labels, including Mercury Nashville Records, who signed her within a few months. During this time, she changed her name to Shania, which was said to be an Ojibwa word which means "on my way." However, Twain's biographer, Robin Eggar, writes: "There is a continuing confusion about what 'Shania' means and if indeed it is an Ojibwe word or phrase at all. There is no mispronounced or misheard phrase in either Ojibwe or Cree that comes close to meaning 'on my way.' Yet the legend of her name continues to be repeated in the media to this day." Eggar was mistaken about there being no Ojibwe phrase that "comes close", as "Ani aya'aa", pronounced "Ah-nih Eye-uh-ah", means "someone on the way" in Ojibwe. It is therefore possible that someone with an imperfect knowledge of the Ojibwe language created Shania with the incorrect idea it would mean "she's on the way". Twain's self-titled debut album was released on April 20, 1993, in North America and garnered her audiences outside Canada. Shortly before its release, she sang backing vocals for other Mercury artists, including on Jeff Chance's album Walk Softly on the Bridges (1992) and Sammy Kershaw's album Haunted Heart (1993). While Shania Twain only reached No. 67 on the US Country Albums Chart, it gained positive reviews from critics. The album failed to sell significant copies upon release, but Twain's future success generated enough interest for the album to be certified platinum in 1999 by the RIAA, denoting sales of over 1 million copies. The album yielded two minor hit singles in the United States with "What Made You Say That" and "Dance with the One That Brought You". The third and final single, "You Lay a Whole Lot of Love on Me", failed to chart. All three singles had accompanying music videos. The album was more successful in Europe, where Twain won Country Music Television Europe's "Rising Video Star of the Year" award. In her 2011 autobiography From This Moment On, Twain expressed displeasure with her debut studio album, revealing that she had very little creative control and was frustrated with being unable to showcase her songwriting abilities. She did, however, co-write one song, "God Ain't Gonna Getcha for That", for the album. 1995–1996: The Woman in Me and commercial success When rock producer Robert John "Mutt" Lange heard Twain's original songs and singing from her debut album, he offered to