utilise this to great effect in promoting his political beliefs. Some examples of films include Food, Inc., The Story of Stuff featuring Annie Leonard, and Morgan Spurlock's Super Size Me. And to a lesser degree, the prominent Italian exploitation film Cannibal Holocaust uses graphic violence, shocking imagery, and underlying topics in anthropology to express Ruggero Deodato's distaste for modern society – more importantly – what it has become. West Indian calypsonians participate annually in songwriting competitions with the common use of double entendre, humour and metaphor as well as monikers to avoid legal complications (see Calypso Music). The slasher film The Texas Chainsaw Massacre also uses animal rights social commentary, in the form of the movie being a metaphor, the chainsaw victims being treated like animals in slaughterhouses and then put into fridges, tenderised, and hung on meat hooks and in an interview, Russel Simmons said: "The way that woman was screaming, ‘Aaaahhh,’ and she's running away—that's how every animal you eat is running for his or her life". The shockumentary Mondo Cane also provided social commentary, as in one frame, there are dogs being walked in San Francisco and in the other, in Papua New Guinea people are eating dog meat, using cultures different from Western culture to shock the viewer and make them feel uncomfortable. Mondo Cane was made to promote "being civil", and uses language in the film such as "savages". Dystopian fiction A lot of books and games from the Cyberpunk genre, including 2020 video game Cyberpunk 2077 use social commentary usually as a means of questioning technology (ex: "Will technology make us selfish?") or questioning unethical megacorporations, as in most Cyberpunk plots the megacorporations are antagonised and demonised and Cyberpunk also sheds light on poverty-related issues. The video game series Watch Dogs, in which the protagonists are cyber vigilantes that rebel against an all-seeing government, uses social commentary against mass surveillance. 1999 film The Matrix and 1932 book Brave New World provide commentary on the Blissful ignorance effect, where in The Matrix, the protagonist named Neo can choose the red pill, a dark truth, or the blue pill, a blissful lie to stay in the Matrix or to wake up in the real world and in Brave New World the character has a choice whether or not to take soma, a drug used by the totalitarian government to keep the people happy and docile, both