De Keersmaeker's work set to his pieces. In featuring a sample of Reich's Electric Counterpoint (1987) in the 1990 track Little Fluffy Clouds the British ambient techno act the Orb exposed a new generation of listeners to his music. In 1999 the album Reich Remixed featured remixes of a number of Reich's works by various electronic dance-music producers, such as DJ Spooky, Kurtis Mantronik, Ken Ishii, and Coldcut among others. Reich's Cello Counterpoint (2003) was the inspiration for a series of commissions for solo cello with pre-recorded cellos made by Ashley Bathgate in 2017 including new works by Emily Cooley and Alex Weiser. Reich often cites Pérotin, J. S. Bach, Debussy, Bartók, and Stravinsky as composers whom he admires and who greatly influenced him when he was young. Jazz is a major part of the formation of Reich's musical style, and two of the earliest influences on his work were vocalists Ella Fitzgerald and Alfred Deller, whose emphasis on the artistic capabilities of the voice alone with little vibrato or other alteration was an inspiration to his earliest works. John Coltrane's style, which Reich has described as "playing a lot of notes to very few harmonies", also had an impact; of particular interest was the album Africa/Brass, which "was basically a half-an-hour in E". Reich's influence from jazz includes its roots, also, from the West African music he studied in his readings and visit to Ghana. Other important influences are Kenny Clarke and Miles Davis, and visual artist friends such as Sol LeWitt and Richard Serra. Reich has also stated that he admires the music of the band Radiohead, which led to his composition Radio Rewrite. Works Compositions Pitch Charts, variable instrumentation (1963) Soundtrack for Plastic Haircut, tape (1963) Music for two or more pianos (1964) Livelihood (1964) It's Gonna Rain, tape (1965) Soundtrack for Oh Dem Watermelons, tape (1965) Come Out, tape (1966) Melodica, for melodica and tape (1966) Reed Phase, for soprano saxophone or any other reed instrument and tape, or three reed instruments (1966) Piano Phase for two pianos, or two marimbas (1967) Slow Motion Sound concept piece (1967) Violin Phase for violin and tape or four violins (1967) My Name Is for three tape recorders and performers (1967) Pendulum Music for 3 or 4 microphones, amplifiers and loudspeakers (1968) (revised 1973) Pulse Music for phase shifting pulse gate (1969) Four Log Drums for four log drums