gehn hinauf gen Jerusalem, BWV 159 (for Easter Monday): Ich bin ein Pilgrim auf der Welt, BWV Anh. 190. Fragment of a setting of No. 4 (Aria) of this libretto by or . (for Easter Tuesday): Ich lebe, mein Herze, zu deinem Ergötzen, BWV 145. Composed by J. S. or . Contains a chorus by Telemann, TWV 1:1350. (for Whit Monday): Ich liebe den Höchsten von ganzem Gemüte, BWV 174. (for St. Michael's Day): Man singet mit Freuden vom Sieg, BWV 149. Composed a year after the date intended for the cantata text in Picanders first print. BWV 149/1a (formerly BWV Anh. 198), an instrumental sinfonia for an abandoned cantata, is seen as Bach's first attempt to set Picander's libretto for St. Michael's Day as included in the cycle. (for the 19th Sunday after Trinity): a draft of six bars, BWV 1137 (formerly ), is maybe all that is left of Bach's setting of the Gott, du Richter der Gedanken libretto Picander wrote for that occasion. None of Bach's extant settings of the cycle's librettos are for occasions not occurring in the period intended for the cycle (24 June 1728 to 4 July 1729), nor are there any settings by Bach from the cycle's texts for cantatas falling in Leipzig's tempus clausum. For the period from St. John's Day 1728 to Trinity IV 1729 there also appear to be no settings by Bach of cantatas for the liturgical year on texts outside Picander's cycle. In the same period Bach collaborated with Picander on several other projects, such as the secular cantata O angenehme Melodei, BWV 210a (12 January 1729), the wedding cantata Der Herr ist freundlich dem, der auf ihn harret, BWV Anh. 211 (18 January 1729) and Klagt, Kinder, klagt es aller Welt, BWV 244a a cantata for a memorial service of Leopold, Prince of Anhalt-Köthen (performed a few months after the Prince's death on 24 March 1729). It remains however uncertain whether the St Matthew Passion, with some of its music overlapping with that commemorative cantata and composed on a libretto by Picander, was premiered or performed on Good Friday 15 April 1729. Reception ... Reconstructions and completions based on extant music by Bach include: (Judica): Böse Welt, schmäh immerhin, based on BWV 209 by Gustav Adolf Theill, published in 1983 (). Known settings by other composers: (Septuagesima): Ich bin vergnügt mit meinem Stande, first three movements set