(1926), Aragon's Irene's Cunt (1927), Péret's Death to the Pigs (1929), Crevel's Mr. Knife Miss Fork (1931), Sadegh Hedayat's the Blind Owl (1937), and Breton's Sur la route de San Romano (1948). La Révolution surréaliste continued publication into 1929 with most pages densely packed with columns of text, but which also included reproductions of art, among them works by de Chirico, Ernst, Masson, and Man Ray. Other works included books, poems, pamphlets, automatic texts and theoretical tracts. Surrealist films Early films by Surrealists include: Entr'acte by René Clair (1924) The Seashell and the Clergyman () by Germaine Dulac, scenario by Antonin Artaud (1928) L'Étoile de mer by Man Ray (1928) Un Chien Andalou by Luis Buñuel and Salvador Dalí (1929) L'Âge d'Or by Buñuel and Dalí (1930) The Blood of a Poet () by Jean Cocteau (1930) Surrealist photography Famous Surrealist photographers are the American Man Ray, the French/Hungarian Brassaï, French Claude Cahun and the Dutch Emiel van Moerkerken. Surrealist theatre The word surrealist was first used by Apollinaire to describe his 1917 play Les Mamelles de Tirésias ("The Breasts of Tiresias"), which was later adapted into an opera by Francis Poulenc. Roger Vitrac's The Mysteries of Love (1927) and Victor, or The Children Take Over (1928) are often considered the best examples of Surrealist theatre, despite his expulsion from the movement in 1926. The plays were staged at the Theatre Alfred Jarry, the theatre Vitrac co-founded with Antonin Artaud, another early Surrealist who was expelled from the movement. Following his collaboration with Vitrac, Artaud would extend Surrealist thought through his theory of the Theatre of Cruelty. Artaud rejected the majority of Western theatre as a perversion of its original intent, which he felt should be a mystical, metaphysical experience. Instead, he envisioned a theatre that would be immediate and direct, linking the unconscious minds of performers and spectators in a sort of ritual event, Artaud created in which emotions, feelings, and the metaphysical were expressed not through language but physically, creating a mythological, archetypal, allegorical vision, closely related to the world of dreams. The Spanish playwright and director Federico García Lorca, also experimented with surrealism, particularly in his plays The Public (1930), When Five Years Pass (1931), and Play Without a Title (1935). Other surrealist plays include Aragon's Backs to the Wall (1925). Gertrude Stein's opera Doctor Faustus Lights the Lights (1938) has also been described as "American Surrealism",