The New Wave was a science fiction (SF) style of the 1960s and 1970s, characterized by a great degree of experimentation with the form and content of stories, greater imitation of the styles of trendy non-science fiction literature, and an emphasis on the psychological and social sciences as opposed to the physical sciences. New Wave authors often considered themselves as part of the modernist tradition of fiction, and the New Wave was conceived as a deliberate change from the traditions of the science fiction characteristic of pulp magazines, which many of the writers involved considered irrelevant or unambitious. The most prominent source of New Wave science fiction was the British magazine New Worlds, edited by Michael Moorcock, who became editor during 1964. In the United States, Harlan Ellison's 1967 anthology Dangerous Visions is often considered as the best early representation of the genre. Ursula K. Le Guin, J. G. Ballard, Samuel R. Delany, Roger Zelazny, Joanna Russ, James Tiptree Jr. (a pseudonym of Alice Bradley Sheldon), Thomas M. Disch and Brian Aldiss were also major writers associated with the style. The New Wave was influenced by postmodernism, Surrealism, the politics of the 1960s, such as the controversy concerning the Vietnam War, and by social trends such as the drug subculture, sexual liberation, and environmentalism. Although the New Wave was critiqued for the self-absorption of some of its writers, it was influential in the development of subsequent genres, primarily cyberpunk and slipstream. Origins and use of the term Origins The phrase "New Wave" was used generally for new artistic fashions during the 1960s, imitating the term nouvelle vague used for certain French cinematic styles. P. Schuyler Miller, the regular book reviewer of Analog Science Fiction and Fact, first used it in the November 1961 issue to describe a new generation of British authors: "It's a moot question whether Carnell discovered the ‘big names’ of British science fiction—- Wyndham, Clarke, Russell, Christopher—- or whether they discovered him. Whatever the answer, there is no question at all about the ‘new wave’: Tubb, Aldiss, and to get to my point, Kenneth Bulmer and John Brunner". Subsequent usage The term 'New Wave' has been incorporated into the concept of New Wave Fabulism, a form of magic realism "which often blend a realist or postmodern aesthetic with nonrealistic interruptions, in which alternative technologies, ontologies, social structures, or biological forms make their way in to otherwise realistic