in 2005. On 19 July 2011, the song was played as a wake-up call to STS-135 Space Shuttle Atlantis Pilot Doug Hurley as a tribute from his wife and family, marking the last ever wake-up call for a crew visiting the International Space Station from the Space Shuttle fleet. It was also referenced in the 2016 movie The 5th Wave as a lullaby to the main character's little brother. In February 2016, a cover of the song by Clairity was used in the trailer for the 2016 film X-Men: Apocalypse, as well as the film's TV spot for the Super Bowl 50. This same cover was used in the seventh season finale of The CW series The Vampire Diaries ("Gods and Monsters"). During the band's 2003 A Rush of Blood to the Head Tour, "Don't Panic" contained an entirely different introduction. In addition, Martin played the electric guitar and Buckland in harmonica solo during the bridge. He regularly threw the harmonica into the crowd after the solo. In 2001, a dance cover version of "Don't Panic" was released by Logo featuring Dawn Joseph. During performances of "Don't Panic", Martin would stop the song after Buckland performs his verse and make him perform it a second time. Buckland jokingly stated in an interview with Business Times that he wanted the practice dropped, saying, "I don't think I would dread it so much if he didn't (sometimes) make me do it twice." Performances during 2017 legs of A Head Full of Dreams Tour would feature drummer Will Champion as lead vocalist. Critical reviews Upon release, critics gave the song generally positive reviews. MacKenzie Wilson, in his review from Allmusic, notes, "Coldplay's indie rock inclinations are also obvious, especially on songs such as 'Don't Panic' and 'Shiver'." In the Pitchfork Media review, Spencer Owen writes, "This subdued, dreamy opener contains Martin's falsetto chorus of 'We live in a beautiful world,' which seems to sum up the overall sentiment of the record." Robert Christgau alleged that, along with "Yellow", the song was one of only two good ones on all of Parachutes. Critic Adrian Denning, in his review of the album, compliments, "Both the vocals and guitar are utterly beautiful. It's a song to take solace from, draw comfort from, be quietly awed by." David DeVoe of Hybridmagazine.com wrote: "It is a wonderful song that echoes the promise of what is to come on