with the full band, but when initial attempts at this were unsuccessful, Cobain sat on a couch in the control room of studio A and played the song for Vig on acoustic guitar, to show him how he thought it should sound. Vig was impressed with the way Cobain's solo rendition sounded, and after turning off the air-conditioning and unplugging the telephone in the control room, set up microphones and recorded the song this way instead, starting with the guitar and the vocals. This became the core of the recording, with the first vocal take being used for the verses. Cobain then recorded vocal harmonies, and drummer Dave Grohl and bassist Krist Novoselic added their parts, though both Grohl and Novoselic had difficulty playing in time with Cobain's performance. Novoselic also had trouble tuning his bass to Cobain's guitar, a 12-string Stella acoustic with five nylon guitar strings that Cobain had never tuned, and Grohl had to play more quietly than he was used to, to match the song's gentle mood. "Kurt and I wanted the drums to be very understated," Vig recalled. "Dave was used to playing much louder; plus, it can be very difficult to go back and lay drums over an acoustic guitar track, as the meter may vary a bit". Cobain's harmonies, the bass and the drums were recorded in studio B, a smaller room down the hall from the larger one they generally worked in. On the final day of the Nevermind sessions, Kirk Canning, a friend of the band's they had met through L7, added cello to the recording, although he too had difficulties tuning to Cobain's guitar. Post-Nevermind On November 9, 1991, a version of the song was recorded by Miti Adhikari for the BBC program The Evening Session at Maida Vale Studios in London, England. This heavier electric version was more reminiscent of the way the song usually sounded when performed in concert. It was posthumously released on the 20th anniversary "Deluxe" and "Super Deluxe" versions of Nevermind in September 2011. "Something in the Way" was performed as part of Nirvana's MTV Unplugged concert on November 18, 1993, at Sony Music Studios in New York City. This version featured Pat Smear on second guitar and Lori Goldston on cello. It was Nirvana's final live performance of the song. Composition Music Describing the song as "sombre and disconsolate," American music journalist Gillian G.