Bill Dane (aka Bill Zulpo-Dane, born William Thacher Dane on November 12, 1938) is a North American street photographer. Dane pioneered a way to subsidize his public by using photographic postcards. He has mailed over 50,000 of his pictures as photo-postcards since 1969. As of 2007, Dane's method for making his photographs available shifted from mailing photo-postcards to offering his entire body of work on the internet. Education Dane studied Political Science and Art/Painting at the University of California, Berkeley. He graduated with a BA in 1964, and a MA in Art/Painting in 1968. Dane painted for seven years before discovering photography in 1969. He worked with Diane Arbus and Lee Friedlander at Hampshire College in the summer of 1971. Photographic career Dane was recognized by the John Simon Guggenheim Memorial Foundation with Guggenheim Fellowships in 1973 and 1982. He received Fellowships from the National Endowment for the Arts in 1976 and 1977. He used his grants to photograph inside and outside North America. The results of Dane's explorations have been viewed on his photo-postcards, in exhibitions, catalogs, books, magazines, and over the internet. Unfamiliar Places: A Message From Bill Dane was his seminal exhibit at the Museum of Modern Art in 1973. While Dane continues as a straight, still photographer working in public places, his pictures have evolved dramatically over time. Collections Dane's photographs are held in the following permanent public collections: Amon Carter Museum, Fort Worth, TX Art Institute of Chicago, Chicago, IL Bibliothèque Nationale, Paris Fogg Museum, Harvard University, Cambridge, MA Madison Art Center, Madison, Wisconsin, WI Metropolitan Museum of Art, New York Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX Museum of Modern Art, New York National Gallery of Art, Washington D.C. Oakland Museum, Oakland, CA Ohio State University Libraries, Columbus, OH Provincial Museum, Granada, Spain San Francisco Museum of Modern Art, San Francisco, CA Smithsonian American Art Museum / National Portrait Gallery Library, Washington, D.C. Reactions of notable critics A. D. Coleman "Now, if I were a photographer myself, I would be deeply Insulted by this show. I would be insulted that an institution so prestigious and powerful as the Museum of Modern Art would present, as photographically exemplary, a collection of random snapshots by someone who has not even established enough craft competence to make his disregard of craft standards a significant esthetic choice." John Szarkowski: "It seems to me