was released 20 September 2006. Spirou and Fantasio uncover the story of two children with telekinetic powers (similarly to the manga Akira) that are forced to construct an Edo and Meiji period theme park. Dupuis has also released as a manga story by Hiroyuki Oshima after an idea by Morvan. This story tells Spirou's adolescence as a bellhop in a five-star Tokyo hotel. Due to a significant decline in sales, Dupuis decided to cease Morvan and Munuera work in Spirou in January 2007. However, they were allowed to complete one last album, , which was released 5 November 2008, with the help of scenarist Yann. Yoann and Vehlmann In January 2009, it was announced in Spirou magazine #3694 that Morvan and Munuera would be succeeded by Fabien Vehlmann and Yoann, who had together created the first volume of Their first album in the regular series was announced for October 2009, but was later pushed back to September 3, 2010, and is named . In 2018, Yoann and Vehlmann completely rebooted the series with Spirou as a superhero – (French for 'Superbellhop') – and have since then been focusing on this version of the character. As of 2020, Vehlmann and Yoann have created five albums (see list below), but since was published in 2016 no new albums have appeared in the main series. In 2006, Dupuis launched a second series of one-off volumes by various authors, under the name ('A Spirou and Fantasio adventure by...'). It has subsequently been renamed ('The Spirou story by...') The first volume, by Fabien Vehlmann and Yoann, had a modern storyline and art, not dissimilar in spirit to Morvan and Munuera's work. The second volume, , by Frank Le Gall, is drawn in a more classic style not dissimilar to The Adventures of Tintin and Théodore Poussin, Le Gall's own comic series. The third, , by Yann and Fabrice Tarrin, is a slightly modernized homage to Franquin's classic period. The fourth, , by Emile Bravo, is a novelistic homage to the original Rob-Vel and Jijé's universes and stories, and was released to critical acclaim, being awarded at the Angoulême festival. The fifth, by Yann and Olivier Schwartz, is based on one of Yann's old scripts from the 1980s originally intended to have been drawn by Chaland, while the editor rejected it. Yann picked up the artist Schwartz, working in a similar style, to complete the story.