about Ed Murphy, an early Vietnam Veterans Against the War leader, for the Staten Island Advance and photographed the Memorial Day demonstration at Boston Common and at Lexington and Concord in the days preceding. She continued on to photographing the hunger strike at the VA Hospital in Westwood. Ron Kovic was moved to write to her on July 25, 2010: "Your photos are beautiful and represent such a powerful and passionate time in American history. I believe these photos will last and many years from now they will be looked at and studied just as Mathew Brady's classic and haunting Civil war photos are today." For each of the events she photographed, she collected and preserved massive amounts of documentation in the form of leaflets, press releases, guest lists, personal monograph statements, and continued the conversations, documentation and publication of the ephemera through her website. This historic collection, along with the photographs, has found a home at the Du Bois Library of U Mass Amherst. Assignments, teaching, writing In 1971, Henry began to learn the technical side of photography by working as an assistant at Steve Eisenberg's studio at 123 West 28th Street, and by starting to photograph one of her most enduring subjects: the anti-war movement, including a demonstration at the Internal Revenue Service "Don't Pay War Taxes." One of Henry's first and most successful assignments was to photograph Elizabeth Holtzman on the Brooklyn Bridge for her primary campaign in 1972. Besides being used in the campaign literature, her photographs were published in Juris Doctor magazine and in the Congresswoman's autobiography, Who Said it Would be Easy? The Congresswoman credits Henry's photograph for helping her win her seat in Congress. That was the year Henry also began to photograph Bella Abzug, her most enduring friend and significant client. Henry's photographs were used in all the Congresswoman's subsequent campaigns for Senate and Mayor. Henry's adventures with the George McGovern campaign, starting with getting on the press bus in New Hampshire and going through the convention in Miami Beach, at which she photographed a young Bill Clinton, are detailed in her book, Women on the Move. In her introduction to Henry's book, Professor Nancy C. Unger, author of Beyond Nature's Housekeepers: American Women in Environmental History (Oxford University Press) writes: "In Women on the Move, Diana Mara Henry's striking photographs bring to life the excitement, the tension, the joy, and the