Begum Khurshid Mirza (Urdu: بیگم خورشید مرزا ), also known by her screen name as Renuka Devi (1918 – 1989), was a Pakistani television actress and a film actress in the pre-partition era. Early life, Family and Education Begum Khurshid Mirza was born as Khurshid Jehan on 4 March 1918 in Aligarh to Sheikh Abdullah and Waheed Jahan Begum, the founders of Women's College, Aligarh. Her father was a practising lawyer and philanthropist who was keen to bring education and enlightenment to Muslim women. Her elder sister Rashid Jahan was a prominent Urdu language writer and one of the founding members of the Progressive Writers' Movement. Mirza married in 1935 to a police officer Akbar Mirza and migrated to Pakistan in the wake of partition of India in 1947. Mirza completed her education with a Master's degree in English in 1963. Film career Khurshid Mirza was introduced to Indian cinema by Devika Rani of Bombay Talkies under the screen name Renuka Devi. In her interview given to Lutfullah Khan, Mirza recalled Rani named her after her deceased sister. She acted in Jeevan Prabhat (1937), Bhabhi (1938), Bhakti (1939), Bari Didi (1939) and Naya Sansar (1941), and performed as a leading lady in box-office hits Sahara (1943), Ghulami (1945) and Samrat Chandragupta (1945). She also sang for some of her movies. She announced her retirement from the film industry in February 1945. Films in India Films in Pakistan Television career When Pakistan Television Corporation (PTV) began its broadcast transmission in 1964 and its TV drama serials started earning household fame, there was a need for professionals to train the young media crew. It was a Haseena Moin's serial, entitled Kiran Kahani (1972), which rediscovered Khurshid Mirza as a senior actress. Her performance gained her rave reviews, even though she said in a later interview that it was slightly off-key. The next serial she worked in was Zair, Zabar, Pesh, also written by Haseena Moin. Her performance was regarded by many as one of the finest acting performances in that role, and this set the tone for the rest of her acting career. She remained a character actress for PTV, Karachi television centre and had nearly a dozen of popular drama series to her credit, including Uncle Urfi (1972), Parchhaiyan (1976) and a special play Massi Sherbate written by Fatima Surayya Bajia. She retired in 1985, with her last performance coming in