Johannes Vorstermans (John Vosterman; ca.1643, Zaltbommel – ca.1699/1719, Zaltbommel), was a Dutch Golden Age landscape painter. Considered superior to all of his contemporaries, he created works for Charles II. The Scottish artist, T. Graham referred to him as F. de Vosterman. Early years Born at Zaltbommel circa 1643, he learned the rudiments of the art from his father, who was a portrait painter. According to Houbraken he was the son of Otto Vorsterman (a probable relation of Lucas Vorsterman, since Houbraken claims he was from a good portrait painting family) who travelled to Utrecht to become a pupil of Herman Saftleven. Otto Vorsterman had married the widow of the mayor of Zaltbommel, so young Vorstermans travelled to France with his inheritance money. When he returned, he lived with his sister in Zaltbommel, according to Gerard Hoet, who told this story to Houbraken. Vorstermans studied at Utrecht under Herman Sachtleven, to whom he became superior in landscape. Career A vain man, instead of following his profession, he assumed the rank of a baron in Paris, maintaining a suite of servants. When he was under the greatest pressure from a large debt, he would pretend illness, seclude himself, and work industriously. In order to prove that he was not in want of money, he gave away some of his best pictures to persons of high rank. This extravagance did not last long, and in 1672, he was obliged to return to Utrecht. He was at his sister's from 1672 to 1674, before leaving for England. He left England after encountering financial difficulties, and accompanied the marquis de Béthune to France. In Nijmegen, the marquis employed him in painting several views on the Rhine. As the marquis' major-domo, Vorstermans purchased pictures for the marquis and carried them to France on his behalf. After Vorstermans returned to England, he worked at the court of Charles II. His paintings include a chimney-piece at Whitehall, a view of the promenade in St. James's Park, a view of Stirling Castle, and particularly one of Windsor, for which Vorstermans demanded two hundred pounds. This was deemed exorbitant, and he did not receive even half the amount. The high prices which he put upon his works, and the bad use he made of his money, threw him into difficulties, and he was confined in prison for debt. Some of the English artists, however, who admired his talents, liberated him,