John Wesley Work III (July 15, 1901 – May 17, 1967) was a composer, educator, choral director, musicologist and scholar of African-American folklore and music. Biography He was born on July 15, 1901, in Tullahoma, Tennessee, to a family of professional musicians. His grandfather, John Wesley Work, was a church choir director in Nashville, where he wrote and arranged music for his choirs. Some of his choristers were members of the original Fisk Jubilee Singers. His father, John Wesley Work, Jr., was a singer, folksong collector and professor of music, Latin, and history at Fisk, and his mother, Agnes Haynes Work, was a singer who helped train the Fisk group. His uncle, Frederick Jerome Work, also collected and arranged folksongs, and his brother, Julian, became a professional musician and composer. Work began his musical training at the Fisk University Laboratory School, moving on to the Fisk High School and then the university, where he received a B.A. degree in 1923. After graduation, he attended the Institute of Musical Art in New York City (now the Juilliard School of Music), where he studied with Gardner Lamson. He returned to Fisk and began teaching in 1927, spending summers in New York studying with Howard Talley and Samuel Gardner. In 1930 he received an M.A. degree from Columbia University with his thesis American Negro Songs and Spirituals. He was awarded two Julius Rosenwald Foundation Fellowships for the years 1931 to 1933 and, using these to take two years leave from Fisk, he obtained a B.Mus. degree from Yale University in 1933. Work spent the remainder of his career at Fisk, until his retirement in 1966. He served in a variety of positions, notably as a teacher, chairman of the Fisk University Department of Music, and director of the Fisk Jubilee Singers from 1947 until 1956. He published articles in professional journals and dictionaries over a span of more than thirty years. His best known articles were "Plantation Meistersingers" in The Musical Quarterly (Jan. 1940), and "Changing Patterns in Negro Folksongs" in the Journal of American Folklore (Oct. 1940). In 1953, he was a member of the charter class of the Zeta Rho chapter of Phi Mu Alpha Sinfonia fraternity, the national fraternity for men in music. The Fisk chapter was the third chapter of the Fraternity chartered at a historically black college or university, the first being chartered at Howard University in 1952.