this time in the 1950s, Beckett became one of several adults who sometimes drove local children to school; one such child was André Roussimoff, who would later become a famous professional wrestler under the name André the Giant. They had a surprising amount of common ground and bonded over their love of cricket, with Roussimoff later recalling that the two rarely talked about anything else. Beckett translated all of his works into English himself, with the exception of Molloy, for which he collaborated with Patrick Bowles. The success of Waiting for Godot opened up a career in theatre for its author. Beckett went on to write successful full-length plays, including (Endgame) (1957), Krapp's Last Tape (1958, written in English), Happy Days (1961, also written in English), and Play (1963). In 1961, Beckett received the International Publishers' Formentor Prize in recognition of his work, which he shared that year with Jorge Luis Borges. Later life and death The 1960s were a time of change for Beckett, both on a personal level and as a writer. In 1961, he married Suzanne in a secret civil ceremony in England (its secrecy due to reasons relating to French inheritance law). The success of his plays led to invitations to attend rehearsals and productions around the world, leading eventually to a new career as a theatre director. In 1957, he had his first commission from the BBC Third Programme for a radio play, All That Fall. He continued writing sporadically for radio and extended his scope to include cinema and television. He began to write in English again, although he also wrote in French until the end of his life. He bought some land in 1953 near a hamlet about northeast of Paris and built a cottage for himself with the help of some locals. From the late 1950s until his death, Beckett had a relationship with Barbara Bray, a widow who worked as a script editor for the BBC. Knowlson wrote of them: "She was small and attractive, but, above all, keenly intelligent and well-read. Beckett seems to have been immediately attracted by her and she to him. Their encounter was highly significant for them both, for it represented the beginning of a relationship that was to last, in parallel with that with Suzanne, for the rest of his life." Barbara Bray died in Edinburgh on 25 February 2010. In 1969 the avant-garde filmmaker