The Gruffalo is a British children's picture book by author Julia Donaldson and illustrated by Axel Scheffler. Its tells the story of a mouse taking a walk in the woods and deceiving different predators, including the Gruffalo. The Gruffalo was first published in 1999 in the United Kingdom by Macmillan Children's Books. It is about 700 words long and is written in rhyming couplets featuring repetitive verse. It is an example of a trickster story and was inspired by a Chinese folk tale called "The Fox that Borrows the Terror of a Tiger". The Gruffalo has sold over 13.5 million copies and has won several prizes for children's literature including the Nestlé Smarties Book Prize. It has been adapted into plays and an Oscar-nominated animated film. The book has inspired a range of merchandise, a commemorative coin, a theme park ride in Chessington World of Adventures, and a series of woodland trails. In 2004, The Gruffalo was followed by a sequel—The Gruffalo's Child—also written by Donaldson and illustrated by Scheffler. Context Author and illustrator Julia Donaldson is an author of children's books, the most famous of which being The Gruffalo. Before writing The Gruffalo, Donaldson had a background in drama and performance. She studied drama at the University of Bristol and then busked in Europe and the United States. She began her career as a writer by writing children's songs for television programmes. In 1993, one of her songs that she sang and performed with her husband—"A Squash and Squeeze", about an elderly lady with a small house—was turned into a book, published by Methuen and illustrated by Axel Scheffler. Scheffler was born and grew up in Germany before moving to the UK to study art. He first worked with Donaldson on A Squash and Squeeze, published in 1993. Creating the book In an interview in the book The Way We Write (2006), Donaldson writes that although "It can take months or years for the germination of a book ... writing The Gruffalo probably took two weeks, with all the rewriting". She said that writing the second half of the book was difficult and almost forced her to stop altogether. Donaldson said that she had admired Scheffler's illustrations for A Squash and Squeeze, and when her publisher did not suggest he would also be illustrating The Gruffalo, she sent him the text of the book herself. Scheffler showed the text