Cibeles Palace (Spanish: Palacio de Cibeles), formally known as Palacio de Comunicaciones (Palace of Communications) and Palacio de Telecomunicaciones (Palace of Telecommunications) until 2011, is a complex composed of two buildings with white facades and is located in one of the historical centres of Madrid, Spain. Formerly the city's main post office and telegraph and telephone headquarters, it is now occupied by Madrid City Council, serving as the city hall, and the public cultural centre CentroCentro. Overview The palace was built on one of the sides of the Plaza de Cibeles in the Los Jerónimos neighbourhood (district of Retiro) and occupies about 30,000 m2 of what were the old gardens of the Buen Retiro. The choice of the site generated some controversy at the time for depriving Madrid of recreational space. The first stone of the building was laid in 1907. The building was officially opened on 14 March 1919 and began operating as a modern distribution centre for post, telegraphs and telephones. Following some architectural changes to the building's exterior, such as the expansion of two floors and the street and pathway of Montalbán, it began to house municipal offices of the City of Madrid in 2007, moving its departments from the Casa de la Villa (House of the City) and the Casa de Cisneros, which were both located in the Plaza de la Villa. This renovation of the building from the early twenty-first century also included a cultural area called "CentroCentro". The whole complex, from a Spanish architecture stance, is one of the first examples of and most representative, to be built in the centre of Madrid, with its Neoplateresque façade and Baroque Salamanca evocations. The building was designed by the young Spanish architects Antonio Palacios and Joaquín Otamendi through a municipal competition to be the headquarters for the Society of Post and Telegraph of Spain. Palacios and Otamendi were also the consultants for the Bilbao Bridge, Madrid Casino and the San Sebastian Bridge. The Cybele Palace was the beginning of the brilliant career in construction for both architects. The decorative motifs of the façade and interior were made by the romantic sculptor Ángel García Díaz, a regular collaborator of Antonio Palacios. One of the design objectives was the construction of "a building for the public". After their construction and due to the wear and tear of normal use, the buildings slowly started to show signs of the