with him until her death in the late stages of consumption in 1882. Tissot frequently referred to these years with Newton as the happiest of his life, a time when he was able to live out his dream of a family life. After Kathleen Newton's death, Tissot returned to Paris. A major exhibition of his work took place in 1885 at the Galerie Sedelmeyer, where he showed 15 large paintings in a series called . Unlike the genre scenes of fashionable women he painted in London, these paintings represent different types and classes of women, shown in professional and social scenes. The series also solidified the influence of Japanese prints in Tissot's work, as he used unexpected angles and framing from that tradition. Late career In 1885, Tissot had a revival of his Catholic faith, which led him to spend the rest of his life making paintings about biblical events. Many of his artist friends were skeptical about his conversion, which coincided with the French Catholic revival, a reaction against the secular attitude of the French Third Republic. Moving away from the Impressionism and Post-Impressionism, who aimed to create art that reflected a changing, modern world, Tissot returned to traditional, representational styles and narratives in his watercolors. To assist in his completion of biblical illustrations, Tissot traveled to the Middle East in 1886, 1889, and 1896 to make studies of the landscape and people. His series of 365 gouache illustrations showing the life of Christ were shown to critical acclaim and enthusiastic audiences in Paris (1894–1895), London (1896) and New York (1898–1899), before being bought by the Brooklyn Museum in 1900. They were published in a French edition in 1896–1897 and in an English one in 1897–1898, bringing Tissot vast wealth and fame. During July 1894, Tissot was awarded the Legion of Honour, France's most prestigious medal. Tissot spent the last years of his life working on paintings of subjects from the Old Testament. Although he never completed the series, he exhibited 80 of these paintings in Paris in 1901 and engravings after them were published in 1904. Death and legacy Tissot died suddenly in Doubs, France, on 8 August 1902, while living in the Château de Buillon, a former abbey which he had inherited from his father in 1888. His grave is in the chapel sited within the grounds of the chateau. Widespread use of his illustrations in literature