did not correspond to the behind-the-scenes battles that flared up following the catastrophe. Architect Josef Zítek was no longer in the running, and his pupil architect Josef Schulz was summoned to work on the reconstruction. He was the one to assert the expansion of the edifice to include the block of flats belonging to Dr. Polák that was situated behind the building of the Provisional Theatre. He made this building a part of the National Theatre and simultaneously changed somewhat the area of the auditorium to improve visibility. He did, however, take into account with utmost sensitivity the style of Zítek's design, and so he managed to merge three buildings by various architects to form an absolute unity of style. Reconstruction and reopening, 1883 to 1977 The interior artwork was done by Mikoláš Aleš and František Ženíšek. The building of the National Theatre was inaugurated on 18 November 1883. The building, with perfect technical equipment (electric illumination, a steel-constructed stage), served without any extensive modifications for almost one hundred years. It was only on 1 April 1977, following a performance of the Lantern by Jirásek, that the theatre was closed down for six years. Additional reconstruction, 1977 to 1983 and after Architect Zdeněk Vávra was appointed to take charge of the overall reconstruction work. This extensive project was combined with the completion of work on the entire setting of the theatre. The work was completed to meet an important deadline, which was the date of the 100th anniversary of the opening of the National Theatre: 18 November 1983. On that day the theatre was handed over to the public again with a performance of Smetana’s Libuše. The historic building, noted for its beautiful architecture, also includes an annex of modern design which contains offices and the main box office. Today it functions as the main stage of the three artistic ensembles of the National Theatre: drama, opera and ballet. In 1989 the general director of the National Theatre, composer Jiří Pauer was dismissed from his post because of his support for the policies of the former Communist Czechoslovak government. Pauer locked all staff out of the National and Smetana theatres on 17 November 1989 to prevent members of the opera, ballet and drama companies from staging protest performances. After a three-week strike Pauer was replaced by Ivo Žídek. Management At first the National Theatre was supported by a private guild