its legs. In 1906, Urban made a 1,275-feet documentary film called The Streets of London. The film shows Londoners going about their business on a typical day. Urban's own website states that ten minutes of footage rediscovered at the National Film and Sound Archive in Australia in 2007 is from this documentary. The National Film and Sound Archive claims, however, that film expert Ian Christie has identified it as being part of Urban's 1904 documentary Living London. He also made fiction films, of which the most notable examples are the proto-science fiction films of Walter R. Booth such as The Airship Destroyer (1909) and The Aerial Submarine (1910). Among his other business interests was a French production company in Paris called Éclipse, which Urban founded in 1906, mainly to supply fiction films. His connection with that company lasted until 1909. He also established Kineto Limited in 1907, primarily for the production of scientific and non-fiction films. Kinemacolor In 1906, his associate George Albert Smith (1864–1959) developed a two-colour (red-green) additive motion picture system, which Urban launched in May 1908. From 1909 it was known as Kinemacolor. This enjoyed great success worldwide until 1914. Urban's most celebrated Kinemacolor film was a -hour epic With Our King and Queen Through India (1912), also known as The Durbar in Delhi, depicting the December 1911 Delhi Durbar which celebrated the coronation of George V. Kinemacolor companies were formed in France, the US, Germany, Switzerland, Brazil, Holland (with Belgium and Luxembourg), Italy, Canada and Japan. Of these the most prominent was the Kinemacolor Company of America, whose most notorious production was the unreleased The Clansman, a colour version of the Thomas Dixon story later filmed by D.W. Griffith as The Birth of a Nation. Urban had nothing to do with this film or with the Kinemacolor Company of America once he had sold the rights to Kinemacolor. He made Kinemacolor fiction films, with studios in Hove and Nice, including By Order of Napoleon (1910), the western Fate (1911), Santa Claus (1912) and the feature-length The World, the Flesh and the Devil (1914). He also produced a 33-minute-long Kimemacolor version of Dr. Jekyll and Mr. Hyde in 1913, but it was very sparsely exhibited. Urban's Kinemacolor business came to an end in 1914 after a court case was brought by William Friese-Greene, producer of a rival colour system, Biocolour, who challenged the validity of the Kinemacolor