a few songs in Toronto in 1960, changing their name to "...Kapers" with a 'K', recording a few more songs at Chess Studios in Chicago. Hudson was first approached by Ronnie Hawkins and Levon Helm in the summer of 1961, after a Kapers show in London, and asked to join the Hawks, an offer he declined. The Hawks persisted, and in December 1961, Hudson agreed to join the band on two conditions: that Hawkins buy him a Lowrey organ, and that he be paid an extra $10 a week to give music lessons to the other Hawks. This second condition was in part to justify the move to his parents, who he feared would think he was squandering his years of music education by playing in a rock and roll band. Discussing the thinking behind his early fears in The Last Waltz, Hudson told interviewer-director Martin Scorsese: "There is a view that jazz is 'evil' because it comes from evil people, but actually the greatest priests on 52nd Street and on the streets of New York City were the musicians. They were doing the greatest healing work. They knew how to punch through music that would cure and make people feel good." When the 24-year-old Hudson joined the Hawks, the backing band for Ronnie Hawkins, the band already consisted of 21-year-old Levon Helm on drums, 18-year-old Robbie Robertson on guitar, 18-year-old Rick Danko on bass and 18-year-old Richard Manuel on piano. The line up that would become the Band was now complete. Lowrey organ Hudson was one of the few organ players in rock and roll and rhythm and blues to eschew the Hammond organ. Upon joining the Hawks, Hudson took the opportunity to negotiate the procurement of a new Lowrey organ as part of his compensation. The Lowrey organ offered a different mix of features, and Hudson stayed with Lowrey right through Ronnie Hawkins and the Hawks, Bob Dylan and the Band, playing three different models: originally a Festival (FL) console, which was replaced by a Lincolnwood TSO-25 during 1969, and later still a horseshoe console H25 model, as depicted in The Last Waltz. The Band: 1965–1976 Under the strict supervision of Hawkins, the Hawks became an accomplished band. They split from Hawkins in 1963, recorded two singles and toured almost continually, playing in bars and clubs, usually billed as Levon and the Hawks. Hudson started work as a