the trio exists, and that as a mere unadorned, unharmonized single melodic line. The second strain is entirely absent. After Hüttenbrenner's release of the two completed movements of the Unfinished to Herbeck, some music historians and scholars took much trouble to "prove" the composition complete even in the truncated two-movement form, and indeed that abbreviated structure alone has captivated the listening public to consider it as one of Schubert's most cherished compositions. The fact that classical tradition was unlikely to accept that a symphony could end in a different key from the one it began in (with the B minor first movement and the E major finale by default incomplete), and the even more undeniable fact that Schubert had begun a third movement in B minor (leaving precisely 30 bars of fully orchestrated scherzo and 112 succeeding bars in short score), stands against the view that the two completed movements can legitimately stand alone. Reception Reviewing the premiere of the symphony in 1865, the music critic Eduard Hanslick wrote: He ended by stressing that the symphony is among Schubert's most beautiful instrumental works. Modern completions In 1927–28, Felix Weingartner composed his Sixth Symphony, La Tragica (in memory of 19 November 1828, the day Schubert died), as a tribute to Schubert on the centenary of his death. The second movement of Weingartner's symphony is a realization of Schubert's incomplete sketch of the scherzo (seventy years before Newbould's independent effort). In 1928, the 100th anniversary of Schubert's death, Columbia Records held a worldwide competition for the best conjectural completion of the Unfinished. About 100 completions were submitted, but also a much larger number of original works. The pianist Frank Merrick won the "English Zone" of the competition; his scherzo and finale were later performed and recorded (on Columbia), but are long out of print. Only some of the completions—Merrick's is not one of them—used material from Schubert's scherzo sketch. The first movement of Joseph Holbrooke's Fourth Symphony, one of the British entries, is mostly a performing version of the sketch (the second strain of the trio of which, entirely missing from the sketch, had to be conjecturally completed), and a theme from the scherzo appears in his finale. Independent completions of the scherzo movement also were made by Geoffrey Bush in 1944 and conductor Denis Vaughan c. 1960. More recently, British musicologists Gerald Abraham and Brian Newbould have also offered completions of