Robert Laurent (June 29, 1890 – April 20, 1970) was a French-American modernist figurative sculptor, printmaker and teacher. His work, the New York Times wrote,"figured in the development of an American sculptural art that balanced nature and abstraction." Widely exhibited, he took part in the Whitney's 1946 exhibition Pioneers of Modern Art. Credited as the first American sculptor to adopt a "direct carving" sculpting style that was bolder and more abstract than the then traditional fine arts practice, which relied on models, Laurent's approach was inspired by the African carving and European avant-garde art he admired, while also echoing folk styles found both in the U.S. and among medieval stone cutters of his native Brittany. Best known for his virtuoso mastery of the figure, Laurent sculpted in multiple media, including wood, alabaster, bronze, marble and aluminum. His expertise earned him major commissions for public sculpture, most famously for the Goose Girl for New York City's Radio City Music Hall, as well as for Spanning the Continent for Philadelphia's Fairmount Park. After the Depression, he was also the recipient of several Works Progress Administration (WPA) Federal Art Project commissions under the New Deal, including a bas-relief called Shipping for the exterior of Washington, D.C.'s Federal Trade Commission Building, commissioned by the Treasury Department’s Section of Fine Arts in 1938. Background Laurent was born the son of French peasants in Concarneau, Brittany, France in 1890. His skill in art was recognized by Brooklyn Eagle art critic, painter and collector Hamilton Easter Field who mentored him, taught him to paint and served as Laurent's surrogate father for the rest of his life. In 1908, Field took Laurent to Rome, where he trained with Maurice Sterne and wood carver Giuseppe Doratori, before formally studying at the British Academy. Upon graduation, Laurent moved permanently to the U.S. at age twenty, only to quickly return to Europe as a member of the navy during the First World War. In Europe, Laurent traveled to his native Brittany where he met Mimi Caraes, who became his wife. Field died in 1922, leaving Laurent his Brooklyn home, the Ogunquit school they had co-founded and an art collection, which Laurent later used to establish as the Hamilton Easter Field Foundation with the help of other New York artists. The Ogunquit Summer School of Graphic Arts In the summer of 1902, Field and 12-year-old Laurent traveled to Ogunquit, Maine, a popular