Spanheim greeted the poet Ulrich von Liechtenstein, who was travelling around Europe in guise of Venus, upon his arrival in Carinthia in 1227 (or 1238), is another example of some level of Slovene knowledge among high nobility in the region. The first printed Slovene words, stara pravda (meaning 'old justice' or 'old laws'), appeared in 1515 in Vienna in a poem of the German mercenaries who suppressed the Slovene peasant revolt: the term was presented as the peasants' motto and battle cry. Standard Slovene emerged in the second half of the 16th century, thanks to the works of Slovene Lutheran authors, who were active during the Protestant Reformation. The most prominent authors from this period are Primož Trubar, who wrote the first books in Slovene; Adam Bohorič, the author of the first Slovene grammar; and Jurij Dalmatin, who translated the entire Bible into Slovene. From the high Middle Ages up to the dissolution of the Austro-Hungarian Empire in 1918, in the territory of present-day Slovenia, German was the language of the elite, and Slovene was the language of the common people. During this period, German had a strong influence on Slovene, and many Germanisms are preserved in contemporary colloquial Slovene. Many Slovene scientists before the 1920s also wrote in foreign languages, mostly German, which was the lingua franca of science throughout Central Europe at the time. Recent history During the rise of Romantic nationalism in the 19th century, the cultural movements of Illyrism and Pan-Slavism brought words from Serbo-Croatian, specifically Croatian dialects, and Czech into standard Slovene, mostly to replace words previously borrowed from German. Most of these innovations have remained, although some were dropped in later development. In the second half of the 19th century, many nationalist authors made an abundant use of Serbo-Croatian words: among them were Fran Levstik and Josip Jurčič, who wrote the first novel in Slovene in 1866. This tendency was reversed in the Fin de siècle period by the first generation of modernist Slovene authors (most notably the writer Ivan Cankar), who resorted to a more "pure" and simple language without excessive Serbo-Croatian borrowings. During the Kingdom of Yugoslavia in the 1920s and 1930s, the influence of Serbo-Croatian increased again. This was opposed by the younger generations of Slovene authors and intellectuals; among the most fierce opponents of an excessive Serbo-Croatian influence on Slovene were the intellectuals associated with the leftist journal Sodobnost, as