influenced by the album's title track. Two singles from the album, "I'm a Slave 4 U" and "Boys," were originally written and produced for All for You; the latter also recorded by Jackson. Spears also recorded another unreleased Jackson song titled "My Big Secret" for her fourth album, In the Zone, though it did not make the final release. Rihanna's fifth studio album Loud and single "Only Girl (In the World)" drew several comparisons to All for You, with critics noting its sonic transition to an upbeat dance sound from prior release Rated R in a similar vein to Jackson's contrast from the darker tone of The Velvet Rope. Eric Henderson of Slant Magazine stated, "like Janet's album, Loud is a step away from its über-personal, melodrama-drenched predecessor." Throughout the campaign, Rihanna also evoked Jackson's Velvet Rope era imagery. Ne-Yo's "Say It" was thought to resemble the album's sensual ballads. Record producer Rockwilder revealed Jackson to be his first pop collaboration and an essential part of his career, leading him to work with Christina Aguilera for the singles "Lady Marmalade" and "Dirrty." Rolling Stone likened the production of Aaliyah's self-titled third album to the record. Sal Cinquemani of Slant observed several songs on Usher's 8701 to recall "bona fide Janet Jackson tracks" similar to the album. Christina Milian's debut album was considered to be heavily influenced by the album. The sensual content and interludes of Missy Elliott's This Is Not a Test! also drew comparisons to the album's exploration of similar themes. Following All for You being reissued with a Parental Advisory warning and clean edition, Jennifer Lopez's sophomore album J.Lo received a similar treatment by Epic Records, thought to be influenced by Jackson's decision after media emphasis was placed on its explicit language and content. Several album tracks gained notoriety within the entertainment industry, in particular "Would You Mind" due to its racy composition and explicit sexual content. Erotic Revolutionaries author Shayne Lee called the song "a bold and proactive sexual maneuver for even a twenty-first century woman," adding, "she tells her man she's going to kiss, touch, lick, taste, bathe, ride, and feel him deep insider her. She ends the song by requesting that he come inside of her and let his juices flow deep in her passion." Its shock value was considered "enough to make Donna Summer's "Love to Love You Baby" sound like Christian rock." Its