on Steam, Screambox, Vidi, Tubi, Roku and POV Horror. In 2020 Terror Films teamed up with Cinedigm to expand the release, and also with Kings of Horror to release it for free on YouTube. Reception Critical response On Rotten Tomatoes the movie holds an 88% approval rating based on 8 reviews. It is considered a cult film by fans and film professionals. It has been included by Dread Central in "Top 5 Best Horror Movies of 2016", by Blumhouse in "Top 5 New Intelligent Found Footage Films You Need to See", by IndieWire in "The 50 Best Indie Horror Movies to Stream" and "Top 15 Best Found Footage Movies", by YardBarker in "Top 20 Best Found Footage Horror Films", by Film Threat in "Top 7 Recent European Horror Films Worth Watching", by WatchMojo in "Top 10 Best Low Budget Horror Movies", by WhatCulture in "Top 10 Psychological Horror Movies", by Slash/Film in "Top 25 Scariest Found Footage Horror Movies", by Paste Magazine in "Top 35 Best Found Footage Horror Movies" and by Audiences Everywhere in "Top 50 Best Horror Movies of the 2000s". IndieWire called the movie "a sublimely meta hidden gem that is nothing short of a nonstop nightmare", "a chilling character study and a dazzling debut for Țofei". Austin Chronicle called it "terrifying" and wrote that it's "a jaw-dropping character study of a murderer, made all the more grueling and transfixing because of Țofei’s performance. Adrian (the character) is as unlikely a killer as Norman Bates, but that’s what makes him so terrifying. This is emotional extreme horror, but you won’t be able to look away. Adrian Țofei's pointed decision to avoid overt gore, instead concentrating on the interactions, makes the film something akin to a modern Peeping Tom." Little White Lies wrote that the movie "is a prime example of meta-cinema, endlessly blurring the line between behind-the-scenes reality and onscreen fantasy, between documentary and fiction, while also repeatedly commenting on the process of its own making. The results are an unnerving study in cinephilia and erotomania, falling somewhere between Rémy Belvaux's Man Bites Dog and Patrick Brice’s Creep." Blumhouse wrote: “Adrian scared the shit out of me, often entering the realm of paralyzing. If you think that’s a joke, give the film a look and tell me the chloroform sequence doesn’t send a wave of shivers racing down your spine.” Slash/Film said that “Be My Cat is