lasted well into the 1970s. At Carbondale he met other up and coming metal artists such as Mary Lee Hu. He learned to forge steel and was particularly impressed by a simple knife made by his mentor, Kington. Noffke got his Master of Fine Arts at SIU in 1969. Career While he still was studying painting, Noffke had been influenced by the abstract expressionism of Willem de Kooning and Jackson Pollock. Just as these painters had attacked the canvas with swirls, drips, splashes, and smears, Noffke would attack the surface of his metal objects with obsessive and intricate detail consisting of stars, letterforms, arrows, crosses, dollar signs, eyes, and other obscure symbols. These richly detailed surfaces, stamped, engraved, and carved into the metal illustrate a paradox evident in all of the artist's work. On one hand, each object presents a surface of inscrutable markings. On the other hand, each object is in the end just an ordinary bowl, spoon, knife, or some other purely utilitarian object. Noffke first taught at Stetson University in DeLand, Florida, and then at California State College at Los Angeles. In 1971, he took a position at the University of Georgia at Athens where he was to remain for the next thirty years. Noffke was awarded a faculty research grant in the early 1970s from the University of Georgia to explore the cold forging of fine silver from sheet. Expert opinion said that the hot forging of fine silver was impossible; but Noffke discovered an alloy that made it easy. He discovered that by eliminating some of the copper content in sterling silver he was able to cast his own billets of 969 silver. Still later he developed a method to forge gold from cast billets. In the years 1977 to 1979 Noffke, working with the University of Georgia and several other artists, put together three annual "National Ring Shows" featuring the younger generation of metalsmiths. The shows did not rely on museums but were escorted around the country by the participants themselves. The idea was so successful, that The Lamar Dodd School of Art and the Georgia Museum of Art repeated the format again in 2011. For thirty years Noffke taught at the University of Georgia and then retired from active teaching. He built his own studio—and all the tools in that studio—in the hills near Farmington, Georgia. Some of those tools along with his