stage directions, such as "The curtain is lowered for seven days to denote the lapse of a week." He was a dedicated composer and lyricist: both his first (Zanzibar (1903)) and last (June Moon (1929)) published stage works included several Lardner tunes. He wrote at least one recorded song for Bert Williams, co-wrote one for Nora Bayes, and provided the lyrics for the song "That Old Quartet" (1913) by Nathaniel D. Mann. Other collaborators of note included Aubrey Stauffer, Jerome Kern on Very Good Eddie (1915), and Vincent Youmans – with whom he toiled on the Ziegfeld - Marilyn Miller - Asstores musical, Smiles (1930). Legacy Lardner's books were published by Maxwell Perkins, who also edited Lardner's most important contemporaries, including Fitzgerald who, unlike Hemingway, also became Lardner's friend. Although Lardner held his own short stories in sufficiently low regard, he did not save copies and had to get them from the magazines that had first published them to compile a book, Lardner influenced several of his more famous peers: In some respects, Lardner was the model for the tragic character Abe North in Fitzgerald's last completed novel, Tender Is the Night. Lardner also influenced Ernest Hemingway, who sometimes wrote articles for his high school newspaper using the pseudonym Ring Lardner, Jr. Lardner's gift for dialogue heavily influenced the writer John O'Hara, who said he learned from reading Lardner "that if you wrote down speech as it is spoken truly, you produce true characters, and the opposite is also true: if your characters don't talk like people they aren't good characters" and added, "[I]t's the attribute most lacking in American writers and almost totally lacking in the British." Cultural references J. D. Salinger referred to Lardner in two of his works, The Catcher in the Rye and Franny and Zooey. In the former work, protagonist Holden Caulfield says: "My favorite author is my brother D.B. and my next favorite is Ring Lardner". Wayne C. Booth mentioned Lardner's famous short story "Haircut" in his essay "Telling and Showing." In his movie Eight Men Out (1988) about the Black Sox scandal, writer-director John Sayles portrayed Lardner as one of the clear-eyed observers who was not taken in by the conspiracy. In one scene, Lardner strolls through the White Sox train, singing a parody of the song "I'm Forever Blowing Bubbles," changed to "I'm Forever Throwing Ballgames." The Chicago Literary Hall of Fame