2021. Kimi, released on HBO Max in 2022, was shot in Seattle and Los Angeles in April and May 2021. It stars Zoë Kravitz as an agoraphobic tech worker who discovers evidence of a violent crime, and reunites Soderbergh with Traffic actors Erika Christensen and Jacob Vargas. Magic Mike's Last Dance, was filmed in London in early 2022. This third episode in the hugely successful Magic Mike franchise brings back star Channing Tatum and also introduces Salma Hayek to the series. The film was originally set to premiere on HBO Max, but was instead released in theaters on February 10, 2023. His next project is Full Circle, an HBO Max miniseries starring Zazie Beetz, Claire Danes and Timothy Olyphant. It is written by Ed Solomon, who also wrote Mosaic, and follows "an investigation into a botched kidnapping" that "uncovers long-held secrets connecting multiple characters and cultures in present-day New York City." Soderbergh is developing a six-part miniseries written by Lem Dobbs about the life of Emin Pasha. He also produced the off-broadway play The Fears, his first stage credit. Filmmaking Style Soderbergh's visual style often emphasizes wealthy urban settings, natural lighting, and fast-paced working environments. Film critic Drew Morton has categorized his stylistic approach to films akin to the French New Wave movement in filmmaking. Soderbergh's experimental style and tendency to reject mainstream film standards stems from his belief that "[filmmakers] are always, in essence, at the beginning of infinity ... there is always another iteration ... always will be." On a technical level, Soderbergh prefers sustained close-ups, tracking shots, jump cuts, experimental sequencing, and frequently skips establishing shots in favor of audio and alternative visuals. Many of his films are noted for a milieu of suspense through the usage of third-person vantage points and a variety of over-the-shoulder shots. In his film Contagion (2011), he used a multi-narrative "hyperlink cinema" style, first established within the Ocean's trilogy. He is known for tracking aesthetic transitions with a variety of colored washes, most notably yellow to symbolize open, socially acceptable situations while blue washes typically symbolize illegal or socially illicit endeavors. In line with these washes, Soderbergh is liberal in his usage of montages as he believes that they are equally important story-telling as dialogue is. Soderbergh is known for having a combative relationship with Hollywood and the standards of studio filmmaking. Film critic Roger Ebert has commented in this stylistic