a gold leaf scroll which "His Majesty signed / with his own rubber stamp." Waters' resentment then explodes in the final line "And that's how the High Command took my daddy from me." The underlying theme of the song is one of the primary catalysts for the character Pink's descent into isolation throughout the story of The Wall, especially in the film version. On 18 February 2014, 70 years to the day after his father was killed at Anzio, Waters unveiled a memorial to the 8th Battalion, and his father, near to the site of the battle. Another monument had already been erected at the approximate spot where his father fell. After many years of not knowing the details of what happened on that fateful day, Waters was finally able to get some closure after 93-year-old Fusilier and Anzio veteran Harry Shindler uncovered precise details of the time and place of Waters' father's death. Both of them were present at the unveiling of the memorial. Waters has indicated that his father was originally a conscientious objector during the outbreak of the Second World War. However, as the German expansion grew, Waters' father felt compelled to join the armed forces. Waters goes on to say, "So he went back to the conscription board in London and told them he had changed his mind. He was commissioned as a second lieutenant in the Royal Fusiliers, which is how he ended up here 70 years ago. He believed he was involved in a necessary fight against the Nazis, and for that he paid the ultimate price." Subsequent releases The song made its first CD appearance on a promotional disc in conjunction with Roger Waters' 1990 live performance of The Wall at Potsdamer Platz in Berlin. This was the Pink Floyd recording from the original 1982 single, and had a running time of 3 minutes. It was generally released on CD on Pink Floyd's 2001 compilation album Echoes: The Best of Pink Floyd. With a duration of 3:42, this version is longer than the single release and features an extended intro section. There is less percussion heard in the Echoes mix, but the male choir comes in much earlier than it does in the single version. The next time the song appeared was on the 2004 re-released, remastered version of The Final Cut, where it was placed between "One of the Few" and "The