billion. The film was nominated for nine Academy Awards, winning Best Sound Effects, Best Special Effects, and Best Music. His next directorial feature was the Raiders of the Lost Ark prequel, Indiana Jones and the Temple of Doom (1984). Working once again with George Lucas and Harrison Ford, the film was shot in the United States, Sri Lanka and China. This film and Gremlins led to the creation of the PG-13 rating because some of the material was not suitable for children under 13. Temple of Doom was rated PG-13 by the MPAA; some scenes depicted children working in the mines. Spielberg later said that he was unhappy with the Temple of Doom because it did not have his "personal touches and love". Nonetheless, the film was a blockbuster hit, and won an Academy Award for Best Special Effects. It was on this project that Spielberg also met his future wife, actress Kate Capshaw, who played Willie Scott in the film. In 1984, Spielberg, Frank Marshall, and Kathleen Kennedy founded production company Amblin Entertainment. Between 1984 and 1990, Spielberg served as either producer or executive producer on nineteen feature films; these include: The Goonies, The Money Pit, Joe Versus the Volcano, *batteries not included, Back to the Future, Cape Fear, and Who Framed Roger Rabbit. In some films, such as Harry and the Hendersons and Young Sherlock Holmes, the title "Steven Spielberg Presents" would be shown in the opening credits. Much of Spielberg's producing work was aimed at children and teens, including cartoons such as Tiny Toon Adventures, Animaniacs, Pinky and the Brain, Freakazoid!, and Family Dog. Spielberg also produced the Don Bluth animations, An American Tail and The Land Before Time. Beginning in 1985, NBC offered Spielberg a two-year contract on a television series, Amazing Stories; the show was marketed as a blend of The Twilight Zone and Alfred Hitchcock Presents. NBC gave Spielberg creative control and a budget of $1 million for each episode. After two seasons and disappointing ratings, the show was not renewed. Although Spielberg's involvement as a producer would vary widely from project to project, director Robert Zemeckis said that Spielberg would always "respect the filmmaker's vision". Over the next decade, Spielberg's record as a producer brought mixed critical and commercial performance. In 1992, Spielberg began to scale back producing, saying "Producing has been the least fulfilling aspect of what I've done in the last