Mary Marquet (born Micheline Marguerite Delphine Marquet; 14 April 1895 – 29 August 1979) was a French stage and film actress. Career Marquet came from a family of artists: her parents were actors, an aunt was a star dancer at the Paris Opera, and another was an official at the Comédie-Française. She entered the National Superior Conservatory of Dramatic Art in 1913 and studied under Paul Mounet. She failed her final exams, but was immediately engaged in the company of Sarah Bernhardt, who was a great friend of the family. She went on play alongside her in The Eugene Morand cathedral. She became established with her role in L'Aiglon by Edmond Rostand, whose mistress she became from 1915 to his death in 1918. She made her film debut in 1914 in a silent film, Les Frères ennemis, which was never finished. Her first major film role was in Sappho, produced by Léonce Perret in 1932. After World War I, she joined the Comédie-Française in 1923 where she stayed for over twenty years, before moving to the boulevard Theatre. During the World War II, throughout the occupation, she sought the protection of German officers to protect her son who had told her of his intention to join the Resistance. The response was his arrest and deportation to Buchenwald concentration camp where he died aged 21. This was possibly the cause of her problems at the time of the Liberation when, due to her alleged relations with the enemy, Marquet was arrested and sent to Drancy and then to Fresnes. She was later released for lack of evidence. In the 1950s, she turned to poetry recital, while continuing her career in theater on the boulevards. She worked for ORTF in the Maigret episodes of Les Cinq Dernières Minutes and Les Saintes Chéries and in the television adaptation of Lucien Leuwen, the novel by Stendhal. Parallel to her acting career, as an antiquarian she ran a stand for many years at the Swiss Village, an important antique market in Paris where she demonstrated her skills as a saleswoman, mixing theatrical memorabilia with commercial interests. Among her most successful parts in over forty films, were her roles in, Landru in 1962, Claude Chabrol, La Grande Vadrouille in 1966 by Gérard Oury, and Casanova in 1975 by Federico Fellini. After these three minor parts she played important roles in La vie de château (1966) the