of dealing with the record companies" on Bat II. On Steinman's recommendation, he hired Allen Kovac. Recording of the album lasted from 1991 to 1993, first at Ocean Way Recording in Los Angeles, California, then at The Power Station in New York City, New York. Many of the performers from the original album returned for the sequel. Roy Bittan performed keyboard and piano on most tracks, with Todd Rundgren, Ellen Foley, Rory Dodd and Kasim Sulton returning to provide background vocals. Meat Loaf and the musicians are credited as co-arrangers, and Bittan and long-term Steinman collaborator Steven Rinkoff are credited as associate producers. The album was mixed by David Thoener with the exception of the final track, which was mixed by Rinkoff. According to Meat Loaf, he and Steinman had only one "big fight" throughout the album's production, which occurred during the mixing of "Life Is a Lemon". Production took a long time (see above), mainly because of the length of the songs. The singer says, "Jim's songs may be miniature operas, but they're always too long for radio." Steinman fought with Kovac over the edit of "I'd Do Anything for Love", with the manager advising that radio stations were unlikely to play anything over five minutes long. Steinman had secured a contract with Meat Loaf's recording label MCA for Lorraine Crosby, a club singer from North East England whom he was managing. While visiting the company's recording studios on Sunset Boulevard, Crosby was asked to provide guide vocals for Meat Loaf, who was recording "I'd Do Anything for Love". Crosby recalls, "I went and sang it twice and I never thought anything more of it until six months later when I got a phone call saying, 'Would you mind if we used your vocals?'" Cher, Melissa Etheridge and Bonnie Tyler had been considered for the role. However, as Crosby had recorded her part as guide vocals, she did not receive any royalties from the song. Compositions The album opens with "I'd Do Anything for Love (But I Won't Do That)", a marathon twelve-minute opus which was edited for single release in some countries. The track begins with a guitar played to sound like a revving motorcycle, a reference to Todd Rundgren's contribution in the middle of "Bat Out of Hell". Each verse comprises two things that he would do for love, followed by one thing that he would not