The Apollo Theatre is a 1913 art-deco moviehouse located in Oberlin, Ohio and maintained by Oberlin College. It is notable as one of the earliest theaters to screen "talkies" and for its use as one of Northeast Ohio's film forums. History While originally often used for vaudeville acts, The Apollo gained attention as an art cinema in the mid-1910s. The films that were shown were usually silent, the exception being when an organ would accompany the film. In 1928, the Apollo got its first “Talkie”, and from that point on, a new appreciation for cinema started to grow in the town of Oberlin. The theater changed hands many times in its early years before it came under the ownership of Jerome Steel who had previous involvement in the movie business. He had been a representative for Warner Brothers Pictures and Vitaphone, and also managed the Alhambra Theatre in Cleveland. Steel closed the theater for a month to renovate. He added new lighting, an up-to-date organ, and a new screen. Once the theater reopened, he replaced some of the Vaudeville acts with the first “talkies”, and was eager to cater to both town and college interests. The Apollo was not the only theater in town, so to set it apart he created the motto, “Always a Good Show”, which was used in many of the Apollo’s advertisements. The motto proved effective as an advertising tool. Besides running an effective business, Steel was well known for his generosity. When his twin boys Sandy and Bill were born, he gave a free show to the town. He also continued the tradition started by his predecessor, Oscar Smith, of a free Christmas show to Oberlin children who would bring a basket full of food for a needy family. As the Apollo grew in popularity, both because of the effective business practices of Jerome Steel and because of his generosity, more renovations became necessary. New chairs, bathrooms, and a sound system were installed in September 1930 to meet the demands of the growing audience. The seat count would change twice again after that, once in 1931 and in 1936, jumping from 295 to 566, and finally to its peak at 900. In the 1950s Jerome Steel needed more help and hired his son Bill as co-manager. With his help, a major renovation took place in 1953, reducing the size of the theater from 900 seats