canzonas are in the up-to-date Venetian style, antiphonal, ornamented, and using starkly different thematic material in different sections; however they contain an unusual level of motivic development for pre-Baroque music. Guami was also important as a teacher, providing instruction to composers such as Adriano Banchieri, one of the key figures in the transition to the Baroque style. Vincenzo Galilei, the progressive music theorist, lutenist, and father of the astronomer, also wrote about Guami's music, talent and fame. References and further reading The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie. 20 vol. London, Macmillan Publishers Ltd., 1980. Gustave Reese, Music in the Renaissance. New York, W.W. Norton & Co., 1954. Eleanor Selfridge-Field, Venetian Instrumental Music, from Gabrieli to Vivaldi. New York, Dover Publications, 1994. External links Short biography 1540s births 1611 deaths Italian classical composers Italian male classical composers Renaissance composers Venetian School (music) composers Musicians from Lucca