the same year without any change of key) in F minor: Andantino – Vivace in D major: Molto vivace in B minor: Allegretto in E minor: Poco allegretto – Vivace in E minor: Vivace – E major: Più presto Orchestrations Brahms wrote orchestral arrangements for Nos.1, 3 and 10. Other composers have orchestrated the other dances. These composers include Antonín Dvořák (Nos. 17 to 21), Andreas Hallén (Nos.2, 4 and 7), Paul Juon (No.4), Martin Schmeling (1864–1943) (Nos. 5 to 7), Hans Gál (Nos.8 and 9), (Nos. 5, 6 and 11 to 16) and Robert Schollum (Nos.4, 8 and 9). More recently, Iván Fischer has orchestrated the complete set. Brahms's Hungarian Dances were influential in the development of ragtime. See, for example, the role of German-American piano teacher Julius Weiss in ragtime composer Scott Joplin's early life and career. Recordings The earliest known recording of any movement of Hungarian Dances was a condensed piano-based rendition of Hungarian Dance No. 1, from 1889, played by Brahms himself, and was known to have been recorded by Theo Wangemann, an assistant to Thomas Edison. The following dialogue can be heard in the recording itself, before the music starts: Theo Wangemann: "Dezember 1889." Johannes Brahms: "Im Haus von Herrn Doktor Fellinger bei Herrn Doktor Brahms, Johannes Brahms." (English: "In the house of Dr. Fellinger with Dr. Brahms, Johannes Brahms.") Joseph Joachim, a close friend of Brahms, in collaboration with an unnamed accompanying pianist, recorded their own renditions of Hungarian Dances Nos. 1 and 2. Leopold Stokowski's very first recordings with the Philadelphia Orchestra were devoted to Hungarian Dances Nos. 5 and 6. They were recorded by the Victor Talking Machine Company in Camden, New Jersey in 1917. The Boston Pops Orchestra with conductor Arthur Fiedler recorded Hungarian Dances Nos. 5 and 6 in Symphony Hall, Boston. Hungarian Dance No. 5 was recorded on June 25, 1950. It was released by RCA Victor as catalog number 10-3254B (in USA) and by EMI on the His Master's Voice label as catalog number B 10631. Hungarian Dance No. 6 was recorded on June 16, 1950. It was released by RCA Victor Records as catalog number (in the USA) and by EMI on the His Master's Voice label as catalog number B 10631. These were 78 rpm discs. The pieces were arranged by Albert Parlow. Julius Katchen and Jean-Pierre Marty recorded the complete set in the 1960s, as