Myron Fass (March 29, 1926 - September 14, 2006) was an American publisher of pulp magazines and comic books, operating from the 1950s through the 1990s under a multitude of company names, including M. F. Enterprises and Eerie Publications. At his height in the 1970s, Fass was known as the biggest multi-title newsstand magazine publisher in the country. He put out up to fifty titles a month, many of them one-offs, covering any subject matter he thought would sell, from soft-core pornography to professional wrestling, UFOs to punk rock, horror films to firearm magazines. Biography Early life Fass was born in Brooklyn, New York, the son of an Orthodox Jewish laborer. Comics artist Starting in 1948 and until the mid-1950s shrinkage of the industry initiated by the institution of the Comics Code, Fass illustrated horror, crime, romance, Western, and other comics for a multitude of publishers, including Ace Periodicals, Avon Comics, Charlton Comics, Fawcett Comics, Feature Comics, Fox Comics, Lev Gleason Publications, Magazine Enterprises, Marvel Comics, Story Comics, Street & Smith Comics, and Trojan Comics. Fass produced some of this material with the S. M. Iger Studio from 1949–1953. For Toby Press, Fass was a regular artist on Dr. Anthony King, Hollywood Love Doctor, Great Lover Romances, John Wayne Adventure Comics, Tales of Horror, and War. Publisher In 1956, Fass packaged the Whitestone Publishing title Lunatickle, one of the first imitators of EC's Mad magazine. (Fass was a huge admirer of EC publisher William Gaines.) The girlie magazine Foto-Rama and the monster magazine Shock Tales soon followed. Backed by William Harris, who invented the Harris Press (still used today), by the beginning of the 1960s Fass was publishing his own material under the company name Tempest Publications. It was during this period that Fass launched the pin-up girlie mags Pic, Buccaneer, Poorboy, and Jaguar. Other Tempest publications were the "newspaper magazine" Quick, Companion, and the over-the-top tabloid National Mirror. Al Goldstein worked for Fass in 1968 before starting Screw magazine, writing for the National Mirror, the new tabloid Hush-Hush News, and the digest-sized girlie titles Pic and Bold. In 1966 William Harris's son Stanley R. Harris partnered with Fass to form the black-and-white horror magazine publisher Eerie Publications. Eerie's output was a low-rent response to the popularity of the Warren Publishing horror comic magazines Creepy and Eerie. Fass's titles, all of which featured grisly, lurid color covers, included Weird, Horror