the prominent banker Pierantonio Bandini, who was a friend of his late father Giovanni. He had a daughter with her, Giulia Corsi, in 1591. He got widowed by his first wife the following year, in 1592; Giulia was only a year old at the time. In 1595 he married Laura Corsini (1573-1602) and in honour of his deceased old wife, he baptized his second daughter, the first born of this relationship, as Settimia Corsi in 1597. This relationship also had other children: Maria Corsi in 1599, Lorenzo Corsi in 1601, Alessandra Corsi, in honour of his mother, in 1602 (the same year he died) and the one who would be known years later as Marquis of Caiazzo, Giovanni Corsi, in 1600, a name that also it had been a tribute to his father, whose name was Giovanni. He was known for his possessions and for being one of the main patrons and sponsors of Florentine Art, having his name intrinsically linked to that of Giovanni de' Bardi and his Florentine Camerata, responsible for the birth of melodrama in the whole world. and sponsoring young musicians and their shows, spreading music and art throughout Florence. The Bardi and Jacopo camerata, for example, was responsible for the conception we have today of singers and solo songs, in addition to the dissemination of opera and its popularization throughout Italy, both with Dafne (1597) and with Euridice (1600), and later L'Argonautica (1608), produced by Jacopo's brother, Bardo Corsi. He commissioned great figurative arts such as the statue of Orpheus (Cristofano Stati), in celebration of the success of his play "Euridice", several busts of his family (Giovanni Caccini), and paintings by the most renowned artists, such as Santi di Tito, Niccolò Betti and many others. He died of “Fever” on 29 December 1602 in the city of Florence, leaving six children and his wife Laura, all children and adolescents at the time, who were raised and became heirs to his brother Bardo, The Marquis of Caiazzo. His inventory, which was written for Bardo in 1602, was one of the richest in artistic and cultural aspects, with dozens of paintings and sculptures, in addition to innovative works strictly linked to music that had been promoted exclusively by Jacopo and his circle of musicians. The hereditary title of Maquis of Caiazzo was granted to his brother Bardo Corsi in 1617, just fifteen years after his death, and