See You Up There () is a 2017 French drama film written and directed by and starring Albert Dupontel, adapted from the 2013 novel The Great Swindle (Au revoir là-haut in French) by Pierre Lemaitre. Plot In November 1918, a few days before the Armistice, Edouard Péricourt saves Albert Maillard's life. The two men have nothing in common but the war. Lieutenant Pradelle, by ordering a senseless assault, destroys their lives while binding them as companions in misfortune. On the ruins of the carnage of WWI, condemned to live, the two attempt to survive. Thus, as Pradelle is about to make a fortune with the war victims' corpses, Albert and Edouard mount a monumental scam with the bereaved families' commemoration and with a nation's hero worship. Cast Albert Dupontel as Albert Maillard Nahuel Pérez Biscayart as Edouard Péricourt Laurent Lafitte as Captain Henri d'Aulnay-Pradelle Niels Arestrup as President Marcel Péricourt Émilie Dequenne as Madeleine Péricourt Mélanie Thierry as Pauline Héloïse Balster as Louise Philippe Uchan as Labourdin André Marcon as The police officer Michel Vuillermoz as Joseph Merlin Kyan Khojandi as Dupré Carole Franck as Sister Hortense Philippe Duquesne as The station officer Éloïse Genet as Cécile Axelle Simon as Madame Belmont Denis Podalydès as The minister Gilles Gaston-Dreyfus as The mayor Jacques Mateu as The prefect Lia Catreux as Madame Péricourt (Edouard's mother) Production Movie production started in March 2016 in the region of the Vexin plateau over the Seine river valley. Reception On review aggregator Rotten Tomatoes, the film holds an approval rating of 93%, based on 15 reviews with an average rating of 7.5/10. Jordan Mintzer from The Hollywood Reporter wrote that "the film features a handful of jaw-dropping moments — such as an excruciating battle across no man's land — held together by a strong cast, including BPM (Beats Per Minute) star Nahuel Perez Biscayart as a disfigured artist hidden behind an array of exquisitely ornamental masks. But condensing nearly 600 pages of story into a two-hour movie proves increasingly difficult as too many plot points take away from all the visual splendor, while the characters hardly have time to be drawn out." Peter Debruge writing for the Variety magazine said: "...simultaneously grand and eccentric, and though it sometimes struggles to sustain its identity amid such a strange mix of tones, the film holds together via DP Vincent Mathias’ dramatic widescreen lensing and a splendid, understated