vegetated. A gravelled driveway area has been created on the eastern side of the studio, while stones and large boulders form garden beds between the studio and the street. The main entrance is along the western wall, while a timber deck at the eastern corner provides access through a 1980s extension to the north-east side. The studio is diamond-shaped in plan with the central axis orientated north-west to south-east. The interior layout consists of a living room at the front, a bathroom and storage to the rear, and a kitchen and dining area in the 1980s extension. A room on the lower level has been used as a bedroom, and the remaining underfloor area is used as a laundry and additional storage space. The base of the studio is constructed from rough-cast concrete and stone walls, with later weatherboard walls and timber screens enclosing most of the formerly open space beneath the cantilevered studio. The remaining floor, wall and roof structures are constructed primarily of timber. On the upper level, the symmetrical front walls consist of two main elements: a weatherboard-clad "prow" at the base, and inward-sloping angled glazed walls. Constructed from diagonal timber rails and long sheets of clear glass, the weight of the roof is supported by round metal posts standing behind the facade, allowing the glazed walls to support themselves with no vertical mullions. These walls turn the corner at each end, with ornamental red panels filling the gap between the end of the glazed walls, the ceiling and the side walls. Of the two original side walls, which angle outwards from their base and converge to a sharp point at the rear corner of the studio, the western wall remains the most intact. The lower portion is clad in timber weatherboards with pairs of casement windows occupying the upper portion to ceiling height. Containing no glass, the windows are enclosed by plywood shutters ornamented with triangular pieces of timber and secured from the inside. Each shutter has an angled top to accommodate an upside-down triangular fanlight of yellow patterned glass above each pair. Timber rafters supporting the roof are exposed on the underside of the plasterboard-clad eaves, with the ends cut away in a zigzag pattern. Where the rafters pierce the wall structure, the gap beneath is in-filled with yellow patterned glass and triangular timber wedges. A triangular light fitting remains over the main entrance door.