18, 1955. The 1950s provided her with few opportunities in film, but during the 1960s she asserted herself as a character actor and her career enjoyed a revival. Among her successful films of this period were Ten North Frederick (1958), The Pawnbroker (1964), and Rachel, Rachel (1968). Her later films included The Mango Tree (1977), for which she received an Australian Film Institute Best Actress nomination, and Harry and Tonto (1974), in a scene opposite Art Carney. In the comedy Arthur (1981), she portrayed Dudley Moore's wealthy and eccentric grandmother, even though she was only 22 years older than Moore. In 1983, she portrayed Rose Kennedy in the miniseries Kennedy with Martin Sheen, and co-starred as Joanne Woodward's mother in the 1985 drama Do You Remember Love. Fitzgerald appeared in the 1983 Rodney Dangerfield comedy Easy Money, the horror film Poltergeist II: The Other Side (1986), and the comedy Arthur 2: On the Rocks (1988). In 1986, she starred alongside Tuesday Weld and River Phoenix in Circle of Violence, a television film about elder abuse. Fitzgerald returned to stage acting, and won acclaim for her performance in the 1971 revival of Long Day's Journey Into Night. In 1976, she performed as a cabaret singer with the show Streetsongs, which played three successful runs on Broadway and was the subject of a PBS television special. She recorded an album of the show for Harbinger Records, produced by Bill Rudman and Ken Bloom and distributed by Ben Bagley's Painted Smiles label. She also achieved success as a theatre director; in 1982, she became one of the first women to receive a Tony Award nomination for Best Direction of a Play for a production of Mass Appeal. While in New York, Fitzgerald collaborated with playwright and Franciscan brother Jonathan Ringkamp to found the Everyman Theater of Brooklyn, a street theater company. The company performed throughout the city, including at Ethical Culture and La MaMa Experimental Theatre Club, both in Manhattan. The company first performed at La MaMa in September 1972, with a production called Everyman at La MaMa. They then performed The Francis-Day, a musical about Francis of Assisi, at La MaMa in July 1973. She appeared on television, in such series as Alfred Hitchcock Presents, Robert Montgomery Presents, Naked City, St. Elsewhere, The Golden Girls, and Cagney and Lacey. She had a regular role in the short-lived 1965 CBS serial Our Private