until his meeting with Alyea. The special effects were created by Robert A. Mattey and Eustace Lycett, who were nominated for an Academy Award, and included the sodium screen matte process, as well as miniatures and wire-supported mockups. The film's "Medfield Fight Song" was written by Richard M. and Robert B. Sherman, their first song for a Disney feature. Keenan Wynn and his father Ed Wynn appear together in this film. Keenan also played Alonzo Hawk in Son of Flubber (1963) and for a third time in Herbie Rides Again (1974). Keenan's son Ned also appears uncredited in a bit part. Ed Wynn also appeared in Son of Flubber. At this stage of his life, Ed Wynn's memory was fading and he couldn't remember his lines, but he retained his innate wit and invention, so he improvised much of his dialogue, while director Stephenson instructed his crew to "just let him go on and on. You see, he had the most wonderful imagination". Medfield College of Technology was used again as the setting for the sequel, Son of Flubber, as well as a later trilogy of films based around the character Dexter Riley — The Computer Wore Tennis Shoes (1969), Now You See Him, Now You Don't (1972), and The Strongest Man in the World (1975), each starring Kurt Russell and Cesar Romero. Awards At the 34th Academy Awards on April 9, 1962, The Absent-Minded Professor had nominations for three Academy Awards. Art Direction (Black and White) (Carroll Clark, Emile Kuri, Hal Gausman). Cinematography (Black and White) (Edward Colman) Special Effects (Robert A. Mattey, Eustace Lycett) Releases The film was reissued to theaters in 1967 and 1975, and released to video in 1981, 1986, and 1993. It was released as a pan and scan print on VHS in black and white in 1981 and 1993, and in a colorized version in 1986, after successful airings on the Disney Channel in March of that year. In 2003, the film finally got a widescreen treatment: The Walt Disney laserdisc #028AS is letterboxed to produce a 1.85:1 aspect ratio format. In 2008 the film was released in the United States as part of a two-disc set with its sequel, Son of Flubber. Reception Bosley Crowther of The New York Times called it "remarkably bouncy entertainment ... the grown-ups should find it entertaining for the silly shenanigans it contains and for the simple satisfaction