and evolved into a collection of war art by over one hundred artists and sculptors in Britain and Canada. Under this program, Lord Beaverbrook commissioned one of the first significant Canadian paintings of the First World War, The Second Battle of Ypres, 22 April to 25 May 1915, 1917, by English Canadian artist and illustrator Richard Jack. This commission was intended to address the lack of visual documentation of this major battle. Some artists who received commissions from the Canadian War Memorials Fund were considered "official" war artists. For example, the English artist Alfred Munnings was employed as war artist to the Canadian Cavalry Brigade. Munnings painted many scenes, including a mounted portrait of General Jack Seely on his horse Warrior in 1918 (now in the collection of the National Gallery of Canada, Ottawa). Munnings worked on this canvas a few thousand yards from the German front lines. When General Seely's unit was forced into a hasty withdrawal, the artist discovered what it was like to come under shellfire. Munnings also painted Charge of Flowerdew's Squadron in 1918 (now in the collection of the Canadian War Museum, Ottawa). In what is known as "the last great cavalry charge" at the Battle of Moreuil Wood, Gordon Flowerdew was posthumously awarded the Victoria Cross for leading Lord Strathcona's Horse (Royal Canadians) in a successful engagement with entrenched German forces. The Canadian Forestry Corps invited Munnings to tour their work camps, and he produced drawings, watercolors and paintings, including Draft Horses, Lumber Mill in the Forest of Dreux in France in 1918. This role of horses was critical and under-reported; and in fact, horse fodder was the single largest commodity shipped to the front by some countries. The "Canadian War Records Exhibition" at the Royal Academy after war's end included forty-five of Munning's canvasses. Another example of a war artist embedded with Canadian forces was the Belgian soldier-artist Alfred Bastien whose work is part of the permanent collection of the Canadian War Museum. In Canada, a separate committee affiliated with the Canadian War Memorials Fund was led by the National Gallery of Canada. It commissioned depictions of the home-front and recommended Canadian artists to serve overseas. Many famous examples of Canadian war art were produced under this program, including A.Y. Jackson's A Copse, Evening, 1918, and Frederick Varley's For What?, 1918. Second World War The Canadian War Records (CWR) was the name given