to human. Peter has much to say in reply to this, but the passage which mainly concerns us is as follows: The anti-Pauline context of the Pseudo-Clementines is recognised, but the association with Simon Magus is surprising, according to Jozef Verheyden, since they have little in common. However the majority of scholars accept Baur's identification, though others, including Lightfoot, argued extensively that the "Simon Magus" of the Pseudo-Clementines was not meant to stand for Paul. More recently, Berlin pastor Hermann Detering (1995) has made the case that the veiled anti-Pauline stance of the Pseudo-Clementines has historical roots, that the Acts 8 encounter between Simon the magician and Peter is itself based on the conflict between Peter and Paul. Detering's belief has not found general support among scholars, but Robert M. Price argues much the same case in The Amazing Colossal Apostle:The Search for the Historical Paul (2012). Anti-Marcionism There are other features in the portrait which are reminiscent of Marcion. The first thing mentioned in the Homilies about Simon's opinions is that he denied that God was just. By "God" he meant the creator god. But he undertakes to prove from the Jewish scriptures that there is a higher god, who really possesses the perfections which are falsely ascribed to the lower god. On these grounds Peter complains that, when he was setting out for the gentiles to convert them from their worship of many gods upon earth, Satan had sent Simon before him to make them believe that there were many gods in heaven. Druidism In Irish legend Simon Magus came to be associated with Druidism. He is said to have come to the aid of the Druid Mog Ruith. The fierce denunciation of Christianity by Irish Druids appears to have resulted in Simon Magus being associated with Druidism. The word Druid was sometimes translated into Latin as magus, and Simon Magus was also known in Ireland as "Simon the Druid". Medieval legends, later interpretations The church of Santa Francesca Romana, Rome, is claimed to have been built on the spot where Simon fell. Within the Church is a dented slab of marble that purports to bear the imprints of the knees of Peter and Paul during their prayer. The fantastic stories of Simon the Sorcerer persisted into the later Middle Ages, becoming a possible inspiration for the Faustbuch and Goethe's Faust. The opening story in Danilo Kiš's 1983