Patty Hearst (2004), directed by Robert Stone (It was released under the alternate title Neverland: The Rise and Fall of the Symbionese Liberation Army.) The Radical Story of Patty Hearst (2018) (TV); the Cable News Network produced a six-part docuseries on Patty Hearst. It featured on-air statements by several former members of the SLA. The report also contained several statements by Jeffrey Toobin, author of the American Heiress: The Wild Saga of the Kidnapping, Crimes and Trial of Patty Hearst. The docuseries indirectly adapts Toobin's book as part of the report. The freeware game Liberal Crime Squad by Tarn Adams, better known as the developer of Dwarf Fortress, is a satirical game that allows the player to change policies through the methods of the SLA in order to win the game. Patti Smith's 1974 single of Jimi Hendrix's 1960s song "Hey Joe" begins with a salacious and provocative monologue about Patty Hearst and the SLA, which puts a feminist spin on the lyrics that had been written about a man who murders his adulterous wife and then flees to Mexico. Honey, the way you play guitar makes me feel so... makes me feel so...masochistic. The way you go down low deep into the neck... and I would do anything... and I would do anything. And Patty Hearst, you standing there in front of the Symbionese Liberation Army flag with your legs spread. I was wondering: were you gettin' it every night from a black revolutionary man and his women? Or were you really dead? And now that you're on the run, what goes on in your mind? Your sisters they sit by the window. You know, your mama does sit and cry. And your daddy—well, you know what your daddy said Patty. You know what your daddy said, Patty? He said... he said... he said.... "Well, sixty days ago she was such a lovely child. Now here she is, with a gun in her hand. Thus, Smith's version effectively casts Patty Hearst in the role of Joe "with a gun in her hand"—a violent criminal rebelling against the law and all civil authority. Before the fadeout, Smith sings in the voice of Hearst angrily repudiating both her privileged upbringing as well as the mainstream society which has condemned her as a spoiled, vacuous "pretty little rich girl" who became a terrorist. This particular recording was made when Patty Hearst was