Lawyers in Love is the seventh album by American singer-songwriter Jackson Browne, released in 1983 (see 1983 in music). It reached number 8 on the Billboard Pop album chart and number 30 on the Billboard 200. It was Browne's fourth straight Top 10 album and stayed on the charts for 33 weeks. Out of eight tracks, four were released as singles. The title song was a top-20 pop hit for Browne (his last on the American pop charts), and was accompanied by one of his first music videos released on MTV. History In the intervening years since 1980's Hold Out and the release of Lawyers in Love, Browne released the single "Somebody's Baby" which became his biggest commercial hit to date. In the track "Downtown", he ad-libs a line to the melody of the Petula Clark song of the same name at the end of the song. Lawyers in Love was the first album without David Lindley appearing since his first release, Jackson Browne. Replacing Lindley with guitarists Rick Vito and Danny Kortchmar gave this album a different sound. The album was certified as a gold record in 1983 and platinum in 2001 by the RIAA. Recording Co-producer and engineer Greg Ladanyi explained the album's unusual recording sessions: "For this record, Jackson wanted to be downtown, where the people were. So we found a warehouse in downtown L.A., and just turned it into a studio. We set it up so that the band could play without the distractions of a normal studio because, for the most part, Jackson was writing the songs – in terms of the key changes and chord changes – based on what he was hearing when the band was playing. There was no 'Okay, it's take one or take two.' We kept the tape rolling just about all the time. And there are very few overdubs." Reception Although "Lawyers in Love", "Tender Is the Night" and "For a Rocker" were successful singles, the album received a lukewarm reaction by critics. In his retrospective review for Allmusic, William Ruhlmann referred to Browne's often overlooked songcrafting, but wrote "...the craft, and the familiar tightness of Browne's veteran studio/live band, couldn't hide the essentially retread nature of much of this material." Critic Robert Christgau called the album "A satire on, celebration of, and lament for the upper-middle classmates an Orange County liberal knows like he knows his neighbor's backyard..."