THE TUNNELLERS’ FRIENDS, THE HUMBLE BEASTS THAT SERVED AND DIED. Around the archivolt at the other end of the entrance passage are sculpted animals and insects, such as beetles, spiders, lizards, butterflies, rats, hares, bats, birds, frogs, and bees; John Pearson stated that these were to represent the flora and fauna of Canada. The inscription around this arch is an excerpt from John Ceredigion Jones' poem The Returning Man: ALL'S WELL FOR OVER THERE AMONG HIS PEERS A HAPPY WARRIOR SLEEPS. The walls of the Memorial Chamber are divided into 17 niches designed by Ira Lake and A. Fortescue Duguid. Each contain a marble slab under a gothic blind arch topped with a gablet and finial, and decorated with various badges and insignia, including those of, on the mouldings: Canada's 178 pre-1914 militia regiments; in the pierced quatrefoil panels: cavalry, and non-infantry field units; in the diaper background: pre-Confederation French and British regiments and colonial forces; on the gablet crockets: reinforced battalions; on the gablet springers: all branches of the Canadian Corps; on the arch quatrefoil and cusps: Badges and insignia of Canada's 178 pre-1914 militia regiments: The Royal Canadian Dragoons, Lord Strathcona's Horse (Royal Canadians), The Governor General's Body Guard, 1st Hussars, 2nd Dragoons, 3rd The Prince of Wales' Canadian Dragoons; on the arch spandrels: medals and war decorations of the allied countries; on the shield: coats of arms appropriate to the relevant historical context; and on the low relief panel: historical scenes of Canadians during World War I. The marble panels themselves originally described the various campaigns and battles in the theatres of war between 1914 and 1918. These, however, were replaced in 1982 with panels illustrating the Canadian Forces' engagements from the Fenian Raids to the Korean War, along with excerpts from the Bible, poems, and other literature. Windows After John Pearson canvassed British artists in stained glass for designs for the Memorial Chamber's windows, he settled on Frank S.J. Hollister of Toronto for the task; Hollister's proposal was presented in 1925 to the Department of Public Works for the Governor-in-Council's approval. Each of the three 7 m by 3.5 m windows is divided into vertical quadrants by stone mullions and contain allegorical figures amongst heraldic symbols, including the Royal Arms of Canada, the arms of each of the provinces, and those of the United Kingdom. The Call to Arms This window displays four allegories: Victory, as