Taipei for her concert tour Myself World Tour, she announced that the tour would embark on 24 December 2010 at Taipei Arena in Taipei, Taiwan and it would be based on the concept of party, and she invited Benny Ninja to be the special guest. It concluded on 13 April 2013 at Kaohsiung Arena in Kaohsiung, Taiwan. Comprising 35 shows, it grossed NT$1.5 billion and played in front of 600,000 people from 31 cities in Asia, Europe, and Oceania. On 19 October 2013, Tsai released the live video album, Myself World Tour, which documented the Taipei dates of the tour on 22–23 December 2012 at Taipei Arena. Critical reception The album received mixed response from music critics. Writing for NetEase, Xiong Ziang called it a "clear, well-made Chinese dance-pop album." Wang Shuo commented: "Tsai did't blindly pursue fashion, but adopted dance-rock, which seems to be more in line with contemporary people's appreciation of dance music." Sanshi Yisheng gave the album 3 out of 5 stars, and commented: "Even though there is still room of improvement for most songs, the dance-oriented singer had done enough in terms of the integrity and consistency of the album." Liang Xiaohui wrote: "Looking at the album as a whole, it intended to become Tsai's new milestone. Although it is conservative and imperfect, we have to admit the album is still her another successful attempt", adding that: "Perhaps, in the future, when we look back on C-pop diva of the early 21st century, the name that first comes to our mind would be Jolin Tsai rather than others, just like when we look back on the second half of the 20th century, we can never avoid the sparkling name of Madonna." Writing for Sina, Eric commented: "The music direction of this album is mature compared to her previous works, giving full play to her dancing talent, heading for 'dance-pop queen'", adding that: "Looking at the whole album, Tsai once again shows her amazing sincerity, no matter the dance or music, it can be said is elaborate, in order to complement the concept album, they also offer a big budget for the visuals." Liu Shuiji wrote: "This time Tsai worked very attentively, the overall vocal performance is stable, the album has an average quality and a good consistency, the music arrangement is also a highlight, but the album's concept is too gimmicky, it doesn't reflect her actual