Sir James Shand (28 January 1908 – 23 December 2000) was a Scottish musician who played traditional Scottish dance music on the accordion. His signature tune was "The Bluebell Polka". Life and career James Shand was born in East Wemyss in Fife, Scotland, son of a farm ploughman turned coal miner and one of nine children. The family soon moved to the burgh of Auchtermuchty. The town now boasts a larger than life-sized sculpture of Shand. His father was a skilled melodeon player. Jimmy started with the mouth organ and soon played the fiddle. At the age of 14 he had to leave school and go down the mines. He played at social events and competitions. His enthusiasm for motor-bikes turned into an advantage when he played for events all round Fife. In 1926, he did benefit gigs for striking miners and was consequently prevented from returning to colliery work. One day Shand and a friend were admiring the instruments in the window of a music shop in Dundee. His friend said: "It wouldn't cost you to try one," so Shand walked in and strapped on an accordion. The owner, Charles Forbes, heard Shand play and immediately offered him a job as travelling salesman and debt-collector. He soon acquired a van and drove all over the north of Scotland. He switched to the British chromatic button accordion, an instrument he stuck with for the rest of his life. Being a keen motorcyclist, Shand was also an enthusiastic supporter and spectator at the annual Isle of Man TT races. He also sponsored a motorcycle road racer from Errol, Perthshire called Jack Gow, a multiple Scottish Motorcycle Racing champion and later a motorcycle dealer in Dundee. Jack Gow was the son of Andy Gow who drove the bus which transported the Shand tour. Shand's interest in motorcycles began when a boyfriend of his sister had problems with his bike, which had broken down. Shand repaired it and was allowed to use it. He failed an audition for the BBC because he kept time with his foot. At a time when gramophones were very much luxury items he made two records for the Regal Zonophone label in 1933. His career took off when he switched to making 78s for the Beltona label (1935–1940). Most of the Beltona recordings were solo, but he experimented with small bands. This boosted sales. He appeared in a