Die Krupps () ("The Krupps") is a German industrial metal/EBM band, formed in 1980 by Jürgen Engler and Bernward Malaka in Düsseldorf. The band has had a diverse range of musical influences over time, including the percussive industrial Stahlwerksynfonie (1981) then to a more synth-pop styled Volle Kraft voraus! (1982) and Entering the Arena (1985), with the latter album featuring their first English-language material. The band later established itself as an industrial metal band, releasing four albums predominantly in this genre, from 1992 to 1997 with each labelled 1 to 4. The band has released additional albums since 1997, including the predominantly electro-industrial Als wären wir für immer (2010) and The Machinists of Joy (2013), before revisiting the metal sound they had pursued in the 90s with V – Metal Machine Music. History Early years (1980–1985) The band's name translates as "The Krupps" and comes from the Krupp dynasty, one of Germany's main industrial families before and during World War II. In some interviews, the band stated that Visconti's 1969 film The Damned, a depiction of the fictitious German industrial dynasty of the Essenbecks, was the main inspiration. The initial sound on the band's first album Stahlwerksynfonie, showed a mix of industry factory noises with metallic percussion and real instruments. Later on the Wahre Arbeit, wahrer Lohn EP and the Volle Kraft voraus! album in 1982 the band's sound moved toward a less experimental sound but rather a more synthesizer based sound while still keeping the metallic percussion. With the release of Entering the Arena the band almost virtually abandoned the metallic percussion and went for a more 1980s new wave sound. In the mid 1980s, Jurgen Engler went to work on his record label Atom-H, signing bands who played mainly thrash metal and hardcore punk. This influence would play a key part in the musical change in the 1990s. Growing popularity and metal releases (1989–1997) In 1989, Ralf Dörper initiated a collaboration with Nitzer Ebb on an old Die Krupps track (i.e. "Machineries of Joy", a newer version of their early-1980s track "Wahre Arbeit, wahrer Lohn") which he produced together with Jürgen Engler. The chart success of the record (Billboard charts) led to the reactivation of Die Krupps fronted by Engler and Dörper. Die Krupps were key in the Europe wide progression of electronic body music, culminating with the collaboration in 1989 with British band Nitzer Ebb. In 1992,