Mazeppa is a symphonic poem (German: Symphonische Dichtung) composed by Franz Liszt between the years 1851 to 1854 for orchestra. Mazeppa, S. 100, is the sixth in the cycle of twelve symphonic poems written during Liszt's time in Weimar, however a thirteenth composition was added to his collection in 1882. Mazeppa is based on the poem of the same title written by Victor Hugo in 1829. The work premiered at the Court Theatre in Weimar on April 16, 1854. History At the age of fifteen (1826), Liszt published twelve piano pieces titled Étude en 48 exercises dans les tons majeur et mineurs. In 1838, he revisited these compositions and republished the collection with a new title, 24 Grandes études. Seven years later (1840), Liszt reworked the fourth étude and titled it Mazeppa. This reimagined étude was reworked to express the elements of Victor Hugo's poem from the 1829 collection Les Orientales. Mazeppa was reworked for a final time in 1851 and the new version was given the title Transcendental Étude No. 4. The final version of the piano étude led to the orchestrated symphonic poem Mazeppa. Program Mazeppa was first written as an epic poem by Lord Byron in 1818, however, Liszt's Mazeppa is based upon a much shorter account written by Victor Hugo in 1829 published within a collection of poems entitled Les Orientales. Both Mazeppa writings are based on the life of Ivan Stepanovich Mazepa-Koledinsky (c. 1632–1709) and Hugo's poem is included in Listz's original manuscript. Hugo's poem introduces Mazeppa as a Ukrainian nobleman who became a page at the court of John Casimir, King of Poland. Due to a love affair with the wife of a Podolian count, Mazeppa was punished and tied naked onto a wild horse that was violently heading toward Ukraine. The horse collapsed in death and Mazeppa was saved by Ukrainian Cossacks who then named him as their leader. Under his leadership, the Ukrainian men gained major victory in the battlefield. Instrumentation The orchestra consists of piccolo, two flutes, two oboes, English horn, two clarinets, bass clarinet, three bassoons, four French horns, three trumpets, three trombones, tuba, timpani, bass drum, cymbals, triangle, and strings. Form and Analysis The symphonic poem is divided into two distinct sections: Mazeppa's ride (Section 1) and the March (Section 2). According to Liszt, it is possible to play the march, section two, without section one, the ride, as