and thus cast her in his directorial debut Synecdoche, New York, an ensemble experimental drama headlined by Philip Seymour Hoffman. It was a box office bomb and polarized critics, although Roger Ebert named it the best film of the decade. Two days after finishing work on Synecdoche, New York, Williams began filming Kelly Reichardt's Wendy and Lucy, playing the part of a poor and lonesome young woman traveling with her dog and looking for employment. With a shoestring budget of $300,000, the film was shot on location in Portland, Oregon, with a largely volunteer crew. Williams had just separated from Ledger and was relieved for the anonymity the project provided. She was pleased with Reichardt's minimalistic approach and identified with her character's self-sufficiency and fortitude. Sam Adams of the Los Angeles Times found her performance to be "remarkable not only for its depth but for its stillness" and Mick LaSalle commended her for effectively conveying a "lived-in sense of always having been close to the economic brink". Williams was filming in Sweden for her next project, Mammoth (2009), when news broke that Ledger had died of an accidental intoxication from prescription drugs. Although Williams continued filming, she later said, "It was horrible. I don't remember most of it." In her first public statement, a week after his death, she expressed her heartbreak and described Ledger's spirit as surviving in their daughter. Later that month she attended his memorial and funeral services. Mammoth was directed by the Swedish director Lukas Moodysson and featured Williams and Gael García Bernal as a couple dealing with issues stemming from globalization. Her role was that of an established surgeon, a part she deemed herself too young to logically play. In the same year, she co-starred with Natalie Portman in a Roman Polanski-directed faux perfume commercial called Greed. For her next project, Martin Scorsese cast her opposite Leonardo DiCaprio in the psychological thriller Shutter Island. Based on Dennis Lehane's novel, it featured her as a depressed housewife who drowns her own children. The high-profile production marked a departure for her, and she found it difficult to adjust to the slower pace of filming. In preparation, she read case studies on infanticide. After finishing work on the film in 2008, Williams admitted that playing a series of troubled women coupled with her own personal difficulties had taken an emotional toll. She took a year off work to