Heinz Josef Thissen have argued that all three versions were composed simultaneously, while Stephen Quirke sees in the decree "an intricate coalescence of three vital textual traditions". Richard Parkinson points out that the hieroglyphic version strays from archaic formalism and occasionally lapses into language closer to that of the demotic register that the priests more commonly used in everyday life. The fact that the three versions cannot be matched word for word helps to explain why the decipherment has been more difficult than originally expected, especially for those original scholars who were expecting an exact bilingual key to Egyptian hieroglyphs. Rivalries Even before the Salvolini affair, disputes over precedence and plagiarism punctuated the decipherment story. Thomas Young's work is acknowledged in Champollion's 1822 Lettre à M. Dacier, but incompletely, according to early British critics: for example, James Browne, a sub-editor on the Encyclopædia Britannica (which had published Young's 1819 article), anonymously contributed a series of review articles to the Edinburgh Review in 1823, praising Young's work highly and alleging that the "unscrupulous" Champollion plagiarised it. These articles were translated into French by Julius Klaproth and published in book form in 1827. Young's own 1823 publication reasserted the contribution that he had made. The early deaths of Young (1829) and Champollion (1832) did not put an end to these disputes. In his work on the stone in 1904 E. A. Wallis Budge gave special emphasis to Young's contribution compared with Champollion's. In the early 1970s, French visitors complained that the portrait of Champollion was smaller than one of Young on an adjacent information panel; English visitors complained that the opposite was true. The portraits were in fact the same size. Requests for repatriation to Egypt Calls for the Rosetta Stone to be returned to Egypt were made in July 2003 by Zahi Hawass, then Secretary-General of Egypt's Supreme Council of Antiquities. These calls, expressed in the Egyptian and international media, asked that the stele be repatriated to Egypt, commenting that it was the "icon of our Egyptian identity". He repeated the proposal two years later in Paris, listing the stone as one of several key items belonging to Egypt's cultural heritage, a list which also included: the iconic bust of Nefertiti in the Egyptian Museum of Berlin; a statue of the Great Pyramid architect Hemiunu in the Roemer-und-Pelizaeus-Museum in Hildesheim, Germany; the Dendera Temple Zodiac in the Louvre in Paris; and