Aviv, The Herzliya Museum of Contemporary Art, and other venues. Selected group exhibitions Notable exhibitions include: Documenta 14, 2017 in Athens and Kassel. Vos désirs sont les nôtres, Le Friche, Marseille (2018). AV Festival in Newcastle upon Tyne, 2016 "Gender in art" in Museum of Contemporary Art in Kraków, Monday Begins on Saturday, The First Edition of the Bergen Assembly, Bergen, Norway. Taipei Biennial, Taiwan, 2012, "Animism" at Haus der Kulturen der Welt in Berlin, "Host & Guest," the Tel Aviv Museum of Art, "Cargo-Cult" in Bat Yam Museum of Art. Manifesta 7, 2007, Trento, Italy, Films Films by Rosen include: Two Women and a Man, 2005, 17 minutes. Rosen himself appears as a female scholar to discuss the work of Justine Frank, and to critically assault himself. The film premiered at Oberhausen International Short Film Festival, where it won a special mention. The Confessions of Roee Rosen, 2008, 57 minutes. Rosen's "confessions" are delivered by three surrogates: illegal female labor migrants. They speak in Hebrew without understanding the language by reading a transliteration of the text. The film is also a musical, with the music performed by an ensemble made excludively of women musician. The film premiered at FID Marseille, where it won a special mention. Tse (Out), 2010, 34 minutes. The central scene is a BDSM session wherein the submissive responds to the pain by emitting sentence, which are all quotes from the right-wing politician Avigdor Lieberman, then Israel's minister of foreign affairs. An erotic exchange is thus set as a political exorcism. The film premiered at the Venice Film Festival, where it won the Orizzonti award for best medium-length film. It went on to receive numerous other awards. The Buried Alive Videos, 2013, 36 minutes. The film is, supposedly, a compilation of six shorts produced over a span of a decade by The Buried Alive Collective. The film premiered at the Rome International Film Festival. Among other awards it won the best film award at the Bucharest International Experimental Film Festival. The Dust Channel, 2016, 23 minutes. Structured as an operetta, the film juxtaposes a libretto in Russian that tells the story of a DC07 vacuum cleaner and its maker, James Dyson, with a portrayal of an affluent household where all seem to be erotically obsessed with home appliances and dirt. This narrative gradually leads into a more documentary layer dealing with "Holot," a detention facility where