happy man or woman", he reasoned, "is a better thing to find than a five-pound note. He or she is a radiating focus of goodwill" and a practical demonstration of "the great Theorem of the Liveableness of Life". So that if they cannot be happy in the "handicap race for sixpenny pieces", let them take their own "by-road". Early writing and travels Literary and artistic connections Stevenson was visiting a cousin in England in late 1873 (Stevenson was 23) when he met two people who became very important to him: Sidney Colvin and Fanny (Frances Jane) Sitwell. Sitwell was a 34-year-old woman with a son, who was separated from her husband. She attracted the devotion of many who met her, including Colvin, who married her in 1901. Stevenson was also drawn to her, and they kept up a warm correspondence over several years in which he wavered between the role of a suitor and a son (he addressed her as "Madonna"). Colvin became Stevenson's literary adviser and was the first editor of his letters after his death. He placed Stevenson's first paid contribution in The Portfolio, an essay titled "Roads". Stevenson was soon active in London literary life, becoming acquainted with many of the writers of the time, including Andrew Lang, Edmund Gosse and Leslie Stephen, the editor of The Cornhill Magazine who took an interest in Stevenson's work. Stephen took Stevenson to visit a patient at the Edinburgh Infirmary named William Ernest Henley, an energetic and talkative poet with a wooden leg. Henley became a close friend and occasional literary collaborator, until a quarrel broke up the friendship in 1888, and he is often considered to be the inspiration for Long John Silver in Treasure Island. Stevenson was sent to Menton on the French Riviera in November 1873 to recuperate after his health failed. He returned in better health in April 1874 and settled down to his studies, but he returned to France several times after that. He made long and frequent trips to the neighbourhood of the Forest of Fontainebleau, staying at Barbizon, Grez-sur-Loing and Nemours and becoming a member of the artists' colonies there. He also travelled to Paris to visit galleries and the theatres. He qualified for the Scottish bar in July 1875, aged 24, and his father added a brass plate to the Heriot Row house reading "R.L. Stevenson, Advocate". His law studies did influence