common practice in South Asia, where famous tombs include such saints as Sayyid Ali Hamadani in Kulob, Tajikistan; Afāq Khoja, near Kashgar, China; Lal Shahbaz Qalandar in Sindh; Ali Hujwari in Lahore, Pakistan; Bahauddin Zakariya in Multan Pakistan; Moinuddin Chishti in Ajmer, India; Nizamuddin Auliya in Delhi, India; and Shah Jalal in Sylhet, Bangladesh. Likewise, in Fez, Morocco, a popular destination for such pious visitation is the Zaouia Moulay Idriss II and the yearly visitation to see the current Sheikh of the Qadiri Boutchichi Tariqah, Sheikh Sidi Hamza al Qadiri al Boutchichi to celebrate the Mawlid (which is usually televised on Moroccan National television). This action has voiced particular condemnation by the Salafis and Wahhabis. Miracles In Islamic mysticism, karamat ( karāmāt, pl. of karāmah, lit. generosity, high-mindedness) refers to supernatural wonders performed by Muslim saints. In the technical vocabulary of Islamic religious sciences, the singular form karama has a sense similar to charism, a favor or spiritual gift freely bestowed by God. The marvels ascribed to Islamic saints have included supernatural physical actions, predictions of the future, and "interpretation of the secrets of hearts". Historically, a "belief in the miracles of saints (karāmāt al-awliyāʾ, literally 'marvels of the friends [of God]')" has been "a requirement in Sunni Islam." Shrines A dargah (Persian: درگاه dargâh or درگه dargah, also in Punjabi and Urdu) is a shrine built over the grave of a revered religious figure, often a Sufi saint or dervish. Sufis often visit the shrine for ziyarat, a term associated with religious visits and pilgrimages. Dargahs are often associated with Sufi eating and meeting rooms and hostels, called khanqah or hospices. They usually include a mosque, meeting rooms, Islamic religious schools (madrassas), residences for a teacher or caretaker, hospitals, and other buildings for community purposes. Theoretical perspectives Traditional Islamic scholars have recognized two major branches within the practice of Sufism and use this as one key to differentiating among the approaches of different masters and devotional lineages. On the one hand there is the order from the signs to the Signifier (or from the arts to the Artisan). In this branch, the seeker begins by purifying the lower self of every corrupting influence that stands in the way of recognizing all of creation as the work of God, as God's active self-disclosure or theophany. This is the way of Imam Al-Ghazali and of the majority of the Sufi orders.