writing like many Surrealist writers. Rimbaud's life and works have inspired many musicians. Vocal works (operas and short songs), symphonies, trios, piano pieces, and rock songs exist, taking as their subjects Illuminations and Rimbaud's earlier work, A Season in Hell. The British composer Benjamin Britten set a selection of Illuminations to music. Les Illuminations for tenor or soprano and strings, Op. 18 uses nine prose poems: "Fanfare", "Villes", "Phrase", "Antique", "Royauté", "Marine", "Interlude", "Being Beauteous", "Parade", and "Départ". The Decca Record Co. (London) released a historic recording featuring Britten conducting the work, with Britten's lifelong companion Peter Pears singing the tenor part (Britten had dedicated his setting of the song "Being Beauteous" to Pears). American composer Harold Blumenfeld devoted an entire decade immersing himself in Rimbaud, producing four compositions, namely: La Face Cendrée, Ange de Flamme et de la Glace, Illuminations, and Carnet de damné. Three of these works are based on prose poems from Illuminations. La Face Cendreé is a work for soprano, cello, and piano; it takes the "Aube" and "Being Beauteous" as subject. Ange de Flamme et de la Glace, a work for medium voice and chamber ensemble, is based on the "Barbare". Blumenfeld's two-part orchestral work, Illuminations, is based on five prose poems from Rimbaud's work: "Mystique", "Diluvial", "Après le déluge", "À une raison", and "Soir historique". Other composers inspired by Rimbaud are Bulgarian composer Henri Lazarof and German composers Georg Katzer and Andreas Staffel (born 1965). Henri Lazarof's Fifth Symphony uses two French texts, one by Lazarof himself and the other by Rimbaud. Georg Katzer's Trio for Oboe, Cello, and Piano uses an essay by Rimbaud. Andreas Staffel's work Illumination is for piano, based on Rimbaud's Illuminations. Hans Krása's 3 Lieder After Poems by Rimbaud, was composed in the confines of the Terezín ghetto (Theresienstadt) in Czechoslovakia. The Bohemian composer Hans Krása (1899–1944) was a pupil of celebrated composers Zemlinsky and Roussel. These "Rimbaud Songs" are set for baritone, clarinet, viola, and cello. On the last page of Krása's original manuscript was a rehearsal schedule in the concentration camp: four were held in the Magdburg Barracks and one in the Dresden Barracks. Rock musicians Bob Dylan, Jim Morrison, and Patti Smith have expressed their appreciation for Rimbaud (the latter calling Dylan the reincarnation of the French poet). The essay "Rimbaud and Patti Smith: Style as Social Deviance" by Carrie Jaurès Noland features a critical analysis