sexual images, images of cars—which I always like. The track quotes lyrics from Bat Out of Hell'''s "Paradise by the Dashboard Light" ("It was long ago and it was far away"), as does the next track, "Wasted Youth", a spoken word fantasy monologue (a remixed version of "Love and Death and an American Guitar" from Steinman's Bad for Good album). The 1977 song's opening line "I remember every [...] little thing as if it happened only yesterday. I was barely seventeen" opens this track also, but instead of being "barely dressed" the protagonist "once killed a boy with a Fender guitar." Influenced by The Doors, Steinman wanted to write a piece where "the rhythm wasn't coming from the drums so much as the voice—the rhythm of the spoken voice and the heartbeat behind it." According to Steinman, "Good Girls Go to Heaven (Bad Girls Go Everywhere)" is a "teenage prayer". "Lost Boys and Golden Girls" is "Steinman's interpretation of the story of Peter Pan." The composer says that Peter Pan has "always been about my favorite story and I've always looked at it from the perspective that it's a great rock and roll myth because it's about—when you get right down to it—it's about a gang of lost boys who never grow up, who are going to be young forever and that's about as perfect an image for rock'n'roll as I can think of." Cover and booklet The cover art was illustrated by sci-fi/fantasy artist Michael Whelan, following the style of Richard Corben's cover for Bat Out of Hell. It features the biker from the first cover flying on his motorcycle towards a giant bat perched on top of New York City's Chrysler Building, to which an angel is bound. Echoing the gravestones of the first cover, partially destroyed skyscrapers inhabit the lava landscape. Also like the first album, it features a 'Songs by Jim Steinman' credit, although smaller and located at the bottom of the cover. As well as providing thematic consistency with the original, the repetition of iconography also acted as a vital marketing tool. The marketing of the album was documented in an episode of the 1995 BBC television programme The Music Biz. Executives at Virgin Records thought that this was important to attract the target audience, who they believed no longer spent much time in record shops. They felt that similarities to the design of the