Norbert Müller-Everling (born 27 March 1953) is a contemporary German artist working with concrete art. Time line Style Norbert Müller-Everling is an artist characterised by his unique philosophy and usage of colour in his work. 1973–79 he was studying at the Kunstakademie Düsseldorf as a student of Erwin Heerich, afterwards philosophy in Aachen. He began developing his own style in the early 1980s. His work of that time is characterised to create forms which follow the tradition of concrete art, as Max Bill and others founded it. He sought to create objects so that the new science of form could be experienced by the senses. A prime example of his sculptural work is his Percent for Art work for the Bundesverteidigungsministerium Bonn, (1997). His later works are characterised by using colour sparingly in objects in material form of coloured paraffin. He developed his own style of having light be the medium of the work itself. It allows his work to be independent of connections to any kind of representation. List of Special Works 1989 – Goethe-Institut Lima 1992 – Logarithmische Wassertreppe, Sozialgericht Cologne 1994 – Clemens-Hastricht-Platz, Cologne-Bickendorf 1994 – Suermondt-Ludwig-Museum Aachen 1997 – Bundesverteidigungsministerium Bonn Solo exhibitions (selected) 1991: Aine Art Museum Tornio in Finland 1994: art multiple Düsseldorf 2000: Stadtmuseum Siegburg 2007: Die krumme Wahrheit des Raums, Kunstbüroberlin, Berlin, Germany (with Norvin Leineweber, Dirk Radtke and Heiner Thiel) 2008: kunst & kommunikation Bochum 2018: Art Pütz, Montzen, Belgium 2022: Konkretionen des Lichts - Stiftung für Konkrete Kunst Roland Phleps, Freiburg im Breisgau Group exhibitions (selected) 1988 – Pyramiden“, Internationales Kongresszentrum Berlin u. Galerie Jule Kewenig, Frechen 1998 – BBK-Köln, Stapelhaus 1998 – 1. Biennale für konkrete Kunst, Künstlerforum Bonn 1999 – 7 konkrete Künstler im Brunswiker Pavillon, Kiel 1999 – „gruppe konkret“ und Gäste, Museum Abtei Liesborn 1999 – International Art Festival, Naju, Süd-Korea 2000 – Gesellschaft für Kunst und Gestaltung, Bonn (mit Norvin Leineweber) 2001 – 3. Biennale für konkrete Kunst, Andernach 2001 – „Logik und Poesie in der konkreten Kunst“, Haus Dacheröden, Erfurt 2001 – 4 Konkrete aus Rheinland-Pfalz, Landtag, Mainz 2002 – „Transparent – Transluzid“, Galerie Renate Bender, München 2002 – „Übersicht“ - Westdeutscher Künstlerbund, Museum Bochum 2002 – „Europa Konkret Reduktiv“, Museum Modern Art, Hünfeld 2003 – 30 Positionen - 30 Räume, Museum Modern Art, Hünfeld 2005 – Konkrete Kunst in Rheinland-Pfalz, Haus Metternich, Koblenz 2005 – „Lohn der Arbeit“ - Westdeutscher Künstlerbund, Kunstmuseum Gelsenkirchen