on a convict named Francis Greenway to design Macquarie Lighthouse. The lighthouse and its Classical design earned Greenway a pardon from Macquarie in 1818 and introduced a culture of refined architecture that remains to this day. Greenway went on to design the Hyde Park Barracks in 1819 and the Georgian style St James's Church in 1824. Gothic-inspired architecture became more popular from the 1830s. John Verge's Elizabeth Bay House and St Philip's Church of 1856 were built in Gothic Revival style along with Edward Blore's Government House of 1845. Kirribilli House, completed in 1858, and St Andrew's Cathedral, Australia's oldest cathedral, are rare examples of Victorian Gothic construction. From the late 1850s there was a shift towards Classical architecture. Mortimer Lewis designed the Australian Museum in 1857. The General Post Office, completed in 1891 in Victorian Free Classical style, was designed by James Barnet. Barnet also oversaw the 1883 reconstruction of Greenway's Macquarie Lighthouse. Customs House was built in 1844 to the specifications of Lewis, with additions from Barnet in 1887 and W L Vernon in 1899. The neo-Classical and French Second Empire style Town Hall was completed in 1889. Romanesque designs gained favour amongst Sydney's architects from the early 1890s. Sydney Technical College was completed in 1893 using both Romanesque Revival and Queen Anne approaches. The Queen Victoria Building was designed in Romanesque Revival fashion by George McRae and completed in 1898. It was built on the site of the Sydney Central Markets and accommodates 200 shops across its three storeys. As the wealth of the settlement increased, and as Sydney developed into a metropolis after Federation in 1901, its buildings became taller. Sydney's first tower was Culwulla Chambers on the corner of King Street and Castlereagh Street which topped out at making 12 floors. The Commercial Traveller's Club, located in Martin Place and built in 1908, was of similar height at 10 floors. It was built in a brick stone veneer and demolished in 1972 to make way for Harry Seidler's MLC Centre. This heralded a change in Sydney's cityscape and with the lifting of height restrictions in the 1960s there came a surge of high-rise construction. Acclaimed architects such as Jean Nouvel, Harry Seidler, Richard Rogers, Renzo Piano, Norman Foster, and Frank Gehry have each made their own contribution to the city's skyline. The Great Depression had a tangible influence on Sydney's architecture. New structures became more