cards. He put the cards into a paper shredder, then tore up Mein Kampf and threw the pages into the shredder too. When everything was completely shredded he blew odours and flour over the public with a fan. Finally, he removed his suit and set it on fire. After the performance the public received an identity card from planet Mars. A life-size photo of Bleus's money suit is part of the art collection of the National Bank of Belgium (NBB). To honor the Italian artist Guglielmo Achille Cavellini Guy Bleus organized the four-day "Cavellini Festival 1984" in the cities of Antwerp, Brussels, Eeklo, Hasselt, and Tienen. In the administrative performance "First President of the USE" in Brussels, capital of Europe, Bleus officially declared Cavellini the very first president of the United States of Europe. Networking and projects Impressive are the numerous international art projects which Bleus has organised, such as Are you experienced? L.H.F.S. (1981), W.A.A.: Mail eARTh Atlas (1981–83), Telegraphy (1983), Aerograms (1984), Cavellini Festival 1984, Art is Books (1991), Fax Performances (1992–1993), Private Art Detective: Sealed Confessions, and Building Plans & Schemes (1993). He wrote and published many essays on the subject of networking art. About his essay Exploring Mail Art (1984), Géza Perneckzy wrote: “The study of Guy Bleus outranks all other publications with its theoretical weight and conciseness.” Moreover, he contributed to significant publications, such as Piotr Rypson’s Mail Art, Chuck Welch's Eternal Network, A Mail Art Anthology, or Vittore Baroni’s Postcards – Cartoline d’artista. He participated in many artists' periodicals. From 1994 till 1999 he opened in Hasselt the art gallery E-Mail-Art Archives. In this non-profit space more than 40 events of mail art, fax art and Internet art took place. Artists such as Ben Vautier, Shozo Shimamoto, Anna Banana, Julien Blaine, H.R. Fricker and Clemente Padin were exhibited. In 1995 he edited The Artistamp Collection, the first mail art catalogue on CD-ROM. With the participation of networking artists such as Vittore Baroni, Ken Friedman, John Held Jr., Ruud Janssen, György Galántai, Pawel Petasz and Géza Perneczky, he published in 1997 the first E-Mail-Art & Internet-Art Manifesto, an issue of his electronic zine. After a bureaucratic venture of 20 years he realised in 2003 (together with Jean Spiroux) the very first postage stamp on the theme mail art edited by an official Postal Service. It was an edition of 4 million copies realised by the