Leslie Flint (1911 – 16 April 1994) was a British self-proclaimed medium who is credited as having been one of the last psychics to use direct-voice mediumship. He has been described by spiritualists as the most renowned psychic of the 20th century. Skeptics have pointed out a number of alleged frauds Flint perpetuated during his career. Biography Flint was born in London in 1911 and reached the peak of his fame from the 1930s to the 1960s. He was famous for claiming to contact the spirits of dead celebrities, and would often record his sessions. He claimed his familiar, Mickey, was the spirit of a child who had been killed in 1910. Flint claimed to have seen his first spirit at the age of seven when his dead uncle appeared to him in his home. He conducted his first séance at the age of 17. In his early life, he worked as a cinema usher and a cemetery gardener. Flint was a conscientious objector in World War II, serving in the Non-Combatant Corps before being seconded to coal-mining. The first public séance performed by Flint was in 1955, just after he formed an association called the Temple of Light. Flint was an avid fan of Rudolph Valentino and acquired the only known copy of footage from The Young Rajah. Flint was wealthy and lived in a mansion house at Westbourne Terrace near London Paddington station. The mansion had been formerly occupied by the actor George Arliss. During pre-production for the 1973 film Don't Look Now, director Nicolas Roeg and actress Julie Christie were invited by Flint to a séance he was holding for some American parapsychologists who were coming to observe him. Roeg and Christie attended and sat in a circle in the pitch dark and joined hands. Flint instructed his guests to "uncross" their legs, which Roeg subsequently incorporated into the film. Style of mediumship When taking part in séances with Flint, participants would report hearing the voices of the dead surrounding them in the room. Flint would perform bound and gagged in an attempt to prove that he was not throwing his voice. He claimed that he was able to conjure ectoplasm from which he could then reconstruct vocal cords. However, Flint always insisted on performing in the dark, so séance-goers were unable to see him during the performances. He would sometimes even perform in a cupboard. Amongst