real life Bullingdon Club. A number of prominent Conservative politicians have been members of the Bullingdon, including David Cameron, George Osborne and Boris Johnson. The production's scene changes were marked by the Riot Club's a cappella renditions of contemporary popular music such as "Wearing My Rolex" by Wiley; the music was arranged by James Fortune. West End production In 2012 the Royal Court production of the show was revived in the West End at the Duke of York's Theatre with several cast changes. The script was updated, including references to the coalition government which had since come to power and a slight recharacterisation of James Leighton-Masters in line with contemporary events. The a cappella renditions of songs were also updated, this time including LMFAO's "Sexy and I Know It". Female-led productions In March 2016, female-led theatre company Anonymous Is A Woman Theatre Company staged a rehearsed reading of the play, directed by Lucy Jane Atkinson, in which the genders were cast in reverse: women played the 12 male roles; men played the 2 female roles. The following week, at AIAWTC's Women in the West End festival at the Arts Theatre, a gender-reversed scene from the play was performed, complemented by a non-gender reversed performance of the same scene. The following year, an all-female production of the play was staged at Pleasance Islington, directed by Cressida Carré and starring Cassie Bradley. All 14 roles, male and female, were played by women. The play was performed as it was initially written by Wade, using the male names and the “he” pronoun. The playwright, Laura Wade, said: “It’s always interesting to see a new cast take on Posh, but it’ll be fascinating to see what light an all-female company can throw on the play’s world of power and privilege. I’m often asked what Posh would have been like if there were women in the Riot Club instead of men. Perhaps now I get to find out.” Subsequent productions In February 2015 the regional premiere was co-produced by Nottingham Playhouse and Salisbury Playhouse, directed by Susannah Tresilian. Film adaptation The Riot Club, a film adaptation of the play, directed by Lone Scherfig, was released in 2014. Reception Both London productions received generally favourable reviews; the ensemble was well praised with some reviewers comparing the young male cast to the original cast of The History Boys by Alan Bennett. Some reviews criticised what they saw