Johnny Mathis Sings is an album by American pop singer Johnny Mathis that was released by Mercury Records on March 10, 1967 and was the last of his 11 studio projects for the label. Eight of the twelve tracks were recorded since the completion of his previous LP, So Nice, while four of the tracks were leftovers from the recording sessions for previous Mercury albums. The finished product included a number from Broadway's The Roar of the Greasepaint—the Smell of the Crowd, a cover of the Beatles hit "Eleanor Rigby", two offerings from songwriters Burt Bacharach and Hal David, and three cuts that originated in film scores but had lyrics added later: the melody for "Strangers in the Night" was written for A Man Could Get Killed; "Somewhere My Love" began as "Lara's Theme" from Doctor Zhivago; and "Lovers in New York" started out as the instrumental title track from Breakfast at Tiffany's. This final Mercury LP made its first appearance on Billboard magazine's Top LP's chart in the issue dated April 1 of that year and reached number 103 during its 11 weeks there. Johnny Mathis Sings was released for the first time on compact disc on December 4, 2012, as one of two albums on one CD, the second of the two being So Nice. Both were also included in Sony's Mathis box set The Complete Global Albums Collection, which was released on November 17, 2014. History The song on this album that stood out for Mathis upon recollection was "Lovers in New York". "'The minute I heard it in Breakfast at Tiffany's – and it was just that one scene when they were walking down the street in New York – I just loved it. And I said, I hope…there’s just got to be words to that, and it turns out there were. They were written by Jay Livingston and Ray Evans, who were wonderful writers…and nice men.The point of interest here that Mathis addressed most candidly, however, was the fact that he was saying farewell to Mercury with this album. He summarized the time spent with the label in relation to the rest of his recording career in 2012. "'The only time I was not secure in what I was doing was during the three years I was with Mercury.'" The years of mentoring he enjoyed as a new recording artist at Columbia ended rather abruptly