work time engaged in bench-level research (such as postgraduate students in the sciences). Terminology Rats are frequently blamed for damaging food supplies and other goods, or spreading disease. Their reputation has carried into common parlance: in the English language, "rat" is often an insult or is generally used to signify an unscrupulous character; it is also used, as a synonym for the term nark, to mean an individual who works as a police informant or who has turned state's evidence. Writer/director Preston Sturges created the humorous alias "Ratskywatsky" for a soldier who seduced, impregnated, and abandoned the heroine of his 1944 film, The Miracle of Morgan's Creek. It is a term (noun and verb) in criminal slang for an informant – "to rat on someone" is to betray them by informing the authorities of a crime or misdeed they committed. Describing a person as "rat-like" usually implies he or she is unattractive and suspicious. Among trade unions, the word "rat" is also a term for nonunion employers or breakers of union contracts, and this is why unions use inflatable rats. Fiction Depictions of rats in fiction are historically inaccurate and negative. The most common falsehood is the squeaking almost always heard in otherwise realistic portrayals (i.e. nonanthropomorphic). While the recordings may be of actual squeaking rats, the noise is uncommon – they may do so only if distressed, hurt, or annoyed. Normal vocalizations are very high-pitched, well outside the range of human hearing. Rats are also often cast in vicious and aggressive roles when in fact, their shyness helps keep them undiscovered for so long in an infested home. The actual portrayals of rats vary from negative to positive with a majority in the negative and ambiguous. The rat plays a villain in several mouse societies; from Brian Jacques's Redwall and Robin Jarvis's The Deptford Mice, to the roles of Disney's Professor Ratigan and Kate DiCamillo's Roscuro and Botticelli. They have often been used as a mechanism in horror; being the titular evil in stories like The Rats or H.P. Lovecraft's The Rats in the Walls and in films like Willard and Ben. Another terrifying use of rats is as a method of torture, for instance in Room 101 in George Orwell's Nineteen Eighty-Four or The Pit and the Pendulum by Edgar Allan Poe. Selfish helpfulness —those willing to help for a price— has also been attributed to fictional rats.