in Phoenix, Arizona, or in the Navajo reservation. That was where the priest Janko Trbović found it. One reprint of the poster, after an intricate and extended search, was donated by the basketball player Vlade Divac. Interwar period In 1919, she created a pedimental sculpture for Bush House in London. The same year, she was in Paris cataloging Rodin's works for the Musée Rodin. In 1929, her first major exhibit was held at the Grand Central Art Galleries with 105 works of art in various mediums. During the war, she met the American Red Cross worker John W. Frothingham and his Serbian wife Jelena Lozanić. As member of the American Red Cross, she and Lozanić continued to organize the relief for Serbia (now amalgamated into Yugoslavia) during the Interbellum, regularly giving lectures on orphaned Serbian children. She welcomed Croatian sculptor Ivan Meštrović, lending him her studio to work. In 1919, at the request of Herbert Hoover, director of American Relief Administration, Hoffman travelled to Serbia and Yugoslavia to visit US humanitarian missions throughout the state. That same year she visited the site of the 1389 Battle of Kosovo, as the second recorded American to do so, after John W. Frotingham (some even claim the second foreign visitor in general). After the war, she made the sculpture The Sacrifice, which was dedicated in 1923 at the Cathedral of St. John the Divine in New York. In it, the head of a 13th-century crusader lay on the lap of a draped woman. It is a memorial to the late Ambassador of France, Robert Bacon, and alumni of Harvard University who lost their lives during the war. After the Memorial Church at Harvard University was completed in 1932, it was installed there. Hall of Man In 1929, Hoffman received a telegram from Stanley Field, "Have proposition to make, do you care to consider it? Racial types to be modeled while traveling round the world." Hoffman was commissioned by the Field Museum of Natural History in Chicago, Illinois to create anthropologically accurate sculptures of peoples of diverse nationalities and races. She traveled around the world — including distant places like Africa, India, and Bali — in 1931 to 1932, creating busts and figures of people and taking more than 2,000 photographs. She completed more than 105 sculptures, predominantly in bronze, but also in marble and stone. They included busts and full-length figures of individuals,