containing lyrics about homosexuality. Several retail chains, including Wherehouse Music affixed their own "explicit content" labels to the album. RIAA president Hilary Rosen stated, "We don't think retailers should have to do that. That's the label's responsibility, and EMI [Virgin's parent company] has assumed that responsibility." In response to the incident, Jackson said: Impact and legacy The album achieved several chart records, attaining the second highest first-week sales for a female artist in SoundScan history at the time. Lead single "All for You" became the first song to be added to every pop, urban, and rhythmic radio format within its first week of release, and was the highest debut for a single not commercially available in both the United States and France. It had the highest debut and largest opening airplay figure on the Radio Songs chart, debuting at number nine with an audience impression of 70 million. It was also the biggest selling international single of the year in Japan. The album received three Grammy Award nominations for Best Pop Vocal Album and Best Female Pop Vocal Performance for "Someone to Call My Lover," winning Best Dance Recording for "All for You." The album won Top Pop Album of the Year at the Japan Gold Disc Awards. Billboard ranked All for You at number 141 on the "Top 200 Albums of the Decade." Sputnikmusic placed it at number 43 on their list of "Best Pop Albums of 2001." All for You received praise for its sonic innovation and subsequent influence. AllMusic's Stephen Thomas Erlewine stated that the album's signature hits "All for You" and "Doesn't Really Matter" uphold "Janet, Jam, and Lewis' reputation as the leading lights of contemporary urban soul." Piers Martin of NME said, "Busy yourself with those nappies, Madge – this is what it really feels like to be a girl. All For You finds Jackson in predatory mode, keen to reclaim both in the boudoir and on the dancefloor territory which is today dominated by pneumatic mini-Janets like Britney, Christina and J-Lo." People Magazine ranked it among the year's best albums, stating, "Take that, Britney! Move over, J.Lo! With a new generation of dance-pop divas following in her fancy footsteps, the baby Jackson shows who is still in control with this all-encompassing album that bounces from hip-hop to rock to classical—even during the same song—without missing a funky beat." Dennis Kelly of The Morning Call