Ludvig Karsten (8 May 1876 – 19 October 1926) was a Norwegian painter. He was a neo-impressionist influenced by Edvard Munch, Henri Matisse and contemporary French painting. He first participated at the Autumn exhibition in Kristiania in 1901, and had his first separate exhibition in 1904. He is represented at museums in many Scandinavian cities, including several paintings at the National Gallery of Norway. Karsten was known for his bohemian lifestyle and quick temper. Personal life Karsten was born in Christiana as the son of builder Hans Heinrich Karsten and Ida Susanne Pfützenreuter. He was a brother of designer Marie Karsten and architect Heinrich Joachim Sebastian Karsten. His daughter Alise was born in 1909 and raised in fosterage, until she later moved to Copenhagen to join her father and stepmother. In 1913 Karsten married the Danish sculptor Michaela (Misse) Frederikke Haslund (1886–1943). Their marriage dissolved in 1917. He died in Paris in 1926, after having fallen down a steep staircase. Career Karsten grew up in a wealthy home in Christiania (now Oslo). He started taking drawing lessons 13 years old. In 1893 he made a study tour to Telemark, where he made landscape sketches and portraits, and also joined painter Halfdan Egedius. After graduating from secondary school in 1895, he travelled to Rome, and later to Firenze and Munich. In 1896 he travelled in Spain, and settled for a while in Madrid. He left Spain in 1898, and was enrolled in the Norwegian Armed Forces at Gardermoen for some months. He then travelled to Munich, where he painted En mann og en kvinne, also called Adam and Eve, which has later been located at the Stenersen Museum. He visited Paris in autumn 1900, where he trained on models. In 1901 he was in Åsgårdstrand, where he painted Two Men and Three Boys, which were both shown at his first appearance at the Autumn exhibition in Kristiania in 1901. Karsten returned to Paris, where he spent several years. He was known for his boozing and temperament. After a fight with the poet Nils Collett Vogt he was temporarily expelled from the circle of Norwegian artists residing in Paris. He visited the museum Louvre, where he paraphrased Riberas painting of the burial of Christ. The painting was bought by Frits Thaulow, and came to be Karsten's the first important sale. It was resold to the National Gallery in Oslo in 1909, after