Academy Award nominations in that decade, for Fargo (1996) and Kundun (1997). For the Coen brothers film O Brother, Where Art Thou? (2000), Deakins spent some two months fine-tuning the look, turning the lush green Mississippi landscape into a burnt, autumnal yellow and desaturating the overall image. This feat made O Brother the first ever feature film to be digitally color-corrected in its entirety, and earned Deakins his fourth Academy Award nomination. The following year, for his work in the Coen brothers' The Man Who Wasn't There (2001), Deakins received his fifth Oscar nomination and won his first BAFTA Award for Best Cinematography. In 2008, Deakins received dual Oscar nominations—his sixth and seventh—for The Assassination of Jesse James by the Coward Robert Ford (2007) and No Country for Old Men (2007). He was the first cinematographer to achieve such a feat since Robert Surtees, who was nominated for The Last Picture Show and Summer of '42 in 1972. Deakins served as director of photography for Stephen Daldry's The Reader (2008) but left mid-production due to delays and previous commitments, and was replaced by Chris Menges. The two cinematographers received a shared nomination for Best Cinematography at the 81st Academy Awards. Deakins worked with the Coens on the 2010 western True Grit—their eleventh collaboration—for which he received his ninth Oscar nomination. Deakins signed on as cinematographer for Skyfall (2012), having previously worked with director Sam Mendes on Jarhead (2005) and Revolutionary Road (2008). For his work, Deakins received another Academy Award nomination for Best Cinematography, eventually losing to Claudio Miranda of Life of Pi—his 10th nomination without securing a win. In addition to his live-action work, Deakins served as both cinematography and visual consultant on his animated work, Rango (2011), and also served as a visual consultant on animated features, including WALL-E (2008), Puss in Boots (2011), Rise of the Guardians (2012), The Croods (2013), the How to Train Your Dragon trilogy (2010, 2014 and 2019). and Vivo (2021). Starting with Prisoners (2013), Deakins began working with director Denis Villeneuve. The two proceeded to collaborate on Sicario (2015) and Blade Runner 2049 (2017), with Deakins earning Oscar nominations for all three films. For his work on Blade Runner 2049, Deakins received his first Academy Award for Best Cinematography on his 14th nomination. Deakins reunited with Sam Mendes on the 2019 war film 1917, filmed and edited to appear as one uninterrupted