comes in and auditions (usually with the same material) and performs for the casting director and the film director. If there is a next step, it is usually a "callback" or producer session, where anyone who has decision-making power is in the room for your audition. In television, this phase is referred to as a "screen test" and network executives would also be in attendance. Once actors are selected from the pool of available actors, the same booking process that happens in the attachment phase takes place for any actor except extras. The resulting list of actors who were selected to play a character for a production, is called a cast list, which is incorporated into a production company's daily call sheet, and reflected in the projects title sequence especially with film and television. Casting director workshops A common practice of many casting directors and casting associates in the United States have been casting director workshops. The types of workshop practices vary, but typically aspiring actors pay to perform in front of a casting professional who gives back feedback on the performance. Actors and industry professionals against workshops argue that casting directors are paid to find talent, not have talent pay to be seen by them. Supporters of the workshops argue that the workshops have classroom like settings and are a good source of feedback and networking. Because of their mixed reception, casting director workshops have not been met without controversy. Former Criminal Minds casting director Scott David was fired after The Hollywood Reporter published a story about his casting director workshops. In February 2017, five casting director workshops were charged with criminal charges for charging actors to audition for projects. In January 2018, Lindsay Chag, the casting director of films like Robin Hood: Men in Tights and Dracula: Dead and Loving It, was convicted guilty of violating the Talent Scam Prevention Act for her role in casting director workshops. Casting office personnel Readers: This person reads all other character's lines opposite the actor who is currently auditioning. A good reader is someone who has acting skills, but who has no interest in booking a role through that casting director's office at that time. A reader will know how to give and take and play with other actors without ever outshining the auditioning actors. Interns: Interns are more common to commercial casting offices which host as many as a dozen