Kiss Bang Bang" for Thunderball and it was rumoured that "No Good About Goodbye" was intended for Quantum of Solace, however David Arnold said 'No Good About Goodbye' was never intended as a Bond song. Paul McCartney's performance of "Live and Let Die" was the first Bond theme song to be nominated for an Academy Award for Best Original Song; it reached 2 as a U.S. single, and 9 on the U.K. charts. George Martin's work in the song won the Grammy for Best Arrangement Accompanying Vocalists. Marvin Hamlisch's (music) and Carole Bayer Sager's (lyrics) "Nobody Does It Better" (performed by Carly Simon) received a nomination for the Academy Award for Best Original Song, as did Bill Conti's "For Your Eyes Only", which was performed by Sheena Easton. It was not until the 2013 Oscars that a Bond theme song finally won the Academy Award for Best Original Song, the theme song from Skyfall by Adele. Thomas Newman's score also got the first nomination for Academy Award for Best Original Score in the series since Hamlisch's own for The Spy Who Loved Me, while winning the Grammy for Best Score Soundtrack for Visual Media. Adele's song also won the Grammy Award for Best Song Written for Visual Media. Sam Smith's "Writing's on the Wall" from Spectre and Billie Eilish's "No Time to Die" from the film of the same name would also win Oscars for Best Original Song. Duran Duran and John Barry's "A View To A Kill" topped the singles charts in the U.S. Billboard Hot 100, the only Bond theme to hit 1 in the United States. No James Bond theme had topped the charts in the UK until Sam Smith's "Writing's on the Wall" entered the charts at number one on 2 October 2015. Several of the later films have alternative theme songs, often during the closing credits. The Living Daylights featured The Pretenders performing "If There Was a Man," composed by John Barry with Chrissie Hynde. Licence to Kill has "If You Asked Me To" sung by Patti LaBelle. GoldenEye featured Éric Serra's "The Experience of Love". Tomorrow Never Dies included k.d. lang's "Surrender" during the closing credits, a song which was originally proposed by composer David Arnold to be the title sequence theme instead of the Sheryl Crow title song. The "Surrender" theme is heard throughout the score while the melody of Sheryl Crow's song