Andean Baroque (Spanish: Barroco andino or arquitectura mestiza) is an artistic movement that appeared in colonial Peru between 1680 and 1780. It is located geographically between Arequipa and Lake Titicaca in what is now Peru, where rules over the highlands and spreads over the entire altiplano. From the Portuguese word barrueco meaning impure, mottled, flamboyant, daring, the most striking example of Andean Baroque art is in religious architecture, where criollo and indigenous craftsmen together gave it a unique character, as happened in the New Spanish Baroque. Origin The first of the Baroque architecture in the Viceroyalty of Peru in 1630 and developed on the Spanish model until the late 17th century. From 1690 differences appear in some regions. Decorative elements The originality of this style lies in the varied decoration, and whose motives respond to four basic types: tropical flora and fauna Manneristic motifs as sirens, masks, etc. American motifs: sun, moon, mountain lions, etc. Pre-Renaissance Christian elements The mermaid appears in the churches bordering the Lake Titicaca and although it is an item from the classical antiquity, remember the Indigenous tradition of two fishes women who seduced the god Tunupa. Regional variants Arequipa In Arequipa, the key building of Mestizo architecture is the church of la Compañía by the architect Gaspar Báez built in 1578. Quito Baroque The extension of the Quito Baroque cover the territories of the former Royal Audiencia of Quito in Spanish colonial times. Especially the Altiplano of Quito and the Andes from Pasto in Colombia to Cajamarca in Peru. Represented in the arts called "Quito School" which was characterized by a high proportion of indigenous Kichwas representations. Features that characterize the indigenous roots in Andean Quito art are: There is a "quiteanization" of the characters, many have mixed features and local attire Indigenous ancestral customs often appear; The scenes are located in the ambiance of the Andean landscape, its cities, its architecture; There is a presence of local wildlife (llamas instead of horses and camels, guinea pig in place of the Paschal Lamb, monkeys, opossums, tapirs, cats, along with classic sheep of the shepherds, etc..), And native flora is found in garlands, embroidery, inlays, silver, carvings, etc..) as well as the adoption of vernacular plant replacing the traditional iconography of European; in sculpture and painting are present characters and customs characteristic of the environment; the executor of the work art is the local craftsman of