itself. Art genres include mixed-media, video, multi-media installation and site-specific event-based project. Solo exhibitions Group exhibitions Awards Notable Works Elsewhere (1991–2002) Initiated by a close friend's passing, Leung began collecting tea bags to create Elsewhere in 1991. Elsewhere is mixed media installation consisting of thousands of tea bags sewn together. Made through the repetitive action of sewing teabags, Leung's work is meditative contemplation on being and death. In 1991, Leung won the Premier prix Rocheron Award for this work. Memorise the Future (1998-2006) Memorise the Future (1998-2006), first shown at the Hong Kong Museum of Art, is an installation composed of 3,000 children shoes made of human hair (4 to 5 inches for each). Leung collected the hair from over 10,000 people, encompassing one hundred nations, various demographics, also symbolising disparate and diverse 'memories'. She then mixed, knit and wove the collected hair, blurring geographical boundaries and identities. The shoes themselves also carry meaning, pointing towards the future. Out of place (2005-2011) Out of place (2005-2011) is a series of video installation which feature different places (including Hong Kong, Shenzhen, Taipei, Beijing, Shanghi, Ski Lanka and Macau). Leung followed a number of individuals wondering aimlessly through the streets of varying locales, attempting to discover new psychogeographical routes through the mapping of purposeless. I Miss Fanta (2012) I Miss Fanta was presented as part of Mobile M+: Yau Ma Tei, a series of nomadic pre-opening exhibitions organised by M+. I Miss Fanta consists of three iconic outdoor neon signs of Coca-Cola, Fanta, and Sprite previously installed along Macau's main shopping artery Avenida de Almeida Ribeiro, where they were an integral and memorable part of the urban visual landscape. After Leung discovered that two of the signs, had recently been removed, she found and transplanted the signs in this work, re-lighting the neon in the process. She displayed them on the ground of the park in Yau Ma Tei, echoing how they were found on the platform in the Coca-Cola factory in Macau, and documented the move in videos shown in a nearby junk and recycling shop. Leung transforms all these visual symbols related to personal and collective memory into a sculptural installation, bringing the tension between heritage conservation and urban gentrification to the surface as well. Star Pupas (2014) In 2014, Leung enrolled in ‘’Fleeting Light’’, a large scale media arts exhibition presented by The Hong Kong Arts Development Council. The