Billy Pigg (1902 – 1968) was an English player of Northumbrian smallpipes. He was a vice-president and an influential member of the Northumbrian Pipers Society from 1930 until his death. Life and music He was born at Dilston Park, near Corbridge, Northumberland, in January 1902 and died in November 1968. He learned the instrument from several pipers including Tom and Henry Clough as well as Richard Mowat, but, according to Tommy Breckons, Batey of Stannington was his main teacher. Tommy later quoted Billy's reminiscences of the informal sessions at the Cloughs' and others: When he lived at Blagdon, he used to bike down to Clough's. There were fourteen or fifteen pipers all living in that area, and they took turns to play at each other's houses, including Billy's. Billy told him that when he first went to one of these sessions there were fourteen pipers in the house, ..., and everyone was better than me! By God..., there were some good pipers. But all I had to dee was practice and get up alongside them. He learned by ear at this stage, and when he won a learners' competition in 1923, it was noted that he played the Barrington Hornpipe, but not quite as it is written. An early photograph of him from 1924, with a new set of pipes, is at the Woodhorn Museum website - he had won a Learners' Competition organised by William Cocks in this year, when he had been playing for three and a half years. The pipes in the photograph are the set made by Cocks, and offered as a trophy in the Competition. Billy went on to win these pipes outright in 1927. After he won the Spencer Cup at Bellingham Show in 1928, Cocks recorded that he was debarred from most contests, 'to give other pipers a chance'. At this time he must certainly have been playing in the traditional staccato style characteristic of the instrument, though in later years his style was much freer. In 1930 he moved with his parents to a farm in Coquetdale, in the north of the county. He subsequently began playing with other musicians in this area, particularly John Armstrong and Annie Snaith, and later Archie Dagg – together the band were known as the Border Minstrels. In the 1950s he was noted for playing not only Northumbrian, but also Scottish and Irish tunes on the