arrests of Gil and Veloso, Os Mutantes went to Europe, playing at Cannes, France, at the MIDEM, and in Lisbon, Portugal. Then, they returned to Brazil and presented the show O Planeta dos Mutantes, the first multi-media experiment in Brazil. With bassist Liminha and drummer Dinho, they participated in the V FIC with "Ando Meio Desligado" (Arnaldo and Rita). In 1970, Lee recorded her solo album, Build Up, produced by Arnaldo Baptista. Soon after, they had a stint at the Olympia in Paris. In that period, during their somewhat frequent tours in Europe, they recorded an LP that was never fully released, Tecnicolor, with the exception of some tracks included on 1971's Jardim Elétrico. The LP, A Divina Comédia ou Ando Meio Desligado, is from that year and Jardim Elétrico (Polydor) from the next. In 1972, Lee recorded another solo album backed by Os Mutantes, Hoje É o Primeiro Dia do Resto da Sua Vida (Philips). After releasing the Mutantes e Seus Cometas no País do Baurets, Lee was ejected from the group by Arnaldo. Following a period of depression, during which she became locked up in her home, she decided to abandon her career, but, at the same time, she was writing the material that would make her famous as a solo artist. Going solo Following her removal from Os Mutantes in late 1972, Lee started a solo career. She was initially part of a female duo with singer Lúcia Turnbull called Cilibrinas do Éden, and after a short time the duo met Lisergia, a band that would eventually become Lee's backing band with the name of Tutti Frutti. In 1974, the band recorded their first album Atrás do Porto Tem Uma Cidade (There is a City Behind the Harbor) that brought some great songs such as "Mamãe Natureza", "Menino Bonito", and "Pé de Meia". In 1975, she recorded the album Fruto Proibido with the band. The album was praised by critics, sold more than 200,000 copies – a record to Brazilian rock and roll singers at the time – and Lee was given the title "Queen of Rock". In 2007, the Brazilian edition of Rolling Stone magazine ranked this album as the 16th-best Brazilian album of all time in its "100 Best List". The producer was Andy Mills, producer of Alice Cooper and then Lee's boyfriend. In the late 1970s, Lee started a partnership with her husband, Roberto