("Voice Mail #2"). At last, the missing Collins enters the apartment, presenting Angel, who is now in full drag and shares the money she made and the amusing story of how she killed a dog to earn it ("Today 4 U"). Mark comes home, and Benny arrives, speaking of Maureen's upcoming protest against his plans to evict the homeless from a lot where he is hoping to build a cyber arts studio. Benny offers that, if they convince Maureen to cancel the protest, then Mark and Roger can officially remain rent-free tenants. However, the two rebuff Benny's offer and he leaves ("You'll See"). Mark leaves the loft again to go help Maureen with the sound equipment for the protest, unexpectedly meeting Joanne at the stage. Initially hesitant with each other, the two eventually bond over their shared distrust of Maureen's "gaslighting" and promiscuous behavior ("Tango: Maureen"). Mark then joins Collins and Angel to film their HIV support group meeting ("Life Support"), while Mimi attempts to seduce Roger alone in his apartment ("Out Tonight"). Roger is extremely upset by Mimi's intrusion, demanding she leave him alone and resisting any romantic feelings he may harbor for her ("Another Day"). After Mimi leaves, Roger reflects on his fear of dying an undignified death from AIDS, while the Life Support group echoes his thoughts ("Will I"). Collins, Mark, and Angel protect a homeless woman from police harassment using Mark's camera, but she chastises them because she believes they only did it so Mark can make a name for himself from her situation ("On the Street"). To lighten the mood, Collins talks about his dream of escaping New York City to open a restaurant in Santa Fe ("Santa Fe"). Soon, Mark leaves to check up on Roger; while alone, Collins and Angel confess their love for each other ("I'll Cover You"). Joanne hectically prepares for Maureen's show, trying to balance all the people calling her at once ("We're Okay"). Before the performance, Roger apologizes to Mimi, inviting her to come to the protest and the dinner party his friends are having afterwards. At the same time, police, vendors, and homeless people prepare for the protest ("Christmas Bells"). Maureen begins her avant-garde, if not over the top, performance based on "Hey Diddle Diddle" ("Over the Moon"). At the post-show party at the Life Café, Benny arrives, criticizing the protest and the group's bohemian lifestyle. In response,