László Kovács ASC (; 14 May 1933 – 22 July 2007) was a Hungarian-American cinematographer who was influential in the development of American New Wave films in the 1970s, collaborating with directors like Peter Bogdanovich, Richard Rush, Dennis Hopper, Norman Jewison, and Martin Scorsese. Known for his work on Easy Rider (1969) and Five Easy Pieces (1970), Kovács was the recipient of numerous awards, including three Lifetime Achievement Awards. He was an active member of the American Society of Cinematographers and was member of the organization's board of directors. Early life Born in Cece, Hungary to Julianna and Imre Kovács, Kovács studied cinema at the Academy of Drama and Film in Budapest between 1952 and 1956. Together with Vilmos Zsigmond, a fellow student and lifelong friend, Kovács secretly filmed the day-to-day development of the Hungarian Revolution of 1956 on black and white 35mm movie film, using an Arriflex camera borrowed from their school. In November that year, they smuggled the of film into Austria to have it developed, and they arrived in the United States in March 1957 to sell the footage. By that time, however, the revolution was no longer considered newsworthy and it was not until some years later, in 1961, that it was screened on the CBS television network, in a documentary narrated by Walter Cronkite. Kovács decided to settle in the United States, becoming a naturalized citizen in 1963. He worked at several manual labor jobs, including making maple syrup and printing microfilm documents in an insurance office, before making several "no-budget" and "low-budget" films with Vilmos Zsigmond, including The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies. At the time Kovács would be credited as Leslie Kovacs and Zsigmond as William Zsigmond. Film career Kovács' breakthrough came with the 1969 film Easy Rider, starring and directed by Dennis Hopper. Kovács was reluctant to work on this film at first, having already worked on a number of B movie biker films, such as Hells Angels on Wheels. Hopper ultimately convinced Kovács that this film would be different and Kovács signed on as the film's director of photography. He earned second place for the Best Cinematographer Golden Laurel at the 1970 Laurel Awards. In 1970, he again worked with Hopper on the film The Last Movie. That same year, Kovács filmed Five Easy Pieces, for which he received the third place Golden Laurel for Best