Fabio Vittorini (born 19 December 1971) is an Italian literary critic, currently Professor of Comparative Literature at IULM University of Milan (Italy) He is known for his studies on opera and on metamodern narratives. He is the author of many books and articles. Biography In 1995 he graduated in Modern Literature at University of Bologna under the supervision of Mario Lavagetto. In 1999 he got a Ph.D. in Literary Theory at University of Bergamo. Between 1996 and 2001 he gave seminars on Literary Theory and Comparative Literature at University of Bologna. Between 2001 and 2002 he was lecturer of Italian Contemporary Literature at University of Modena and Reggio Emilia. Between 2002 and 2007 he was associate professor of Comparative Literature and Music and Image at IULM University of Milan. Since 2018 he is full professor at the same university, where he also coordinates a Master (Television, cinema and new media) and a Multimedia Laboratory, and is a member of the board of Visual and Media Studies Ph.D. He is a member of the Italian National Council of Literary Critic and Comparative Literature. He is a member of the steering committees of the following reviews of comparative literature: “Poli-Femo”, "Symbolon” and “Comparatismi”. He is a member of the editorial office of the movies webzine duels.it. He reviews musical events for the Italian newspaper Il Manifesto. He is author and host of cultural tv shows for Italian National Television RAI. Research Interests Opera and Melodrama In his book Shakespeare and romantic opera (2000) he outlined how Shakespeare's plays entered the European continental literature and culture, mostly through French dramatic rewritings during the XVIII Century and, after the romantic consecration, through Italian operatic adaptations during the XIX Century. In his book The Threshold of the Invisible. A Journey into Macbeth: Shakespeare, Verdi, Welles (2005), he deepened the points of the intertextual, inter-semiotic, inter-cultural and intermedial translation focusing on the case of Macbeth (Shakespeare's tragedy, Giuseppe Verdi's opera and Orson Welles's movie) In his book Dream in Opera. Oneiric Tales and Operatic Texts (2010) he used the Freud's psychoanalysis tools to build a theory about the structural relationship between oneiric and operatic languages. In his book Melodrama. An intermedia path between theater, novel, cinema and TV series (2020) he explored the melodramatic mode as a typically modern device of aesthetic knowledge, going back to the origins of the melodramatic imagination, mapping its deep structures