memorable were "Do the Strand," and "Love is the Drug," a trenchant satire (I think) of love songs and romantic love per se. Best of all, though, was "Over You," its title a multilayered pun (which was perhaps even scatological in some dimensions), its topic an essence of banality, but its groove irresistible. Ferry's singing succumbs to the seductions of the beat and actually shows some life, so that even though the lyrics are actually quite as predictable as they want to be, their juxtaposition with heavily romantic piano chords, synth riffs, and Andy Mackay's soprano sax solo lends them a lush romanticism, as if the love song overlay were genuinely felt by all concerned." Rob Sheffield wrote: "Ferry had always founded his most arcane art notions on an unshakeable passion for pop. Roxy's quintessential song from this era is 1980's "Over You." Ferry glides through the trance-like groove with the mantra "Wish I was somewhere/Over You." until he starts ascending into the ether, leaving his fickle lover behind, soaring higher through glaze and gloss. Then the song fades out and Ferry starts the act again. This approach can get wearing, especially if you don't believe that tears-in-my-caviar heartbreak is a spiritual quest. But when Bryan's on, as in Manifesto's Dance Away or Flesh + Blood's Oh Yeah, its impossible not to fall for him." Allmusic.com in a review of the single: "Over You" represents one of the crowning achievements of Roxy Music's last years, a hauntingly hypnotic love song which spirals along on a warm bed of rhythm and guitar, interspersed with a few slabs of classic Roxy dissonance, and interrupted by some classic Beatles-ish guitar from Phil Manzanera." Greil Marcus wrote "I was attracted to “Over You” the first few times it played by; now, when I hear Manzanera echo Ferry’s 3 A.M. piano, and then hear Mackay make his way out of the night to echo them both, the pattern repeating again and again, I swoon." Jonathan Rigby praised the second single from the album, writing "If "Dance Away" achieved Ferry's long-held ambition and became accepted as a modern standard, it's hard to see why the same accolade has yet to be bestowed on "Oh Yeah", which is perhaps the most limpidly beautiful ballad in his portfolio." Allmusic.com in its review states "The sequence of exquisite singles that Roxy Music rattled off as the late '70s became