and his own Mystery Girl at number 5. In the United Kingdom, he achieved even greater posthumous success, with two solo albums in the Top 3 on February 11, 1989 (Mystery Girl was number 2 and the compilation The Legendary Roy Orbison was number 3). Although the video for the Traveling Wilburys' "Handle with Care" was filmed with Orbison, the video for "End of the Line" was filmed and released posthumously. During Orbison's vocal solo parts in "End of the Line,” the video shows Orbison's guitar in a rocking chair next to Orbison's framed photo. On October 20, 1992, King of Hearts—another album of Orbison songs—was released. In 2014, a demo of Orbison's "The Way Is Love" was released as part of the 25th-anniversary deluxe edition of Mystery Girl. The song was originally recorded on a stereo cassette player around 1986. Orbison's sons contributed instrumentation on the track along with Orbison's vocals; it was produced by John Carter Cash. Style and legacy Rock and roll in the 1950s was defined by a driving backbeat, heavy guitars, and lyrical themes that glorified youthful rebellion. Few of Orbison's recordings have these characteristics. The structure and themes of his songs defied convention, and his much-praised voice and performance style were unlike any other in rock and roll. Many of his contemporaries compared his music with that of classically trained musicians, although he never mentioned any classical music influences. Peter Lehman summarized it, writing, "He achieved what he did not by copying classical music but by creating a unique form of popular music that drew upon a wide variety of music popular during his youth." Orbison was known as "the Caruso of Rock" and "the Big O". Roys Boys LLC, a Nashville-based company founded by Orbison's sons to administer their father's catalog and safeguard his legacy, announced a November 16, 2018, release of Unchained Melodies: Roy Orbison with the Royal Philharmonic Orchestra album as well as an autumn 2018 Roy Orbison Hologram tour called In Dreams: Roy Orbison in Concert. Songwriting Structures Music critic Dave Marsh wrote that Orbison's compositions "define a world unto themselves more completely than any other body of work in pop music". Orbison's music, like the man himself, has been described as timeless, diverting from contemporary rock and roll and bordering on the eccentric, within a hair's breadth of being weird. Peter Watrous, writing for the New York Times, declared