related to packaging, especially bottles, advertising and the graphic arts and are from everyday life. Other items include presses, some of which are over 100 years old, soda bottles from defunct brands, utensils, cosmetics, food containers, clothing items and domestic appliances. Some notable items include old paper grocery bags from the Sumesa supermarket chain, a beer advertisement from 1890 and commercial packaging from occupied Japan. The museum space does not meet international standards of preservation. The collection is a starting point for the museum which aims to be a center of culture, exchange of ideas and research for communication and design. Temporary exhibits and events The museum holds regular temporary exhibits related to its collection and purpose, including the work of artists. During its opening in 2010, there was a temporary art exhibit by Carlos Aguirre named “ODA a la Mujer” (Ode to a Woman). The exhibit consisted of five pieces created with phrases taken from a songbook series called Cancionero Picot. Aguirre selected portions of lyrics from these books, which are in the museum’s collection and include the first published in 1928. The selected lyrics were chosen as being depreciative to women to show misogyny. Collection of Collections was the museum’s first major temporary exhibit after its opening, staged as part of the foundation’s mission to promote collecting. The idea was to expand what is worthy of a museum exhibit, focusing on what the museum calls “urban collecting” about everyday objects not necessarily all that old. The idea behind it is that these objects have something to say about Mexican society. The Collection of Collections consisted of seven collections belonging to private hands and one selected from the permanent collection of MODO. It is set up to show the wide range of collecting activities that occur in Mexico. Along with the display, the museum has co sponsored talks and meeting about collecting with academics from the Universidad Nacional Autónoma de México. The total exhibit consisted of over 500 pieces with each collection given its own room. Postcard collection of Carlos Villasana and Raul Torres, who are well known Mexico City collectors. The exhibit only has about sixty of the over 15,000 which include rare ones by famous photographers such as Guillermo Kahlo, Hugo Brehme and Charles B. Waite who documented aspects of Mexico from the late 1800s to the early 20th century. The 1980s tennis shoe ( belonging to