Perfect from Now On is the third full-length album released by Built to Spill, and the band's first major label (Warner Bros.) release. It was recorded at the Avast! Recording Company in Seattle, Washington by Phil Ek. Stylistically, the album was marked by its experimentation with longer song structures and philosophical lyrics. The album was recorded three times. The first time, frontman Doug Martsch attempted to play all the instruments except drums. He and Ek were dissatisfied with the results, so Martsch brought in bassist Brett Nelson and drummer Scott Plouf and recorded the album again. However, these tapes were destroyed by heat when Ek was driving from Seattle to Boise to record additional overdubs. The band rehearsed some more, then recorded the album a third time. According to a February 1999 Spin Magazine article, the album had sold 43,000 copies up until that point. In September 2008, the band embarked on a three-month tour to perform the album in its entirety. Background In contrast to Built to Spill's first two albums, Perfect from Now On contains mostly long, sprawling songs. Martsch wrote the album as a result of his distaste of grunge music such as Nirvana, making the songs long and unconventional on purpose in order to prevent them from being played on the radio. "I didn’t want us to have a hit. I was a little nervous that we might accidentally have a hit, and that our music would be shoved into people’s faces," he said. Martsch wanted Built to Spill's popularity to spread organically through word-of-mouth rather than being promoted heavily. Despite the length of the album's songs, Martsch rejected comparisons to progressive rock, stating that he listened to Thinking Fellers Union Local 282 instead. Perfect from Now On was Built to Spill's first album released on Warner Bros. Records, which Martsch signed with because they offered health insurance to his family, including his newborn son at the time. The album was recorded three times. Martsch played all of the instruments except drums on the first version, but he was not satisfied with the results. Only one song from that recording, "Made-Up Dreams", made the final version. The second recording was made with bassist Brett Nelson and drummer Scott Plouf, but the tapes were damaged. The two failed albums cost $20,000 to make. Discouraged, Beat Happening singer Calvin Johnson convinced Martsch to keep trying. Reception Perfect from