illegitimate child, Philip of Cognac, and there are reports on his sexual relations with local women during his campaigns. Historians remain divided on the question of Richard's sexuality. Harvey argued in favour of his homosexuality but has been disputed by other historians, most notably John Gillingham (1994), who argues that Richard was probably heterosexual. Flori (1999) again argued in favour of Richard's homosexuality, based on Richard's two public confessions and penitences (in 1191 and 1195) which, according to Flori, "must have" referred to the sin of sodomy. Flori, however, concedes that contemporary accounts of Richard taking women by force exist, concluding that he probably had sexual relations with both men and women. Flori and Gillingham nevertheless agree that accounts of bed-sharing do not support the suggestion that Richard had a sexual relationship with King Philip II, as had been suggested by other modern authors. Legacy Heraldry The second Great Seal of Richard I (1198) shows him bearing a shield depicting three lions passant-guardant. This is the first instance of the appearance of this blazon, which later became established as the Royal Arms of England. It is likely, therefore, that Richard introduced this heraldic design. In his earlier Great Seal of 1189, he had used either one lion rampant or two lions rampants combatants, arms which he may have adopted from his father. Richard is also credited with having originated the English crest of a lion statant (now statant-guardant). The coat of three lions continues to represent England on several coins of the pound sterling, forms the basis of several emblems of English national sports teams (such as the England national football team, and the team's "Three Lions" anthem), and endures as one of the most recognisable national symbols of England. Medieval folklore Around the middle of the 13th century, various legends developed that, after Richard's capture, his minstrel Blondel travelled Europe from castle to castle, loudly singing a song known only to the two of them (they had composed it together). Eventually, he came to the place where Richard was being held, and Richard heard the song and answered with the appropriate refrain, thus revealing where the King was incarcerated. The story was the basis of André Ernest Modeste Grétry's opera Richard Cœur-de-Lion and seems to be the inspiration for the opening to Richard Thorpe's film version of Ivanhoe. It seems unconnected to the real Jean 'Blondel' de Nesle, an