band. His passion for music carried over into his career; he helped write songs for his cartoons, including the theme for The Flintstones. Hanna became an Eagle Scout as a youth and remained active in Scouting throughout his life. As an adult, he served as a Scoutmaster and was recognized by the Boy Scouts of America with their Distinguished Eagle Scout Award in 1985. Despite his numerous career-related awards, Hanna was most proud of this Distinguished Eagle Scout Award. His interests also included sailing and singing in a barbershop quartet. Hanna studied both journalism and structural engineering at Compton City College, but had to drop out of college with the onset of the Great Depression. On August 7, 1936, Hanna married Violet Blanch Wogatzke (July 23, 1913 – July 10, 2014), and they had a marriage lasting over 64 years, until his death. The marriage produced two children, David William and Bonnie Jean, and seven grandchildren. In 1996, Hanna, with assistance from Los Angeles writer Tom Ito, published his autobiography—Joe Barbera had published his own two years earlier. Early career After dropping out of college, Hanna worked briefly as a construction engineer and helped build the Pantages Theatre in Hollywood. He lost that job during the Great Depression and found another at a car wash. His sister's boyfriend encouraged him to apply for a job at Pacific Title and Art, which produced title cards for motion pictures. While working there, Hanna's talent for drawing became evident, and in 1930 he joined the Harman and Ising animation studio, which had created the Looney Tunes and Merrie Melodies series. Despite a lack of formal training, Hanna soon became head of their ink and paint department. Besides inking and painting, Hanna also wrote songs and lyrics. For the first several years of Hanna's employment, the studio partnered with Pacific Title and Art's Leon Schlesinger, who released the Harman-Ising output through Warner Bros. When Hugh Harman and Rudolph Ising chose to break with Schlesinger and begin producing cartoons independently for Metro-Goldwyn-Mayer (MGM) in 1933, Hanna was one of the employees who followed them. Hanna was given the opportunity to direct his first cartoon in 1936; the result was To Spring, part of the Harman-Ising Happy Harmonies series. The following year, MGM decided to terminate their partnership with Harman-Ising and bring production in-house. Hanna was among the first people MGM hired away from Harman-Ising to