a network of investors, Raimi was able to finance production of the highly successful horror film The Evil Dead (1981) which became a cult hit and effectively launched Raimi's career. He began work on his third film Crimewave (1985), which he co-wrote with the then unknown Coen brothers, shortly after. Intended as a live-action comic book, the film was unsuccessful, partly due to unwanted studio intervention. Raimi then returned to the horror genre with the seminal Evil Dead II (which added slapstick humor to the over the top horror, showcasing his love of the Three Stooges). With his brother Ivan Raimi (and crediting himself as Celia Abrams), Sam Raimi also wrote Easy Wheels (1989), which parodied the Outlaw biker film genre. A long-time comic book buff, he then attempted to adapt "The Shadow" into a movie, but was unable to secure the rights, so he created his own super-hero, Darkman (1990). The film was his first major studio picture, and was commercially successful, spawning two sequels. Through it he was still able to secure funding for Evil Dead III, which was retitled Army of Darkness and turned away almost totally from horror towards fantasy and comedy elements. Army of Darkness, the final movie in the Evil Dead trilogy, commercially underperformed, yet on video became a cult classic. In the 1990s, Raimi moved into other genres, directing such films as the western The Quick and the Dead (starring Sharon Stone and Gene Hackman), the critically acclaimed crime thriller A Simple Plan (1998) (starring Bill Paxton and Billy Bob Thornton), and the romantic drama For Love of the Game (1999) (starring Kevin Costner). Raimi achieved great critical and commercial success with the blockbuster Spider-Man (2002), which was adapted from the comic book series of the same name. The movie grossed over US$800 million worldwide, spawning two sequels: Spider-Man 2 and Spider-Man 3, both directed by Raimi and each grossing approximately $800 million. After the completion of the third Spider-Man film, he planned on producing two more sequels (although Sony Pictures planned three sequels) but could not find a satisfactory script. In 2022, reflecting on Spider-Man 3, Raimi told Rolling Stone: "It was a very painful experience for me. I wanted to make a Spider-Man movie to redeem myself for that. [The aborted] Spider-Man 4 — that was really what that was about. I wanted to go out on a high note. I