proportion of his total works. Interest in Zelenka's music has grown, especially since the end of the 1950s with the revival of interest in Baroque music. By the late 1960s and early 1970s all Zelenka's instrumental compositions and selected liturgical music were published in Czechoslovakia. The most important revival was demonstrated by the first presentation of selected compositions by the Czech conductor Milan Munclinger and his ensemble Ars Rediviva. They were three trio sonatas in 1958–60, Sinfonia concertante in 1963 and the exquisite interpretation of "Lamentationes Jeremiae prophetae" with the soloists Karl Berman, Nedda Casei and Theo Altmeyer in 1969. The music of Zelenka has become widely known and available since that time through recordings and sparked the interest of other musicians such as Heinz Holliger and Reinhard Goebel. More than half of Zelenka's works have now been recorded, mostly in the Czech Republic and Germany. Such recordings include the masses Missa Purificationis, Missa Sanctissimae trinitatis, Missa Votiva, Missa Sancti Josephi, and his secular works "Sub olea pacis" and "Il Diamante", mostly performed by new Czech ensembles using original instruments and interpretational techniques of the Baroque era. The most popular are Musica Florea, Collegium 1704, Ensemble Inégal, and Capella Regia Musicalis. In honor of Jan Dismas Zelenka, in 1984 the was founded and commemorated with the memorial plaque on his house. Since then, performances of Zelenka's music have regularly taken place in and around his birthplace. Several analyses of the composer's sacred and instrumental compositions (particularly fugues and other counterpoint) have contributed to his popularity, due to the efforts of both musicologists and organizations dedicated to the dissemination of his work. The most analyzed of Zelenka's compositions are his masses, requiems, litanies and other sacred vocal compositions, which have, ever since the revival of his music, experienced a surge in reputation and veneration. According to Susanne Oschmann, "Jan Dismas Zelenka has of late been recognized as one of the most original composers of a musical epoch that was long thought to have been shaped by Bach and Handel", and according to Heinz Holliger, "It seems essential to me, that Zelenka (like Bach) obviously has absorbed the total compositional knowledge of the previous generations, and, by virtue of his most individual personality exposes it to a breaking test, thus setting free a critical element opposing the tradition." Compositions Zelenka's complete compositions are listed in the digitized database of the Petrucci Music