Rei Berroa (born in Gurabo, Dominican Republic, 1949) is a Dominican-American poet, university professor, literary and cultural critic, and translator living in the United States. He has published more than 25 books of poetry, anthologies, translations, and literary criticism. Biography In 1983 he received a Ph.D. from the University of Pittsburgh, and since 1984 has taught Spanish literature and literary criticism at George Mason University in Fairfax, Virginia. For more than 25 years, he has devoted his poetry, writing, performances, music, teaching, and service in his academic, social, and political community to engagement in a venture he calls “cultural facilitation” or “cultural agency.” This approach has recently been described as a “cultural agent of growth and change through the experience of the arts,” seeking to “increase the impact of creative and scholarly practices by identifying artists, educators, and community leaders who have developed socially productive artistic practices, by reflecting the role of art in building a civil society, and by disseminating best practices through workshops and public forums.” He was Faculty Advisor to the GMU journal Hispanic Culture Review (1992–2006), for which he received the GMU Advisor of the Year Award in 2002. He has been literary advisor to Arlington’s Teatro de la Luna since its founding in 1991 and since 2001 has coordinated its annual Poetry Marathon at Casa de la Luna, the Library of Congress in Washington, D.C., and other venues. Through this festival he has brought together poets from all over the Spanish speaking world, and has published the festival poetry anthologies since 2001. His advice and participation as poet, scholar and teacher has been sought by organizers of poetry festivals and international book fairs in Villahermosa (Mexico), Izmir (Turkey), Santo Domingo (Dominican Republic), Caracas (Venezuela), and Recife (Brasil), among other places. He has also produced an opus of cultural and literary scholarship. In the field of contemporary literature, he has placed particular attention on Spanish poet Miguel Hernández and the literature of the Caribbean, with emphasis on the Dominican Republic. His book Ideología y retórica: Las prosas de guerra de Miguel Hernández is a semiotic approach to the art of propaganda as high art, and offered the first serious study on the use of rhetoric during armed conflicts to convey ideologies. Professor Tracy K. Lewis (CUNY, Oswego) called it “a meditation on the nature of the Word as persuasion … and as such it offers an