due in large measure the extension of the academical session and the improved equipment of the university. Throughout his lectures, Adamson pursued the critical and historical method without formulating a constructive theory of his own. He felt that any philosophical advance must be based on the Kantian methods. It was his habit to make straight for the ultimate issue, disregarding half-truths and declining compromise. He left a hypothesis to be worked out by others; this done, he would criticise with all the rigour of logic, and with a profound distrust of imagination, metaphor and the attitude known as the will-to-believe. Philosophical views As he grew older his metaphysical optimism waned. He felt that the increase of knowledge must come in the domains of physical science. But this empirical tendency as regards science never modified his metaphysical outlook. He has been called Kantian and neo-Kantian, realist and idealist (by himself, for he held that appearance and reality are co-extensive and coincident). At the same time, in his criticism of other views he was almost typical of Hegelian idealism. All processes of reasoning or judgment (i.e. all units of thought) are (i) analysable only by abstraction, and (2) are compound of deduction and induction, i.e. rational and empirical. An illustration of his empirical tendency is found in his attitude to the Absolute and the Self. The "Absolute" doctrines he regarded as a mere disguise of failure, a dishonest attempt to clothe ignorance in the pretentious garb of mystery. The Self as a primary, determining entity, he would not therefore admit. He represented an empiricism which, so far from refuting, was actually based on, idealism, and yet was alert to expose the fallacies of a particular idealist construction (see his essay in Ethical Democracy, edited by Stanton Coit). Personal life His wife, Margaret Duncan, the daughter of a Manchester merchant, was a woman of kindred tastes, and their union was entirely happy. Their daughter, Sarah Gough Adamson was a highly regarded landscape artist. Published writings It is matter for regret to the student that Adamson's active labours in the lecture room precluded him from systematic production. His writings consisted of short articles, of which many appeared in the Encyclopaedia and in Mind, a volume on Kant and another on Fichte. At the time of his death he was writing a History of Psychology, and had promised a work on Kant and the Modern