ensues, introducing a new atmosphere of percussive sounds, including many characteristic Brazilian instruments: the camisão (a single-headed frame drum), caxambu (a double-headed barrel drum), tartaruga (a sea-turtle shell), tambu and tambi (low and high stamping tubes, also used at the outset of Chôros No. 6), and pio (a ”cheeper”). The sound of the battery gradually diminishes to link to a fourth section having the function of a recapitulation, ending with a series of stretti. The work is rounded off with a final coda, ending in a surprising pianissimo given to the string sections of the two orchestras. References Footnotes Further reading External links villalobos.iu.edu Villa-Lobos site at Indiana University: Maintained by the Latin American Music Center Compositions by Heitor Villa-Lobos 1929 compositions