William Condon (born October 22, 1955) is an American director and screenwriter. Condon is known for writing and/or directing numerous successful and acclaimed films including Gods and Monsters, Chicago, Kinsey, Dreamgirls, The Twilight Saga: Breaking Dawn – Part 1, The Twilight Saga: Breaking Dawn – Part 2, and Beauty and the Beast. He has received two nominations for the Academy Award for Best Adapted Screenplay, Gods and Monsters and Chicago, winning for the former. Early life Condon was born in New York City on October 22, 1955, the son of a police detective, and was raised in an Irish Catholic family. He attended Regis High School and Columbia College of Columbia University, graduating in 1976 with a degree in philosophy. Two films had a significant impact of Condon's early life. At the age of twelve, he found himself drawn to screenplay writing with his first viewing of Bonnie and Clyde. In college he saw Sweet Charity (1969), which lead to "a lifelong love affair with movies that are reviled and rejected in their time.". After completing college, Condon worked as a journalist for film magazines, including American Film and Millimeter. In 1981, he won "the world's most difficult film trivia quiz" sponsored by the Village Voice. Career His career as a filmmaker began with screenplays for the independent feature Strange Behavior (1981), an homage to the pulp horror films of the 1950s, and the science-fiction feature Strange Invaders (1983), which starred Nancy Allen and Wallace Shawn. His directorial debut was Sister, Sister (1987), an eerie Southern Gothic mystery starring Eric Stoltz and Jennifer Jason Leigh. Test screenings led to major changes to the film, which still proved a critical failure that set back Condon's career. Condon emerged a few years later directing a series of made-for-TV thrillers, including Murder 101 (1991), which earned Condon and co-writer Roy Johansen a 1992 Edgar Award for their screenplay. During this period he also wrote the screenplay for the thriller F/X2 (1991), which was directed by Australian director Richard Franklin. In 1994, he directed the television movie The Man Who Wouldn't Die, which was met with mixed reviews. He directed Candyman: Farewell to the Flesh (1995), a sequel to Bernard Rose's 1992 horror film. It was a critical and commercial failure. Reminded years later of this phase of his career, Condon said: "It's hard to be lower on the totem pole than being the