Inside the building near the shrine, and, on the