was allegedly caused by a conflict with Ivan Pyryev. For six years (from 1965 to 1970), Klara Rumyanova did not act in film at all, until the Minister of Culture Ekaterina Furtseva dismissed Pyryev from the post of the general director. A year before his death, Pyryev phoned Rumyanova and apologized to her for his behavior. For the first time, Klara applied her "children's" voice in her debut film The Rural Doctor, where she played a woman in childbirth. While the scene was being prepared, the baby, who was supposed to represent the newborn, fell asleep, and at first could not be awaken for a long time, and then it was found that it was impossible to make him cry. Then Klara volunteered herself on the set to voice the scene. After that, Rumyanova secretly became famous at the whole Mosfilm, as an actress, able to scream in any child's voice, so that, she combined acting in film and voicing, where her voice was often used for young children. Then she began to receive the first invitations from the film studio Soyuzmultfilm, but Klara rejected them, considering her acting potential as higher than merely voicing cartoons. However, she was rarely invited to act in feature films which eventually forced her to do voice work. Her debut in animation was the cartoon The Wonderful Garden (1962). Gradually during this period, Klara began to cooperate more actively with Soyuzmultfilm, and as a result, at a time when she was no longer shooting, she became very popular as an actress and began to record on the radio and perform on the stage with children's songs and romances. She became the only actress of the USSR to be awarded Honored Artist of the RSFSR for her work in animation. Despite this, she was very worried because she could not play in live action films, because she always considered herself a dramatic actress. After the dissolution of the Soviet Union and the subsequent economic crisis, Rumyanova, like many actors, gradually became unemployed (she was dismissed from the National Film Actors' Theatre) and only occasionally took part in the recording of audio and audio concerts and the production of radio plays. However, even during this period, she was very selective – the general director of the studio "VOX-Records" Viktor Trukhan recalled that Rumyanova basically refused to record for audio advertising. Without work, she wrote several plays,