his desire. The Vikramashila stupa built for the purpose of worship is a brick structure laid in mud mortar and stands in the centre of the square monastery. This two terraced stupa is cruciform on plan and about 15 metres high from the ground level. The lower terrace is about 2.25 metres high from the ground level and the upper terrace is at a similar height from the lower side. At both terraces there is a circumambulatory path, the lower about 4.5 metres wide and the upper about 3 metres wide. The main stupa placed over the upper terrace is accessible through a flight of steps on the north side on each of the four cardinal directions. There is a protruding chamber with a pillared antechamber and a separate pillared mandapa in front, placed beyond the circumambulatory passage. In the four chambers of stupa were placed colossal stucco images of seated Buddha of which three were found in situ, but the remaining of the north side was possibly replaced by a stone image after the clay image was somehow damaged. All the stucco images are unfortunately broken above the waist. The images are placed over a brick pedestal having traces of painting in red and black pigments. The walls and floors of the chamber and antechamber were plastered with lime. The walls of both the terraces are decorated with mouldings and terracotta plaques which testify the high excellence of terracotta art flourishing in the region during Pal period (8th to 12th centuries). The plaques depict many Buddhist deities like Buddha, Avalokiteshvara, Manjusri, Maitreya, Jambala, Marichi, and Tara, scenes related to Buddhism, some social and hunting scenes, and a few Hindu deities like Vishnu, Parvati, Ardhanarisvara and Hanuman. Many human figures, like those of ascetics, yogis, preachers, drummers, warriors, archers, snake charmers, etc., and animal figures like monkeys, elephants, horses, deer, boar, panthers, lions, wolves, and birds, are also depicted. The architecture of the stupa and the terracotta plaques bear great resemblance to the Somapura Mahavihara, Paharpur (Bangladesh) which, too, was founded by the same king Dharmapala. In plan both are very much alike with the significant difference that Somapura is centred on a central temple rather than a stupa. Vikramashila monastery is also larger and has fort-like projections on its outer wall. Restoration work Vikramashila was neglected for years which contributed to the extensive damage to the monument. The Archeological