that Rabbit stabbed Angie in a non-lethal spot using his anatomy knowledge. He knocks Rabbit unconscious and enters the room where Angie is hiding to kill her. Angie manages to cut Bob's Achilles tendon while Rabbit awakens and comes to save her. In the following struggle, Rabbit kills Bob and buries him next to his victims. With Bob dead, Rabbit tracks down Brad, now living with his new wife Marie and Rabbit's half-brother Colin. Brad feigns delight about his survival until Rabbit, whose real name is Tim, confronts him with the fact that Brad had arranged the abduction of him and his mother. Through a letter he found, Tim discovered that Bob is Brad's brother. Brad, who had urged Sarah to take a taxi on the day of the kidnapping, wanted to get rid of his first wife and son. Brad responds to this revelation by physically assaulting Tim, and then Marie when she intervenes. Tim beats him to death. After Tim leaves at Marie's urging, Marie calls the police and says that a burglar killed her husband. Tim returns to Bob's house and shuts the garage door. As the closing credits roll, the sounds of him entering the house, opening the fridge, cutting paper, walking back into the garage, entering the cab, and re-opening the garage door are heard. Cast Vincent D'Onofrio as Bob Daniel Maslany as Young Bob Eamon Farren as Rabbit / Tim Fittler Evan Bird as Young Rabbit Julia Ormond as Sarah Fittler Conor Leslie as Angie Jake Weber as Brad Fittler Michael Maslany as Young Brad Gina Philips as Marie Additionally, Troy Skog and Shannon Jardine portray Bob's parents and Alexander Doerksen plays Colin. Amy Matysio appears as Mary, one of Bob's victims. Director Jennifer Lynch has a cameo as a cooking show host on TV. Production The film was shot in Moose Jaw, Saskatchewan, over a period of 15 days. Lynch used the same crew as Surveillance. The original concept came from a script by Damian O'Donnell. Although Lynch liked the script, she felt it was wrong for her, as she did not want to shoot a film in the style of torture porn. The producers explained that they wanted to see her take on the script, so she rewrote it to focus on the characters rather than gratuitous violence. Lynch said that by focusing on the story, she was able to "humanise and