lack of protection from the elements. It was at this time also that previous studio was dedicated solely to the production of etchings, reflecting the changing direction in Norman's art. A statue installation of this time was that of the woman bending to dry her hair which was originally positioned directly in front of the new studio. It would have been soon after this that a bust was added to a head that was given to Norman by Francis Crossle, and which was subsequently installed to the left of NTA No 673. Later another bust was produced to match this one and was placed on the right hand side of NTA No 637, in front of the opening in the trellis which ran behind this statue group and in front of the studio. This trellis also hid the outhouse. 1920 brought the marriage of Norman and Rose and within two weeks the birth of their first child, Jane. This led to major changes to the house and grounds, and is perhaps this year that was one of the most important in terms the site's development. The principal change was the addition of the four rooms at the rear of the main building. The four rooms consisted of a nursery on the northeast end. In keeping with Norman's original design, the roof and four rooms maintained the slope of the main buildings roof leading to the problem of very low perimeter ceilings in these rooms. At this time the bathroom was also built next to the kitchen, and the sleepout was glazed. The laundry was also in existence, which remains now in the form of the men's toilets. The Studio also under went changes with the addition of a small fibro-asbestos storeroom at the back. Within this storeroom was a darkroom, with red and green windowpanes which could be dropped into places as required during film processing. Two years later a small bedroom was added, extending towards the northwest with a shed behind it, thus replacing the first floor deck. In 1924 also bought major changes to the building. Initially a kitchen and the bathroom were renovated and tiled in a style designed by Rose. The original hexagonal pattern now remains only within the pantry adjacent the kitchen currently used as a storeroom. At this time Rose also tiled all the doorsteps, the fireplace, front steps and outside toilet. Contemporaneously with