Rudolph Frank Moore (March 17, 1927October 19, 2008), known as Rudy Ray Moore, was an American comedian, singer, actor, and film producer. He created the character Dolemite, the pimp from the 1975 film Dolemite and its sequels, The Human Tornado and The Dolemite Explosion (aka The Return of Dolemite). The persona was developed during his early comedy records. The recordings often featured Moore delivering profanity-filled rhyming poetry, which later earned Moore the nickname "the Godfather of Rap." Actor and comedian Eddie Murphy portrayed Moore in the 2019 film Dolemite Is My Name. Early life Moore was born and raised in and lived in the Johnson House on 1400 North 12th Street Fort Smith, Arkansas, and eventually moved to Akron, Ohio, and then Milwaukee, Wisconsin. In Milwaukee, he preached in churches and worked as a nightclub dancer. He returned to Akron, working in clubs as a singer, dancer, and comedian, often appearing in character as Prince DuMarr. He joined the US Army and served in an entertainment unit in Germany, where he was nicknamed the Harlem Hillbilly for singing country songs in an R&B style. He developed an interest in comedy in the Army after expanding on a singing performance for other servicemen. After his honorable discharge he lived in Seattle, Washington and then Los Angeles, where he continued to work in clubs and was discovered by record producer Dootsie Williams. He recorded rhythm and blues songs for the Federal, Cash, Ball, Kent, and Imperial labels between 1955 and 1962, and released his first comedy albums, Below the Belt (1961), The Beatnik Scene (1962), and A Comedian Is Born (1964). Career Dolemite records and wider acclaim By his own account, he was working at the world famous Dolphin's of Hollywood record store in Los Angeles, California in 1970 when he began hearing obscene stories of "Dolemite" recounted by a local man named Rico. Moore recorded a number of street poets, including Big Brown who, before he moved to Los Angeles, had been an influence on Bob Dylan, among other artists, while living in Greenwich Village. (Dylan said Brown's poetry was the best poetry he had ever heard.) In 1973, Moore produced Brown's album, The First Man of Poetry, Big Brown: Between Heaven and Hell. According to Moore, there was a wino named Rico, and Moore heard him on the street corner doing all these raps and rhymes: Moore began recording the