a well-dressed gentleman with small horns and a tail originates from portrayals of Mephistopheles in the operas La damnation de Faust (1846) by Hector Berlioz, Mefistofele (1868) by Arrigo Boito, and Faust by Charles Gounod. Illustrations of Satan/Iblis in Islamic paintings often depict him black-faced, a feature which would later symbolize any satanic figure or heretic, and with a black body, to symbolize his corrupted nature. Another common depiction of Iblis shows him wearing a special head covering, clearly different from the traditional Islamic turban. In one painting, however, Iblis wears a traditional Islamic head covering. The turban probably refers to a narration of Iblis' fall: there he wore a turban, then he was sent down from heaven. Many other pictures show and describe Iblis at the moment, when the angels prostrate themselves before Adam. Here, he is usually seen beyond the outcrop, his face transformed with his wings burned, to the envious countenance of a devil. Iblis and his cohorts (div or shayatin) are often portrayed in Turko-Persian art as bangled creatures with flaming eyes, only covered by a short skirt. Similar to European arts, who took traits of pagan deities to depict devils, they depicted such demons often in a similar fashion to that of Hindu deities. In film and television The Devil is depicted as a vampire bat in Georges Méliès' The Haunted Castle (1896), which is often considered the first horror film. So-called "Black Masses" have been portrayed in sensationalist B-movies since the 1960s. One of the first films to portray such a ritual was the 1965 film Eye of the Devil, also known as 13. Alex Sanders, a former black magician, served as a consultant on the film to ensure that the rituals portrayed in it were depicted accurately. Over the next thirty years, the novels of Dennis Wheatley and the films of Hammer Film Productions both played a major role in shaping the popular image of Satanism. The film version of Ira Levin's Rosemary's Baby established made Satanic themes a staple of mainstream horror fiction. Later films such as The Exorcist (1973), The Omen (1976), Angel Heart (1987) and The Devil's Advocate (1997) feature Satan as an antagonist. In music References to Satan in music can be dated back to the Middle Ages. Giuseppe Tartini was inspired to write his most famous work, the Violin Sonata in G minor, also known as "The Devil's