are eventually passed on as surplus to other poor cities in Africa and Central America. In the wraparound grid of pictures in Analogue we follow recycled clothes from Brooklyn to the city of Kampala in Uganda, where they are sold as new in stores like the Money Is Life House of Garments." Exhibitions Analogue was first exhibited in 2007 at the Wexner Center for the Arts in Columbus, Ohio, and at Documenta XII in Kassel, Germany, followed by presentations at Villa Arson in Nice, and Dia at the Hispanic Society and the Museum of Modern Art in New York and was included in a touring retrospective of Leonard's work which originated in 2007 at the Fotomuseum Winterthur, and later traveled to the Museo Nacional Centro de Arte Reina Sofia, Madrid; MuMOK — Museum Moderner Kunst Stifting Ludwig, Vienna; and Pinakothek der Moderne, Munich. Analogue is in the collection of The Museum of Modern Art, New York and the Reina Sofia, Madrid. More recent exhibitions have included You See I Am Here After All at Dia: Beacon (2009) which featured a set of 3883 postcards of waterfalls, reminiscent of Yokoo Tadanori's Waterfall Rapture collection of 13,000 waterfall postcards, one of which carries the phrase "You See I Am Here After All" which critic Jonathan Flatley connects to the work of On Kawara's telegrams which read "I AM STILL ALIVE" This work was also exhibited at the Whitney in Leonard's 2018 retrospective. Other exhibitions such as Serialities at Hauser & Wirth, Observation Point , Camden Arts Centre, London (2012), an installation at the Chinati Foundation, Marfa, Texas (2013-2014) and the 2014 Whitney Biennial, for which Leonard won the Bucksbaum Award with her work "945 Madison Avenue". In 2018, the Whitney Museum of American Art mounted Leonard's first career retrospective in the United States, an exhibition organized by the Museum of Contemporary Art, Los Angeles, where the show traveled in late 2018. Other activities Texts by Leonard, an insightful writer and a pre-eminent thinker on the discipline of photography, have appeared in LTTR, October, and Texte zur Kunst, and in recent monographs on Agnes Martin, James Castle and Josiah McElheny. In addition to working on her art, Leonard has been serving on the advisory board of the Hauser & Wirth Institute since 2018. Publications 1991 – Information: Zoe Leonard (with text by Jutta Koether), Galerie Gisela Capitain, Cologne | 1995 – Strange Fruit,