3 in E-flat major Three sonatas for violin with bass accompaniment, Op. 43 (1801) Six sonatinas for violin with bass accompaniment, Op. 55 No. 1 in D major No. 2 in B-flat major No. 3 in A major No. 4 in C major No. 5 in G major No. 6 in F major Six sonatas for clarinet with viola or bass accompaniment, Op. 55 (1805) Six sonatas for bassoon with cello accompaniment, Op. 57 (ca. 1800) Six sonatas for flute with bass accompaniment Six études graduelles for flute with bass accompaniment, Op. 58 Three grandes sonates for violin with violin accompaniment, Op. 60 (1817?) Six grandes sonates for violin and violin accompaniment, Op. 66 Sonata for violin and piano (C. Pierre, ed. (1899). Musique des fêtes et cérémonies.) Pieces in Musique à l'usage des fêtes nationales (1794–1795) and Cartier's L'art du violon (1798) Violin solo Caprices ou Étude for violin Preludes ou caprices for violin, dedicated to C. Lubbert Stage works La paysanne supposée, ou La fête de la moisson, a 3-act comédie mêlée d'ariettes, was performed only once by the Opéra-Comique on 28 August 1788 in the Salle Favart. The opera was not well received, probably because the libretto, written by C. Dubois, was considered poor. A published score and libretto have not been found. L'amour hermite, a 1-act pièce anacréontique mêlée d'ariettes (piece with verse in the manner or style of Anacreon mixed with ariettas) with a libretto by P. Desriaux, was first presented on 31 January 1789 at the Théâtre des Beaujolais at the Palais-Royal. It was more successful and was published. The work is essentially a pastoral opera ballet and includes a ballet divertissement and a sleep scene, both of which were typical of the more serious operas usually presented at the Académie royale de musique. Prince Polastri, 1789, was mentioned in a letter from Duprat (Bibliothèque-Musée de l'Opéra, Paris). A ballet, composed in 1789 but unperformed, was mentioned in Biographie universelle des musiciens by François-Joseph Fétis. Les trois sultanes, a 3-act comédie with a libretto by Charles-Simon Favart after the comte de Marmontel, was first performed on 25 August 1792 by the Opéra-Comique in the Salle Favart. The opera was given a total of 7 times by the Opéra-Comique. The score and the libretto have not been found. Nicolas Dalayrac published some orchestral material under the same title (an overture and two arias). Le Peletier