(2005) This exhibition was a collaborative work created by four artists, Suki Chan, Melanie Jackson, Leung Meeping and Angela Su. The artwork inquires ideas of collective memory, migration, labor, or race. The main idea of the project reflects to the definition of "fascination". All four artworks records indistinct or personal narratives through different mediums which included fabric, film, video, photography and sound to investigate a scope of human interactions or contentions. Microviolence (2003) In April 2003, during the SARS outbreak in Hong Kong, a woman dialed the major Chinese organizations in Toronto and proposed a comment to blame the local Chinese. She thought they have lived like rats and eaten like pigs, and the dirty disease was spread by them. In order to trigger the discussion about this kind of racial discrimination, Su took the original statement made by that woman and presented each letter within the sentence as bacteria cultures. The artwork does not reveal whether it agrees with the discrimination to the Chinese or not. It provides rooms of imagination and judgement to the audiences. De Humani Corporis Fabrica (2002) Booth: Goethe-Institute Hong Kong, Hong Kong De Humani Corporis Fabrica was a series with seven books written by Andreas Vesalius. It was first published in 1543. He precisely illustrated different parts of the human body which then facilitated the development of scientific anatomy. With the same title, the exhibition proposed to explain the human body by combining the scientific expression with artistic representation. In the art show, science and visual art are combined together to produce new images about the symbolic comprehension of the body. References External links http://www.artda.cn/view.php?tid=6488&cid=13 Living people Year of birth missing (living people) Chinese contemporary artists Hong Kong artists Hong Kong women artists OCAD University alumni University of Toronto alumni Women performance artists Performance artists 21st-century women artists