move, second move, and resolution. This structure is also applicable to romance narratives. Cycles Overwhelmingly, these were linked in some way, perhaps only in an opening frame story, with three thematic cycles of tales: these were assembled in imagination at a late date as the "Matter of Rome" (actually centered on the life and deeds of Alexander the Great conflated with the Trojan War), the "Matter of France" (Charlemagne and Roland, his principal paladin) and the "Matter of Britain" (the lives and deeds of King Arthur and the Knights of the Round Table, within which was incorporated the quest for the Holy Grail); medieval authors explicitly described these as comprising all romances. In reality, a number of "non-cyclical" romances were written without any such connection; these include such romances as King Horn, Robert the Devil, Ipomadon, Emaré, Havelok the Dane,Roswall and Lillian, Le Bone Florence of Rome, and Amadas. Indeed, some tales are found so often that scholars group them together as the "Constance cycle" or the "Crescentia cycle"—referring not to a continuity of character and setting, but to the recognizable plot. Sources Many influences are clear in the forms of chivalric romance. Folklore and folktales The earliest medieval romances dealt heavily with themes from folklore, which diminished over time, though remaining a presence. Many early tales had the knight, such as Sir Launfal, meet with fairy ladies, and Huon of Bordeaux is aided by King Oberon, but these fairy characters were transformed, more and more often, into wizards and enchantresses. Morgan le Fay never loses her name, but in Le Morte d'Arthur, she studies magic rather than being inherently magical. Similarly, knights lose magical abilities. Still, fairies never completely vanished from the tradition. Sir Gawain and the Green Knight is a late tale, but the Green Knight himself is an otherworldly being. Early persecuted heroines were often driven from their husbands' homes by the persecutions of their mothers-in-law, whose motives are seldom delineated, and whose accusations are of the heroines' having borne monstrous children, committed infanticide, or practiced witchcraft — all of which appear in such fairy tales as The Girl Without Hands and many others. As time progressed, a new persecutor appeared: a courtier who was rejected by the woman or whose ambition requires her removal, and who accuses her of adultery or high treason, motifs not duplicated in fairy tales. While he never eliminates the mother-in-law, many