first one ever to be released. John H. Williams of Vanguard Animation stated "we knew a lot of European animators who had worked at Pixar, Disney and DreamWorks, and were interested in going back to Europe. We thought it would be important to be the first company to produce a CGI feature fully made in Europe with a major studio attached." Williams stated this before he knew about The Magic Roundabout. He also explained the attraction to making the film in Britain, saying "It would have been $3 million cheaper to make in LA but we had $10-12 million in tax and co-production money that we were able to attract because we made it here." Additionally, the bonus of locating to Britain was that the UK Film Council offered Valiant a record-breaking £2.6 million grant. Valiants budget of $35,000,000 is considered low in comparison to other CGI productions, with films which Williams had previously worked on, such as Shrek 2 having a budget of $150,000,000. Director Gary Chapman made his directorial debut with Valiant. Initially hired for character and production design during project development, and ultimately hired to direct the film after extensive work with story development, writers, and producers. Chapman was subsequently storyboard artist, designing characters for the Vanguard Animation movie Space Chimps. Animation The film, on a tight budget and with a relatively small group of animators, was created in 106 weeks, in what The Times described as "a piece of guerrilla film-making" in comparison to the other CGI animated films created by major studios. At least 5 computer animators worked together for every scene of the 76-minute film, working on effects such as color, movement and shading. As a result of the low number of animators, some critics called the film's animation "amateurish-looking". However, other reviewers stated that the film was "nicely animated". Tom Jacomb, line producer for Vanguard Animation, stated that the biggest difficulties whilst making the film was the detail required for the birds' feathers. He stated that "most — no, all — our problems were feathers", and described them as a "misery in computer animation". Director Gary Chapman insisted that each bird must look distinctive, and as a result, the pigeons came in various colors, including beige, blue, yellow, red and grey. He also requested that each bird be dressed in clothing, and clothing accessories appear throughout the film on characters, usually hats, belts,