Who display in the 1980s. Mark 3 Daleks in the 1980s Commencing with a cameo appearance in the Doctor Who serial The Five Doctors (1983), Mark 3 Dalek variants seen during this decade feature a neck bin raised so that a strip of it is visible between the lower neck ring and the top of the shoulders. The fitting of a small stub aerial to the dome continued, appearing for the last time in Resurrection of the Daleks (1984). The eyestalks and discs of standard Daleks in Resurrection of the Daleks are painted white, with four discs arranged in a conical layout, smallest disc to the front. The Tussauds Dalek prop appears in this serial under two guises; a grey drone and a Supreme Dalek painted in gloss black with white hemispheres. The Tussauds Dalek features briefly once more in Revelation of the Daleks, again portraying a drone. Dalek Emperor In The Evil of the Daleks (1967) the Emperor is presented as a towering, immobile, twelve-sided conical structure to which numerous umbilical cables are connected. Twelve large, black hemispheres girdle its midsection with a further two smaller, tan-coloured hemispheres being mounted horizontally on the chest. It has a predominantly white colour scheme with black detailing and speaks in an echoing, grating voice. Shown mounted on a plinth in a corner of the control room in the Dalek City on Skaro, in the story it is destroyed when a civil war breaks out among the Daleks. The Dalek Emperor was designed by Chris Thompson and built by the BBC Visual Effects Department. Dalek Supreme In Planet of the Daleks (1973) the Dalek Supreme, a member of the Dalek Supreme Council, is despatched to the planet Spiridon. It is tasked with overseeing experiments into invisibility, the production of a plague designed to exterminate all organic life and the deployment of a 10,000 strong Dalek invasion force. The variant was created utilising a prop owned by screenwriter Terry Nation, which had been used in the second Dr. Who film. The neck bin mesh, struts and neck rings were removed, the latter items being replaced by new rings having a flat, recessed edge detailed with small rivets rather than the usual bevel. Lilac dome lights shaped like upturned jam jars were fitted, together with an eyeball resembling a flashlight which lit up when it spoke. It was painted in gloss black with yellow-gold hemispheres,