acute paranoia and believed he is persecuted by Vladimir Putin. In his major work, the album "Vladimir's Night." he takes his revenge on the Russian president. Produced in secrecy and supposedly discovered after the artist's death, it describes still objects assuming life so as to murder Vladimir. The second part of the book offers annotation by yet another fictive character, Rosa Chabanova, a hybrid of fiction, political writings and theory. Exhibitions Selected one-person exhibitions 2019–2020, Roee Rosen, The Mosquito-Mouse and Other Hybrids, Kunsthal Charlottenborg, Copenhagen (curator: Anne Mikél Jensen). 2019, Roee Rosen, "Exorcisms, Project Arts Centre," Dublin (curator: Livia Paldi). 2018, "Roee Rosen – Histoires dans le pénombre" (Stories in the Dark), an expansive exhibition at Centre Pompidou, Paris, was curated by Catherine David and Hila Peleg. The exhibition featured Rosen's early artist book, "The Blind Merchant" (1989–1991), a complex retelling of "The Merchant of Venice," another artist book, "Vladimir's Night" (2011–2014) by his fictive artist Maxim Komar-Myshkin (as well as videos by the fictive collective "The Buried Alive Group), and Rosen's film "The Dust Channel" (2016). The exhibition also included "Roee Rosen: Douce Sueur," a retrospective screening program of Rosen's film in collaboration with Jeu de paume. 2016 Roee Rosen – A Group Exhibition, the Tel Aviv Museum of Art in 2016, curated by Gilad Melzer and Joshua Simon. The exhibition featured Rosen's different personae as well as his films and books. Also in 2016 Rosen held a survey exhibition entitled "Live and Die as Eva Braun and Other Intimate Stories", at the Edith Russ Haus in Oldenburg, Germany. Rosen's installation "Live and Die as Eva Braun" was first exhibited at the Israel Museum in Jerusalem (1997), where it caused controversy, concerning the representation of the holocaust. 2012, Vile, Evil Veil, INIVA Institute of International Visual Arts, London. 2011, The Dynamic Dead Roee Rosen, Ujazdowski Castle Center for Contemporary Art in Warsaw. Curated by Stach Szabłowski, this was the first retrospective of the artist. 2009, Justine Frank, a Retrospective, Extra-City, Antwerp. Curated by Hila Peleg. 1997, Live and Die as Eva Braun, The Israel Museum, Jerusalem. Several retrospective screenings programs were dedicated to Roee Rosen's cinematic production, amongst them at the FICUNAM International Film Festival, Mexico City (2018), MUMOK, Vienna (2014), La Roche Sur Yon International Film Festival (2013), and the Oberhausen International Short Film Festival (2012). Rosen also held numerous one person exhibitions in Rosenfeld Gallery in Tel