on September 1, 1992. In 1989, it had sold over 650,000 copies, and by early 1995, Eazy-Duz-It had sold 2.5 million copies. On February 11, 1989, "We Want Eazy" charted on the R&B/Hip-Hop Songs at number 43. It stayed on the chart for over 15 weeks. The song also charted at number seven on the Hot Rap Songs chart. "Eazy-er Said Than Dunn", the album's 3rd single, peaked at number 84 on the R&B/Hip-Hop Songs charts on May 6, 1989, where it would maintain some lower position on the chart for six weeks. "Eazy-Duz-It" charted on the Hot Dance Singles Sales chart at number 39. In August 2015, a couple weeks after the release of the N.W.A. biopic film, Straight Outta Compton, the album re-entered the chart at #32 on the Billboard 200, out-peaking its original peak position in 1989 when it charted at #41 on the Billboard 200. Critical {{Album reviews | rev1 = AllMusic |rev1Score = | rev3 = RapReviews |rev3Score = 8/10 | rev2 = Robert Christgau |rev2Score = C+ |rev4 = Spin Alternative Record Guide' |rev4Score = (7/10) }} AllMusic's Jason Birchmeier praised the album, awarding the album four out of five stars. Birchmeier noted that "the album plays like a humorous, self-centered twist on Straight Outta Compton with Eazy-E, the most charismatic member of N.W.A, front and center while his associates are busy behind the scenes, producing the beats and writing the songs." He compared it to N.W.A's Straight Outta Compton, which Eazy also performs on, saying that Straight Outta Compton is "more revolutionary," but claimed Eazy-Duz-It to be Straight Outta Comptons "great companion" and to have showcased N.W.A's style. Spin Alternative Record Guide (1995) gave the album a seven out of ten rating, referring to it as "comparatively forgotten" compared to Straight Outta Compton, while noting it was a more funny, with "scraps of dialogue and mock interviews, more thoroughly cinematic" while that the albums attempts to promote Eazy-E as a major gangster was "nonsense" Music journalist Robert Christgau gave the album a C+, criticizing the thin beats and lyrics like "I might be a woman beater but I'm not a pussy eater" Soren Baker from the Los Angeles Times called it a "landmark albums brimming with violence, profanity, sexually explicit content and antigovernment themes," and said that it established Eazy as a "major player in the rap industry" Daniel Kreps of the Los