culture were it possible to class as either culture… or popular". and said on his Popjustice website that "decades into the future, Eoghan Quigg's album Eoghan Quigg will be the one that scoops the accolade" of worst record of all time. Gigwise placed the album at number one on its 20 Worst Albums of 2009 list. Lulu, Lou Reed and Metallica (2011) Pitchfork Media's Stuart Berman awarded the album a score of 1/10 and wrote that Lulu disappoints even in its "worst of all time" status. "For all the hilarity that ought to ensue here, Lulu is a frustratingly noble failure." NME also noted that the album was "one of the worst reviewed albums ever" and "one of the most critically panned albums of recent years". In response to massive backlash from Metallica fans, Lou Reed stated: "I don't have any fans left. After Metal Machine Music (1975), they all fled. Who cares? I'm in this for the fun of it." Streets in the Sky, the Enemy (2012) Daily Record writer Rick Fulton reported that several of his readers considered Streets in the Sky to be "among the very worst releases of the year [2012], and indeed, all time". Critics were similarly harsh; the album is the second-lowest-rated ever at review aggregator site AnyDecentMusic?, and was the worst-reviewed of 2012 at fellow aggregator Album of the Year. John Calvert of Drowned in Sound awarded the record an unprecedented 0/10 and described it as "the un-music"; Neil Kulkarni in The Quietus agreed that the album is not "actually music" and is akin to "shite, in the noonday sun, attracting flies". Both critics wished for no further recordings from the band. Nine Track Mind, Charlie Puth (2016) Doreen St. Félix in The New Yorker wrote, "Full of bland doo-wop ballads, 'Nine Track Mind' was, according to Metacritic, one of the worst-reviewed albums of all time. Puth seemed a genuine talent strained by nostalgia-baiting and the exigencies of social media." Pitchfork Media's Jia Tolentino wrote, "Puth cannot fill this frame of sentimentality with any genuine sentiment: The album’s emotional range covers the spectrum from light longing to light infatuation, contributing to the overall sense that 'Nine Track Mind' is aimed exclusively at hairlessness: children, prepubescents, the discomfitingly waxed." Songs The following songs have been named by critics, broadcasters, composers, and listeners as the "worst ever". Examples of sources include VH1's "50 Most Awesomely