O'Neill as Dr. Julia Wonder in Make My Dreams Your Reality, among many other Julia Wonder shows; drag chanteuse Varla Jean Merman's The Christmas Concert at Carnegie Hall's Weill Recital Hall; Tom Judson's Canned Ham at Dixon Place and on tour; and Joseph Keckler's Midnight Mass at Ars Nova. In 1996, with longtime company members Stephen Pell and Colleen O'Neill, Malony launched the Tweed Fractured Classicks Series, which presented parodied classic plays and movies featuring unusual, comedic, and often cross-gender casting. Over twenty Fractured Classicks productions have been launched since 1996. The Tweed Fractured Classicks Series presented staged readings and full productions of classic American plays and films featuring unique casting choices. Reviewing TWEED Fractured Classick "The Mailman Always Comes Twice" in 2002, Neil Genzlinger of the New York Times called the show was a "ribald parody" of The Postman Always Rings Twice (1946). Of Varla Jean Merman's leading performance as "Nora Papadopolous," Genzlinger wrote, "[she had] the Lana [Turner] look pegged pretty definitively, including the legs." Genzlinger described the show as "simply hilarious—a terrific, if indescribable, bit of staging." TWEED Fractured Classicks received Cease and Desist requests for Who's Afraid of Virginia Woolf, Blow Out Your Candles, Laura (The Glass Menagerie), Jungle Red (The Women), and Whaddya Blind?! (Wait Until Dark), which was cancelled after threats from the author. Malony's longtime creative partner was dancer and choreographer John O'Malley, co-founder of Neo Labos Dance Theater, who died in 2007 after a long battle with AIDS. O'Malley choreographed pieces for TWEED such as "Hotel Martinique" and "Atomic Opera." TWEED continued to thrive into the 2000s. The long illness and ultimate death of O'Malley curtailed production activity for several months. Around this time, TWEED began partnering with the Howl Festival to present Fractured Classicks and music series to raise money for Howl Help, a project of The Actors Fund. TWEED's relationship with Howl Arts has remained active, and benefits supporting Howl Arts are produced regularly—the most recent being Joni Mitchell: A Birthday Tribute at The Cutting Room in New York City. Malony has been curating the TWEED's Sundays & 7 series at Pangea for five years. Longtime TWEED artist Carol Lipnik is a frequent performer, and Sundays @ 7 has been the venue where actor/writer David Cale has workshopped his autobiographical musical We Are Only Alive for a Short Amont of Time, which premiered at Chicago's Goodman Theater in Fall 2018.