to us. I was disgusted with the idea. A collar ad, I thought, coming to give us a Pollyanna speech! It turned out to be anything but that. Mr. Marshall talked real sense into us. He followed it up with demonstrations, actually showing us what he could do. Before he left, we were convinced that if he had been able to lead a normal life, we could do the same. The article also quoted a veteran with a double amputation (left leg and right foot), who praised Marshall for showing him how to dance with a prosthetic leg. He considered the actor's advice and example to be his Ten Commandments. General Dwight D. Eisenhower, Head of the Allied Forces in Europe, noted in private that, of all the film stars he met in Europe during the war, he was most impressed with Marshall and Madeleine Carroll (who worked as a nurse at field hospitals). Postwar career After the war, Marshall worked almost exclusively as a supporting actor in films: Crack-Up (1946), a noir; The Razor's Edge (1946), playing Somerset Maugham; Duel in the Sun (1946), the epic Western; Ivy (1947), with Joan Fontaine; High Wall (1947), another noir; The Secret Garden (1949) with Margaret O'Brien at MGM; The Underworld Story (1950); Black Jack (1950), billed second to George Sanders; and Anne of the Indies (1951). Television Beginning in 1950, Marshall performed periodically on television, starting with a production of An Inspector Calls for Robert Montgomery Presents. He was in The Ford Television Theatre. He appeared as the "mystery guest" on an episode of the popular game show What's My Line? in November 1954. Marshall continued to appear in films such as Angel Face (1953), a film noir; Riders to the Stars (1954), his first sci fi; Gog (1954), another sci-fi in 3-D; The Black Shield of Falworth (1954) with Tony Curtis; The Virgin Queen (1955) with Davis; Wicked as They Come (1956) with Arlene Dahl; and The Weapon (1956). He received acclaim for his performances in Stage Struck (1958) and The Fly (1958). However he was more likely to be found on television in The Best of Broadway (a version of The Philadelphia Story), The Elgin Hour, Celebrity Playhouse, Lux Video Theatre (including an adaptation of The Browning Version and Now, Voyager), The Loretta Young Show, Playhouse 90, Studio One in Hollywood, Alfred Hitchcock Presents, and Adventures in Paradise. 1960s