influence, in London. The redesign is traditionally attributed to the Hotteterres, particularly to Jean Hotteterre, though the evidence is rather tenuous. In 1696, Johann Christoph Denner and Johann Schell applied for permission to make the French type of instrument in Nuremberg, and it quickly became the dominant type of instrument across Europe. In most languages, this was the instrument meant by the word for flute alone: German Flöte, Dutch fluyt, Italian flauto, Spanish flauta. In England, it was usually simply "flute", but when necessary to differentiate from the transverse flute or other sizes of recorder, it was called "common flute" or "consort flute". References Sources Further reading Baines, Anthony C. 1967. Woodwind Instruments and Their History, third edition, with a foreword by Sir Adrian Boult. London: Faber and Faber. Reprinted with corrections, 1977. This edition reissued, Mineola, New York: Dover Publications, 1991, and reprinted again in 2012. . Griscom, Richard W., and David Lasocki. 2013. The Recorder: A Research and Information Guide, third edition. Routledge Music Bibliographies. Routledge. . Hunt, Edgar. 1988. "Syntagma Musicum II, Parts 1 and 2 of De Organographia by Michael Praetorius; David Z. Crookes" (review). The Galpin Society Journal 41 (October): 142–144. Praetorius, Michael. 1619a. Syntagmatis Musici Michaelis Praetorii C. Tomus Secundus De Organographia. Wolfenbüttel: Elias Holwein, in Verlegung des Autoris. Praetorius, Michael. 1619b. Syntagmatis Musici Michaelis Praetorii C. Tomus Tertius. Wolfenbüttel: Elias Holwein. Virgiliano, Aurelio. c.1600. Il dolcimelo. Manuscript. Bologna: Civico Museo Bibliografico Musicale. Facsimile edition, edited by Marcello Castellani. Archivum Musicum: Collana di testi rari 11. Florence: Studio per Edizioni Scelte. 1979. External links Baroque instruments Early musical instruments Internal fipple flutes Recorders (musical instruments)