he prevented them from stealing his jacket and was later followed by six gang members to a 15-foot-high (4.6 m) balcony at the Palais de Danse. There, Connery singlehandedly launched an attack against the gang members, grabbing one by the throat and another by the biceps and cracking their heads together. From then on, he was treated with great respect by the gang and gained a reputation as a "hard man". Connery first met Michael Caine at a party during the production of South Pacific in 1954, and the two later became close friends. During this production at the Opera House, Manchester, over the Christmas period of 1954, Connery developed a serious interest in the theatre through American actor Robert Henderson who lent him copies of the Ibsen works Hedda Gabler, The Wild Duck, and When We Dead Awaken, and later listed works by the likes of Proust, Tolstoy, Turgenev, Bernard Shaw, Joyce, and Shakespeare for him to digest. Henderson urged him to take elocution lessons and got him parts at the Maida Vale Theatre in London. He had already begun a film career, having been an extra in Herbert Wilcox's 1954 musical Lilacs in the Spring alongside Errol Flynn and Anna Neagle. Although Connery had secured several roles as an extra, he was struggling to make ends meet and was forced to accept a part-time job as a babysitter for journalist Peter Noble and his actress wife Marianne, which earned him 10 shillings a night. He met Hollywood actress Shelley Winters one night at Noble's house, who described Connery as "one of the tallest and most charming and masculine Scotsmen" she'd ever seen, and later spent many evenings with the Connery brothers drinking beer. Around this time, Connery was residing at TV presenter Llew Gardner's house. Henderson landed Connery a role in a £6 a week Q Theatre production of Agatha Christie's Witness for the Prosecution, during which he met and became friends with fellow-Scot Ian Bannen. This role was followed by Point of Departure and A Witch in Time at Kew, a role as Pentheus opposite Yvonne Mitchell in The Bacchae at the Oxford Playhouse, and a role opposite Jill Bennett in Eugene O'Neill's play Anna Christie. During his time at the Oxford Theatre, Connery won a brief part as a boxer in the TV series The Square Ring, before being spotted by Canadian director Alvin Rakoff, who