the novel is divided into eight sections: "Sarath", "Grove of Ascetics", "A Brother", "Ananda", "The Mouse", "Between Heartbeats", "The Life Wheel", and "Distance". Each section corresponds to a narrative that deals primarily with a specific subject or character as denoted by the section's title. Additionally, most of the sections are introduced by an italicized personal anecdote about one of the characters related or unrelated to the section. Characters or events are introduced although the actual novel's narrative will not discuss them until later sections. Events from the past are usually unaddressed by the novel and are described within these anecdotes. Most of the anecdotes are told by a third person narrator from the perspective of one of the characters. This creates a sense of urgency for the individual experiences depicted in the anecdotes that lies in contrast to the rest of the novel. The sense of urgency expressed in the anecdotes mirrors the urgency of individuals involved in the war who remain voiceless victims of war crimes. They all have individual stories of their own related to the war that remain untold. Symbols One of the important symbols in the novel is the skeleton that Anil and Sarath try to identify, Sailor. Sailor's skeleton is the only real evidence that Anil has that would implicate the government in the murder. Sailor serves as a symbol for all of the nameless victims of the civil war. Like the countless victims, Sailor has been burned beyond recognition and his identity has been lost. His remains serve as the only clue that Anil and Sarath have to bring justice to the victims. Anil and Sarath's fight to identify Sailor is a fight to bring a voice to stop war. Another symbol is Ananda's reconstructed head of Sailor. Ananda sculpts Sailor's head into a peaceful expression, symbolic of the peace that Ananda wishes for his wife and for the rest of his country. The juxtaposition between the tranquil looking head and its decapitated state is also symbolic of the chaos and death that surrounds Sri Lanka. At once Ananda wishes for peace, and yet no matter how much he tries, that peace is artificial. The reconstructed head at the same time can be seen as the naming of victims: "There was a serenity in the face she did not see too often these days. There was no tension. A face comfortable with itself." Finally,