with the Concertgebouworkest for Philips, and in 1980 with the Dresden Staatskapelle for EMI. Conductor Kenneth Woods in his essay on Jochum quotes Herbert Glass: "the Fifth drove [Jochum] to distraction and he would regard his every performance of it as an interpretation-in-progress. In rehearsal, such doubts could sorely test an orchestra's patience – this despite his courtly, respectful treatment of his players." Also noteworthy is Bernard Haitink, who has recorded the symphony commercially three times. In 1971 he recorded the Haas edition with the Concertgebouworkest for Philips. In 1988 he returned to the Haas edition, this time with the Vienna Philharmonic. Then, in 2010 he recorded the Nowak edition with the Bavarian Radio Symphony Orchestra for BR Klassik; this recording has won particular esteem. Sergiu Celibidache, Herbert von Karajan, Stanisław Skrowaczewski, Herbert Blomstedt and Daniel Barenboim are among other noted contributors to the Bruckner Fifth discography. Takashi Asahina, Japan's most-recorded musician, recorded the Bruckner Fifth numerous times. Norman Lebrecht has singled out Georg Tintner's recording on Naxos Records as one of the 100 best discs of the century and credits it with changing critics' attitude towards that record label: "It actually sounds as if Tintner had been waiting all of his life to give this performance." Schalk edition As above-mentioned, Dol Dauber's recording was of the Scherzo alone. A few recordings of this complete edition are by Hans Knappertsbusch (twice), Takeo Noguchi, Richard Burgin, Leon Botstein and recent recordings by Warren Cohen and Hun-Joung Lim. In his recording with the Czech Philharmonic Orchestra (Supraphon, 1973), Lovro von Matačić used a version which combined elements of the Nowak and Schalk versions. All other recordings are of 1878 version in either the Haas or one of the Nowak editions. Selection of recordings Karl Böhm, Dresden Staatskapelle, 1937 – Electrola DB 4486-4494 Eugen Jochum, Hamburg Philharmonic, 1938 – Telefunken E 2672/80 Wilhelm Furtwängler, Berlin Philharmonic, live 1942 – Deutsche Grammophon 427 774-2 Herbert von Karajan, Vienna Symphony Orchestra, live 1954 – Orfeo C 231 901 A Hans Knappertsbusch, Vienna Philharmonic, 1956 – Decca SMB 25039 Eugen Jochum, Bavarian Radio Symphony Orch., 1958 – Deutsche Grammophon SLPM 138 004 Eduard van Beinum, Concertgebouw Orchestra, 1959 – Philips 456 249-2 Hans Knappertsbusch, Munich Philharmonic, live 1959 – Frequenz 051-038 Eugen Jochum, Concertgebouw Orchestra, live at Ottobeuren 1964 – Philips 6700 028 Otto Klemperer, New Philharmonia Orchestra, 1967 – Columbia SAX 5288/9 Herbert von Karajan,