All Comes Down to Love" sees Jackson describing love as truthful, honest, undeniable, sincere, and unforgettable. "Truly" is a love song with a stripped down and quiet production, backed by light guitars and strings. Jackson's vocal delivery was described as "beautiful". Interlude "The One" accompanies Jackson's final monologue of romance with flourishes of electronic music. "SloLove" is a deep house-influenced dance song with elements of jazz. Jackson talks about experiencing an intimate moment over a long period of time. In interlude "Country", Jackson speaks about her various nicknames and origin of her middle name while a country guitar twang is played. The album's final track is lead single "Just a Little While", which opens with funk guitars and transitions into uptempo pop-rock. Jackson blends carnal and "dirty" intentions with innocent desires, and longs to be intimate with her partner again: "Can't stop thinking about the things we do/And how it feels making love to you [..] You know I'll take it anywhere/That you wanna go right now/Just love me for a little while." The song has been described as "push-button rock & roll" and the album's "most interesting, and energetic moment", although its placement as the last track was considered "odd". The Japanese edition of the album contains two bonus tracks–"I'm Here" and "Put Your Hands On". In "I'm Here", Jackson convinces a companion she'll never abandon them and stops them from expressing negative thoughts: " I don't wanna hear you say/Your wall stands tall of stone/Because love harassed you with pain/You feel you'll grow old alone [...] Someone wanting to love you deeply/Won't you let me?" In "Put Your Hands On", Jackson sings of aligning with her lover's energy over a midtempo house beat. Title and artwork Damita Jo was titled after Jackson's middle name and one of her alternative personae shown on the album, which Jackson described as a "tougher" version of herself. Jackson previously desired to record an album which was a "complete departure" from what she is known for and title it after her middle name, but was convinced to use the title for the album by producer Dallas Austin. The title was initially used as self-acceptance, saying "My mother made up "Damita." I presumed "Jo" was for Joseph, my father, even though I later learned it wasn't. Because he was emotionally withdrawn, I was never comfortable using it. For years I didn't. Now I love