short list of four. The submission by Rohl-Smith did not make the short list; indeed, it was ranked almost dead last by the NSS committee. On May 27, the Sherman Memorial Commission overruled the judging committee and chose Rohl-Smith's design. The National Sculpture Society was outraged, and protested the award strongly to the memorial commission and the press. The New York Times called the decision "one of the most discreditable events ever in the annals of the public art of the United States". Senator Edward O. Wolcott sponsored legislation to investigate the award process. Although his resolution was not successful, the Senate debate over the award process was rancorous and showed the Senate's deep distrust of "art experts". Rohl-Smith was accused of using political influence to win the commission, an accusation he vehemently denied. After two months of protests, the National Sculpture Society ceased to contest the award. After winning the Sherman Monument commission, Rohl-Smith moved to Washington, D.C., in 1897 and set up a studio on the White House grounds next to the memorial's location. A large, barn-like structure was built on Treasury Place NW. With a front door extending high, verandas on three sides, lean-tos in the rear for mixing of plaster, tall windows, and a tin roof, the structure was intended not only to function as a workshop for the construction of a life-size model of the Sherman monument but also as living quarters for the Rohl-Smiths. Carl Rohl-Smith never saw his Sherman Monument completed. He died in Copenhagen in August 1900, and was buried in Vestre Cemetery. Although the government determined that the contract with Rohl-Smith was null after his death, the memorial commission agreed to allow Rohl-Smith's assistant and wife, Sara, to oversee the statue's completion. Mrs. Rohl-Smith asked sculptors Theo Kitson, Bush Brown, and Jens Ferdinand Willumsen to help with the statue's completion. Later reports do not mention Brown or Willumsen's work on the monument, but Lauritz Jensen worked on the main statue, while Danish sculptor Stephen Sinding modelled the War and Peace figures. Sinding created plaster models for these pieces from Rohl-Smith's sketches. But upon review, the postures and sizes of the two figures were found not to harmonize with the rest of the monument. Sigvald Asbjornsen remodelled them. As Rohl-Smith had already completed three of the four soldier figures on the corners of the monument, Sigvald Asbjornsen completed the fourth. Sources differ