Lacan also owe a great deal to Mallarmé's 'critical poem.'" He is famous for his symbolism by which we can understand him very well. Un Coup de Dés It has been suggested that "much of Mallarmé's work influenced the conception of hypertext, with his purposeful use of blank space and careful placement of words on the page, allowing multiple non-linear readings of the text. This becomes very apparent in his work Un coup de dés." In 1990, Greenhouse Review Press published D. J. Waldie's American translation of Un Coup de Dés in a letterpress edition of 60 copies, its typography and format based on examination of the final (or near final) corrected proofs of the poem in the collection of Harvard's Houghton Library. Prior to 2004, Un Coup de Dés was never published in the typography and format conceived by Mallarmé. In 2004, 90 copies on vellum of a new edition were published by Michel Pierson et Ptyx. This edition reconstructs the typography originally designed by Mallarmé for the projected Vollard edition in 1897 and which was abandoned after the sudden death of the author in 1898. All the pages are printed in the format (38 cm by 28 cm) and in the typography chosen by the author. The reconstruction has been made from the proofs which are kept in the Bibliothèque Nationale de France, taking into account the written corrections and wishes of Mallarmé and correcting certain errors on the part of the printers Firmin-Didot. A copy of this edition is in the Bibliothèque François-Mitterrand. Copies have been acquired by the Bibliothèque littéraire Jacques-Doucet and University of California - Irvine, as well as by private collectors. A copy has been placed in the Museum Stéphane Mallarmé at Vulaines-sur-Seine, Valvins, where Mallarmé lived and died and where he made his final corrections on the proofs prior to the projected printing of the poem. In 2012, the French philosopher Quentin Meillassoux published The Number and the Siren, a rigorous attempt at 'deciphering' the poem on the basis of a unique interpretation of the phrase 'the unique Number, which cannot be another.' In 2015, Wave Books published A Roll of the Dice Will Never Abolish Chance, a dual-language edition of the poem, translated by Robert Bononno and Jeff Clark (designer). Another dual-language edition, translated by Henry Weinfield, was published by University of California Press in 1994. The poet and visual artist Marcel