Ismail Gulgee (Urdu: ; 25 October 1926 – 16 December 2007), also known simply as Gulgee, was a Pakistani painter. Born in Peshawar, he received his early education at Lawrence College before attending Aligarh University, Columbia University, and Harvard University for higher education. He started off painting portraits before turning to abstract art, basing his works on Islamic calligraphy. He gained international acclaim, and was commissioned to paint several leaders, including US Presidents Jimmy Carter and George H. W. Bush, the Shah of Iran, King Hussein of Jordan, King Faisal of Saudi Arabia, and Pakistani leaders Zulifqar Ali Bhutto and General Ayub Khan. On 19 December 2007, he was found murdered at his house with his wife and maid. After a lengthy investigation, his driver and servant were convicted and given life sentences on 23 May 2017. Early life and education Gulgee was born on 25 October 1926 at Karimpura locality in Peshawar, Pakistan. For his education, he went to Lawrence College Murree and then to Aligarh University to study civil engineering. Then he went to the United States to continue his higher education. While he was an engineering student at Columbia University, he started to paint. Later, Gulgee also studied at Harvard University. Painting style Before 1959, as a portraitist, Gulgee painted the entire Afghan Royal Family. In the early 1960s, he turned to abstract painting. Gulgee was a skilled naturalistic portrait painter who had enjoyed (according to Partha Mitter) "lavish state support" and plenty of elite commissions in this capacity. Nevertheless, he was perhaps best known worldwide for his abstract work, which was inspired by Islamic calligraphy and was also influenced by the "action painting" movement of the 1950s and 1960s. Some people say that Elaine Hamilton was a strong influence on him. In both Islamic calligraphy and action painting, a high value is placed on the unity and energy of gestural flow. Gulgee's canvases were often quite large in the tradition of other action painters or abstract expressionists. Sometimes he used materials such as mirror glass and gold or silver leaf in his oil paintings. Therefore, in fact, they appeared to be mixed media pieces. According to the Metropolitan Museum of Art (see external links): "Gulgee's calligraphy paintings are abstract and gestural interpretations of Arabic and Urdu letters. His sweeping layers of paint explore the formal qualities of oil paint while they make references to Islamic design