the church of which the chancel – now the Churchill Heritage Centre – is the last remaining part was built in the Decorated Gothic style. At that time it was at the centre of the village, but after the fire of 1684 the village moved up the hill, and the old parish church of All Saints was left at the edge of the village. By the end of the 18th century the church was said to be in disrepair, and in 1825 James Haughton Langston (1796–1863), who had the living of Churchill & Sarsden, and who owned the Sarsden estate and most of Churchill, built a new one higher up the hill in what had become the centre of the village. The new All Saints was consecrated in 1827. The old church fell into disrepair, but the chancel was retained and used as a mortuary chapel and to house the memorials and in 1869 the Gothic Revival architect CC Rolfe added a new east window. A Preservation Society was formed in 1988 to campaign for its retention as the last medieval building in Churchill and the building was repaired. The Heritage Centre opened in 2001 in the restored chancel which now houses a collection of maps and historical records of the village from 1600 to the present, as well as displays about Warren Hastings and William Smith. Having received a Heritage Lottery Fund grant in 2010, the building has been refurbished with new interactive displays and oral history recordings. New parish church The Church of England parish church of All Saints was designed by James Plowman of Oxford in 1826. It is an architectural mixture of imitations. The tower is a two-thirds copy of the tower of Magdalen College, Oxford, its hammerbeam roof a copy of the roof of Christ Church, Oxford, its buttresses are versions of those of the chapel of New College, Oxford, and its windows are based on those from various Oxford Colleges. In a restoration appeal for the tower in 1975, Sir John Betjeman wrote of it: It is a beautiful landmark and has [...] been an eye-catcher for miles around, and a delightful one. I am sure it was built with this object in view. Although the style is English Perpendicular Gothic, the Tower is in the great tradition of English landscape gardening. Its disappearance would be a grave loss to a rolling wooded landscape.