went on to become a 1965 hit. Noon Wine Peckinpah caught a lucky break in 1966 when producer Daniel Melnick needed a writer and director to adapt Katherine Anne Porter's short novel Noon Wine for television. Melnick was a big fan of The Westerner and Ride the High Country, and had heard Peckinpah had been unfairly fired from The Cincinnati Kid. Against the objections of many within the industry, Melnick hired Peckinpah and gave him free rein. Peckinpah completed the script, which Porter enthusiastically endorsed, and the project became an hour-long presentation for ABC Stage 67. Taking place in turn of the century West Texas, Noon Wine was a dark tragedy about a farmer's act of futile murder which leads to suicide. Starring Jason Robards and Olivia de Havilland, the film was a critical hit, with Peckinpah nominated by the Writers Guild for Best Television Adaptation and the Directors Guild of America for Best Television Direction. Robards kept a personal copy of the film in his private collection for years as he considered the project to be one of his most satisfying professional experiences. A rare film which had no home video release until 2014, Noon Wine is today considered one of Peckinpah's most intimate works, revealing his dramatic potential and artistic depth. International fame The Wild Bunch The surprising success of Noon Wine laid the groundwork for one of the most explosive comebacks in film history. In 1967, Warner Bros.-Seven Arts producers Kenneth Hyman and Phil Feldman were interested in having Peckinpah rewrite and direct an adventure film, The Diamond Story. An alternative screenplay written by Roy Sickner and Walon Green was the western The Wild Bunch. At the time, William Goldman's screenplay Butch Cassidy and the Sundance Kid had recently been purchased by 20th Century Fox. It was quickly decided that The Wild Bunch, which had several similarities to Goldman's work, would be produced in order to beat Butch Cassidy to the theaters. By the fall of 1967, Peckinpah was rewriting the screenplay into what became The Wild Bunch. Filmed on location in Mexico, Peckinpah's epic work was inspired by a number of forces—his hunger to return to films, the violence seen in Arthur Penn's Bonnie and Clyde, America's growing frustration with the Vietnam War, and what he perceived to be the utter lack of reality seen in Westerns up to that time. He set out to make