in Le tre eccetera del colonnello (1960), The Call Girl Business (1960), Behind Closed Doors (1961), and The Mongols (1961), which had an American director (André de Toth) and co star (Jack Palance). She later said "things became a little bit boring for me after La Dolce Vita because every producer or director in Italy, England and America wanted me to recreate the same role – the movie star from America who comes over to Italy." Ekberg then appeared in Boccaccio '70 (1962), a film that also featured Sophia Loren and Romy Schneider. Soon thereafter, Ekberg was being considered by Broccoli to play the first Bond girl, Honey Ryder in Dr. No, but the role went to the then-unknown Ursula Andress. However Broccoli then cast her in Call Me Bwana (1963) with Bob Hope. Call Me Bwana was featured in the second Bond film, From Russia with Love, during a sequence where Ali Kerim Bey assassinates the Russian agent Krilencu with a sniper rifle. Krilencu attempts to escape through a window, which is situated in Anita Ekberg's mouth, on the wall-sized poster: "She should have kept her mouth shut", Bond quips. Ekberg co-starred with Andress, Frank Sinatra, and Dean Martin in the western-comedy 4 for Texas (1963). She returned to Europe to make Love Factory (1964) and Who Wants to Sleep? (1965). She went to England for an Agatha Christie adaptation, The Alphabet Murders (1965), directed by Frank Tashlin who had directed her two Martin and Lewis films. Ekberg was in the Italian How I Learned to Love Women (1966) then had a small role in a Jerry Lewis comedy, Way... Way Out (1966). She was in Pardon, Are You For or Against? (1966), an Alberto Sordi comedy; The Cobra (1967), an Italian crime film with Dana Andrews; The Glass Sphinx (1967) with Robert Taylor; Woman Times Seven (1967), an anthology directed by Vittorio De Sica, in a segment with Michael Caine; and Crónica de un atraco (1968). She had a cameo in If It's Tuesday, This Must Be Belgium (1969) and the lead in Fangs of the Living Dead (1969), Death Knocks Twice (1969), and A Candidate for a Killing (1969). Later career Fellini called Ekberg back for a cameo in The Clowns (1970). She had bigger parts in The Divorce (1970) with Vittorio Gassman; The Conjugal Debt (1970); Quella chiara notte d'ottobre (1970); The French Sex Murders (1972),