and the Caribbean) — did not immediately attenuate the malaise in the popular consciousness. Notwithstanding the Heights and analogous enclaves, Brooklyn as a whole continued to elicit disproportionately vituperative scorn (first reified decades earlier in the stock "uneducated Brooklyn character" of classical Hollywood cinema, a trope that continued to manifest in such later films as John Badham's Saturday Night Fever (1977), and in an array of deprecatory literary works emblematized by James Agee's Brooklyn Is) from affluent, Manhattan-based New Yorkers working in the city's influential media and FIRE industries. Ultimately, the publication of key counternarratives (such as the oeuvre of Jonathan Lethem) and the broader maturation of the borough's postwar institutions would effectively render Manhattan's cultural hegemony moot by the late 2000s. As journalist Pete Hamill (who worked as a delivery boy for the Eagle) observed in New York in 1969, "[Even] though the Eagle was not a great paper, it had a great function: it helped to weld together an extremely heterogeneous community. Without it, Brooklyn became a vast network of hamlets, whose boundaries were rigidly drawn but whose connections with each other were vague at best, hostile at worst. None of the three surviving metropolitan newspapers really covers Brooklyn now until events [...] have reached the stage of crisis; the New York Times has more people in Asia than it has in Brooklyn, and you could excuse that, certainly, on grounds of priorities if you did not also know that this most powerful New York paper has three columnists writing on national affairs, one writing on European affairs, and none at all writing about this city. Without the Eagle, local merchants floundered for years in their attempt to reach their old customers; two large Brooklyn department stores — Namm's and Loeser's — folded up. If you were looking for an apartment or a furnished room in Brooklyn, there was no central bulletin board." 1960s revival attempts In 1960, former comic book publisher Robert W. Farrell acquired the Eagle's assets in bankruptcy court, five years later after its closing, publishing five Sunday editions of the paper in 1960. In 1962–1963, under the corporate name Newspaper Consolidated Corporation, Farrell and his partner Philip Enciso briefly revived the Brooklyn Eagle newspaper as a daily. During the 1962–63 New York City newspaper strike, the paper had circulation grow from 50,000 to 390,000 until the strike ended. The final edition appeared on June