past. When he speaks to defend himself, Mike finds himself in a kind of kangaroo court, surrounded by his peers. "Fire Him!" shouts Herbert, and McKinley does. But it also becomes apparent to Sarah that Albert knew about Mike all along. And at last she sees through his sanctimonious disguise. Tommy says goodbye to Mike Butler. Tommy and Ramona are together now, and it is very clear that they, at least, are going to be all right. But what about Butler? He'll go to some other town, some town probably a good deal like this one. Tommy says maybe he'll be a teacher too. They embrace. Now you just can't do a thing like that. Herbert Heller sees his boy Tommy embraced by this "Commie queer" and he gets his shotgun and fires it right at him. But of course Helbert is the "true example of American manhood" and gets elected Man of the Century anyway. So it's all right. Even if he isn't much of a shot anymore. A man can't do everything well. All he can do is try. And "Now Is The Time For All Good Men" to do just that. [ ] Cast and crew The show was directed by Word Baker, set by Holly Haas, costumes by Jeanne Button, lighting by Carol Rubinstein, musical direction by Stephen J. Lawrence and the album produced by Edward Kleban. The cast included Sally Niven (a pseudonym for Gretchen Cryer), Judy Frank, David Cryer, Donna Curtis, David Sabin, Margot Hanson, Regina Lynn, Art Wallace, John Bennett Perry, Murray Olson, Anne Kaye, and Steve Skiles. Musical numbers "What's in the Air?" "Keep 'Em Busy" "Tea in the Rain" "Halloween Hayride/Katydid" "See Everything New" "Stuck-Up" "He Could Show Me" "All Alone" "My Holiday" "Down Through History" "Good Enough for Grandpa" "A Simple Life" "A Star on the Monument" "Rain Your Love on Me" "There's Goin' to Be a Wedding" "Finale: Quintet" References Album liner notes by Charles Burr 1967 musicals Off-Broadway musicals Plays set in Indiana