From Russia with Love – played during the gypsy camp gunfight and also during Bond's theft of the Lektor decoder from the Russian embassy in Istanbul. Thunderball – played briefly in a climactic underwater fight; a similar but different theme of seven beats is played when Bond runs from SPECTRE during a parade and during the climax. You Only Live Twice – played during the flight of "Little Nellie" before Bond battles four helicopters that attack him. Diamonds Are Forever – played during Bond's destruction of Blofeld's Headquarters. Moonraker – played during the Amazon River chase. The theme has not been used in its entirety in a Bond film since its use in Moonraker. This piece of music was also used by Al Primo, the news director at KYW-TV in Philadelphia for its long-time theme to Eyewitness News, and was adopted by other Group W stations in Baltimore, Pittsburgh, Boston and San Francisco as well as other non-Group W stations, including WLS-TV in Chicago. The theme was also sampled by Big Audio Dynamite for the 1986 song "Sightsee M.C!" "Suspense" motif Like John Barry, David Arnold has left his own mark in the music of James Bond. In this case, he has established what can be called the "suspense motif", which is a descending, often repetitive four-note motif that can be heard in all of the Bond films he has scored. This motif can be heard in: Tomorrow Never Dies – "Station Break", "*-3-Send", "Underwater Discovery" The World Is Not Enough – "Pipeline", "Remember Pleasure", "Torture Queen", "Submarine" Die Another Day – "Death of Moon", "Iced Inc", "Antonov" Casino Royale – "Miami International", "Dirty Martini", and very briefly in "African Rundown" Quantum of Solace – briefly in "Time to Get Out", and twice in "Perla de las dunas" Composers (Eon Productions) The largest contributions to the Bond films, save for the "James Bond Theme", are works from John Barry. Barry composed eleven Bond soundtracks and is credited with the creation of "007" (dominated by brass and percussion) and the popular orchestral theme from On Her Majesty's Secret Service. Next to Barry, David Arnold is the series' most regular composer. He composed the scores for five Bond films: Tomorrow Never Dies through Quantum of Solace. His orchestrations combined with electronic rhythm elements gave the Pierce Brosnan era its musical identity. Arnold was essentially Barry's anointed successor, Barry having recommended Arnold to