and is said to have given it the title Elinor and Marianne. She later changed the form to a narrative and the title to Sense and Sensibility. Austen drew inspiration for Sense and Sensibility from other novels of the 1790s that treated similar themes, including Adam Stevenson's Life and Love (1785) which he had written about himself and a relationship that was not meant to be. Jane West's A Gossip's Story (1796), which features one sister full of rational sense and another sister of romantic, emotive sensibility, is considered to have been an inspiration as well. West's romantic sister-heroine also shares her first name, Marianne, with Austen's. There are further textual similarities, described in a modern edition of West's novel. Austen may have drawn on her knowledge of Warren Hastings, the first Governor-General of India, in her portrayal of Colonel Brandon. Hastings had been rumoured to be the biological father of Austen's cousin Eliza de Feuillide. Linda Robinson Walker argues that Hastings "haunts Sense and Sensibility in the character of Colonel Brandon": both left for India at the age of seventeen; Hastings may have had an illegitimate daughter named Eliza; both Hastings and Brandon participated in a duel. Title "Sense" means good judgment, wisdom, or prudence, and "sensibility" means sensitivity, sympathy, or emotionality. Elinor is described as a character with great "sense" (although Marianne, too, is described as having sense), and Marianne is identified as having a great deal of "sensibility" (although Elinor, too, feels deeply, without expressing it as openly). By changing the title, Austen added "philosophical depth" to what began as a sketch of two characters. Critical views Sense and Sensibility, much like Austen's other fiction, has attracted a large body of criticism from many different approaches. Early reviews of Sense and Sensibility focused on the novel as providing lessons in conduct (which would be debated by many later critics), as well as reviewing the characters. The Norton Critical Edition of Sense and Sensibility, edited by Claudia Johnson, contains a number of reprinted early reviews in its supplementary material. An "Unsigned Review" in the February 1812 Critical Review praises Sense and Sensibility as well-written with well-supported and -drawn characters, realistic, and with a "highly pleasing" plot in which "the whole is just long enough to interest the reader without fatiguing." This review praises Mrs. Dashwood, the mother of the Dashwood sisters, as well as Elinor, and claims that