Church] is a belief that I have. We do use electric guitars. Everything is electrified nowadays. So, therefore the belief comes through electricity to people. That’s why we play so loud. Because it doesn’t actually hit through the eardrums like most groups do nowadays. They say ‘Well, we’re going to play loud too, because they’re playing loud.’ And they’ve got this real shrill sound that’s really hard. We plan for our sound to go inside the soul of the person…and see if they can awaken some sort of thing in their minds, because there are so many sleeping people. Hendrix then performed "Hear My Train A Comin'" with the house band and played the guitar with his teeth at the end of the song. August 19, 1969: The Woodstock Show On Tuesday, August 19, 1969, Jefferson Airplane, Joni Mitchell, David Crosby and Stephen Stills (of Crosby, Stills, Nash & Young) all appeared on the show. The episode is now often referred to as "The Woodstock Show", as many of the performers, and Cavett's audience, came directly from the concert for the taping the afternoon before the show aired. Stills pointed out the mud from the concert venue still on his pants. Jefferson Airplane's performance of "We Can Be Together" marked the first time the word "fuck" was uttered on television in the US (the actual line is "In order to survive we steal, cheat, lie, forge, fuck, hide and deal". Another line with the forbidden word was "Up against the wall, Up against the wall, motherfucker".). Mitchell sang "Chelsea Morning", "Willy" and "For Free". Grace Slick purposefully called Cavett "Jim" and briefly talked about her school days at Finch College. Stephen Stills performed "4 + 20". Joni Mitchell sang "The Fiddle and the Drum" a cappella. Jefferson Airplane (with Crosby) then launched into "Somebody to Love". The credits rolled as the musicians, without Mitchell, engaged in an instrumental jam as the audience danced. Jimi Hendrix was scheduled to join the others, but was unable to appear at the afternoon taping that occurred only a few hours after he had performed at the late-running festival. Mitchell's manager, apparently fearing a similar situation that may have prevented her from appearing on the show, did not allow her to perform at Woodstock. He considered the Dick Cavett Show too important for her career for her to risk missing the taping. Mitchell wrote the