Montefiore to St. Martin, while the windows are decorated with busts of Saint Knights (left), Saint Bishops or Popes (center), and Saint Hermits or Founders of Religious Orders (right). The eight saints under the entrance arch are St. Mary Magdalene and St. Catherine of Alexandria (lower right), St. Anthony of Padua and St. Francis (upper right), St. Clare and St. Elizabeth of Hungary (lower left), St. Louis of France and St. Louis of Toulouse (upper left). The three latter saints replaced, respectively, the previous St. Ursula, St. Nicholas of Bari and St. Antony of Padua, after Martini had returned from the Kingdom of Naples, as a homage to the family saints of the ruling Capetian House of Anjou. The emperor who looks sharply at St. Martin in the Renounce, accusing him of cowardice, is likely identifiable with Frederick II, due to the black eagle in his camp. As a reply to the accusation, St. Martin is portrayed marching towards the enemy (symbolized by insignia with lions on red background) with a simple cross in his hands. References Sources 1310s paintings Martin Buildings and structures in Assisi