delicacy being prepared for them. The four men unknowingly eat the Viscount's body for breakfast with great delight. Suddenly they hear a gunshot and rush to the garden where they find Margarida's dead body and Don João sitting next to her with a self- inflicted gunshot wound in his chest. As Don João dies, he explains everything that has happened to the family and tells them they can find the Viscount in the fireplace. Horrified at their own cannibalism, the father and brother's decide to commit suicide until the magistrate points out that they are now the sole heirs to the Viscount's fortune. The father and brother's decide to live, and turn into rabid dogs and eat the magistrate, who has turned into a pig. The Cannibals was screened in competition at the 1988 Cannes Film Festival and won the Critics Special award at the 1988 São Paulo International Film Festival. 1990–2014: Continued success as a filmmaker Oliveira's work since the 1990s was the most prolific of his entire career and he made at least one film a year (usually feature narratives but sometimes shorts or documentaries) between 1990 and 2012. During this period he established and consistently worked with a loyal troupe of regular actors including his grandson Ricardo Trêpa, Luís Miguel Cintra, Leonor Baldaque, Leonor Silveira, Diogo Dória, John Malkovich, Catherine Deneuve and Michel Piccoli. He also worked with international stars such as Jeanne Moreau, Irene Papas, Bulle Ogier, Chiara Mastroianni, and Marcello Mastroianni in the actor's last film. In 1990 Oliveira directed No, or the Vain Glory of Command (Non, ou a Vã Glória de Mandar), starring Cintra, Dória and Silveira. The film depicts the military history of Portugal, focusing on its defeats over its victories. The film's historical action includes the assassination of Viriathus, the Battle of Toro, the Battle of Alcácer Quibir and the Portuguese Colonial War. The only exception to the historical scenes is a sequence depicting the mythical Isle of Love, which celebrates Portuguese explorers and discoverers, instead of its military figures. The Isle of Love features winged cupids, beautiful nymphs and the goddess Venus. The film competed at the 1990 Cannes Film Festival. In 1991, Oliveira directed The Divine Comedy (A Divina Comédia). Set in a mental institution, the film is not an adaptation of Dante Alighieri's famous work but derived from stories on the Bible, José Régio's play A Salvação do