alike agitated the human heart, whether it throbbed under the steel corslet of the fifteenth century, the brocaded coat of the eighteenth, or the blue frock and white dimity waistcoat of the present day." It was one of Scott's main achievements to give lively, detailed pictures of different stages of Scottish, British, and European society while making it clear that for all the differences in form, they took the same human passions as those of his own age. His readers could therefore appreciate the depiction of an unfamiliar society, while having no difficulty in relating to the characters. Scott is fascinated by striking moments of transition between stages in societies. Samuel Taylor Coleridge, in a discussion of Scott's early novels, found that they derive their "long-sustained interest" from "the contest between the two great moving Principles of social Humanity – religious adherence to the Past and the Ancient, the Desire & the admiration of Permanence, on the one hand; and the Passion for increase of Knowledge, for Truth as the offspring of Reason, in short, the mighty Instincts of Progression and Free-agency, on the other." This is clear, for example, in Waverley, as the hero is captivated by the romantic allure of the Jacobite cause embodied in Bonnie Prince Charlie and his followers before accepting that the time for such enthusiasms has passed and accepting the more rational, humdrum reality of Hanoverian Britain. Another example appears in 15th-century Europe in the yielding of the old chivalric world view of Charles, Duke of Burgundy to the Machiavellian pragmatism of Louis XI. Scott is intrigued by the way different stages of societal development can exist side by side in one country. When Waverley has his first experience of Highland ways after a raid on his Lowland host's cattle, it "seemed like a dream ... that these deeds of violence should be familiar to men's minds, and currently talked of, as falling with the common order of things, and happening daily in the immediate neighbourhood, without his having crossed the seas, and while he was yet in the otherwise well-ordered island of Great Britain." A more complex version of this comes in Scott's second novel, Guy Mannering (1815), which "set in 1781‒2, offers no simple opposition: the Scotland represented in the novel is at once backward and advanced, traditional and modern – it is a country in varied stages of progression in which