machines were being installed, Eddie began working on synthesizers to pass the time. "There were no presets," said Templeman. "He would just twist off until it sounded right." There, he composed Van Halen's follow-up to Diver Down without as much perceived "interference" from Roth or Templeman. The result was a compromise between the two creative factions in the band: a mixture of keyboard-heavy songs, and the guitar-driven hard rock for which the band was known. 1984 was the longest-in-the-making album of the band's career to date, taking months to record, compared to most of their previous LPs taking less than two weeks, while their first LP was recorded in just 5 days, all at Sunset Studios. In Rolling Stone'''s retrospective review of 1984 in its '100 Best Albums of the Eighties' list, Templeman said, "It's real obvious to me [why 1984 won Van Halen a broader and larger audience]. Eddie Van Halen discovered the synthesizer." Artwork The album cover was art directed by Richard Seireeni and Pete Angelus, and the cover art was painted by graphic artist Margo Nahas. Seireeni, then Creative Director at Warner Bros. Records, had collected a number of artist portfolios for the band to review. Among those was the work of Margo Nahas. Nahas had initially been asked to create a cover that featured four chrome women dancing, but declined due to the creative difficulties. The band reviewed her work once again, and from her previously created material they chose the painting of a putto stealing cigarettes that was used. The model was Carter Helm, who was the child of one of Nahas' best friends, whom she photographed holding a candy cigarette. The front cover was censored in the UK at the time of the album's release. It featured a sticker that obscured the cigarette in the putto's hand and the pack of cigarettes. The back cover features all four band members individually with 1984 in a green futuristic typeface. Composition Musically, 1984 has been described as glam metal, hard rock, heavy metal, synth rock, and pop rock. The album's first two singles, "Jump" and "I'll Wait", feature prominent synthesizers, as does the album's intro track, "1984", a one-minute instrumental. Eddie Van Halen played an Oberheim OB-Xa synthesizer on the album except for “I’ll Wait” which was recorded with the newer Oberheim OB-8. The reason for this is that Ed's OB-Xa was having an issue staying