Winston (1972)The Great Waltz (1972)1776 (1972)Man of La Mancha (1972)Jeremiah Johnson (1972)Tom Sawyer (1973)Lost Horizon (1973) Not all of these post-1951 roadshow releases were hits. Several of them, especially the musicals, were box-office flops that lost money for the studios, even if they had previously been hits as stage shows. Some of the films, such as the Olivier Othello or the Burton Hamlet, were not intended to be box-office hits, but were created as a means to bring these productions to a wider public than could have seen them onstage, much as American Film Theatre would do in the mid-1970s. Many of these roadshow releases, including Disney's Sleeping Beauty, were shown in six-track stereophonic sound, a then non-standard feature of motion pictures. West Side Story although shown in 70mm and six track stereophonic sound, was shown with an intermission with all 70mm prints as well as its 70mm re-releases, but was, in most areas, shown without one in order to increase the tension in the plot—an idea recommended by the filmmakers themselves. Some films like The Guns of Navarone were often occasionally shown as roadshows for international releases, even if they weren't intended as roadshows for domestic release.The King and I (1956), which had originally been shown in 35mm 4-Track stereophonic sound and without an overture, intermission and exit music, was re-released in 1961 in the 70mm format with an overture, intermission and exit music, remixed into six-track stereophonic sound, and shown in a roadshow format. The film had originally been made in Cinemascope 55 and through advances in technology was now able to be re-released in a process called Grandeur 70. Films made in three-camera Cinerama always received roadshow releases to show off the technology. The special requirements needed to show films in Cinerama—a theater with a huge, ultra-curved screen, three projectors running simultaneously, and seven-track stereophonic sound—made it impossible to show its films in wide release unless the picture was converted to standard one projector format (i.e. Panavision). Since most of those cut off the sides of the original combined picture, eventually, with the advent of anamorphic lenses, a number of Cinerama roadshows were able to be compressed onto normal 5-perf 70MM film and with the extra-wide screens installed, normal 70MM theaters were able to play these reformatted Cinerama titles. Exceptions There were some notable exceptions to the standard roadshow release format, three of them Shakespeare productions. One