The Ring and the Book is a long dramatic narrative poem, and, more specifically, a verse novel, of 21,000 lines, written by Robert Browning. It was published in four volumes from 1868 to 1869 by Smith, Elder & Co. Plot outline The book tells the story of a murder trial in Rome in 1698, whereby an impoverished nobleman, Count Guido Franceschini, is found guilty of the murders of his young wife Pompilia (Comparini) and her parents, having suspected his wife was having an affair with a young cleric, Giuseppe Caponsacchi. Having been found guilty despite his protests and sentenced to death, Guido then appeals—unsuccessfully—to Pope Innocent XII to overturn the conviction. The poem comprises twelve books, ten of which are dramatic monologues spoken by different characters involved in the case (Count Guido speaks twice), usually giving a different account of the same events, and two books (the first and the last) spoken by the author. Books making up the full poem The Ring and the Book Half-Rome The Other Half-Rome Tertium Quid Count Guido Franceschini Giuseppe Caponsacchi Pompilia Dominus Hyacinthus de Archangelis Juris Doctor Johannes Baptista Bottinius Pope Innocent XII Guido The Book and the Ring Major characters Count Guido Franceschini Pompilia Comparini, his wife Pietro and Violante Comparini, her putative parents Giuseppe Caponsacchi, a priest Pope Innocent XII Conception and analysis The poem is based on a real-life case. Under Roman law at the time, trials were not held in open court but rather by correspondence, whereupon each witness was required to submit a written statement for future adjudication. Browsing in a flea market in Florence in 1860, Browning came across a large volume of these written statements relating to the 1698 Franceschini case, and bought it on the spot. This volume – later known as the Yellow Book, after the colour of its aged covers – struck Browning as an excellent basis for a poem, but he was unable to get any further than the basic idea and often offered it as a subject to other writers, notably Alfred Tennyson, upon which to base a poem or novel. Luckily for posterity, there were no takers, and following his wife's death and his return to England, Browning revived his old plan for a long poem based on the Roman murder case almost eight years after the idea had first struck him. The first book features a narrator, possibly Browning