Greece, Spain and other countries. Like Šantić, Dučić's work was initially heavily influenced by that of Vojislav Ilić, the leading Serbian poet of the late 19th century. His travels abroad helped him to develop his own individual style, in which the Symbolist movement was perhaps the greatest single influence. In his poetry he explored quite new territory that was previously unknown in Serbian poetry. He restricted himself to only two verse styles, the symmetrical dodecasyllable (the Alexandrine) and hendecasyllable—both French in origin—in order to focus on the symbolic meaning of his work. He expressed a double fear, of vulgarity of thought, and vulgarity of expression. Personal life In the autumn of 1893, during the party in the newly built hotel Drina in Bijeljina, a young and ambitious teacher Dučić met recent School of Commerce graduate Magdalena Živanović. They got engaged with on 5 November 1893, and their correspondence continued even Dučić's departure from Bijeljina to Mostar to teach from 1895 to 1899. A part of the correspondence is kept safe up to this day, as well as the letter which Dučić's friend and poet Aleksa Šantić redirected to Magdalena on 6 April 1901. year asking for help in collecting a subscription for his songs. Ljiljana Lukić, a retired professor, keeps a personal copy of the correspondence between Dučić and Magdalena. Professor Ljiljana Lukić states that Dučić lived for a short time in the house of Magdalena Nikolić who lived with her sister. After break up with Dučić, Magdalena shouted that she would never leave home again. "Like a novel heroine, she lived by her memories and the only happy moments she had was in reading the letters and songs of the man she loved", as Professor Lukić concludes. Dučić's secret fiancé left in the amanet the following words to be written after her death on the monument, which are still read today on the Bijeljina graveyard: Maga Nikolić-Živanović, 1874–1957, the poet herself and first inspiration of poet Jovan Dučić. Twenty years before Magdalena's death, while Dučić was the authorized minister of Kingdom of Yugoslavia, a request was received that testifies of the deep trace which Dučić left in Bijeljina. Singing society Srbadija asked the minister to help in building a home for the needs of society. The Embassy of Serbia in Hungary is in the house which Jovan Dučić received from a Hungarian woman, and then donated it to the