practice his most creative and technical ambitions and create a working environment that suited his needs, with a large, well lit office and service and storage areas. In common with other architect's personal projects, the studio was also a showpiece of Oribin's skills and design philosophies. Construction was completed in 1960 and the studio served as Oribin's personal drawing office until 1973. Located on the opposite side of the creek in the south-west corner of the property, the studio was a small, two-storey timber and concrete building, accessed by a timber walkway connecting it to the house. The studio layout consisted of a two rooms on the upper floor that were used as the drawing office, with built-in desks lining the edges of the main south-east facing glazed walls. The ground floor was partially enclosed with concrete walls and used as a carport. Drawing inspiration from Wright, Oribin adapted the Wright's concept for his Unitarian Meeting House to the Whitfield site and the Cairns climate, utilising local materials. Like Wright's design, the studio was designed to a triangular module, in this case using a 30°/60° grid that fans out towards the south-east. The building was raised up on a concrete and stone base, above the potential flood levels of the adjacent creek, with the access walkway from the house passing beneath the cantilevered studio and up a series of concrete steps on the southern and western sides. The heaviness of the concrete structure, which features large random stones, provided a visual anchor to the soaring characteristics of the studio above. Glazed walls with diagonal glazing bars angled back from a weatherboard "prow" and a sheet metal-clad roof with pointed ends and deep eaves sailed over the whole structure. Side casement windows, protected by shutters, provided cross-ventilation and surrounding trees and vegetation helped shade the studio as they grew. The glazed walls of the drawing office provided good, consistent daylight and views towards the house and Heavey Crescent. Other Oribin buildings that display a similar angular "Wrightian" influence upon their design are two of his churches, the Mareeba Methodist Church (1960) and St Andrew's Memorial Presbyterian Church, Innisfail (1960); both are highly detailed, utilise unusual and creative structural methods, and carry through triangle and diamond motifs to all aspects of the design. During Oribin's years working from the studio he designed many houses for clients in the suburbs surrounding Mount Whitfield,