Williams Award of the Poetry Society of America. The poems included in this collection had a feminist voice, probably due to fact that at the same time, she was doing research for her second feminist criticism book, Stealing the Language: the Emergence of Women Poets in America. In The Imaginary Lover, Ostriker examines the fantasies associated with womanhood by discussing topics such as mother-daughter relationships and marriage. The Crack in Everything (1996) was a National Book Award finalist, and won the Paterson Poetry Award and the San Francisco State Poetry Center Award. The Little Space: Poems Selected and New, 1968–1998 was also a 1998 National Book Award finalist. Green Age (1989) was Ostriker's most visionary and successful collection of poems. Themes analyzed in this collection was time, history and politics, and inner spirituality and how these helped her heal. Ostriker highlights how there is a lack of feminist spirituality in traditional religions. Ostriker's most recent nonfiction book is For the Love of God (2007), a work that continues her midrash exploration of biblical texts begun with Feminist Revision and the Bible (1993) and The Nakedness of the Fathers: Biblical Visions and Revisions (1994). Dancing at the Devil's Party (2000) examines the work of poets from William Blake and Walt Whitman to Maxine Kumin. Early in the introduction to the book, she disagrees with W. H. Auden's assertion that poetry makes nothing happen. Poetry, Ostriker writes, "can tear at the heart with its claws, make the neural nets shiver, flood us with hope, despair, longing, ecstasy, love, anger, terror". Ostriker's poems have appeared in a wide variety of periodicals, including The New Yorker, The Nation, Poetry, American Poetry Review, Paris Review, The Atlantic, Yale Review, Kenyon Review, Iowa Review, Shenandoah Review, Antaeus, Colorado Review, Denver Quarterly, Boulevard, Poetry East, New England Review, Santa Monica Review, Triquarterly Review, Seneca Review, Ms., Ontario Review, Bridges, Tikkun, Prairie Schooner, Gettysburg Review, Lyric, Fence, and Ploughshares. A variety of Ostriker's poems have been translated into Italian, French, German, Spanish, Chinese, Japanese, Hebrew and Arabic. Stealing the Language has been translated into Japanese and published in Japan. Her fifty-year poetry career is the subject of a collection of essays by American poets and feminist literary scholars, entitled "Every Woman Her Own Theology". Honors, fellowships, and awards 1964-1965 American Association of University Women Fellowship 1966 Rutgers University Research Council summer scholar grant 1967 American Foundation for the