Flames of Paris or The Flames of Paris () is a full-length ballet in four acts, choreographed by Vasily Vainonen with the stage director Sergei Radlov to music by Boris Asafyev based on songs of the French Revolution. The libretto by Nicolai Volkov and Vladimir Dmitriev was adapted from a book by Felix Gras. It was premiered at the Kirov Theatre in Leningrad on 7 November 1932, with Natalia Dudinskaya as Mireille de Poitiers, Vakhtang Chabukiani as Jérôme, Olga Jordan as Jeanne, Nina Anisimova as Thérèse, and Konstantin Sergeyev as Mistral. The Bolshoi Ballet premiered the full work on 6 July 1933 at the Bolshoi Theatre in Moscow, with Aleksey Yermolayev (Jérôme), Anastasia Abramova (Jeanne), Nadezhda Kapustina (Thérèse) and Marina Semenova (Mireille de Poitiers). The conductor was Yuri Fayer. A new production (using some of the original choreography) was staged in 2008 by Alexei Ratmansky for the Bolshoi Ballet and is available on DVD with Ivan Vasiliev and Natalia Osipova. In 2013 a three-act reconstruction of the Vainonen ballet was staged by Mikhail Messerer for St Petersburg's Mikhailovsky Theatre. It is based on a 1947 version done by Vainonen for the Bolshoi. Background The Flames of Paris is a so-called "revolutionary" ballet which takes as its subject the French Revolution, including in its scenario the storming of the Tuileries Palace by the revolutionary soldiers and their victorious march on Paris. The plot is taken from the Felix Gras's Provençal language 1896 novel Li Rouge dou Miejour, which is translated into French as Les Rouges du Midi (Reds of the South). Although the ballet's setting is eighteenth-century France, it is a perfect illustration of Soviet ballet in the 1920s and 1930s, during which time there was a determined effort to find subjects in world history which reflected the more immediate situation in the Soviet Union, and to show that the October Revolution was part of more universal movements and historical events. Plot outline This outline is different from the plot of the ballet version revived by Alexei Ratmansky for the Bolshoi Ballet. The ballet opens in a forest near Marseilles, where the peasant Gaspard and his children, Jeanne and Pierre, are gathering firewood. When a Count and his hunting party arrive, the peasants disperse, but Jeanne attracts the attention of the Count, who attempts to embrace her. When her father intervenes, he is beaten up by the Count's servant and taken