Hellboy: The Storm and the Fury is the twelfth collected edition in Mike Mignola's Hellboy comic book series, the third of three connected story arcs written by Mignola and illustrated by Duncan Fegredo. It collects Hellboy: The Storm #1-3 and Hellboy: The Fury #1-3, with the partition into two limited series (series whose actions are set minutes apart from each other) intended to accommodate an anticipated production gap of several months that eventually saw the story's first three issues published between July through September 2010 and its last three between May through August 2011. This is the concluding story arc of a trilogy beginning with Darkness Calls and continuing with The Wild Hunt, all of them written by Mignola and illustrated by Fegredo. The six issues were numbered on their inside front covers as issues 47-49 and 55-57 of the continuing Hellboy series. Two prelude pages from The Fury #3 are absent in this trade paperback. As with Hellboy stories generally and these issues in particular, the collected edition was published by Dark Horse Comics. Parts of the story arc were adapted for the 2019 Hellboy reboot directed by Neil Marshall. Summary Hellboy and Alice Monaghan visit the church of an English parish priest named Bill, confirming that Hellboy's promised army of "the noble dead of Britain" are raising from their graves. They watch Bill showing three empty stone caskets to a puzzled police officer; Hellboy hears the occupant of a fourth, undisturbed, tomb (reputed that of a traitor) begging Hellboy's pardon as England's king. Bill had seen the other three knights leaving. Hellboy thanks Bill but decides not to tell him of the upcoming war ("Bad enough you and I have to know that"). Hellboy has quit drinking and rejects Bill's invitation to join him at the pub, complaining to Alice of the role alcohol has played in his trials since departing from the BPRD. Hellboy and Alice leave the town in a "crappy rental car" with Excalibur in the back seat wrapped in a towel. As they drive they comment on the ill omen of a tall bell-ringing homeless man standing by the road with a "The End is Nigh" placard, and they discuss the problem of where Hellboy is to meet the army of reanimated British knights that according to Morgan le Fay he must lead against Nimue's army. They are surprised by a giant beast warrior