in 1976 and recorded Regeneration with Fred Foster, but it proved no more successful than before. In late 1977, Orbison was not feeling well and decided to spend the winter in Hawaii. He checked in to a hospital there where testing discovered that he had severely obstructed coronary arteries. He underwent a triple coronary bypass on January 18, 1978. He had suffered from duodenal ulcers since 1960 and had been a heavy smoker since adolescence. 1980–1988: Career revival In 1980, Don McLean recorded "Crying" and it went to the top of the charts, first in the Netherlands then reaching number five in the US and staying on the charts for 15 weeks; it was number one in the UK for three weeks and also topped the Irish Charts. In 1981 he performed "Pretty Woman" on an episode of The Dukes of Hazzard. Orbison was all but forgotten in the US, yet he reached popularity in less likely places such as Bulgaria in 1982. He was astonished to find that he was as popular there as he had been in 1964, and he was forced to stay in his hotel room because he was mobbed on the streets of Sofia. In 1981, he and Emmylou Harris won a Grammy Award for their duet "That Lovin' You Feelin' Again" from the comedy film Roadie (in which Orbison also played a cameo role), and things were picking up. It was Orbison's first Grammy, and he felt hopeful of making a full return to popular music, In the meantime, Van Halen released a hard-rock cover of "Oh, Pretty Woman" on their 1982 album Diver Down, further exposing a younger generation to Orbison's music. It has been alleged that Orbison originally declined David Lynch's request to allow the use of "In Dreams" for the film Blue Velvet (1986), although Lynch has stated to the contrary that he and his producers obtained permission to use the song without speaking to Orbison in the first place. Lynch's first choice for a song had actually been "Crying"; the song served as one of several obsessions of a psychopathic character named Frank Booth (played by Dennis Hopper). It was lip-synched by Ben (Dean Stockwell), Booth's drug dealer boss, using an industrial work light as a pretend microphone, lighting his face. In later scenes, Booth demands the song be played repeatedly; also wanting the song while beating the protagonist. During