from the rest of the stolen gold. As the revenants begin their attack, Malone takes the gold cross out into the chapel. Knowing that they have returned to take six lives in lieu of the six original conspirators who led them to their deaths, Malone offers the gold and himself to Blake to spare the others. At the lighthouse, more revenants attack Stevie, trapping her on the roof. Inside the church, Blake seizes the gold cross, which begins to glow. Nick pulls Malone away from the cross seconds before it disappears in a blinding flash of light along with Blake and his crew. The revenants at the lighthouse also disappear, and the fog vanishes. Stevie gets down from the roof and makes it back to safety. After Elizabeth, Nick, Andy, Kathy and Sandy leave the church, Malone contemplates why he was spared by Blake and asks "Why not six?" given that there have been only five deaths. However, moments later, the fog reappears inside the church along with the revenants and Blake decapitates Malone as the screen cuts to black. Cast Themes and interpretations The Fogs central themes are revenge and the resurfacing of "repressed past events" in small-town America, as it focuses on the supernatural vengeance inflicted on the residents of a community that has prospered from looted salvage. William Fischer of Collider describes the film as one preoccupied with "an all-American town getting ready to celebrate its founding, a founding marred by a dark crime. When Father Patrick Malone discovers the horrible truth and brings it to the attention of Mayor Kathy Williams, she shrugs it off and dismisses any impact or introspection it might cast over the centenary. It was so long ago, she reasons, and what is there to do about it? And she has a point; there’s no changing the past, and at a certain distance, there’s no rectifying it." Writer Peter Hutchings notes that, while the film contains these implicit themes, that Carpenter is "more interested in conjuring up a sinister atmosphere than he is in exploring some of the social ramifications of such a story". Production Development The initial inspiration for The Fog came to Carpenter when he and his collaborator and then-girlfriend, Debra Hill, were promoting their film Assault on Precinct 13 (1976) in England; the two visited Stonehenge during the trip, where they witnessed an eerie fog rolling over the landscape