de Saint-Fargeau, ou Le premier martyr de la République française, a 2-act trait historique with a libretto by Auguste-Louis Bertin d'Antilly, was first performed by the Opéra-Comique in the Salle Favart on 23 February 1793 [5 vent I], just a month after the historical events it dramatized. It was also called La mort de Saint-Fargeau and was given a total of four times at the Opéra-Comique. The score and the libretto have not been found. Louis-Michel le Peletier, marquis de Saint-Fargeau, was assassinated on 20 January 1793 for having voted for the execution of Louis XVI. The king was executed on the 21st. The painter Jacques-Louis David supervised the funeral ceremonies for Le Peletier on 24 January and produced a painting with the title Les derniers moments de Michel Lepeletier. Le congrès des rois, a 3-act comédie mêlée d'ariettes with a libretto by Antoine-François Èvre, combined music written by Blasius and 11 other composers and was first performed by the Opéra-Comique in the Salle Favart on 26 February 1794 [8 vent II]. The score and the libretto have not been found. Some of the music by Henri Montan Berton has been located. Africo et Menzola, a 3-act mélodrame with text by Coffin-Rosny, was first performed at the Théâtre de l'Ambigu-Comique on 10 March 1798. Adelson et Salvini, a 3- act mélodrame with text by P. Delmarre and choreography by M. Adam, was first performed at the Théâtre de la Gaîté in 1802. Don Pèdre et Zulika, a mélodrame, was first performed at the Théâtre de la Gaîté in 1802. The score has not been found. Clodomire, ou La Prêtresse d'Irmunsul, a 3-act mélodrame with text by N. and H. Lemaire and choreography by M. Aumer, was first performed at the Théâtre de la Porte Saint-Martin on 5 May 1803. Fernando ou Les maures, a 3-act opera, now attributed to Joseph Wölffl, with a libretto by De Bussy, was performed once by the Opéra-Comique on 11 February 1805 [22 pluv XIII] in the Salle Favart. The score and the libretto have not been found. The title was recorded as Fernand ou Les maures in Magasin Encyclopédique: "It is an imitation of L'engant de la forêt by Guilbert de Pixérécourt". Other vocal works Vive l'amour et la folie, couplets with text by C. Grenier (1795) Française, point de vengeance, couplets (1814) Messe for alto, tenor, baritone, bass voices and wind instruments Theoretical