Redes is a Mexican film, released in 1936, about the fishing community of Alvarado on the Gulf Coast of Mexico, near the city of Veracruz. The film's title comes from the Spanish word redes ("nets") in reference to fishing nets. The English-language edition's title is The Wave (apparently referring to imagery at the end of the film). Redes was made with a mainly non-professional cast and has been seen as anticipating Italian neorealism. It concerns the struggle of poor fishermen to overcome exploitation. Production Paul Strand began work on the project, which was originally conceived as a documentary, in 1933. He had come to Mexico at the invitation of the Mexican composer Carlos Chávez, who had a government job promoting the arts under the socialist education minister Narciso Bassols. The film developed into a work of fiction with a scenario by Strand and Agustín Chávez, nephew of the composer. Towards the end of 1933, Henwar Rodakiewicz, a friend of Strand's from the Camera Club of New York, arrived to assist in the production. Rodakiewicz determined that the scenario was ragged and incoherent. Before returning to the US for a few months, he wrote a shooting script for the film and made arrangements for his friend, Fred Zinnemann, to travel to Alvarado to take on the role of director. Zinnemann did not speak Spanish, while his co-director Emilio Gómez Muriel worked directly with the actors. The crew included still photographer Ned Scott. Filming was done on location in Alvarado, and the sound was added later. Strand had left-wing views and was influenced by Eisenstein (whose Battleship Potemkin includes imagery of waves). Zinnemann cited Robert Flaherty as an influence. The production was affected by political developments in 1934. Bassols resigned as minister of education in May and Carlos Chávez was replaced. Work on Redes continued under Chávez' successor, Antonio Castro Leal. However, Strand was warned that funding could not be guaranteed beyond the end of the year, when a new president was due to take office. He left Mexico early in 1935 with the film still unreleased. Film music The Mexican composer Silvestre Revueltas, who had not previously written film music, was commissioned to provide the score in 1934. Revueltas was a protégé of Carlos Chávez, who had appointed him as assistant conductor of the Symphony Orchestra of Mexico: however, the two men fell out around the time of the commission (possibly