"" ("The Violet"), K. 476, is a song for voice and piano by Wolfgang Amadeus Mozart, written in Vienna on 8 June 1785, to a poem by Johann Wolfgang von Goethe. Lyrics Goethe wrote the poem in 1773 or early 1774. It was first published in March 1775 in his first Singspiel Erwin und Elmire which was first set to music in 1775 by the German composer Johann André (a revival in 1776 used music by Anna Amalia of Brunswick-Wolfenbüttel and by Carl David Stegmann, and another 1785 had music by Ernst Wilhelm Wolf and Karl Christian Agthe). In 1771, Goethe had written the poem "Heidenröslein" which tells of a young man's plucking of a feisty rose. In "Das Veilchen" it is a careless girl who destroys a violet, a metaphor for a young man's heart. Music This song is Mozart's only setting to a text by Goethe. It not clear where exactly Mozart encountered the poem, but is likely through one of its settings by other composers of the time. Mozart made a telling addition by adding his last line. The poem is written in three stanzas, but instead of using strophic form, Mozart creates a through-composed work, demonstrating his careful attention to the words of the poet by creating a different mood for each verse. At the end of the song, the composer recalls the opening line in a touching 5-bar coda. The piece is 65 bars long and a performance lasts about minutes. Its key signature is G major; its meter is 2/4. The vocal range covers only the interval of a ninth, from F4 to G5. The piece starts with a 6-bar introduction of the melody of the first line by the piano. The first stanza takes up the next 15 bars. The entry of the shepherdess is marked by a modulation to D major; this is followed by a four-bar segment which summarises the violet's happy mood – and a general pause which precedes the mood swing of the second verse, a change of key to G minor to describe the violet's longing. There is a modulation to the relative major B-flat major in the latter part of that verse when the violet expresses hope of being loved back, but ending in a falling phrygian lament. The narration of the third verse is a recitativo accompagnato in E-flat major culminating in the trampling of the