used, and is played by the first alto saxophonist. A bass saxophone in B is used in some concert band music (especially music by Percy Grainger). Saxophones are used in chamber music, such as saxophone quartets and other chamber combinations of instruments. The classical saxophone quartet consists of a B soprano saxophone, E alto saxophone, B tenor saxophone, and E baritone saxophone (SATB). On occasion, the soprano is replaced with a second alto sax (AATB); a few professional saxophone quartets have featured non-standard instrumentation, such as James Fei's Alto Quartet (four altos). There is a repertoire of classical compositions and arrangements for the SATB instrumentation dating back to the nineteenth century, particularly by French composers who knew Sax. However, the largest body of chamber works for saxophone are from the modern era of classical saxophone initiated by Marcel Mule in 1928. Sigurd Raschèr followed as a soloist in orchestral works, starting in 1931, and also figured prominently in development of modern classical saxophone repertoire. The Mule quartet is often considered the prototype for quartets due to the level of virtuosity demonstrated by its members and its central role in the development of modern quartet repertoire. However, organized quartets existed before Mule's ensemble, the prime example being the quartet headed by Edward A. Lefebre (1834–1911), which was a subset of Patrick Gilmore's 22nd Regiment band between 1873 and 1893. In the 20th and 21st centuries, the saxophone found increased popularity in symphony orchestras. The instrument has also been used in opera and choral music. Musical theatre scores also can include parts for saxophone, sometimes doubling another woodwind or brass instrument. Selected works of the repertoire Fantasie sur un thème original (1860)—Jules Demersseman Rapsodie pour orchestre et saxophone [Rhapsody for orchestra and saxophone] (1901)—Claude Debussy Légende, symphonic suite for chromatic harp, alto saxophone and strings (1903)–André Caplet Choral varié, Op.55 (1903)—Vincent d'Indy Impressions d’automne, Elegy for alto saxophone, oboe, 2 clarinets, basson, harp, organ and 2 cellos (1905)–André Caplet Légende, Op.66 (1918)—Florent Schmitt Saxophone Concerto (1934)—Lars-Erik Larsson Concerto in E major for alto saxophone and orchestra (1934)—Alexander Glazunov Concertino da camera (1935)—Jacques Ibert Aria pour saxophone alto (1936)—Eugène Bozza Sonata for alto saxophone and piano (1937)—Bernhard Heiden Scaramouche for alto saxophone and piano (1937)—Darius Milhaud Ballade for Alto Saxophone (1938)—Henri Tomasi Sonata for alto saxophone and piano, Op. 19 (1939)—Paul Creston Sonata for alto saxophone and piano (1943)—Paul Hindemith Concerto for alto