Thaulow's death. Karsten's first separate exhibition, at Blomqvist in Kristiania in September and October 1904, received mixed critic in the newspapers. In 1905 he visited Edvard Munch at Åsgårdstrand, where Munch made a large portrait of him. After a night of heavy drinking, possibly on Midsummer Eve, it came to quarrel which led to a violent fight between Munch and Karsten. Munch later made an etching of his version of the incident. From 1910 Karsten lived mostly in Copenhagen, where he married in 1913. In 1920, he bought a house in Skagen where he began painting large landscapes in his pointillé style, attracted by the bright local light. Karsten is represented at the National Gallery of Norway with several paintings, including Kristi gravleggelse from 1904, Vårkveld i Ula from 1905, Tæring from 1907, Det blå kjøkken () from 1913, Det røde kjøkken () from 1913, and Flukten fra Egypt from 1922. He is represented at the Bergen Museum (with Søsken, and Batseba), at Nationalmuseum in Stockholm (with the painting Den lyse og mørke akt), at Statens Museum for Kunst in Copenhagen (with Golgata from 1923), and at the Stenersen Museum in Oslo (with the paintings Adam og Eva and Gobelin). Karsten was also well known for his paraphrases of works by elder painters, including 16th-century artist Jacopo Bassano and 17th-century artists Jusepe de Ribera and Rembrandt. His last painting was a portrait of his daughter Alise, when she visited him in Paris in 1926. References Bibliography External links Karsten-maleri dukket opp etter Aftenposten-sak [Karsten painting surfaced after a newspaper article in Aftenposten] 1876 births 1926 deaths Artists from Oslo 19th-century Norwegian painters 20th-century Norwegian painters Norwegian male painters Skagen Painters Norwegian expatriates in Spain Norwegian expatriates in France Norwegian expatriates in Denmark 19th-century Norwegian male artists 20th-century Norwegian male artists