an allegedly "liberal bias". His efforts sparked complaints of political pressure. To partially balance out the perceived left-leaning PBS shows, from June 2004 to July 2005, PBS aired Tucker Carlson: Unfiltered with conservative commentator Tucker Carlson, and from September 2004 to December 2005, PBS aired The Journal Editorial Report with Paul Gigot, a conservative editor of The Wall Street Journal editorial page. In December 2004, Bill Moyers resigned as a PBS regular, citing political pressure to alter the content of his program, and saying Tomlinson had mounted a "vendetta" against him. In May 2005, two House Democrats requested the CPB inspector general investigate the complaints of political interference. The inspector general's report was issued in November 2005 and described possible political influence on personnel decisions, including e-mail correspondence between Tomlinson and the White House which indicated that Tomlinson "was strongly motivated by political considerations in filling the president/CEO position", a position filled in June 2005 by former Republican National Committee co-chair Patricia Harrison. Tomlinson resigned from the CPB board on November 3, 2005. Accusations since the Tomlinson tenure In January 2021, Michael Beller, the chief attorney for PBS resigned after being caught on tape suggesting that the children of Donald Trump supporters should be sent to re-education camps. Lawsuit with Pacific Arts In the 1990s, PBS became involved in a dispute over home video licensing rights with Pacific Arts Corporation, a multimedia company owned and operated by former Monkees guitarist Michael Nesmith. In 1990, Pacific Arts secured a contract with PBS to distribute their back catalog of programming on VHS under the PBS Home Video banner. However, in the early 1990s, Pacific Arts and PBS went through a series of serious disagreements. Lawsuits were filed: by Nesmith and Pacific Arts against PBS for breach of contract, intentional misrepresentation, intentional concealment, negligent misrepresentation, and interference with contract; and by PBS against Nesmith and Pacific Arts for lost royalties. The lawsuits escalated in 1994 and 1995 into major litigation between the parties over these rights and payments. PBS and Nesmith and Pacific Arts vigorously prosecuted these multimillion-dollar counter-suits. The six plaintiffs included PBS, WGBH-TV, WNET, the Ken Burns-owned American Documentaries and Radio Pioneers Film Project and the Children's Television Workshop. They sought approximately $5 million in disputed royalties, advances, guarantees and license fees for programs and the use of the PBS logo from the defendants Pacific Arts and Nesmith. Due to the