CDs. The first song he listened to—"Bordoneo y 900", performed by Juan José Mosalini and his Big Tango Orchestra—secured his attention and became the song he chose for the production. For the final film's score, the creators hired Mosalini and Big Tango Orchestra, who recorded in France a new version of "Bordoneo y 900." Baker Bloodworth produced the film, along with Roy E. Disney and Don Hahn who served as executive producers. Gabriel hand painted all of the short's backgrounds with Tempera paint on a black construction paper. A painterly renderer called Sable, created by Daniel Teece, was used to create 3D brush strokes on the backgrounds. Traditional animation and clean-up were done at the Paris-based division of Walt Disney Feature Animation, while all painting, digital work, and post-production were performed at the Burbank studio. The short was developed as a potential segment for Fantasia 2006, the third installment following Fantasia and Fantasia 2000. After several years of funding and staff cutbacks at Walt Disney Feature Animation, the project was shelved by November 2003. In addition to Lorenzo, two other potential shorts that could be included in Fantasia 2006 were also completed before the projects cancellation – Destino and One by One – and were subsequently released as individual short films. Awards Lorenzo was nominated for the Academy Award for Short Film (Animated) at the 77th Academy Awards in 2005. The short won the 2005 Annie Award for Best Animated Short Subject. It was included in the Animation Show of Shows in 2004. References External links Lorenzo at The Encyclopedia of Disney Animated Shorts Lorenzo Director Mike Gabriel talks about the production design of his film Lorenzo 2004 films 2004 animated films 2000s Disney animated short films American animated short films Animated films without speech Best Animated Short Subject Annie Award winners Films directed by Mike Gabriel 2000s rediscovered films Rediscovered American films 2000s English-language films