these renovations a temporary corrugated galvanised iron structure was erected west of original kitchen to house the old small fuel stove. The most important development of this period was the construction of the courtyard behind the spare room and sewing room, and west of the kitchen. A high wall was constructed on the southwest end, which was blind except for small square windows on either side of the storeroom. The building of this storeroom which still serves its original function was undertaken during a period which was one of the most productive times for Norman and his art. Verandahs were constructed on the opposing northwest and southeast facing walls. The verandah supports are wooden posts with concrete bases, and when the courtyard was completed, awnings were added to the northwest facing verandah roof. It was at this time that a skylight was added to the sewing room due to the lack of light resulting from the courtyard construction. Soon after, the Balinese dancer statue was installed as a centerpiece to the open grass area in the courtyard space, which was used from this time as the main entertaining area. Around this time in 1924, the statue of the women holding herbreasts was constructed, and placed on a bench, which had first been constructed in the 1910s. The passageway from the dining room to the kitchen was also built at this time, with a gauze doorway giving access to both the courtyard and the Isabella grapevine pergola on the other side. This pergola extended across from the edge of the kitchen roof to the edge of the nursery roof, and must have been installed and planted soon after the construction of a garage next to the existing shed. 1928 had under taken numerous other developments. Perhaps the most important was the installation of the main colonnade pergola running south-east/north-west along the northeastern wall of the main building. The ionic columns making up the walkway were made by Norman in the tradition of his earlier renovations, and wisteria plants were added soon after. Using the same moulds, Norman also built the tank stand on the northwestern side of the studio. A second bedroom and bathroom was added to the studio, which housed Jane in 1940s and the domestic staff at various other times, and a small square window was knocked out of the front wall to compensate for the limited light provided