in games, despite his poor skills as a gambler. Branicki (10) can be seen standing between the king and Suchorzewski, dressed in a Russian uniform, foreshadowing the rank of general he received several years later in the Russian Army. In reality Suchorzewski, like most of those opposed to the Constitution, refused to participate in the procession. Notable figures in the center of the painting, to the left of Małachowski, include other supporters of the Constitution. Priest Hugo Kołłątaj (11) is the most prominent, gesturing in disdain at Suchorzewski. Several other figures in the vicinity are described in sources, but their precise location is unclear, or the sources contradict one another. The priest holding the Bible (12) is probably Feliks Turski, although some identify him as Tymoteusz Gorzeński. The figures to the right of Kołłątaj represents the Grand Lithuanian Marshal, Ignacy Potocki (13), and perhaps Adam Kazimierz Czartoryski (14) (although some sources identify Czartoryski elsewhere in the painting, in the vicinity of Kościuszko). Surrounding Kołłątaj are likely the priest Scipione Piattoli (15) and Tadeusz Matuszewicz or Matusiewicz (16). Left On the stairs of the church, King Stanisław August Poniatowski (17) is ascending. Matejko was not very fond of Poniatowski, and he portrayed him in a rather pompous posture, with his hand extended to be kissed, and in the company of numerous pretty ladies, supporting his reputation as a "lady's man". Poniatowski's inclusion in the procession is one of Matejko's artistic liberties, as he had arrived at the church before the procession. A woman hands him a laurel wreath (18); sources have identified her as the Courland princess Dorothea von Medem (Dorothea Biron) or Róża z Martynkowskich, wife of former Warsaw mayor Jan Dekert. Behind her (leftmost in the group of two women, with only her face showing) stands Elżbieta Grabowska (19), the king's mistress and mother of his children. Bowing at the church doors is the former mayor of Warsaw, Jan Dekert (20). He is accompanied by his daughter Marianna (in a yellow dress, facing away from the viewer) taking a prominent position near the king (38). Dekert's inclusion in the painting is another example of Matejko taking liberties with history, as he died in October 1790; he was an important burghers figure associated with the Free Royal Cities Act, which was incorporated into the Constitution. Behind the king, holding his hands to his head, is Prince Antoni Stanisław Czetwertyński-Światopełk (21),