who paid $18.5 million for an apartment in August 2015, put it on the market for $9 million in 2019 and sold it for $7.18 million in 2022. During Trump's presidency (2017–2021), the Secret Service initially used the apartment directly underneath Trump's triplex penthouse as their command post but moved into a trailer on the sidewalk in July 2017. Incidents and controversies During construction Destruction of Bonwit Teller Building features The art dealer Robert Miller owned a gallery across Fifth Avenue from the Bonwit Teller Building. When Miller heard the building was to be demolished, he contacted Penelope Hunter-Stiebel, a curator at the Metropolitan Museum of Art. In December 1979, Stiebel and Trump agreed that the Art Deco limestone bas-relief sculptures of semi-nude goddesses on the Bonwit Teller Building's facade, as well as the massive ornate grille above the store's entrance, would be removed and donated to the Metropolitan Museum. Miller had appraised the sculptures at between $200,000 and $250,000. In February 1980, Trump wrote a letter to an official at the museum, in which he stated, "Our contractor plans to begin demolition on the exterior of the building in approximately three to four weeks. He has been instructed to save these artifacts and take all necessary measures to preserve them." Every week, the Trump Organization and Stiebel would meet to discuss the transport of the sculptures. However, Stiebel later said the Trump Organization never seemed to be able to agree on a specific date for their transport, and the organization had repeatedly dismissed her concerns about not having received the letter. On April 16, 1980, the grille and sculptures were removed from the building. They were set to be transported to a junkyard and destroyed because, according to Trump, there were general hazard concerns, expense, and a possible 10-day construction delay due to the difficulty of removing them. Stiebel rode by taxicab to the building site and attempted to pay the workmen for the sculptures, but she was rebuffed. The workers in charge of demolition told her she could make an appointment to go see the sculptures, but they then canceled several appointments that Stiebel made. The workers later told her the building's decorative grille had been transported to a New Jersey warehouse, but it was never recovered, and on May 28, Stiebel was informed the grille had been "lost". On June 5, the sculptures were destroyed. Stiebel had