Stop as "not bad" but "indistinct", but Popmatters Devon Powers noted that though Australia had been an album one falls for passionately, "Stop All the World Now is an album you have a crush on, not one you fall deeply, complexly, and foolishly in love with. And crushes have a way of disappearing suddenly, without a trace." Sales of Stop were initially sluggish, but slowly began to rise beginning in late 2004 with the single release of ballad "Collide", which became a popular radio hit and was featured on TV shows such as Cold Case, Scrubs, Grey's Anatomy, Bones, and One Tree Hill as well as soundtracking a promotional trailer for the 2005 film adaptation of Jane Austen's Pride and Prejudice. Stop was finally certified gold in early 2005. Fan favorite "She Says", which was first released on 1998's White EP, was released as a follow-up to "Collide". Boosted by the slow burning success of Stop All the World Now, Epic released the Live From... EP on December 6, 2005. The 7-track EP contains live renditions of songs from Australia and Stop All the World Now as well as a cover of Crowded House's "Don't Dream It's Over". The EP has not been widely reviewed, though Allmusic referred to the release as "holiday market product", "tepid", and "directionless". Be There EP (2009) Day released an EP, introducing his new album, featuring three new songs: "Be There", "40 Hours", and "Counting On Me". These tracks were available on iTunes. "Be There", produced by Kevin Griffin, Mike Flynn, and Warren Huart, was serviced to radio as the first single from the album. Sound the Alarm (2009) Day released his third full-length album, Sound the Alarm under the Epic music label on September 8, 2009. After an extensive tour schedule following the release of Stop, Day decided to take some time off, during which he sorted through his emotions by writing songs, many of which have made their way onto Sound the Alarm. "I toured for five years straight before Stop All The World Now came out, then for three years non-stop after it was released," Day says. To get his desired range of sounds and moods, Day recorded in a variety of locations, including Los Angeles, New York (Joel Hamilton), London, Minneapolis, and Bloomington, Indiana, between the spring of 2006 and fall of 2008. He also collaborated with several musicians and producers,