Holland." Roger Moore (1973–1985) When Roger Moore came to the role, the "James Bond Theme" became a string orchestra driven piece. In Live and Let Die, the James Bond theme was featured in a Funk-inspired version of the tune reflecting the music of Blaxploitation films popular at the time. The brief quote of the theme in the pre-credits music of The Spy Who Loved Me, titled "Bond 77", featured a disco sound, reflecting a style of music which was very popular at the time. The Spy Who Loved Me returned briefly to using the surf-rock guitar associated with the theme from the early days. One unusual instance occurred in Octopussy, when Bond's contact, who is disguised as a snake charmer, plays a few notes of the tune for Roger Moore's James Bond, presumably as a pre-arranged identification signal. This is an example of the tune being used as diegetic music. In Moore's last Bond film, A View to a Kill, the melody of the theme was played on strings. Timothy Dalton (1987–1989) The first Bond film of Timothy Dalton, The Living Daylights, which was the last Bond film scored by Barry, used a symphonic version with the melody played on strings. This version of the Bond theme is notable for its introduction of sequenced electronic rhythm tracks overdubbed with the orchestra – at the time, a relatively new innovation. In Licence to Kill, the Bond theme was arranged by Michael Kamen using rock drums to symbolise a harder and more violent Bond. This gun barrel is the first one since Dr. No not starting with the Bond theme, but orchestral hits though the surf guitar makes returns soon after. Pierce Brosnan (1995–2002) The gun barrel of the Pierce Brosnan film GoldenEye opened with a synthesised arrangement by Éric Serra which plays the guitar riff on (almost indistinct) kettle drums. A more traditional rendition by John Altman is heard in the film during the tank chase in St. Petersburg. This version of the "James Bond Theme" is not included in the GoldenEye soundtrack. Additionally, Starr Parodi composed a version of the James Bond Theme for the 1995 trailer. David Arnold's gun barrel arrangements in Tomorrow Never Dies and The World Is Not Enough dropped the guitar melody line, jumping straight from the tune's opening to its concluding bars. An electronic rhythm was added to the gun barrel of The World Is