notable works. His photographs also appeared in Joel Schumacher's film, D.C. Cab (1983), as well as in commercial advertisements for companies such as FedEx, Apple, GM, Porsche, Canon, Club Med, and Panasonic, to name a few. Nudes (ongoing) Man Ray was one of Dojc's primary inspirations when approaching his nude studies. Dojc's nude studies were on the classical side, with experimental elements of surrealism and collage. Parallel to advertising work during university, Dojc worked towards creating his first collection of nudes that would eventually become his first published book, Marble Woman. Marble Woman, was published by Firefly Books in 1993. More recently, Dojc has been experimenting with more gritty, experimental approaches to nude photography, focusing more on character than beauty. Last Folio (1997–2016) Last Folio was an expansive project that preserved the cultural memory of the Holocaust in Slovakia. It began when Dojc photographed World War II Slovakian war veterans, photographing nearly 30 portraits and collecting 80 textbooks out of a vast collection found at a local abandoned school. The project started thanks to a chance encounter at Dojc's father's funeral, when Ruzena Vajnorska, a friend of the family and survivor of the holocaust, needed a lift from the funeral. During their encounter, Vajnorska shared her history with Dojc, inspiring intrigue into the history of the Holocaust in Slovakia. With the help of Vajnorska, veterans from the community congregated to be photographed by Dojc, thus starting the collection of portraits for Last Folio. This project was under the watch of Martin Butora, the then ambassador of the Slovak Embassy in Washington, D.C., later to become the human rights advisor to the Slovakian president. As the project expanded, growing in photographs and involvement from the Slovak community, it gained sponsorship from the Slovak government, as well as Bertelsmann, thanks to the special interest of then president, Thomas Rabe. In 2005, Last Folio expanded from an image based project to include a short documentary film as well. When Dojc met Katya Krausova, a Slovak producer and filmmaker, they formed a partnership and produced a 20-minute documentary about the project. Dojc and Krausova worked tirelessly with a film crew, filming in the small town of Bardejov. A year later, while Dojc continued photographing Slovakian veterans, word travelled, reaching a man who was a caretaker of an abandoned school. He urged Dojc to visit the space and explore its preserved history. There, Dojc discovered