Richard Austin Artlett (9 November 1807 – 1 September 1873) was a British engraver and painter. He was a pupil of Robert Cooper, and then of James Thomson. Works Artlett engraved in the dotted manner. He carried out some figure-subjects, including Boulogne in 1805 and Boulogne in 1855, after John Absolon. Among his portraits were those of Lord Ashburton, after Sir Thomas Lawrence; Lord Lyndhurst, after Alfred Edward Chalon; the Right Hon. Henry Goulburn and Sir James Emerson Tennent, after George Richmond; George MacDonald, after George Reid; Lady Clementina Villiers, after Franz Xaver Winterhalter; and Mrs. Gladstone, after William Say. Artlett was best known as an engraver of sculpture, in particular for plates in The Art Journal. Among them were: The Fawn, a statue by C. B. Birch; The Virgin Mother, a group by Albert-Ernest Carrier-Belleuse; The Leopard-Hunter, a statue by Jens Adolf Jerichau; The Day-Dream, a statue by Patrick MacDowell; The Veiled Vestal, a statue by Raffaelle Monti; Boadicea, a group by John Thomas; the equestrian statue of Viscount Hardinge, and Asia, one of the groups of the Albert Memorial, by John Henry Foley; Christ giving sight to the Blind Man, a group by John Denton Crittenden; and Perdita and Florizel and The Siren and the drowned Leander, groups by Joseph Durham. References Attribution External Links An engraving of by Alfred Edward Chalon, for Finden's Gallery of the Graces , 1834, with a poetical illustration by Letitia Elizabeth Landon. An engraving of , by William Boxall for Finden’s Gallery of the Graces, 1834, with a poetical illustration by Letitia Elizabeth Landon (A Pleasant Memory). English engravers 19th-century English painters English male painters 1807 births 1873 deaths 19th-century English male artists