The White Horse Inn (or White Horse Inn) (German title: Im weißen Rößl) is an operetta or musical comedy by Ralph Benatzky and Robert Stolz in collaboration with a number of other composers and writers, set in the picturesque Salzkammergut region of Upper Austria. It is about the head waiter of the White Horse Inn in St. Wolfgang who is desperately in love with the owner of the inn, a resolute young woman who at first only has eyes for one of her regular guests. Sometimes classified as an operetta, the show enjoyed huge successes in the West End (651 performances at the Coliseum starting 8 April 1931), as a Broadway version, and was filmed several times. In a way similar to The Sound of Music and the three Sissi movies, the play and its film versions have contributed to the popular image of Austria as an alpine idyll—the kind of idyll tourists have been seeking for almost a century now. Today, Im weißen Rößl is mainly remembered for its songs, many of which have become popular classics. The original play In the last decade of the 19th century, Oscar Blumenthal, a theatre director from Berlin, Germany, was on holiday in Lauffen (now part of Bad Ischl), a small town in the vicinity of St. Wolfgang. There, at the inn where he was staying, Blumenthal happened to witness the head waiter's painful wooing of his boss, a widow. Amused, Blumenthal used the story as the basis of a comedy—without music—which he co-authored with actor Gustav Kadelburg. However, Blumenthal and Kadelburg relocated the action from Lauffen to the much more prominent St. Wolfgang, where the Gasthof Weißes Rößl had actually existed since 1878. Having thus chanced upon a suitable title, the authors went to work, and Im weißen Rößl eventually premiered in Berlin in 1897. The play was an immediate success. The Berlin audience would laugh at the comic portrayal of well-to-do city dwellers such as Wilhelm Giesecke, a manufacturer of underwear, and his daughter Ottilie, who have travelled all the way from Berlin to St. Wolfgang and now, on holiday, cannot help displaying many of the characteristics of the nouveaux-riches. "Wär' ick bloß nach Ahlbeck jefahren"—"If only I had gone to Ahlbeck", Giesecke sighs as he considers his unfamiliar surroundings and the strange dialect spoken by the wild mountain people that inhabit the Salzkammergut. At the same time the play