a Yo-Yo" and "Shirley Maclaine". On the US version of the CD, "She's a Yo-Yo" serves as the opening track, flip flopping the A and B side of the European release. This was a judgement on the part of the record company to lead with a "hit song." "It makes no sense at all," Said Fish, "and I totally agree with the reviewers who say it (the album) peters out." Despite the track list interference, the album was less whimsical than previous albums, containing more of the band's "art misery" songs. Overall, it was "warmly received by The Outside World," according to Fish, "less popular among those who counted themselves JBC aficionados." Once again, Fish found himself needing to re-build the band. Peter Crouch, who had played on Condition Blue came on board as guitarist, with Dooj Wilkenson and Nick Burson on bass and drums. This third incarnation of the JBC toured the United States (which resulted in the live release, Western Family), and in January 1993 went chose Richard Formby's Woodhouse Studios to record what would become Waiting For the Love Bus." Whereas Fish went into the Condition Blue sessions with several demos and a long list of players, Love Bus saw Fish with very little material, and a small, but tight group of musicians. The result was an album with, according to Fish, "a clean, simple sound...that Condition Blue detractors might appreciate." Unlike its predecessor, most of whose tracks clocked in at over six minutes, Waiting For The Love Bus is composed mostly of short, straightforward pop tunes. The rest of 1993 was spent briefly touring Europe and sporadic gigs closer to home. During this time, Peter Crouch left the band to be replaced by Curtis E. Johnson, and Nick Burson moved to Canada and was replaced on drums by Gabriel Turner. Guitarist Dave Henderson joined the lineup in 1994, as The Jazz Butcher Conspiracy went into the studio to record their 10th album, Illuminate. The intention of the band was to create a more "down to earth" album than its sprawling predecessors. Illuminate's songs include punk rants against the Tory government, pop songs about dolphins, salutes to Brian Eno and Hammer Films, and imagines a utopian past, where dinosaurs rule a "world without people." The album was produced by David J., and released April 3, 1995, and produced one single, "Sixteen Years." Meanwhile, the Creation label had