1823, Griboyedov completed the play and took it to St. Petersburg. It was rejected by the censors. Many copies were made and privately circulated, but Griboyedov never saw it published. After his death the manuscript was jointly owned by his wife Nina Alexandrovna Griboyedova and his sister Maria Sergeyevna Durnovo (Griboyedova). The first edition was not published until 1833, four years after his death. Only once did he see it on the stage, when it was performed by the officers of the garrison at Yerevan. Soured by disappointment, he returned to Georgia. During the Russo-Persian War of 1826–1828, he put his linguistic expertise at the service of general Ivan Paskevich, a relative; after which he was sent to St. Petersburg where he worked on the Treaty of Turkmenchay negotiations. There, thinking to devote himself to literature, he started work on a romantic drama, A Georgian Night (, Gruzinskaya noch), based on Georgian legends. Musical life Alexander Griboyedov's education was not only extensive, continuing into Doctoral work before shifting to military training, but had included musical study as well. Although producing only a small output of work during his lifetime, he was well experienced in an array of instruments including piano, organ, and flute. During his musical study, it is recorded that he studied with the Irish pianist, composer, and ostensible "creator" of the nocturne form John Field, along with Johann Heinrich Müller (also known as Johann Heinrich Miller) in the field of Music Theory. Although his compositional life was minor in regards to others during his time, he was regarded as a "very good musician" by the likes of Mikhail Glinka, and had routine salons at his residence which were attended by many musical luminaries of his time, although relatively minor in the contemporary decade, including Vladimir Odoevsky, Alexander Alyabyev, Mikhail Vielgorsky, and Alexey Verstovsky. Out of work as a composer, only two compositions survive to the present, those being his two waltzes in Ab major and E minor. He is known to have composed the musical score to the opera-vaudeville [or operetta] called "Who is a Brother, Who is a Sister, or Deception for Deception" (1824), written by the composer himself in collaboration with Pyotr Vyazemsky. Death Memorial stone for A.S. Griboyedov in the Armenian St Thaddaeus church, Tehran, Iran Several months after his wedding to Nino, 16-year-old daughter of his friend Prince Chavchavadze, Griboyedov was suddenly sent to