Betty Evelyn Box, (25 September 1915 – 15 January 1999) was a prolific British film producer, usually credited as Betty E. Box. Early life and career Born in Beckenham, Kent, England, Betty Box initially planned to be a commercial artist or journalist. She entered the motion picture industry in 1942, joining her brother Sydney and his wife, director Muriel Box at Verity Films, where she helped produce more than 200 wartime propaganda shorts. Box: Sitting around was no good for me, my brother said, and he asked me to work for him. He was running an organisation that made training and recruitment films. I went along as a general dogsbody, and as more men were called up, there were more opportunities for me. We worked from 7 a.m. until 10 or 11 at night. I learnt more in those two years than I would in ten years in peacetime. Following World War II, she made an easy transition to feature films, beginning with The Years Between (1946). When her brother assumed control of Gainsborough Pictures that year, he named her Head of Production at the Poole Street, Hoxton studio, where she produced ten films during the next two years. While tight budgets and shooting schedules compromised the quality of some of them, others – such as When the Bough Breaks (1947) – proved to be among the most politically interesting films of the period. "Every story I have at the moment has a murder in it", she said in 1947. "It's no wonder I'm being called 'Bloodthirsty Box'." She was also known for the trio of popular Huggetts films, starting with Here Come the Huggetts (1948) and followed by Vote for Huggett and The Huggetts Abroad (1949). The Rank Organisation When the Gainsborough studios were closed by Rank in 1949, Box moved to Pinewood Studios, where she collaborated with director Ralph Thomas on some 30-odd films. They began by making thrillers such as Venetian Bird (1952) but then concentrated on comedy. The biggest success of their career commercially was the seven-film Doctor series, beginning with Doctor in the House (1954) and ending with Doctor in Trouble (1970). The comedies contained a wacky irreverence which clearly struck a chord with contemporary audiences and helped to make stars of the young Dirk Bogarde and Donald Sinden. Towards the end of her career, Box said the genre she preferred was comedy: You can