"Everybody Hurts" is a song by American rock band R.E.M. from their eighth studio album, Automatic for the People (1992), and released as a single in April 1993. It peaked at number 29 on the US Billboard Hot 100. The song fared much better on the US Cash Box Top 100, where it peaked at number 18. It also reached the top 10 on the charts of Australia, Canada, France, Iceland, Ireland, the Netherlands, and the United Kingdom. In 2003, Q ranked "Everybody Hurts" at number 31 on their list of the "1001 Best Songs Ever". In 2005, Blender ranked the song at number 238 on their list of "Greatest Songs Since You Were Born". Background Much of the song was written by drummer Bill Berry, although as R.E.M. share songwriting credits among its members, it is unknown how much he actually wrote. Berry's drums are largely absent from the song—a Univox drum machine took his place—but he was responsible for the sampling of the drum pattern on the track. The string arrangement was written by Led Zeppelin bassist John Paul Jones. Guitarist Peter Buck commented on the making of the track, saying: In the liner notes of the album In Time: The Best of R.E.M. 1988–2003, Buck wrote that "the reason the lyrics are so atypically straightforward is because it was aimed at teenagers", and "I've never watched Buffy the Vampire Slayer, but the idea that high school is a portal to hell seems pretty realistic to me." The song was used in the 1992 film Buffy the Vampire Slayer that preceded the show. In 2005, Buck told the BBC: "If you're consciously writing for someone who hasn't been to college, or is pretty young, it might be nice to be very direct. In that regard, it's tended to work for people of a lot of ages." In 2022, Stipe told Rick Rubin that "Everybody Hurts" was inspired by Nazareth's cover of "Love Hurts". Michael Stipe had originally intended for Patti Smith to be a second vocal on the track, but it did not work out. Smith later included her own cover of the song as a bonus track on the 2007 album Twelve. Critical reception The song received favorable reviews from most music critics. AllMusic editor Stephen Thomas Erlewine found that it has "a comforting melancholy". David Bauder from The Associated Press said that it keeps "the pace