then, she has been active in publishing her works in various magazines and books. In 2008, Chen Ke devoted to the 'Beyond dimension - China New Painting', which played an important role for her. Up to now, she is still making contributions to the art world and publishing more eye-catching art. As classical artworks of Chen Ke, almost every piece of work shows a little girl with a round nose, who is lost in depression, limited to herself, living in an unreal space, and seems to keep a distance from the human world. Usually, the sad girl takes up the center of the whole artwork. With the full expression of the blank as well as the grain like porcelain painting, Chen Ke fully shows the opposition of the reality, which buries the audience in the waves of the sense of unknown sadness. For Chen Ke, the trials on the painting media never stop its moving steps. Among the works completed in 2008, Chen Ke came up with some new ideas and made the painting just like manual, complementarity of calico with the painting mediator as well as the traditional oil painting materials are expressed to a large degree, making the sad girl changeable and seems to be jumping between the virtual world and the reality, which makes the audience lost in the endless loneliness and long distraction. Like many young artists, Chen Ke takes her interest in various aspects - music, traveling, and reading are her favorites. In addition, she is also addicted to the analyses of the constellations, which also make a contribution to the sense of mystery in her works. Chen Ke uses painting to fill her life and express herself in her paintings. It is stated that she would be buried in a sense of constellation nothingness if she stops painting for a whole day. Chen likes challenges and is always seeking the power for achievements to satisfy her needs to be superior to herself and to seek a sense of herself. For Chen Ke, this achievement becomes more real and exciting than just remaining still and waiting for death. Just like the show in 2007 in Star Gallery, with that old-style furniture appealing to the deep memory of Chen Ke when in her childhood, Chen Ke starts to do her re-creation; with flow of the trace of colors and the casual position of the girls, she