wine imagery; allusions to royal Sassanian imagery are also present (Griffins, for example). Vandalism and decay After the establishment of the Turkish republic, following the Armenian genocide, the church was exposed to extensive vandalism. The ornate stone balustrade of the royal gallery disappeared, and comparisons with pre-1914 photographs show cases of damage to the relief carvings. The khatchkar of Catholicos Stephanos, dated 1340, was, by 1956, badly mutilated with large sections of its carvings hacked off. In 1956 only the bottom third of another ornate khachkar, dated 1444, was left - it was intact when photographed by Bachmann in 1911. The 19th-century tombstone of Khatchatur Mokatsi, still intact in 1956, was later smashed into fragments. In the 1950s the island was used as a military training ground." Restoration Between 20 May 2005 and 21 July 2006, the church underwent a controversial restoration program. The restoration had a stated budget of 2 million Turkish lira (approximately 1.4 million USD) and was financed by the Turkish Ministry of Culture. It officially re-opened as a museum on 29 March 2007 in a ceremony attended by the Turkish Minister of Culture, government officials, ambassadors of several countries, Patriarch Mesrob II (spiritual leader of the Armenian community of Turkey), a delegation from Armenia headed by the Deputy to the Armenian Minister of Culture, and a large group of invited journalists from many news organizations around the world. Özdemir Çakacak, the governor of Van, described the restoration as "a show of Turkey's respect for history and culture". A Turkish state department museum official added, "We could not have ignored the artifacts of our Armenian citizens, and we did not." Signs heralding the church reopening declared "Tarihe saygı, kültüre saygı" ("Respect for history, respect for culture"). According to Maximilian Hartmuth an academician at Sabanci University, "the church was turned into a museum rather than re-opened as a place of worship following the restoration was, for example, claimed to be a wedge separating the monument from Turkey's Armenian community. The critics, writing for media such as Radikal, Milliyet, or Turkish Daily News, furthermore lamented that permission to mount a cross on top of the church was not given. Moreover, they argued the official name of the museum, the Turkish Akdamar (translating as "white vein") rather than the original Armenian Ahtamar – the name of the island in Lake Van on which the church stands and Surp Haç (Holy