145 performances. Richardson took over the role of Marat, while Magee and Jackson reprised the roles they had originated in London. The play won the Tony Award for Best Play, and Brook was named Best Director. Additional awards went to Magee for Best Performance by a Featured Actor in a Play and Gunilla Palmstierna-Weiss for her Costume Design. Jackson lost the Tony Award for Best Performance by a Featured Actress in a Play to Zoe Caldwell. It also won the 1966 New York Drama Critics' Circle Award for Best Play. In Australia, the play was directed by Edgar Metcalfe in 1966 at the Playhouse Theatre in Perth. It played for six weeks. The cast included Alan Lander as Marat and Eileen Colocott as Charlotte Corday. Other cast members included Peter Collingwood as the Marquis de Sade, James Beattie, Rosemary Barr, Peter Morris, Chris Johnson, Ken Gregory and Roland Rocchiccioli. The set was designed by Ted Dombowski. Other notable productions The first production, following the opening on Broadway in 1965, was presented in the summer of 1966 at the University of Missouri at Kansas City. It was the first play in a four play season for Missouri Reperatory Theatre. The production was directed by Dr. Patricia McIlrath, and playing the lead, Marat was Joeseph Brockett. In 1967, Clayton Garrison's production for Irvine Repertory Theatre featured actors Bob Gunton and Robert Cohen along with Oakley Hall III. Cohen later edited the 1998 publication of the play. In October 1969 the Virginia Museum Theater (VMT) opened its season with the play directed by Keith Fowler, the new artistic director of the company. He established the first LORT company in Richmond and led VMTRep (as it became known) to a period of national and international acclaim. Marat/Sade was produced with the first racially integrated cast in VMT's history, and this generated controversy: the two major Richmond newspapers published "rave reviews" of the show, and the editor of the afternoon paper, the News Leader, attacked the production fiercely for evincing "latitudinarianism." In 2006 The Blue House Theater Company presented Marat/Sade at the Sacred Fools theater in Los Angeles. The production was directed by Patrick J. Adams with an original score by Joshua Charney. It won an LA Weekly Theater Award for production of the year. An all-male production of the play was presented in 2007 at the Classical Theatre of Harlem in New York, under