at El Borde, in Temperley. He was replaced by Raimundo Horacio Fajardo. The band's international debut was in Chile, in an exchange with Pánico. The same year, they record MUNDO, which has the distinctive feature of having been recorded with a portable four-track and using as a recording booth a derelict Dodge Polara that belonged to the Aldana family. The album was mixed by Diego Vainer, its recording engineer was Pablo Márquez and it was launched at Dr. Jekyll. To wrap up the year, they recorded a cover version of "Fuck You", which was the title of a tribute album to Sumo. In 1996, they re-release a CD version of LOS HIJOS DE ALIEN, with unreleased versions of tracks such as “Lo de adentro” and a remix of “69”, from the album MUNDO, in a production of Fantasías Animadas. That year, they join the Rock & Pop Alternativo Festival at Ferro Stadium, along with Soda Stereo, Nick Cave and the Bad Seeds, Silverchair, Tracy Bonham and Robi Draco Rosa among others, thus becoming one of the best bands in the country. The following year, María Fernanda told Cristian that she had some very experimental songs of her own that she would like to release. The project kept growing until it became a triple album called ESENCIA, which had a great CD edition and an album recorded by each band member. ESENCIA includes over 70 tracks divided into three albums that were recorded independently. It was presented on two occasions: at the Santa María Theatre and at the Ricardo Rojas Cultural Centre; the latter gathered the biggest audience of the Molotov Sessions (Ciclo Molotov). In 1998, after touring around the country with Attaque 77, they release a 25-song compilation album called EL OTRO YO DEL OTRO YO, which includes the most outstanding songs of ESENCIA. Besótico also releases a book and solo album by María Fernanda called ENTRESUEÑOS. At the same time, they release EL MAR ALADO, a poetry booked penned by Ray. In ’99, they release ABRECAMINOS, produced by Diego Vainer. This album will be widely accepted by the audience, thus expanding the frontiers of El Otro Yo. It was presented at the General San Martín Theatre. With songs such as "No me importa morir", "La música", "Melodías vibradoras" and "10.000.000", the band breaks the boundaries of the underground scene. That year, Ezequiel Araujo, Avant Press former bass player, joins