morality and society. Themes and style Each episode opens with a tongue-in-cheek all persons fictitious disclaimer: "All characters and events in this show—even those based on real people—are entirely fictional. All celebrity voices are impersonated.....poorly. The following program contains coarse language and due to its content it should not be viewed by anyone." South Park was the first weekly program to be rated TV-MA, and is generally intended for adult audiences. The boys and most other child characters use strong profanity, with only the most taboo words being bleeped during a typical broadcast. Parker and Stone perceive this as the manner in which real-life small boys speak when they are alone. South Park commonly makes use of carnivalesque and absurdist techniques, numerous running gags, violence, sexual content, offhand pop-cultural references, and satirical portrayal of celebrities. Early episodes tended to be shock value-oriented and featured more slapstick-style humor. While social satire had been used on the show occasionally earlier on, it became more prevalent as the series progressed, with the show retaining some of its focus on the boys' fondness of scatological humor in an attempt to remind adult viewers "what it was like to be eight years old." Parker and Stone also began further developing other characters by giving them larger roles in certain storylines, and began writing plots as parables based on religion, politics, and numerous other topics. This provided the opportunity for the show to spoof both extreme sides of contentious issues, while lampooning both liberal and conservative points of view. Rebecca Raphael described the show as "an equal opportunity offender", while Parker and Stone describe their main purpose as to "be funny" and "make people laugh", while stating that no particular topic or group of people be exempt from mockery and satire. Parker and Stone insist that the show is still more about "kids being kids" and "what it's like to be in [elementary school] in America", stating that the introduction of a more satirical element to the series was the result of the two adding more of a "moral center" to the show so that it would rely less on simply being crude and shocking in an attempt to maintain an audience. While profane, Parker notes that there is still an "underlying sweetness" aspect to the child characters, and Time described the boys as "sometimes cruel but with a core of innocence." Usually, the boys or