Four the Record is the fourth studio album by American country music singer and songwriter Miranda Lambert. It was released on November 1, 2011, by RCA Records Nashville. This was her first studio album to be released from that label after a corporate reconstructing at Sony Music Nashville. The album was a widespread critical success and the highest-charting record of Lambert's career at the time, reaching number three on the Billboard 200. It eventually sold over one million copies in the United States. A deluxe edition of the album was also released, which included a bonus song and a DVD. Writing and recording Lambert wrote or co-wrote six of the album's tracks. It was recorded in sessions at Jupiter Studios in Seattle, Sugarhill Recording Studios in Houston, The Cave in Dallas, Wincraft Music Studios in England, and the Nashville-based studios Ronnie's Place, Sound Stage Studios, and Tragedy/Tragedy Studios. Release and promotion Lambert announced in July 2011 that Four the Record would be released on November 1, 2011. A month later, Sony Music Nashville announced that Lambert and labelmate Josh Thompson would transfer to RCA Nashville as part of a corporate restructuring. In the first week of release, the album sold 133,000 copies in the United States and debuted at number three on the Billboard 200, making it the highest-charting album of Lambert's career at that time. It also debuted at number one on the Billboard Top Country Albums. The album was certified platinum by the Recording Industry Association of America on January 10, 2014, and by September of that year, it had sold 1,014,000 copies in the US. Critical reception Four the Record was met with widespread critical acclaim. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 83, based on 12 reviews. Stephen Thomas Erlewine from AllMusic believed Lambert was able to expand stylistically by relying more on other songwriters for the record: "She's digging deeper than ever before and finding considerable riches." In Country Weekly, Ken Tucker deemed it her best album so far and hailed Lambert as a matured "interpreter of songs, whether she's written them or not", while Genevieve Koski from The A.V. Club felt it showcased some of her most intriguing songs yet, proving "her willingness to color outside the lines of country-music convention goes beyond lyrical statements of bad-assitude." Entertainment Weekly