as a representative in Germany. Portugheis was to give concerts and introduce people to Argentinian music. Portugheis told Stein that he didn't want to go back home until having visited the grave of his idol, Dinu Lipatti, in Geneva, and that this journey abroad provided him with that opportunity. While on this visit, Portugheis met Lipatti's widow, Madeleine. He recalled to Stein that she 'was able to pass on a lot of Dinu's ideas, not only musical ideas but ways of practising and his whole approach to music; transmitting the feeling of a composer and, perhaps unique in his time, a reverence for the musical text.' Portugheis' time at the Conservatoire gave him an opportunity to meet the septuagenarian pianist Youra Guller, a student of Isidor Philipp in Paris who also performed with Pablo Casals and Joseph Szigeti. Portugheis told Stein that although Guller was not a born teacher, she had 'sufficient time and patience' to show him 'the secret of her art'. He described this as 'how to respect the rhythm of a text and how to use the left hand as a strict conductor above all else'. Portugheis said she stressed to him that 'every single note had something to say.' Enthusiasm for music has led Portugheis to a dedicated study of the piano and his life as an international concert pianist, while the horrors experienced by his family led to his work for peace. He tells in his book, Dear Ahed: the Game of War and a Path to Peace that his family "escaped from Eastern Europe between 1935 and 1940" and that not one day of his childhood passed without hearing of the horrors they experienced. Now, in addition to his career on the concert platform, he works for peace. Study Howard Smith records, in Music Vision Daily, May 2009: While preparing for life as an assiduous musician, Portugheis first studied in Buenos Aires with Vincenzo Scaramuzza, who also taught Martha Argerich; in Geneva with Madeleine Lipatti, Louis Hiltbrand and Youra Guller. In London he also had the occasional lesson (before she moved to New York) with the Hungarian Ilona Kabos and attended a Masterclass at Dartington Summer School, with Polish pianist Andre Tchaikowsky, who did not usually give lessons. When based in London he also had occasional lessons from Glock and Maria Curcio, playing the Classical repertoire to them – both of whom were disciples