Wilhelm Meister's Apprenticeship and eventually published in The Dublin Magazine in 1934: Beckett travelled throughout Europe. He spent some time in London, where in 1931 he published Proust, his critical study of French author Marcel Proust. Two years later, following his father's death, he began two years' treatment with Tavistock Clinic psychoanalyst Dr. Wilfred Bion. Aspects of it became evident in Beckett's later works, such as Watt and Waiting for Godot. In 1932, he wrote his first novel, Dream of Fair to Middling Women, but after many rejections from publishers decided to abandon it (it was eventually published in 1992). Despite his inability to get it published, however, the novel served as a source for many of Beckett's early poems, as well as for his first full-length book, the 1933 short-story collection More Pricks Than Kicks. Beckett published essays and reviews, including "Recent Irish Poetry" (in The Bookman, August 1934) and "Humanistic Quietism", a review of his friend Thomas MacGreevy's Poems (in The Dublin Magazine, July–September 1934). They focused on the work of MacGreevy, Brian Coffey, Denis Devlin and Blanaid Salkeld, despite their slender achievements at the time, comparing them favourably with their Celtic Revival contemporaries and invoking Ezra Pound, T. S. Eliot, and the French symbolists as their precursors. In describing these poets as forming "the nucleus of a living poetic in Ireland", Beckett was tracing the outlines of an Irish poetic modernist canon. In 1935—the year that he successfully published a book of his poetry, Echo's Bones and Other Precipitates—Beckett worked on his novel Murphy. In May, he wrote to MacGreevy that he had been reading about film and wished to go to Moscow to study with Sergei Eisenstein at the Gerasimov Institute of Cinematography. In mid-1936 he wrote to Eisenstein and Vsevolod Pudovkin to offer himself as their apprentice. Nothing came of this, however, as Beckett's letter was lost owing to Eisenstein's quarantine during the smallpox outbreak, as well as his focus on a script re-write of his postponed film production. In 1936, a friend had suggested he look up the works of Arnold Geulincx, which Beckett did and he took many notes. The philosopher's name is mentioned in Murphy and the reading apparently left a strong impression. Murphy was finished in 1936 and Beckett departed for extensive travel around Germany, during which time he filled several notebooks with lists of noteworthy artwork that he had seen