home, which they named Villa Teresa in Coswig. They were married on July 27, 1892. On September 27, 1892, their first child, Eugenia was born, followed by Hertha on September 26, 1894. During their marriage, the couple often appeared on the same concert bill and Carreño began performing works by d'Albert, including his Piano Concerto no. 2, Op. 12. D'Albert was a controlling individual in matters related to child rearing, household management, and even Carreño's repertoire choices, which resulted in the exclusion of MacDowell's music from her performances during their marriage. Their marriage ended in divorce in 1895. She would remarry again in June 1902 to Arturo Tagliapietra, the brother of her second husband. He had joined her in Berlin around 1897 and assisted her with her concert plans and accounts. Following her success in Germany and other European states, Carreño returned to the United States in 1897 to an eager audience. Performing in Hartford, Connecticut, a critic for the Hartford Courant wrote: "Teresa Carreno the piano virtuoso, made her first appearance to-day at the Philharmonic Concert, Carnegie Hall, under the baton of Anton Seidl. Her magnificent technique displayed to the highest degree the marvelous sonority of the Knabe piano, upon which she played, and she received one of the greatest ovations of the season." From this point forward in her career, Carreño appeared in concerts as a featured artist, solo or with orchestra. She performed under the baton of many prominent conductors, including Edvard Grieg, Gustav Mahler, Theodore Thomas, Wilhelm Gericke, Hans von Bülow, and Henry Wood. In his memoir, Henry Wood wrote that "It is difficult to express adequately what all musicians felt about this great woman who looked like a queen among pianists – and played like a goddess. The instant she walked onto the platform her steady dignity held her audience who watched with riveted attention while she arranged the long train she habitually wore. Her masculine vigour of tone and touch and her marvellous precision on executing octave passages carried everyone completely away." Among the most frequently performed composers in her repertoire were Chopin, Liszt, Tchaikovsky, Grieg, MacDowell, Schumann, Rubinstein, Beethoven, Schubert, Mendelssohn, Weber, and occasionally her own. Carreño recorded over forty compositions for the reproducing piano between 1905 and 1908. These were released primarily by Welte-Mignon and reissued by other piano roll manufacturers. Her daughter Teresita also recorded for player piano in 1906 for