drawn by Dan Jurgens. Among Goodwin's most notable last editorial projects were Starman, written by James Robinson and first published by DC in 1994 and DC's Batman: The Long Halloween by Tim Sale and Jeph Loeb. Loeb and Sale's first work on Batman appeared in Batman: Legends of the Dark Knight Halloween Special #1 (Dec. 1993) edited by Goodwin. It is a testament to Goodwin that Loeb has said that Goodwin inspired their portrayal of Gotham police chief Jim Gordon in The Long Halloween and its sequel Batman: Dark Victory, while Robinson (who considered Goodwin both a mentor and close personal friend), continued to list Goodwin as a "Guiding Light" on later issues of Starman published after Goodwin's death. Goodwin edited Batman: Legends of the Dark Knight and Azrael. Goodwin's Creepy work is cited by editor Mark Chiarello as informing the creation of the Batman: Black & White series. Death Goodwin died of cancer on March 1, 1998, after battling the disease for 10 years. Awards Goodwin's work won him a good deal of recognition in the industry, including both the 1973 Shazam Award for Best Writer (Dramatic Division), and the 1974 Shazam Award for Best Writer (Dramatic Division) for the Manhunter series running in Detective Comics #437–443. In the same years, he also won Shazam Awards for Best Individual Short Story for "The Himalayan Incident" in Detective Comics #437 and for "Cathedral Perilous" in Detective Comics #441. In 1974, he also won Best Individual Feature-Length Story for "Götterdämmerung" in Detective Comics #443. All story awards were shared with Walt Simonson for Manhunter episodes). Goodwin's work on Manhunter, in which he both updated an obscure Golden Age hero, and, in the series' last episode, took the daring approach of killing him off (one of the few comic book deaths that has actually "taken" and not been reversed or retconned away in the decades since it occurred) is very well regarded by both fans and other comics professionals. Goodwin stated in his final interview, "I think that Manhunter is one of just several projects that I've worked on that I consider a highlight in my career. It is something that I may never be able to top in a lot of ways. To have done that and for DC to have given me the opportunity to do that was great." He won the 1992 "Bob Clampett Humanitarian" Eisner Award, and was