Milagros (Miracle Alley), which was based on the 1940s eponymous novel by Egyptian Naguib Mahfouz and translated from Cairo to Mexico City. The film was the subject of critical acclaim, reportedly won more awards than any other movie in the history of Mexican cinema, and earned Hayek a nomination for the Ariel Award for Best Actress. Hollywood breakthrough (1995–2001) Robert Rodriguez and his co-producer and then-wife, Elizabeth Avellan, cast Hayek in the starring role of the self-confident and feisty Carolina, opposite Antonio Banderas, in Desperado (1995), widely considered her breakout film. Describing film's process as "grueling", Hayek had to audition several times for Rodriguez before landing the part and a love scene in the script proved particularly difficult for her to film, because she did not want to be nude on camera. She once remarked: "It took eight hours [to film] instead of an hour". Budgeted at $7 million, Desperado was a commercial success, grossing $25.4 million in the United States. She followed it with a brief role as a vampire queen in Rodriguez's cult horror film From Dusk till Dawn (1996), in which she performed an erotic table-top snake dance. In 1996, she also appeared in the drama Follow Me Home and the cop comedy Fled. Hayek starred as a photographer and the on-and-off girlfriend of a New York City architect, opposite Matthew Perry, in the romantic comedy Fools Rush In (1997). Film critic Roger Ebert gave the film 3 stars out of a possible 4 and described it as "a sweet, entertaining retread of an ancient formula", elevated by good performances (particularly Hayek) and an insightful "level of observation and human comedy". Fool's Rush In was a moderate commercial success and earned Hayek an ALMA Award nomination for Outstanding Actress in a Feature Film. In another romantic comedy, Breaking Up (also 1997), she and Russell Crowe portrayed a couple whose relationship leads to an out-of-the-blue marriage. Ken Eisner of Variety magazine wrote: "Russell Crowe and Salma Hayek make attractive leads, but they have neither the marquee power nor the requisite chemistry to keep Breaking Up from getting left at the altar of general distribution." Indeed, the film was distributed for selected markets in the United States only. In 1998, Hayek played an aspiring singer in the 1970s NYC's night scene in Mark Christopher's drama 54, a doughnut shop waitress in Dan Ireland's dramedy The Velocity of Gary and