its influence mainly in the arts, especially sculpture, where the rigidity and the dress of the Egyptian style can be observed. Cypriot artists later discarded this Egyptian style in favour of Greek prototypes. Statues in stone often show a mixture of Egyptian and Greek influence. In particular, ceramics recovered on Cyprus show influence from ancient Crete. Men often wore Egyptian wigs and Assyrian-style beards. Armour and dress showed western Asiatic elements as well. Persian period In 525 BCE, the Persian Achaemenid Empire conquered Cyprus. Under the Persians, the Kings of Cyprus retained their independence but had to pay tribute to their overlord. The city-kingdoms began to strike their own coins in the late-sixth century BCE, using the Persian weight system. Coins minted by the kings were required to have the overlord's portrait on them. King Evelthon of Salamis (560–25 BCE) was probably the first to cast silver or bronze coins in Cyprus; the coins were designed with a ram on the obverse and an ankh (Egyptian symbol of good luck) on the reverse. Royal palaces have been excavated in Palaepaphos and in Vouni in the territory of Marion on the North coast. They closely follow Persian examples like Persepolis. Vouni, on a hill overlooking Morphou Bay, was built around 520 BCE and destroyed in 380 BCE. It contained Royal audience chambers (liwan), open courtyards, bathhouses and stores. Towns in Cyprus during this period were fortified with mudbrick walls on stone foundations and rectangular bastions. The houses were constructed of mud-bricks as well, whereas public buildings were faced with ashlar. The Phoenician town of Carpasia, near Rizokarpasso (), had houses built of rubble masonry with square stone blocks forming the corners. Temples and sanctuaries were built mainly in a Phoenician style. Soloi had a small temple with a Greek plan. A definite influence from Greece was responsible for the production of some very important sculptures. The archaic Greek art with its attractive smile on the face of the statue is found on many Cypriot pieces dating between 525–475 BCE; that is, the closing years of the Archaic period in Greece. During the Persian rule, Ionian influence on the sculptures intensified; copies of Greek korai appear, as well as statues of men in Greek dress. Naked kouroi, however, although common in Greece, are extremely rare in Cyprus, while women (Korai) are always presented dressed with rich folds in their garments. The pottery