"God is dead" (German: ; also known as the death of God) is a statement made by the German philosopher Friedrich Nietzsche. Nietzsche's first use of this statement is his 1882 The Gay Science, where it appears three times. The phrase also appears in Nietzsche's Thus Spoke Zarathustra. The meaning of this statement is that since, as Nietzsche says, "the belief in the Christian God has become unbelievable", everything that was "built upon this faith, propped up by it, grown into it", including "the whole [...] European morality", is bound to "collapse". Other philosophers had previously discussed the concept, including Philipp Mainländer and Georg Wilhelm Friedrich Hegel. Proponents of the strongest form of the Death of God theology have used the phrase in a literal sense, meaning that the Christian God who had existed at one point has ceased to exist. Early usage Discourses of a "death of God" in German culture appear as early as the 17th century and originally referred to Lutheran theories of atonement. The phrase "God is dead" appears in the hymn "Ein Trauriger Grabgesang" ("A mournful dirge") by Johann von Rist. Before Nietzsche, the phrase 'Dieu est mort!' was written in Gérard de Nerval's 1854 poem "Le Christ aux oliviers" ("Christ at the olive trees"). The poem is an adaptation into a verse of a dream-vision that appears in Jean Paul's 1797 novel Siebenkäs under the chapter title of 'The Dead Christ Proclaims That There Is No God'. In an address he gave in 1987 to the American Academy of Arts and Sciences, the literary scholar George Steiner claims that Nietzsche's formulation 'God is dead' is indebted to the aforementioned 'Dead Christ' dream-vision of Jean Paul, but he offers no concrete evidence that Nietzsche ever read Jean Paul. The phrase is also found in a passage expressed by a narrator in Victor Hugo's 1862 novel Les Misérables: Buddhist philosopher K. Satchidananda Murty wrote in The Realm of Between published by the Indian Institute of Advanced Study in 1973, that, coming across in a hymn of Martin Luther what Hegel described as "the cruel words", "the harsh utterance", namely, "God is dead", developed the theme of God's death according to whom, to one form of experience, God is dead. Murty continued that commenting on Kant's first Critique, Heinrich Heine who had purportedly influenced Nietzsche spoke of a dying God. Since Heine and Nietzsche the phrase Death