few months, the rock format was expanded to begin playing in the evenings as well with DJ Alan Stone, and was known as "Nightwatch Trip One", with Fisher's program renamed slightly as "Nightwatch Trip Two." A few months later, this became the primary full-time format. By 1977, the freeform rock would give way to a tightly programmed rock approach, courtesy of radio consultants Burkhart/Abrams and their "Superstars" format, which was essentially just the hits from album rock. This approach continued into 1986, with respectable, if not spectacular ratings, when KQRS signed a new consultant, Jacobs Media, and evolved into its present-day classic rock format. That, coupled with its massively popular morning show, elevated KQRS to the top of the Minneapolis-St. Paul radio market ratings. In 1994, KQRS had the distinction of unseating legendary area broadcaster WCCO (830 AM) as the most-listened-to station in the Minneapolis-St. Paul market (12+), an achievement which WCCO had held unchallenged for decades. The KQ92 Morning Show hosted by Tom Barnard was a major element in KQ's ascendance to the top spot, along with shifting market demographics. Barnard and the KQ Morning Show also were successful in holding the top rating spot when Howard Stern made his debut on the Twin Cities airwaves in 1997. Stern lasted only until mid-1999 in Minneapolis as his ratings brought him to the number two position in morning drive time, but the station that carried the show, WRQC, had poor ratings during the rest of the day, leading to the dropping of Stern and a format change. Rival KRXX, then known as "93X", was purchased by then-owners Capital Cities-ABC in the Spring of 1994, and the station's call sign was changed to KEGE with a new alternative rock format. It primarily competed with the growing "REV 105," though KQRS' parent company purchased the three REV signals in 1997. The stations went through several incarnations, including active rock, urban oldies and for the majority of the time, alternative rock, as well as Soft AC/oldies, adult contemporary, sports talk, and classic hip hop, before flipping back to Soft AC/oldies in late 2018 as Love 105. With the three formats, Disney initially created what has been referred to in the industry as the "wall of rock". With the three formats covering different major rock genres, Disney dominated rock radio in the Twin Cities, and used 93X and Drive 105/Zone 105 as 'flankers' to