Canadian electronic music label My Favorite Robot, Timo proceeded to do a mix for their compilation series titled ‘Crossing Wires 002’ containing mostly unreleased material from other producers., The release was followed by a North-American tour by the same name in 2014. The same year, Timo was commissioned to do a remix for Morcheeba’s "Make Believer" followed by a collaborative remix work on Róisín Murphy’s "Jealousy" with one-third of My Favorite Robot, James Teej, in 2015. Maas and Teej continued their collaborative partnership with a release on Crosstown Rebels' sub-label Rebellion called ‘Thingzz’. Aside from his release-work, Timo has also been a resident at the legendary Ibiza nightclub DC10 (nightclub), having played his first show there in 2001. Maas has said that it is the only club in the world where he can be himself and express his vision and he has called it the most original and unique experience one can have when going to the island. "Nineteen Hundred and Eighty-Five" (2016–present) In 2009 Maas and his agent, David Levy, had a listening session in Ibiza playing each other different tracks that they liked. Timo heard the original Paul McCartney and Wings track played to him by Levy and expressed his wish to get the stems for the track. David Levy, through his connections to McCartney's management, delivered the studio session, complete with all the stems, to Maas. Over the proceeding few months, Maas tried working on the stems with different people after a while the project went back on the shelf. It was only a few years later when Maas played the unfinished work to his good friend and My Favorite Robot label head James Teej that the pair felt they could do something with it. The duo spent a week listening to different parts and working intensely on the track until it was finished. The track was sent to McCartney's team from whom it got the approval for release. What followed was a marketing strategy generated by Maas's management that saw the vinyl being released as an unknown white label with only Paul McCartney's face stamped on it on the Phonica Records website. The vinyl-run was limited and sold out in a few hours, having its prices soar to upwards $400 on eBay and other websites and going #1 on Phonica Records’ website. There was some speculation whether the vinyl was officially sanctioned by McCartney himself, but