Lives of the Saints, which became a major installation in the historic Church of the Advent on Broadway in Manhattan, including a 40-foot altarpiece, St. Jerome in His Study. Josyph & Larkin have also issued Lives of the Saints as correspondence art in a series of limited edition postcards including The Conversion of Mary Magdalene and St. Genet. Their work is the subject of a monograph by Raymond Todd, Josyph and Larkin: X-Men of Art (ImaginArts, 1994). Josyph's monograph, Kevin Larkin: The Genuine Article (emPublishing, 1989), features conversations with Larkin about his work, and Josyph wrote the text for the exhibition catalogues Kevin Larkin: The Immortal Chant ($3 Seat Productions, 2010), and Kevin Larkin: The Justice of Noon ($3 Seat Productions, 2012). He also illustrated two collections of poetry by Larkin: The Immortal Chant ($3 Seat Productions, 2009), and A Portable Man ($3 Seat Productions, 2012). In 2009 Larkin's exhibition The Immortal Chant featured a multimedia installation based around Josyph's memoir Smoking A Picasso. In 2010 Larkin directed an adaptation of Josyph's verse monologues, Book of Thieves, and in 2010 he directed Josyph's A Tell Tale Poe with Raymond Todd as Edgar Allan Poe, and the Hagans/Josyph performance of Josyph's The Way of the Trumpet. In November 2012 Larkin directed Josyph's play The Last Colored Lightbulb in Louisiana at B.J. Spoke in New York. In 2013, Alexander Larkin directed The Last Colored Lightbulb in Louisiana along with Josyph's Of Course December at the Rose Theatre in New York. Josyph's art and photography have been used on posters, book covers, and CDs, including The Kennedy Suite by the Cowboy Junkies (Latent Recordings, 2013); The Moon Is Waiting by Tim Hagans (Palmetto, 2011); The Avatar Sessions by Tim Hagans (Fuzzy Music, 2010); Close to So Far by the Joe LoCascio Trio (Heart Music, 2002); They Rode On: Blood Meridian and the Tragedy of the American West (Cormac McCarthy Society Press, 2013); You Would Not Believe What Watches: Suttree and Cormac McCarthy's Knoxville (Cormac McCarthy Society Press, 2012); John Sepich's Notes On Blood Meridian (Ballarmine College Press, 1993; rev. University of Texas Press, 2008); and the Portuguese translations, by Paulo Faria, of Cormac McCarthy's Suttree (Relógio D'Água, 2009); Blood Meridian Or the Evening Redness in the West (Relógio D'Água, 2010); The Crossing (Relógio D'Água, 2012); and Child of God (Relógio D'Água, 2014). His photographs and illustrations have been published in the Winter 2011