Alte Meister in Dresden, Germany in the first floor. After WWII among many masterpieces of the gallery, it was taken by the Red Army to the Pushkin Museum in Moscow. The painting was badly damaged by water and was painstakingly restored by Russian painter Pavel Korin. Together with many others, in 1955 the painting was returned to Dresden, then in the DDR. In literature The painting is referred to in George Eliot, Daniel Deronda (ch 40), when the young and vigorous Deronda meets the ill and prematurely aged Jewish scholar Mordecai: "I wish I could perpetuate those two faces", Eliot writes, "as Titian's 'Tribute Money' has perpetuated two types presenting another sort of contrast." See also The Tribute Money (Masaccio) – showing a different episode. Notes External links References Goffen, Rona, Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian, 2004, Yale University Press, google books Hale, Sheila, Titian, His Life, 2012, Harper Press, Jaffé, David (ed), Titian, The National Gallery Company/Yale, London 2003, Penny, Nicholas, National Gallery Catalogues (new series): The Sixteenth Century Italian Paintings, Volume II, Venice 1540–1600, 2008, National Gallery Publications Ltd, Schiller, Gertud, Iconography of Christian Art, Vol. I, 1971 (English trans from German), Lund Humphries, London, Josephine Klingebeil, Tizians Zinsgroschen für Alfonso d'Este: Die Dimensionen eines Ölgemäldes aus dem 16. Jahrhundert, Hambrug 2014.(online) Christopher J. Nygren, Vibrant icons: Titian's art and the tradition of Christian image-making, Dissertationsschrift Johns Hopkins University, Baltimore 2011 Christopher J. Nygren, "Titian’s Christ with the Coin: Recovering the Spiritual Currency of Numismatics in Renaissance Ferrara", in: Renaissance Quarterly, Vol. 69, No. 2 (2016), pp. 449–488. 1516 paintings Collections of the Gemäldegalerie Alte Meister Religious paintings by Titian Paintings depicting Jesus Este collection