interlinked buildings), and running south, the Showers (Duschraum), one of the largest buildings within PoW Camp 93. The Parade Ground ends at the last row of accommodation buildings, as it corresponds with the eastern side. Canteen The Canteen (Kantine). The PoWs regularly congregated here to play cards, read or write letters, read newspapers (both English and German); they also extended their education, in particular, by learning English or maybe just relaxing and whiling away the rest of their available free time. The murals in this building are unique, valuable and extremely delicate, as they were first drawn and then painted onto the now fragile fibreboard covering the concrete walling panels. Also in here are the window dressings made from hardboard, pinned to a lath frame surrounding the existing window, then decorated in the style and fashion of the day using 'relocated' materials. (Relocated is used to establish that the materials may or may not have been issued to the PoWs and is in no way meant to infer that the materials were stolen; see below per 'donated'). The current owners, Lisa and James Macleod, state that the murals appear to be the work of only one of Harperley's German interns whose identity currently remains unknown, save for his disguised initials, M R, in the English-titled 'Foals in the Meadow', which can be seen in the bottom right corner. Theatre Structurally, this building is no different from the others within Harperley. However, its interior, constructed entirely by the PoWs, is a remarkable achievement. It shows the successfully converted interior of a MoW (Ministry of War) Standard Hut incorporating a Stage (with Prompt Box and Orchestra Pit) and tiered auditorium flooring. It is believed none of the materials were requisitioned or issued to them and it is possible that the bricks, sand, cement and gravel were 'acquired' almost certainly 'on permanent loan'. It was decorated in the style of the day using painted Hessian sacking with accompanying adapted wall lighting. The facia above the stage was adorned with theatrical masks and scroll work fabricated from papier-mâché and coated in gold paint 'donated' by the last Commandant, Lieutenant Colonel George Kinnear Stobart.("Donated" is used as it is unsure how he came to be in possession of the gold paint). The PoWs were very talented and most of the productions were written by themselves. There were no women so female characters had to be