at New York University's Tisch School of the Arts, where he earned a Master of Fine Arts in film and television. Career 1980s In 1983, Lee premiered his first independent short film titled, Joe's Bed-Stuy Barbershop: We Cut Heads. Lee submitted the film as his master's degree thesis at the Tisch School of the Arts. Lee's classmates Ang Lee and Ernest R. Dickerson worked on the film as assistant director and cinematographer, respectively. The film was the first student film to be showcased in Lincoln Center's New Directors New Films Festival. Lee's father, Bill Lee, composed the score. The film won a Student Academy Award. In 1985, Lee began work on his first feature film, She's Gotta Have It. The black-and-white film concerns a young woman (played by Tracy Camilla Johns) who is seeing three men, and the feelings this arrangement provokes. The film was Lee's first feature-length film, and launched Lee's career. Lee wrote, directed, produced, starred and edited the film with a budget of $175,000, he shot the film in two weeks. When the film was released in 1986, it grossed over $7 million at the U.S. box office. New York Times film critic A.O. Scott wrote that the film "ushered in (along with Jim Jarmusch's Stranger Than Paradise) the American independent film movement of the 1980s. It was also a groundbreaking film for African-American filmmakers and a welcome change in the representation of blacks in American cinema, depicting men and women of color not as pimps and whores, but as intelligent, upscale urbanites." In 1989, Lee made perhaps his most seminal film, Do the Right Thing, which focused on a Brooklyn neighborhood's simmering racial tension on a hot summer day. The film's cast included Lee, Danny Aiello, Bill Nunn, Ossie Davis, Ruby Dee, Giancarlo Esposito, Rosie Perez, John Turturro, Martin Lawrence and Samuel L. Jackson. The film gained critical acclaim as one of the best films of the year from film critics including both Gene Siskel and Roger Ebert who ranked the film as the best of 1989, and later in their top 10 films of the decade ( for Siskel and for Ebert). Ebert later added the film to his list of The Great Movies. To many people's surprise, the film was not nominated for Best Picture or Best Director at the Academy Awards. The film only earned two Academy Award nominations for Best Original Screenplay,