Baroque style, the decoration of some of the chapels is relatively recent, since they were rebuilt after the Spanish Civil War tanks to donations from "gremis", the local trade organizations. As examples, the altars of Saint Anthony Abbot (patron saint of muleteers), Saint Isidore the Laborer (patron of farmers), Saint Anthony of Padua (patron of tanners), Saint Christopher (patron of motorists) and Saint Antonio Maria Claret (patron of weavers). Under the bell tower, covered by a pointed arch, there is the altar of Our Lady of Sorrows, considered the oldest part of the church and which corresponds to a widening of the old Romanesque chapel, built in the 14th century . "Sant Crist" chapel One of the distinctive elements of the church is the "Sant Crist" chapel. This element, of baroque style, dates from the early 18th century and occupies an annex on the left side of the nave, near the bell tower. It has a Latin cross base. It is covered by a hemispherical dome, supported by four pairs of pilasters. The interior is decorated with a painting from Francesc Tremulles representing the Holy Trinity and Mary. At the shells beneath the dome, this decoration is completed with figures of the Evangelists, painted by Miquel Llacuna. Regarding the exterior, it is covered with an octagonal dome. In the apse there is the altarpiece with the image of Saint Christ of Igualada, a reproduction of a 14th-century Gothic carving, which disappeared during the civil war. Two murals painted by Camps Dalmases evoke the miracle of Christ's blood sweat, which according to tradition took place in Igualada in 1590. Main Altarpiece The main altarpiece is possibly the most important element of the church. Although construction began in the 18th century, the work was not completed until the end of that century, due to the War of the Spanish Succession. This delay meant that the Baroque style of the initial project was offset by a certain classicism during the final execution. The altarpiece is the work of Jacint Morató and Josep Sunyer. During the civil war it was dismantled and partially destroyed. After the conflict, it was rebuilt under the direction of the well-known architect Cèsar Martinell. The most recent restoration of Santa Maria, in the 1980s, included cleaning work on the altarpiece. The altarpiece of Santa Maria is considered the first major work of Catalan art made after the Succession War,