Kukla, Fran and Ollie is an early American television show using puppets. It was created for children, but was soon watched by more adults than children. It did not have a script and was entirely ad-libbed. It was broadcast from Chicago between October 13, 1947 and August 30, 1957. Comedienne Fran Allison starred, interacting with puppets, Kukla and Ollie (and sometimes other puppets) whose puppeteer was the show's creator, Burr Tillstrom. After the original run, the team appeared in other productions over several decades. Original series Burr Tillstrom was the creator and only puppeteer on the show, which premiered as the hour-long Junior Jamboree locally on WBKB in Chicago, Illinois, on October 13, 1947. The program was renamed Kukla, Fran and Ollie (KFO) and transferred to WNBQ (the predecessor of Chicago's WMAQ-TV) on November 29, 1948. The first NBC network broadcast of the show took place on January 12, 1949. It aired from 6:00–6:30 p.m. Central Time, Monday through Friday from Chicago. "Fran" was Fran Allison, a radio comedian and singer who was typically the only human to appear on screen, filling the role of big sister and cheery voice of reason as the puppets engaged each other concerning their foibles. The design style of puppets was that of Neapolitan puppet shows, or Punch and Judy without the slapstick, but their personalities were less caricatured. The puppet cast included "Kukla", the earnest leader of the troupe; "Ollie", or "Oliver J. Dragon", a roguish one-toothed dragon (who would slam his flat chin on the stage in frustration or roll on his back to be endearing); Madame Oglepuss, a retired opera diva; Buelah Witch, a liberated witch; Fletcher Rabbit, the troupe's mailman and resident fussbudget who in keeping with the show's unrestrained use of puns, also worked at "The Egg Plant"; Cecil Bill, the troupe's union stagehand who spoke in an unintelligible "tooie talk"; Colonel Crackie, a Southern gentleman; Dolores Dragon, Ollie's younger cousin; and a number of others. The series' music was written and performed by Jack Fascinato, who first accompanied the troupe on solo piano and later conducted the show's small orchestra. KFO'''s humor relied on building a relationship between its characters and the audience over time. The humor was quite tame by the standards of later comedy. There were few laugh-out-loud jokes per show; KFO relied on the humor of familiarity. KFO evoked not only loyalty but also a