"new literary techniques and modes of expression".:251-252 No other science fiction magazine was made to differ as consistently from traditional science fiction as much as New Worlds. By the time it ceased regular publication it had rejected identification with the genre of science fiction itself, styling itself as an experimental literary journal. In the United States, the best known representation of the genre is probably the 1967 anthology Dangerous Visions, edited by Harlan Ellison. During Moorcock's editorship of New Worlds, "galactic wars went out; drugs came in; there were fewer encounters with aliens, more in the bedroom. Experimentation in prose styles became one of the orders of the day, and the baleful influence of William Burroughs often threatened to gain the upper hand." Judith Merril observed, "...this magazine [''New Worlds''] was the publishing thermometer of the trend that was dubbed "the New Wave". In the United States the trend created an intense, incredible controversy. In Britain people either found it of interest or they didn't, but in the States it was heresy on the one hand and wonderful revolution on the other." Brooks Landon, professor of English at the University of Iowa, says of Dangerous Visions that it was innovative and influential before it had any readers simply because it was the first big original anthology of SF, offering prices to its writers that were competitive with the magazines. The readers soon followed, however, attracted by 33 stories by SF writers both well-established and relatively unheard of. These writers responded to editor Harlan Ellison's call for stories that could not be published elsewhere or had never been written in the face of almost certain censorship by SF editors... [T]o SF readers, especially in the United States, Dangerous Visions certainly felt like a revolution... Dangerous Visions marks an emblematic turning point for American SF. As an anthologist and speaker Merril with other authors advocated a reestablishment of science fiction within the literary mainstream and better literary standards. Her "incredible controversy" is characterized by David Hartwell in the opening sentence of a book chapter entitled "New Wave: The Great War of the 1960s": "Conflict and argument are an enduring presence in the SF world, but literary politics has yielded to open warfare on the largest scale only once." The changes were more than the experimental and explicitly provocative as inspired by Burroughs; in coherence with the literary nouvelle vague, although not in