Press. Reviewing it, Michelle Ann Schingler wrote: "Fishere’s novel is Mrs. Dalloway for an age when conversations about immigration, particularly from Arab nations, dominate—a gripping portrait of the tenuous spaces that marginalized populations are made to occupy, and a searing examination of the struggle to belong". It received a wide range of praise by critics and general public alike. Its Italian translation also received acclaim by Italian literary critics. Fishere's following novel, The Exit (باب الخروج), tells the story of Egypt's revolution. Through the eyes of a father who, in 2020, writes a long letter to his son explaining his decision to "betray" his country to Israel, we live the sorrows and hopes of Egyptian who took to the streets in January 2011 and watch their struggles during the following tumultuous nine years. Since it first appeared, in serial form in the daily Tahrir newspaper, it has been a great literary and commercial success. Furthermore, when subsequent political events in Egypt followed the projected narrative of the novel, The Exit became in the public imagination a "prophecy of the Egyptian revolution". His seventh novel, All That Nonsense (كل هذا الهراء) is about the new Egypt that is struggling to come out of the old. Under a thick layer of a repressive patriarchal society, a new generation with a new culture is looking for ways out. Evoking Arabian Nights, the novel nests stories within stories, where a male Scheherazade, Omar, tells Amal, his Egyptian-American one-and-half-night-stand lover who is about to be deported, the stories that happened to his friends during her one-year imprisonment. Interrupted only by sex, food and short naps, the storytelling examines Egypt’s multilayered conflicts, and the intertwinement of the hope and despair of its youth. Critics have often described Fishere's literary work as "a critique of Arab society and its tragic flaws, from social decay to terrorism, and at the same time immanently universal as it addresses the fundamental questions of the human condition". Salah Fadl, a leading literary critic in Egypt, declared in a recent review that "EzzedineChoukri has confidently entered the canon of Arabic literature". 1995: Maktal Fakhreddine, (, "The Killing of Fakhredine") 1999: Asfar Al-Fara'een, (, "Pharanoic Journeys") 2008: Ghorfet Al-Enaya Al-Murakazza, (, "Intensive Care Unit") 2010: Abu Omar Al-Masry, () 2011: E'nak E'nda Jesr Brooklyn, (, "Embrace by Brooklyn Bridge") 2012: Bab Al-Khorouj, (, "Exit") 2017: All That Nonsense (Arabic: كل هذا الهرا ء)