accompanied by Hilda and his gypsy violin, she quickly became known throughout France. French café society frequented Hilda's upscale club, which was likened to the Copacabana in New York. Many French songwriters, including Charles Trenet, frequented the club, and they wrote several songs that became hit recordings for Morgan. Morgan and Hilda soon opened a new weekly hour-long television show and she began recording in 1949 on the French Polydor label as well as Parlophone, Philips, and others. In 1952 Morgan went to Montreal, Quebec, Canada, and opened at the Ritz-Carlton Montreal as a soloist with a bilingual act using French and English. She returned to New York with regular performances in upscale nightclubs and her own radio show on NBC, backed by the 50-piece NBC Symphony Orchestra and also performed at the St. Regis New York. She returned to Europe in 1954 to appear in a London West End review with comedian Vic Oliver, and later at the Savoy Theatre and London Palladium. American success Morgan wanted to advance her career in the United States, but booking agents and managers in show business felt she was too specialized and would not make it outside the nightclub circuit. She left her agent and began singing at Lou Walters' Latin Quarter in New York. Walters kept Morgan at the Latin Quarter for a year, when she was noticed by Dave Kapp, who had recently founded a new recording label, Kapp Records. Kapp signed Morgan to a recording contract, and near that same period he signed pianist Roger Williams. To counter her reputation as a French singer, Kapp had Morgan record "Baseball, Baseball", and her first album release was titled The American Girl from Paris. She recorded several additional albums and soon was paired with Williams, who had gained national acceptance with his recording of "Autumn Leaves". They recorded "Two Different Worlds", which gave Morgan her first significant airplay on US radio. In 1957 Kapp brought The Troubadors, a virtually unknown group of five musicians, to his studio. They had appeared in Love in the Afternoon. Kapp asked Morgan to join The Troubadors and sing "Fascination". Although written in 1904 by F. D. Marchetti as "Valse Tzigane", the song was modified in Paris at the Folies Bergère as a "strip" number. With English lyrics added by Dick Manning in 1932, it had been played throughout the 1957 movie (the French lyric had