singers Kishore Kumar: The duo composed 270 songs for Kishore Kumar. Their superhit songs with Kishore Kumar included all-time hit "Zindagi ka safar" from Safar (1970), "O Saathi Re" from Muqaddar Ka Sikandar (1978), "mera jeevan kora kagaz" from Kora Kagaz (1974), Jeevan se bhari teri aankhe " from Safar (1970), "pal pal dil ke paas" from Blackmail (1974), "neele neele ambar par " from Kalakaar (1985), "samjhauta gamon se kar lo" from Samjhauta (1973), "Apne jeevan ki ulzan ko" from Uljhan (1975) and the chart buster qawwali "Qurbani Qurbani Qurbani" from Qurbani(1980). Mohammed Rafi: The duo composed many songs for Mohd Rafi. At their initial stage as music director, Mohd Rafi was their first choice of singer. They made numerous popular song with him. All songs of Jab Jab Phool Khile were a huge hit and catapulted them to fame and there was no looking back after that. Besides Jab Jab Phool Khile, there were many popular song with Mohd Rafi from films like Qurbani (Kya Dekhte Ho), Bluff Master (Govinda Ala Re Ala), Raaz ( Akele Hain Chehle Aao), Sacha Jhutha (Yuhi Tum Mujhse Baat Karti Hoo), Maryada (Tum Bhi Aja Ke), Haat Ki Safai (Vadaa Karle Sajna), Gopi (Sukh Ki Hai Saab Sathie), Qatilon Ka Qatil ( Yeh To Allah Ko Khabar & Oh Mere Chorni), Geet (Aja Tujh Ko Pukare Mere Geet) & Bairaag (Sare Shaher Mein App Sa) to named a few of the popular song. In the film, Muqaddar Ka Sikandar where most song was playbacked by Kishore Kumar, they used Mohd Rafi to sing Kishore Kumar Rote Hua Ate Saab some lines on the sad version of the song. The collaboration of Kalyanji & Anandji with Mohd Rafi created everlasting songs in a very unique style. Lata Mangeshkar: The duo composed 326 songs for Lata Mangeshkar in their career-24 under the name Kalyanji Veerji Shah and 302 under the name Kalyanji–Anandji-, the 4th highest number songs composed by any composer for Lataji's career after Laxmikant-Pyarelal (712),Shankar–Jaikishan (453)and Rahul Dev Burman (331).Their association with the singer goes back to 1954, when Kalyanji played the famous 'been' tune in Lata Mangeshkar's numbers like 'Man Dole Mera Tan Dole' in the movie Nagin (1954). Lata's influence on their music in the initial years can be gauged from the fact that in their first musical score Samrat Chandragupt (1958),Lataji was the only female playback singer, having sung