(Tseng) Hao Huang (黄俊豪) is a Hakka Chinese American concert pianist, published scholar, narrator, playwright, composer and the Bessie and Cecil Frankel Endowed Chair in Music at Scripps College. Huang has performed in over two dozen countries overseas and authored or co-authored approximately four dozen journal articles and book chapters in classical music, popular music, ethnomusicology, anthropology, American Studies and Humanities. Education Awarded the Leonard Bernstein Scholarship at Harvard College at Harvard University, Huang was referred to study with Leon Fleisher. Graduating with an AB cum laude in music, Huang was selected by audition for the national Frank Huntington Beebe Award for European Study. Upon returning to the States, he studied with Beveridge Webster at the Juilliard School on a piano scholarship, earning an M.M. in piano. Huang finished his academic studies as a Graduate Council Fellow at the State University of New York at Stony Brook, earning a Doctor of Musical Arts in piano performance degree under the guidance of Charles Rosen and Gilbert Kalish. Career Huang is the Bessie and Cecil Frankel Endowed Chair in Music at Scripps College. As a four-time United States Information Agency Artistic Ambassador to Europe, Africa and the Middle East, he was a featured performer at the George Enescu Festival and the Barcelona Cultural Olympiad. Huang has appeared as a recitalist, concerto soloist and chamber musician with the Mei Duo and the Gold Coast Trio in the U.K., Austria, Hungary, Germany, Italy, Spain, Portugal, Poland, Romania, China, New Zealand, South Africa, Mexico, Belize, Brazil and other nations. He has been featured on television and radio broadcasts both in the USA and abroad, and on an Artist/Educator interview on The Piano Education Page. Huang's essay "The Parable of the Grasshoppers" was honored as American Music Teacher's 1995 Article of the Year by the Music Teachers National Association. Other scholarly articles have been published in refereed journals in Hungary, Russia, UK, Greece, Japan, Malaysia, the PRC and the USA, of which the most frequently cited are “Why Chinese people play Western classical music: Transcultural roots of music philosophy” in International Journal of Music Education 30(2), 2012; “Yaogun Yinyue: rethinking mainland Chinese rock ‘n’roll” in Popular music 20(1), 2001; book chapter “The Oekuu Shadeh of Ohkay Owingeh” in Voices from Four Directions: Contemporary Translations of the Native Literatures of North America, U of Nebraska Press 2004; “Billie Holiday and tempo rubato: Understanding rhythmic expressivity”, co-author RV