Corinne Day (19 February 1962 – 27 August 2010) was a British fashion photographer, documentary photographer, and fashion model. Life and career Early life Corinne Day grew up in Ickenham with her younger brother and her grandparents. She left school aged sixteen and worked as an assistant in a local bank. After a year at the bank she became an international mail courier. It was during this period that someone suggested she try modelling – she worked consistently as a catalogue model for several years. In 1985 she met Mark Szaszy on a train in Tokyo – Szaszy was a male model and had a keen interest in film and photography. During an extended trip to Hong Kong and Thailand, Szaszy taught Day how to use a camera and in 1987 they moved to Milan. It was in Milan that Day's career as a fashion photographer started. Having produced photographs of Szaszy and her friends for their modelling portfolios, Day began approaching magazines for work. First steps in fashion photography In 1989 Day had her first meeting with Phil Bicker, the art director of The Face. Through Bicker, Day met stylists Anna Cockburn and Melanie Ward, with whom she was to create some of her most iconic images. Day's photographs came to public attention through her fashion editorial for The Face titled, "The Third Summer of Love" published in July 1990. Commissioned by Bicker and styled by Ward, the story used Kate Moss as the model in an eight-page fashion story, showcasing garments by Romeo Gigli, Joseph Tricot, Ralph Lauren, and a feather head-dress from the now-defunct Covent Garden boutique World. Taken during a day trip to Camber Sands, a number of the photographs depicted the teenage Moss semi-nude and laughing on the beach. The photograph of Moss wearing the feather head-dress featured on the front cover of the magazine is now one of Day's most recognised images. Day had previously worked with Moss on the Levi's 'Levis for Girls' campaign with The Design Corporation. 1990s During the early 1990s Day continued to work with The Face, as well as a number of magazines associated with youth and counter culture, including, i-D, Ray-Gun and Penthouse, working with models including Moss, Rosemary Ferguson and George Clements. In 1993, Day was commissioned by Alexandra Shulman to photograph Moss for the June issue of the British edition of Vogue. Intended as a lingerie