at Max Bacon's strident tenor. J. D. Considine's infamous review of the album (in Musician magazine) consisted of only one word: "SHT". (Considine later said it was the most famous thing he'd ever written in his three decades as a critic, while Hackett stated the review actually helped sales of the album.) Tour GTR toured North America and Europe in 1986. Live rehearsals revealed that the band's "no keyboards" method did not work in concert due to the poor tracking qualities of the guitar synthesizers, and therefore the tour featured keyboard player Matt Clifford in the GTR lineup in order to recreate the studio sound. Songs in the setlist included Genesis and Yes material as well as songs from Hackett and Howe's solo albums. Howe, Hackett and Bacon also appeared as guest VJs on MTV's "Guest VJ Hour" in the summer. A show at the Wilshire Theater in Los Angeles recorded for the King Biscuit Flower Hour radio show (and later released on album) demonstrated that the group was extremely tight and well-practiced live. Tracks played included versions of Yes's "Roundabout" and a re-working of the Genesis classic "I Know What I Like" as well as pieces from Hackett's and Howe's solo LPs. A preview of a new song, "Prizefighters", was included in this collection. The song was later developed for Hackett's planned 1986 solo release Feedback, which eventually appeared in 2000. Decline and legacy According to Hackett, by the end of the tour the band was falling apart, and his dissatisfaction with both the music and financial management of GTR (as well as a failure to see eye-to-eye with Howe) led to his beginning to question the project. He later commented "it looked like either Steve Howe or I might jump ship with GTR, and I think the possibility of it being an on-going entity was mooted ... At the time, I saw GTR as becoming more of a project than a band. Perhaps the idea of a number of guitarists all getting together." With this in mind, Hackett approached guitarist Brian May of Queen with the suggestion that he join the project. Despite May's initial enthusiasm, the potential collaboration only extended to three tracks demoed with Hackett, and it is unclear whether Hackett ultimately intended May to replace himself or replace Howe. The band's debt situation had not improved and in 1987 Hackett called time on the group.