The Society of Women Artists (SWA) is a British art body dedicated to celebrating and promoting fine art created by women. It was founded as the Society of Female Artists (SFA) in 1856-7, offering women artists the opportunity to exhibit and sell their works. Annual exhibitions have been held in London since 1857, with some wartime interruptions. History Particularly during the 19th century, the British art world was dominated by the Royal Academy (RA), founded in 1768. Two of the 34 named founders were women painters: Angelica Kauffman (1741–1807) and Mary Moser (1744–1819). However, it was not until 1922 that other female artists were admitted to the academy. Annie Swynnerton, a member of the Society of Women Artists since 1889, was elected as the first female associate member of the Royal Academy and in 1936, Dame Laura Knight became the first female elected full member of the Royal Academy. A woman's place in society was perceived as passive and governed by emotion. And in the 1850s, the idea that women could be artists was hotly debated by John Ruskin and other critics in various journals. Ruskin wrote to Sophia Sinnett in 1858 "You must resolve to be quite a great paintress; the feminine termination does not exist, there never having been such a being as yet as a lady who could paint." Women were not considered as serious contributors to the field of art and had great difficulty in obtaining a public showing. Their education in the arts was limited and they had been excluded from the practice of drawing from the nude figure since the Royal Academy was founded. However, Ruskin later revised his opinion of women artists after seeing Elizabeth Thompson's The Roll Call at the Royal Academy in 1874. After much debate and petitioning, in December 1883, the Royal Academy Schools agreed to provide life classes "for the study of the partially draped figure" to female students but it was a further 10 years before women were admitted to these classes. It was at this time that life classes for women were becoming more widely available across the country. Nevertheless, British women artists proved themselves capable of working both individually and in collaboration and consequently, gained greater credibility. In order to progress and find opportunities to exhibit, they began to form their own organisations. One of the most significant of those bodies was the Society of Female