when the show went to series. These teams were led by construction coordinator Tom Arp, who had previously worked on Deep Space Nine and a number of Star Trek films in the same capacity. Although a number of episodes required specific sets to be built from scratch, the team would save certain elements to enable them to be reused in later episodes. The production had a warehouse in Burbank to store those pieces while they were not being used. Midway through the third season, from "Exile" onwards, the series started to be broadcast in 1080i high-definition television. Alongside Jake 2.0, it was one of the first two series on UPN to be broadcast in high-definition. The show contains over 4,214 minutes of special effects, dialogue, and other scenes. Although it was broadcast in high definition at 1080i, it was not released on 1080p blu-ray until later. An example of high definition is the 2017 Blu-ray collection of the full series called Enterprise: The Full Journey. Until the start of the fourth season, the series was shot on traditional film stock. The first three seasons were shot on wide screen 35mm film with and an aspect ratio of 1.78:1, and it was 3-perf Super 35mm film. After Rush began testing a Sony digital camera on the standing sets for two days prior to production on "Storm Front" and demonstrated the footage to Braga and Berman, the decision was made to switch to digital production. Rush felt that the audience would not see a great deal of difference as the footage could be shot in a way to look the same as the earlier seasons; but he felt that filming in high-definition video would be a benefit because of the additional detail that could be seen. At the time, this was cutting-edge for a TV show, allowing the production team improved low-light performance and enabling more shooting compared to chemical films. A Sony HDW-F900 CineAlta High-Definition camera was used, and the recording technology also used Sony' CineAlta 24P, a trademarked name of that company. The decision to move to Sony's technology was a unanimous agreement of the show's three executive producers, and was also supported by the director of photography. Season four's Blu-ray release in 1080p has been praised as sharp and with satisfying color, and the best-looking of the seasons. The fourth season has been released multiple times, and as a