as a means of dividing space, creating the possibility of reading space as time. The duration of the viewer’s experience of the image is emphasized in this composition. The variety of places present, however, defines the piece of art or architecture. The continuity of these spatial zones, each of which enters into the distinctive atmosphere of each monument is of utmost importance. The narrative continues when Zulaykha and Yusuf enter the innermost chamber. He escapes her hands as she throws herself at him. The seven locked doors suddenly open, and help him avoid being seduced by her. The most dramatic part of the story is depicted in the picture by Bhizad, when the helpless Zulaykha reaches out to grab Yusuf. Once again, architecture serves as the medium for this effective visual narrative. The painter’s decision to use a monoscenic composition and to make all regions visible to the eye allowed for the inclusion of the most possible narrative elements. If we contrast Jami’s words with Bihzad’s illustration, we can see that one is an allegory of the soul’s quest for heavenly love and beauty, and the latter is an invitation to mystical contemplation. All of the stylistic features included help the artist communicate something. The magnificent palace is a representation of the material world; the seven rooms represent the seven climes; and Yusuf’s beauty is a metaphor for that of God. Moreover, the absence of a witness in the painting has the purpose of showing Yusuf’s devotion to God. He could have yielded to Zulaykha’s fervor, but he realized that God was all-seeing and all-knowing. This image surpasses both the literal standards and the prevalent mystical elements in modern literature and society. Legacy One of Behzād’s lasting influences stems from his proficient depiction of humans and other organic motifs, bringing new depths to his painting’s narratives and characters. Behzād’s human figures were less stiff in their stances and more dynamic in their movements, creating a greater sense of energy and emotions to the paintings. Likewise, Behzād utilized a method of painting that relied upon geometric formulas and a flattening of the visual plane to present the whole narrative in one painting and ensure the viewer’s eyes would move across the entire painting. Behzād’s technical mastery was coupled by a keen artistic eye as he was able to create a visually complex but compelling scene. The fluidity of Behzād’s compositions reflect