the most controversial and radical subcultures. with printed material curated by Mott, the book examines this multi-faceted culture through the filter of printed material, zines, posters and films. The book is divided into sub-sections looking at the original iteration of skinhead, the fascist interpretation, the socialist counterpoint, queer skinhead culture, exploitation literature, skin girls, and everything in between. Showboat: Punk / Sex / Bodies (Dashwood Books - )- Showboat is a collection published by Mott in 2016, exploring the relationship between punk and sex. Numerous people contributed to the book including Paul Cook of the Sex Pistols, Garry Bushell, filmmaker Nick Zedd, and artist Annie Sprinkle. In addition to photo galleries, the book has personal essays and lyrics from 1972 to 2016. The collection also contains never before exhibited images by Shirley Baker from the 1980s. Oh So Pretty: Punk in Print 1976-1980 (Phaidon Press - )- In late 2016 Mott published Punk in Print, a collection of flyers, ticket stubs, and other memorabilia showing the early days of punk. The New York Observer stated the book was, "collectively, the raw, abrasive look of the promotional material from the music scene back then packs a powerful punch, presented with the immediacy of youthful creativity in an instinctive way." The book was originally published in 2015 as Punk in Print 1976-1980. CRASS exhibition In February 2011 Mott exhibited another part of his collection, 'Crass, selections from The Mott Collection', an exhibition of objects and artefacts centred on the anarchic, post-punk culture of the British band Crass, at the Roth gallery, New York. The exhibition featured artwork, albums and ephemera, including original 12" LPs and EPs, 7" singles from Crass Records, and a complete set of Crass' iconic house zine, Inter-National Anthem. The material featured in the exhibition spanned the high period of Crass' endeavours, from 1978 to 1984, and constituted a special segment of The Mott Collection. Jubilee exhibition To celebrate the Diamond Jubilee of Queen Elizabeth II, the Mott Collection exhibited a collection of sixty 7" punk singles including records by The Clash, Ian Dury, The Cortinas, and the Buzzcocks among others. The exhibition was accompanied by a publication of the same name reproducing various group's cover artwork including the iconic "God Save the Queen" by the Sex Pistols. In an interview with Peter Aspden in the Financial Times, Mott discusses how the Queen became an icon of the punk