Dziady (, Forefathers' Eve) is a poetic drama by the Polish poet Adam Mickiewicz. It is considered one of the greatest works of both Polish and European Romanticism. To George Sand and Georg Brandes, Dziady was a supreme realization of Romantic drama theory, to be ranked with such works as Goethe's Faust and Byron's Manfred. The drama's title refers to Dziady, an ancient Slavic and Lithuanian feast commemorating the dead (the "forefathers"). The drama has four parts, the first of which was never finished. Parts I, II and IV were influenced by Gothic fiction and Byron's poetry. Part III joins historiosophical and individual visions of pain and annexation, especially under the 18th-century partitions of Poland. Part III was written ten years after the others and differs greatly from them. The first to have been composed is "Dziady, Part II", dedicated chiefly to the Dziady Slavic feast of commemoration of the dead which laid the foundations of the poem and is celebrated in what is now Belarus. A ban on the performance of the play was an aspect of the 1968 Polish political crisis. The parts The drama's four parts are described below in the order of their composition. Part II In this part, published in 1823, Mickiewicz expresses a philosophy of life, based mainly on folk morality and on his own thoughts about love and death. In the drama, Lithuanian peasants are summoning ghosts to ensure them the access to heaven. The first ghosts are two children who are unable to reach heaven, as they have never suffered. Then appears a phantom of a cruel squire who is persecuted by birds. They are obliged not to let him eat, because as a living person he did not act like a human being. The next ghost is a phantom of Zosia, a young, beautiful shepherdess. Her fault is that she had never returned anybody's love, and love is needed for the act of salvation. The final ghost resembles the main hero of the Part IV, Gustaw. Part IV Part IV, also from 1823, is believed to be Mickiewicz's manifesto of his romantic philosophy of life, and also a story about his love for Maryla Wereszczakówna. The main reason for associating bard's and his hero's biography is the resemblance of what Gustaw (the protagonist of the drama) says about his tragic youth. He met a fine girl, with whom he fell in