Carmina Burana. Created for and commissioned by Teatro di San Carlo in Naples, Italy, the production featured an orchestra of 100, a 100-member chorus, and 47 dancers. Critics from Arte e Arte and Teatro & Spettacolo hailed the work as an admirable synthesis of disparate cultural and media elements. Shen Wei was also commissioned to choreograph a new work for the Dutch National Ballet in Amsterdam in celebration of the 100th anniversary of Stravinsky's Rite of Spring premiere. The work, titled Sacre du Printemps, premiered on June 15, 2013. In June 2014, Shen Wei exhibited part of a new series of paintings, Untitled, at the Crow Collection of Asian Art in Dallas. A full exhibition of the new painting series opened at Miami Dade College Museum of Art + Design in December during the Art Basel festival and was accompanied by Shen Wei Dance Arts site-specific performances of Untitled No. 12 - 1. Both the exhibition and the performance event received extensive media coverage as one of the must-sees of the festival. This new series of paintings or tasveer consists of 11 large-scale works. In the fall of 2015, two small selections of these paintings traveled to The Tucson Museum of Art, Arizona and at The Fine Art Society in London for separate exhibitions - "Shen Wei In Black, White, and Gray" and as part of a group show "Performance and Remnant" respectively. In the spring of 2016, "Shen Wei: Dance Strokes" was exhibited at Asia Society Hong Kong Centre during Hong Kong Art Basel. Inspired by Miami's 2014 exhibition, seven works were shown, six of which were shown at MDC Museum of Art + Design, and one of which was a new work completed in 2015. This exhibition was also accompanied by Shen Wei Dance Arts' Untitled No. 12 - 1, as well as a site-specific performance Untitled No.32 (Bodies and Rooftop, 2016), which took place on the Joseph Lau and Josephine Lau Roof Garden. Despite not being able to exhibit a larger breadth of work, both painting exhibition and performances were well received by an international audience, especially since being reintroduced to the art world in Asia as a painter and a choreographer. This exhibition allowed viewers to see Shen Wei's work in both mediums, and draw connections between his acute sensibilities. For those who had seen his earlier work, the Movements series, debuted in Hong Kong ten