Hagley Hall is a Grade I listed 18th-century house in Hagley, Worcestershire, the home of the Lyttelton family. It was the creation of George, 1st Lord Lyttelton (1709–1773), secretary to Frederick, Prince of Wales, poet and man of letters and briefly Chancellor of the Exchequer. Before the death of his father (Sir Thomas Lyttelton) in 1751, he began to landscape the grounds in the new Picturesque style, and between 1754 and 1760 it was he who was responsible for the building of the Neo-Palladian house that survives to this day. After a fire in 1925, most of the house was restored, but the uppermost floor of the servants' quarters was not, which means that the present roof line between the towers is lower than it was when first constructed. The estate fell into disrepair and incurred a mounting debt beginning in the 1970s. The 11th Viscount Cobham was forced to sell off large tracts of estate land to keep it afloat (in addition to paying for his high-profile divorce). His brother and successor Christopher Charles Lyttelton, 12th Viscount Cobham began restoration works in both the main house and the park. The park is open to the public and part of the house is available as a venue for hire. , the hall is the family home to Christopher Charles Lyttelton, 12th Viscount Cobham and his wife Tessa. House The fashion for Neo-Palladian houses had started in London between 1715 and 1720. It spread out to the provinces and did not reach Worcestershire until the 1750s. The two finest examples of this style in Worcestershire were Croome Court built between 1751 and 1752 and Hagley Hall designed by Sanderson Miller (with the assistance of the London architect John Sanderson) between 1754 and 1760. Notable Neo-Palladian features incorporated into Hagley Hall include the plain exterior and the corner towers with pyramidal roofs (a feature first used by Inigo Jones in the design of Wilton House in Wiltshire), and of Venetian windows. The house contains a fine example of Rococo plasterwork by Francesco Vassali and a unique collection of 18th-century Chippendale furniture and family portraits, including works by Van Dyck, Joshua Reynolds, Cornelius Johnson, and Peter Lely. A catalogue of the collection was published in 1900. On Christmas Eve 1925, a disastrous fire swept through the house destroying much of the Library and many of the pictures. Despite boiling lead pouring from the