the Jewish community, it was customary to record the Hebrew date of birth, which does not always coincide with the Gregorian calendar.) Of his family's emigration, Bellow wrote: A period of illness from a respiratory infection at age eight both taught him self-reliance (he was a very fit man despite his sedentary occupation) and provided an opportunity to satisfy his hunger for reading: reportedly, he decided to be a writer when he first read Harriet Beecher Stowe's Uncle Tom's Cabin.When Bellow was nine, his family moved to the Humboldt Park neighborhood on the West Side of Chicago, the city that formed the backdrop of many of his novels. Bellow's father, Abraham, had become an onion importer. He also worked in a bakery, as a coal delivery man, and as a bootlegger. Bellow's mother, Liza, died when he was 17. She had been deeply religious and wanted her youngest son, Saul, to become a rabbi or a concert violinist. But he rebelled against what he later called the "suffocating orthodoxy" of his religious upbringing, and he began writing at a young age. Bellow's lifelong love for the Torah began at four when he learned Hebrew. Bellow also grew up reading Shakespeare and the great Russian novelists of the 19th century. In Chicago, he took part in anthroposophical studies at the Anthroposophical Society of Chicago. Bellow attended Tuley High School on Chicago's west side where he befriended Yetta Barsh and Isaac Rosenfeld. In his 1959 novel Henderson the Rain King, Bellow modeled the character King Dahfu on Rosenfeld. Education and early career Bellow attended the University of Chicago but later transferred to Northwestern University. He originally wanted to study literature, but he felt the English department was anti-Jewish. Instead, he graduated with honors in anthropology and sociology. It has been suggested Bellow's study of anthropology had an influence on his literary style, and anthropological references pepper his works. He later did graduate work at the University of Wisconsin. Paraphrasing Bellow's description of his close friend Allan Bloom (see Ravelstein), John Podhoretz has said that both Bellow and Bloom "inhaled books and ideas the way the rest of us breathe air." In the 1930s, Bellow was part of the Chicago branch of the Federal Writer's Project, which included such future Chicago literary luminaries as Richard Wright and Nelson Algren. Many of the writers were radical: if they were not members of the Communist