Cent to their Trackmasters imprint at Sony/Columbia Records and had produced the majority of what would have been his debut album Power of the Dollar, which included the controversial singles "Ghetto Qu'ran (Forgive Me)" and "How to Rob". However, three days before the filming of the video for "Thug Love", which also featured Destiny's Child, 50 Cent was infamously shot nine times near his home in New York. Columbia Records forced Trackmasters to drop the artist from their label due to bad publicity surrounding the shooting, and as a result the album was shelved leading to a falling out between 50 and Poke & Tone. In 2001, the Trackmasters Remix to Jennifer Lopez's "I'm Gonna Be Alright", which featured a then relatively unknown 50 Cent, was to be released as a single. However, Lopez and Epic Records decided they would rather have Nas feature on the song due to his popularity on the music charts at the time, so a new version was recorded and the 50 Cent verses were scrapped. This caused further tension between 50 and Trackmasters, and also lead to a rift between then-friends, 50 Cent and Nas. The version of the Remix which features 50 Cent can be heard online as it was leaked to radio before the official release. Despite being unable to break new artist 50 Cent to the mainstream, Poke & Tone continued to produce hits for established artists including LL Cool J's "Paradise", Michael Jackson's "You Rock My World [Trackmasters Remix]", "Fiesta" by R. Kelly and Jay-Z, and Jennifer Lopez's R&B number 1 single "Jenny from the Block". Also in 2001, Tone produced two hit singles for slain rapper 2Pac. Tone's remixed versions of "Until The End Of Time" & "Letter 2 My Unborn" were big contributors to making 2Pac's album sell more than three million copies. In 2002, Trackmasters worked on The Best of Both Worlds, a collaboration album between Jay-Z and R. Kelly where they produced 10 of 13 songs and where Tone was credited as executive producer. This was followed up in 2004 by another collaboration album between the two called Unfinished Business, where again the duo handled the majority of the production. However, both albums were met with poor commercial and critical success, and as mainstream production was being handled by producers who relied less on samples and had a more synth-based keyboard sound such as The Neptunes,