of Glory in Munich in early 1957, Kubrick met and romanced the German actress Christiane Harlan, who played a small though memorable role in the film. Kubrick married Harlan in 1958 and the couple remained together for 40 years, until his death in 1999. Besides his stepdaughter, they had two daughters together: Anya Renata (April 6, 1959 – July 7, 2009) and Vivian Vanessa (born August 5, 1960). In 1959, they settled into a home at 316 South Camden Drive in Beverly Hills with Harlan's daughter, Katherina, aged six. They also lived in New York City, during which time Christiane studied art at the Art Students League of New York, later becoming an independent artist. The couple moved to the United Kingdom in 1961 to make Lolita, and Kubrick hired Peter Sellers to star in his next film, Dr. Strangelove. Sellers was unable to leave the UK, so Kubrick made Britain his permanent home thereafter. The move was quite convenient to Kubrick, since he shunned the Hollywood system and its publicity machine and he and Christiane had become alarmed with the increase in violence in New York City. In 1965, the Kubricks bought Abbots Mead on Barnet Lane, just south-west of the Elstree/Borehamwood studio complex in England. Kubrick worked almost exclusively from this home for 14 years where, he researched, invented special effects techniques, designed ultra-low light lenses for specially modified cameras, pre-produced, edited, post-produced, advertised, distributed and carefully managed all aspects of four of his films. In 1978, Kubrick moved into Childwickbury Manor in Hertfordshire, a mainly 18th-century stately home, which was once owned by a wealthy racehorse owner, about north of London and a 10-minute drive from his previous home at Abbotts Mead. His new home became a workplace for Kubrick and his wife, "a perfect family factory" as Christiane called it, and Kubrick converted the stables into extra production rooms besides ones within the home that he used for editing and storage. A workaholic, Kubrick rarely took a vacation or left England during the forty years before his death. LoBrutto notes that Kubrick's confined way of living and desire for privacy has led to spurious stories about his reclusiveness, similar to those of Greta Garbo, Howard Hughes and J. D. Salinger. Michael Herr, Kubrick's co-screenwriter on Full Metal Jacket, who knew him well, considers his "reclusiveness" to be myth: "[He] was in fact a complete failure as