a surprise climax that employed Orbison's dynamic voice. "Crying" followed in July 1961 and reached number two; it was coupled with an up-tempo R&B song, "Candy Man", written by Fred Neil and Beverley Ross, which reached the Billboard Top 30, staying on the charts for two months. While Orbison was touring Australia in 1962, an Australian DJ referred to him affectionately as "The Big O", partly based on the big finishes to his dramatic ballads, and the moniker stuck with him thereafter. Orbison's second son was born the same year, and Orbison hit number four in the United States and number two in the UK with "Dream Baby (How Long Must I Dream)", an upbeat song by country songwriter Cindy Walker. Orbison enlisted The Webbs from Dothan, Alabama as his backing band. The band changed their names to The Candy Men (in reference to Roy's hit) and played with Orbison from 1962 to 1967. They later went on to have their own career, releasing a few singles and two albums on their own. Also in 1962, he charted with "The Crowd", "Leah", and "Workin' for the Man", which he wrote about working one summer in the oil fields near Wink. His relationship with Joe Melson, however, was deteriorating over Melson's growing concerns that his own solo career would never get off the ground. 1963–1964 Orbison eventually developed an image that did not reflect his personality. He had no publicist in the early 1960s, therefore he had little presence in fan magazines, and his single sleeves did not feature his picture. Life called him an "anonymous celebrity". After leaving his thick eyeglasses on an airplane in 1963, while on tour with the Beatles, Orbison was forced to wear his prescription Wayfarer sunglasses on stage and found that he preferred them. The sunglasses led some people to assume he was blind. His black clothes and song lyrics emphasized the image of mystery and introversion. His dark and brooding persona, combined with his tremulous voice in lovelorn ballads marketed to teenagers, made Orbison a star in the early 1960s. His string of top-40 hits continued with "In Dreams" (US number seven, UK number six), "Falling" (US number 22, UK number 9), and "Mean Woman Blues" (US number five, UK number three) coupled with "Blue Bayou" (US number 29, UK number three). According to the discography in The Authorized Roy Orbison, a rare alternative