Mclusky Do Dallas is the second studio album by Welsh indie rock band Mclusky, released on 1 April 2002 by Too Pure. Mclusky Do Dallas spawned four singles: "Lightsabre Cocksucking Blues", "Whoknowyou", "To Hell with Good Intentions", and "Alan Is a Cowboy Killer". The album was re-released on limited edition white marble and clear orange vinyl as a Record Store Day exclusive in 2012. The album's title is a spin on the 1978 pornographic film Debbie Does Dallas. Reception The album received critical acclaim upon release. Tim DiGravina of AllMusic wrote that the album is "every bit as dynamic, thunderous, and accomplished as Relationship of Command, Come on Pilgrim, and Nevermind [...] The mad vocals of Andy Falkous make Black Francis look like a geeky school kid in comparison", ending the review by calling it "a fascinating, addictive album that never grows old, never takes itself too seriously, and never grates despite its absolutely raging dynamics." "At the end of the day, what separates Mclusky Do Dallas from all of the shit being passed off as punk or heavy rock is their sense of humor and their ability to not take themselves seriously" writes Jean-Pierre of Tiny Mix Tapes. Chris Dahlen of Pitchfork wrote that their "infectiously poppy songwriting [...] works to keep the mood varied" given that their "straight-up songs" are "wrack(ed) with nervous energy", calling it "one of the tightest, jumpiest, straight-up rock albums around." Legacy Retrospective views Retrospectively, the album is viewed very positively and is often considered the band's "breakthrough". JR Moores, writing for The Guardian, called it "the most gloriously sardonic collection of caustic-yet-catchy mini-anthems of its era" and bemoaned its lack of popularity upon release. Candice Eley of Treble called it a "masterpiece [...] an album as hardcore and as cheeky as its title might imply." Kyle Fowle of Spectrum Culture considers it to be "a monumental album. It may not be the most revolutionary revision of the punk rock aesthetic or vision, but it’s definitely the most fun. There’s a perfect balance present on the record; Mclusky is focused on creating a foreboding, harsh, loud record, but never once take themselves too seriously. The overdriven guitar solos and Falkous’ shriek hit you like a freight train, but are never alienating or unwanted. There’s no overarching political or creative statement, just three guys beating the shit out of their instruments and having a blast