three-story set, corridors, a lobby, and the largest warp core in the franchise to date. For its Borg-corrupted state, the engineering section was outfitted with Borg drone alcoves, conduits and Data's "assimilation table" where he is interrogated by the Queen. Some existing sets were used to save money; sickbay was a redress of the same location from Voyager, while the USS Defiant scenes used Deep Space Nines standing set. Some set designs took inspiration from the Alien film series, Star Wars and 2001: A Space Odyssey. The spacewalk scene on the Enterprise exterior was one of the most challenging sets to envision and construct for the film. The production had to design a space suit that looked practical rather than exaggerated. Fans were built into the helmets so that the actors would not get overheated, and neon lights built into the front so that the occupant's faces could be seen. When the actors first put the helmets on, the fully enclosed design made it hard to breathe; after a minute of wearing the suit Stewart became ill, and shooting was discontinued. The set for the ship's outer hull and deflector dish were built on gimbals at Paramount's largest sound stage, surrounded by bluescreen and rigged with wires for the zero gravity sequences. The stage was not large enough to accommodate a full-sized replica of the Enterprise dish, so Zimmerman had to scale down the plans by 15 percent. Costumes and makeup The Starfleet uniforms were redesigned for the film by the Star Trek costumer Bob Blackman to give a more militaristic feel, with grey padded shoulders, black torso/sleeves/leggings and colored undershirts/stripe cuffs. The new uniforms from this film were later adopted in the fifth season of Star Trek: Deep Space Nine, beginning with "Rapture" and for the rest of the series, but the crew on Star Trek: Voyager continued to use the old DS9 uniforms, due to being stuck in the Delta Quadrant. Since Blackman was also handling the costumes for the television series, non-Starfleet design clothes were delegated to Deborah Everton, a newcomer to Star Trek who was responsible for more than 800 costumes during production. Everton was tasked with updating the Borg's costumes to something new, but reminiscent of the television series. The bulky suits were made sleeker and outfitted with fiber optic lights. The time-travel aspect of the story also required period costumes for the mid 21st