and with big movements of his body places his artworks on the ground creating parallel worlds. His works happen for several phases, with the call "under cover painting" and this way he declares "...over there take unchangeable places and unstoppable dimensions of time that they are frozen on the linen". Over the past decade, the photographs that Friedrich took in Africa ″reverberated″ in his mind to suggest a vast array of cultural and historical references, reaching from the first human civilisation of Mesopotamia to the actual human new 3 digital technology. Over the years Friedrich has made many unusual works, but one work stands out among the rest as particularly bizarre- that work being his Götterdämmerung. In 1997, after twenty years of working in Götterdämmerung, the artist left Germany to travel around the world—to Africa, Mexico, China, Thailand, Indonesia, Australia, and Egypt. Taking 20 years to create this piece which icons, and produce a speech that begins even with the right other the left hand, they are Children of Jerusalem, both hanged by an enormous octopus, while the speech continues you can reach many episodes from Bible and Greek mythology, in the middle of the triptych it is a big head stand for Human-being, which they have the key for the future, behind the big head are two open doors: it is the future. He asked Italian art critic, Augusto de Marchiani to write a text for the catalog about the future of Human-being, finding it entire unique. Sculpture After working in several medias and workshops, Friedrich´s began developing the revolutionary style for which he is known. His abstraction as he turned his thoughts towards experimentation with the elements of design. Friedrich´s earlier abstract figures deal principally with cut figures in mass, while his later ones contrasts the solid elements of the sculpture with the space, under the influence of the Toltec-Mayan figure. This later, more abstract heads, by which Friedrich explores and alternates concave and convex shapes. Friedrich´s sculptures made many preparatory sketches and drawings for each sculpture. Most of these sketchbooks and photomontage are in collection at Museo Fred Friedrich. He placed great importance on drawing, taking photo shoots which he analysed light, form and colour of each sculpture. Friedrich built up a collection of natural objects; skulls, rocks, metals, wood, which he would use to provide inspiration for organic forms. For his largest works, he usually produced