Australian theatre icons such as David Williamson, Hugo Weaving, and Geoffrey Rush. The city's other prominent theatre companies are New Theatre, Belvoir, and Griffin Theatre Company. Sydney is also home to Event Cinemas' first theatre, which opened on George St in 1913, under its former Greater Union brand; the theatre currently operates, and is regarded as one of Australia's busiest cinema locations. The Sydney Opera House is the home of Opera Australia and Sydney Symphony. It has staged over 100,000 performances and received 100 million visitors since opening in 1973. Two other important performance venues in Sydney are Town Hall and the City Recital Hall. The Sydney Conservatorium of Music is located adjacent to the Royal Botanic Garden and serves the Australian music community through education and its biannual Australian Music Examinations Board exams. Many writers have originated in and set their work in Sydney. Others have visited the city and commented on it. Some of them are commemorated in the Sydney Writers Walk at Circular Quay. The city was the headquarters for Australia's first published newspaper, the Sydney Gazette. Watkin Tench's A Narrative of the Expedition to Botany Bay (1789) and A Complete Account of the Settlement at Port Jackson in New South Wales (1793) have remained the best-known accounts of life in early Sydney. Since the infancy of the establishment, much of the literature set in Sydney were concerned with life in the city's slums and working-class communities, notably William Lane's The Working Man's Paradise (1892), Christina Stead's Seven Poor Men of Sydney (1934) and Ruth Park's The Harp in the South (1948). The first Australian-born female novelist, Louisa Atkinson, set various of her novels in Sydney. Contemporary writers, such as Elizabeth Harrower, were born in the city and thus set most of the work there–Harrower's debut novel Down in the City (1957) was mostly set in a King's Cross apartment. Well known contemporary novels set in the city include Melina Marchetta's Looking for Alibrandi (1992), Peter Carey's 30 Days in Sydney: A Wildly Distorted Account (1999), J. M. Coetzee's Diary of a Bad Year (2007) and Kate Grenville's The Secret River (2010). The Sydney Writers' Festival is held every year between April and May. Filmmaking in Sydney was quite prolific until the 1920s when spoken films were introduced and American productions gained dominance in Australian cinema. The Australian New Wave of filmmaking saw a resurgence in film