The Girl in the News is a 1940 British thriller film directed by Carol Reed and starring Margaret Lockwood, Barry K. Barnes and Emlyn Williams. It was based on the eponymous novel by Roy Vickers, released the same year. Plot After her elderly patient is poisoned, nurse Anne Graham is tried for murder, but is acquitted with the help of her lawyer, Stephen Farringdon. The press and public opinion are still against her, so Anne finds it difficult to get another job. She changes her name and finds work nursing wheelchair user Edward Bentley. After Bentley too is found dead, Bill Mather, a detective from Scotland Yard, arrests Anne, but Farringdon fights once again to prove her innocence. Cast Margaret Lockwood as Anne Graham Barry K. Barnes as Stephen Farringdon Emlyn Williams as Tracy Roger Livesey as Bill Mather Margaretta Scott as Judith Bentley Wyndham Goldie as Edward Bentley Basil Radford as Doctor Threadgrove Irene Handl as Gertrude Mary Blaker Mervyn Johns as James Fetherwood Betty Jardine as Elsie Kathleen Harrison as Cook Felix Aylmer as Prosecuting Counsel Production The film was based on a bestselling novel by Roy Vickers. It was the first of several collaborations between the director Carol Reed and the writer Sidney Gilliat. Gilliat later recalled: He [Reed] seemed to be an interpreter rather than a creator; he followed the screenplay quite closely rather than bringing forth original ideas of his own. I felt he was not at all interested in The Girl in the News, which I think was a pallid job. The chief obstacle was Carol's stage background - the couldn't really believe in the screenwriter. He needed close collaboration with a writer. The film was originally meant to star Margaret Lockwood and Michael Redgrave, who had just appeared together in The Lady Vanishes. It was one of several films Lockwood made with Reed. It marks the film debut of Michael Hordern, who has one line, during a court scene, as a junior counsel to the senior counsel played by Felix Aylmer. Critical reception On the film's initial release the reviewer for The New York Times wrote, "bring out the smelling salts, folks. Another spellbinding English thriller has come to town!" More recently the Radio Times called the film a "workmanlike if rather transparent murder mystery"; and Allmovie wrote: "this early Carol Reed effort tended to be dismissed or ignored by its director in