it would make for a good animated feature as one of his sons had once owned a pet fox years before. The title was initially reported as The Fox and the Hounds, but the filmmakers dropped the plural as the story began to focus more and more on the two leads. Reitherman was the film's original director along with Art Stevens as co-director. A power struggle between the two directors and co-producer Ron Miller broke out over key sections of the film with Miller supporting the younger Stevens. Miller instructed Reitherman to surrender reins over to the junior personnel, but Reitherman resisted due to a lack of trust in the young animators. In an earlier version of the film, Chief was slated to die as he did in the novel. However, the scene was modified to have Chief survive with a cast on his back paw. Animator Ron Clements, who had briefly transitioned into the story department, protested: "Chief has to die. The picture doesn't work if he just breaks his leg. Copper doesn't have motivation to hate the fox." Likewise, younger members of the story team pleaded with Stevens to have Chief killed. Stevens countered, "Geez, we never killed a main character in a Disney film and we're not starting now!" The younger crew members took the problem to upper management, who would also back Stevens. Ollie Johnston's test animation of Chief stomping around the house with his leg in a cast was eventually kept, and Randy Cartwright re-animated the scene where Copper finds Chief's body and had him animate Chief's eyes opening and closing so the audience knew that he was not dead. Another fight erupted when Reitherman, in thinking the film lacked a strong second act, decided to add a musical sequence of two swooping cranes voiced by Phil Harris and Charo. These characters would sing a silly song titled "Scoobie-Doobie Doobie Doo, Let Your Body Turn to Goo" to Tod after he was dropped in the forest. Charo had recorded the song and several voice tracks which were storyboarded, and live-action reference footage was shot of her wearing a sweaty pink leotard. However, the scene was strongly disliked by studio personnel who felt the song was a distraction from the main plot, with Stevens stating "We can't let that sequence in the movie! It's totally out of place!" Stevens notified studio management and after many story