Council on the Arts, The City of New York, Con Edison, the F.W. Woolworth Company, and the Organization of Independent Artists. The stated theme of the exhibition was not size, but social responsibility. Thousands of artists again submitted entrees, and the co-curators selected 400 proposals, including works by well-known artists such as Carl Andre, Christo, Vito Acconci, Nancy Holt, the controversial Chris Burden, Dennis Oppenheim, Nancy Spero, Leon Golub, and Boaz Vaadia. Some of Shifreen's co-jurors were Marcia Tucker, the director of the New Museum, Henry Geldzahler, the New York City Cultural Commissioner, and Mary Boone, the gallery owner. As before, the show was a success, with multiple art publications publishing reviews. Three panel discussions were held at Cooper Union, and artists as well as art critics took part. On October 3, 1982, there was a review in The New York Times. Several New York artists, including Shifreen and Julius Vitali, have theorized that the East Village, Manhattan art movement in the 1980s may have resulted partly from the artist-organized and not-for-profit shows of the early 1980s, including The Monumental Show and Monument Redefined. The shows made it possible for galleries and dealers to find and support emerging artists. From 1985 to 1986, Shifreen had five one-person shows as a result of these events, and became a successful grant writer. Career 1983-1989 In September 1983, he co-organized and exhibited in the Brooklyn Terminal Show with AAAArt committee. Held at the Brooklyn Navy Yard, over 550 artists assembled in what had previously been one of the largest buildings in the world. Shifreen co-founded the Pan Aats group with Michael Curtin in 1984. For a time he served as editor of PanArts Magazine, which also served as a catalog for their Art and Ego show in 1984. Shifreen helped organize the Art Against Apartheid exhibition in 1984, which was held at twenty six separate locations in New York. It was also coordinated by The Organization of Independent Artists, for whom Shifreen had written numerous grants. He has been a member of Group Scud, a New York-based portable exhibition group, who park in front of New York museums and galleries to display work. The 22 Wooster Gallery gave him the paid position of Program Director for the Artists Talk on Art series, where he organized well-attended panels on diverse topics from 1986 to 1988. From 1986 to 1989, he was involved with the