assistants were common in magic history and in the Victorian era; the cumbersome clothes imposed on women by the fashions of the time made it impractical for them to squeeze into confined spaces required by some tricks. Changing fashions in the early 20th century made Selbit's choice of a female victim a practical proposition. It was also true that an illusion designed for a lithe woman might be more compact and deceptive than one tailored to fit a man. However, more controversially, a combination of the emancipation of women and a population desensitized by war and exposed to new entertainment phenomena meant Selbit's choice struck a chord in the public imagination. In Steinmeyer's words: "beyond the practical concerns, the image of the woman in peril became a specific fashion in entertainment". Modern magicians, including female performers, have responded by placing a male performer in the role originally filled by a woman. Magician Dorothy Dietrich, who established herself as a leading magician as a teenager, has been called the "first woman to saw a man in half." The centenary of the trick was celebrated in January 2021. See also Clearly Impossible, a variant on the trick Zig Zag Girl, another variant References Further reading Jim Steinmeyer, Art and Artifice: And other essays of illusion. Carroll & Graf, September 2006. . (Includes essays on Selbit and Goldin and their sawing illusions.) Magic tricks Women in theatre