was also organist of The Queen's College. The old organ was sold to St Paul's Church, Walton Street, Oxford (now Freud's nightclub). The new organ was first used at the special service for Queen Victoria's Diamond Jubilee in 1897. An electric blower was installed in 1931 and the organ was rebuilt in 1952 by Nicholson's of Worcester who also installed a modern detached console. The cost of maintenance and changes in worship styles since the late 20th century led to the organ falling into disuse and it was removed in early 2020 by Michael Farley of Siddenham. Since the late 20th century, music for worship has been increasingly provided by a worship group using a range of traditional and electronic instruments. This has been accompanied by the increased use of contemporary worship songs alongside traditional hymns. The church also holds a monthly Taizé service. During the pandemic of 2020–21, when public worship, including singing and music, was curtailed, St Clement's musicians responded by recording music in their homes for use during online services. Windows The striking east window (geographical north) at the front of the church shows ten scenes from the life of Christ. It is made of painted glass and is the work of Isaac Hugh Russell, a "poor but talented" artist who lived and worked in Caroline Street, St Clement's. It was commissioned in 1846 and installed in 1847. The four north windows (geographical west) depict scenes on the theme of faith. They were made in memory of James Morrell the Younger (1810–1863) by A and WH O’Connor for St Martin's Church, Carfax in 1865 and moved to St Clement's in 1896, when St Martin's was demolished. The "Seven Churches" window in the north-west corner of the church was given by Emily Alicia Morrell of Headington Hill Hall in memory of her late husband, George Herbert Morrell, MP (1845-1906). It is based on Christ's letters to the Seven Churches of Asia in Revelation (1:12–3:22). The subject is unusual, and suggests a deliberate choice by Mrs Morrell of a Bible passage of particular relevance to her or her family. The window is of painted glass and was installed in 1908. It was designed by Powell & Sons of Whitefriars Glassworks, London. Powell was closely associated with William Morris and the Arts and Crafts movement. This influence is clearly apparent from features such as the use of red wings for