Hoople. The most popular music style for late-1970s skinheads was 2 Tone, a fusion of ska, rocksteady, reggae, pop and punk rock. The 2 Tone genre was named after 2 Tone Records, a Coventry record label that featured bands such as The Specials, Madness and The Selecter. Some late-1970s skinheads also liked certain punk rock bands, such as Sham 69 and Menace. In the late 1970s, after the first wave of punk rock, many skinheads embraced Oi!, a working class punk subgenre. Musically, Oi! combines standard punk with elements of football chants, pub rock and British glam rock. The Oi! scene was partly a response to a sense that many participants in the early punk scene were, in the words of The Business guitarist Steve Kent, "trendy university people using long words, trying to be artistic ... and losing touch". The term Oi! as a musical genre is said to come from the band Cockney Rejects and journalist Garry Bushell, who championed the genre in Sounds magazine. Not exclusively a skinhead genre, many Oi! bands included skins, punks and people who fit into neither category. Notable Oi! bands of the late 1970s and early 1980s include Angelic Upstarts, Blitz, the Business, Last Resort, The Burial, Combat 84 and the 4-Skins. American Oi! began in the 1980s, with bands such as U.S. Chaos, The Press, Iron Cross, The Bruisers and Anti-Heros. American skinheads created a link between their subculture and hardcore punk music, with bands such as Warzone, Agnostic Front, and Cro-Mags. The Oi! style has also spread to other parts of the world, and remains popular with many skinheads. Many later Oi! bands have combined influences from early American hardcore and 1970s British streetpunk. Among some skinheads, heavy metal is popular. Bands such as the Canadian act Blasphemy, whose guitarist is black, has been known to popularise and merchandise the phrase "black metal skinheads". As the group's vocalist recounts, "a lot of black metal skinheads from the other side of Canada" would join in on the British Columbian black metal underground. "I remember one guy... who had 'Black Metal Skins' tattooed on his forehead. We didn't hang out with white power skinheads, but there were some Oi skinheads who wanted to hang out with us." National Socialist black metal has an audience among white power skinheads. There was a record label called "Satanic Skinhead Propaganda" that was known to specialize