in the middle of the century. The tradition of the castle forming part of the queen's property was then reinstated and it was granted to Elizabeth Woodville, the wife of Edward IV. Henry VIII made no known use of the castle himself, but it formed part of the dower of three of his wives - Catherine of Aragon, Anne of Cleves, and Catherine Parr - and the castle's parks were used as sources of timbers for his navy. After 1544 the estate began to be broken up; first the parks were sold and then the castle itself, bought by Lord Richard Rich from Edward VI for £700 in 1551. Rich dismantled the castle for the value of its stone, primarily between 1551 and 1575, and the castle, now thoroughly ruined, passed through Rich's descendants. The English painter John Constable visited Hadleigh in 1814 and made a drawing of the castle as preparation for ten oil sketches and a single painting. The oil painting Hadleigh Castle was produced in 1829 and exhibited at the Royal Academy in the same year. One of the sketches is currently displayed at the Tate Gallery, London, while the painting now hangs in the Yale Center for British Art at New Haven, United States. Constable's painting, "one of his most monumental works" according to the art historians Tammis Groft and Mary Mackay, depicts the early 19th-century Hadleigh Castle as a decaying, man-made structure, succumbing to the elemental power of nature. William Booth purchased Hadleigh Castle and its surrounding site in 1891 for the use of the Salvation Army, which established a farm to train the English poor prior to them being sent overseas to the British colonies. Considerable subsidence and slippage on the ridge occurred between 1898 and 1923, causing a collapse of the southern curtain wall. Today The Salvation Army gave the castle to the Ministry of Works in 1948, and it is now owned by English Heritage, classed as a scheduled monument and a Grade I listed building. Subsidence and landslips have continued; the north-east tower largely collapsed in the 1950s, and further major slippages occurred in 1969, 1970, and 2002. One of the three-storey towers at the eastern side stands to nearly full height with narrow rectangular windows in the upper levels. The second tower has only about one-third of its original form. Some sections of the curtain wall have survived, as well