monstrous voice), and a scrotum for a chin — wearing a judge's wig. The judge reaches the final verdict to tear down the wall and vomits out a montage of clips from the movie shown before were played, following this is a long moment of silence before the wall begins to burst apart, accompanied by a scream of agony and terror from Pink. Before the film, the animated sequence was first used in the 1980/81 concert versions of The Wall with Waters singing the song in front of The Wall as "The Trial"'s animation played behind him on the wall. It was then used again in the 2010-13 touring concert version, albeit with the "crazy" interludes modified to incorporate CGI (most prominently the replacement of the floating leaf sequence with one of a deformed humanoid lashing out towards the audience, surrounded by graffiti of hateful messages). There are also a number of differences on the 1980/81 Live version of the animation compared to the 1982 movie. Several scenes were re-shot to fit the wider screen, while in many other cases (i.e. the "crazy" intervals + most scenes with the judge) stretched to fit the widescreen format, The first scenes of the Trial being set-up there lack cuts in the live version; it's one long tracking shot through the many characters in the scene while the worms form the stage. In other cases too there are scenes entirely deleted like a large humanoid cheering for the judge to "shit on him", as well as the bricks transforming into the wife/mother/schoolmaster characters after the judge's verse, cutting abruptly into Pink's memories; some of these scenes appear intact in the more recent 2010-13 tour. Composition The track is noted for its distinctive voice work by Waters, as well as its grandiose musical style, which is more akin to an operetta than a rock song; it is fully orchestrated, with no traditional rock elements until David Gilmour's guitar starts as the verdict is pronounced, along with Nick Mason's heavy drums. Musically, the structure of "The Trial" is similar to an earlier track on the album, "Run Like Hell," with the same chord sequence of E minor, F, back to E minor, C, and B. However, there are various differences between the two songs, such as vastly different instrumentation. The bass alternates between the root (E) and fifth (B) of the E minor chord, and