Joey Ramone. However, in the season finale, Ari is fired as Vince's agent after his abrasive methods and constant mocking of Ryan result in failure to secure the film. Third season, part 2 The second part of the third season focuses almost entirely on Vince and Ari and the troubles surrounding Medellin. Attempting to get Vince back, Ari convinces him that he can secure the film after all. Vince's new agent, Amanda Daniels (Carla Gugino), tries to steer Vince towards a different film, but he ends up refusing. To compound their problems, Vince and Amanda both admit to a mutual attraction, and have a relationship. When Medellin once again slips from Vince's grasp, he questions Amanda's motives. After proving her innocence, she drops him as both client and boyfriend. With the help of Ari, who is once again hired, Vince and E finally secure their dream project when they buy the rights to the film Medellin themselves. Billy Walsh is signed on as the director with E given his first shot at producer. In the continuation of the previous part's subplot, Drama's star rises, and Five Towns becomes a hit. E moves in with Sloan. Fourth season The fourth season continues the Medellin plotline as production of the film finally begins. Conflicts quickly arise when E admits to being dissatisfied with the first cut after Walsh reluctantly agrees to a midnight screening. Vince and E subsequently clash over the creative direction and financing of the film in an arc which escalates through the season. There is much contention over the ending of the script, and Stephen Gaghan is brought in briefly, at which point Walsh comes up with what he believes to be a good ending. When the Medellin trailer leaks to the public via YouTube, an opportunity is presented to leverage the resultant hype to broker a deal attaching Vince to a new big-budget project. The deal, however, is unexpectedly sold on the strength of not just Vince, but the "Medellin Dream Team" — also involving E as producer and Walsh as director — at the point when animosity between E and Walsh begins to come to a head. Consequently, E must decide between jeopardizing the deal and the prospect of working on another project with Walsh, which he had previously sworn he would never do again. Meanwhile, Ari contends with various complications in his personal and professional lives,