an immaculate vocals". "I Miss You" begins with Beyoncé performing while seated, only to later be brought to her feet while altering the song's ending with additional vocals and instrumentation. "Best Thing I Never Had" follows afterwards, with a slight alteration in its melody. Beyoncé then sang "Party" as the crowd swayed their arms back and forth and stretched out the "y" to every other verse. Beyoncé than began harmonizing with the back-up singers for "Rather Die Young", before performing an up-tempo version of "Love On Top". Beyoncé would begin the countdown of "Countdown" later allowing the audience to finish the countdown from nine-to-one. "End of Time" and "Run the World (Girls)" had Beyoncé utilizing flamboyant light displays bringing elaborate routines to a smaller stage. The show ends with the last song — the self-empowering ballad "I Was Here" — with Beyoncé rephrasing the song's final chorus to say "Roseland, we were here." Critical response Jason Newman of Rap-Up began his review, "For a singer long accustomed to stadiums, Sunday's show was the most intimate performance most fans would see from the ubiquitous superstar." He highlighted how she "split the difference between hushed torch singer and stadium belter", and favored her ability to display both "stamina and vigor, which make for a stadium-perfect show". Newman concluded, "The medley combined the quick blasts of a Las Vegas revue with the emotional candor of a singer-songwriter performing to a near-empty room. It was an odd, yet effective juxtaposition; a global superstar who could effortlessly shuffle between slick, bombastic R&B and awkwardly honest confessions of a tumultuous career. By the end of the set though, humility, as one expects from a singer with 16 Grammy awards and more than 75 million records sold worldwide, turned to sly confidence." Jon Caramanica of The New York Times was impressed by the show, complimenting Beyoncé's performances of "underdog tracks" such as "Party" and "Love on Top". He wrote: In her performance it's always clear that a finely tuned engine is at work, but what was refreshing here was that it was in service of a surprisingly casual manner. She made funny, exaggerated faces; twirled her hair (when it was not floating); and spoke to the crowd like a knowing buddy. She was working off a teleprompter for her between-song patter, but improvising frequently, and for the better ... Beyoncé persevere[s], with a voice that skips up