and piano) (1923 - 1924) Op. 54a: Troparion to Celebrate the Phenomenon of the Icons of the Mother of God in the city of Kazan, for mixed choir and piano (1925*) Op. 55: Turkish March, for large orchestra (also for concert band) (1926) Op. 56: From the Songs of Ossian - 3 musical pictures for large orchestra (1925) 1. Lake Lyano 2. Kolyma's Lament 3. Ossian's Monologue on Contemporary Heroes Op. 57: Desire, for cello and piano, (revised from Op. 19) (1925) Op. 58: Three Songs for voice and piano (1925*) Op. 59: Hymn to Work, for two-part children's chorus, concert band and orchestra (1927) Op. 60: Five Japanese poems (after Tomonori & anon. tr. Gluskina) for voice and piano (1928) Op. 61: An Episode from the Life of Franz Schubert: Symphonic Picture for Tenor (ad lib.) and large orchestra (1928) Op. 62: Turkish Fragments - Orchestral Suite No. 3 (1930) 1. The Caravan 2. In the Encampment 3. At Night 4. At the Festival Op. 63: Four Songs for voice, violin, cello and piano (after Solovyov) (1933) - Four Pieces on Armenian Themes for string quartet without Opus no. (1934) Op. 64: Village Evenings: Fantasy on themes for balalaikas and large orchestra (also for balalaikas and piano) (1934*) Op. 65: On the Steppes of Turkmenistan - Orchestral Suite No. 4 (1935) Op. 66: Two Bylinki (Folk Epics) - songs for voice and piano (1933) Op. 67: Jubilee March ded. Voroshilov - for the 15th anniversary of the 1917 Revolution, for large orchestra (also arr. piano) (1933) Op. 68: Four Poems (after Tagore), for high voice, flute (or violin) and piano (or harp) (1935) Op. 69: Musical Paintings from Uzbekistan - Orchestral Suite No. 5 (1935*) Op. 69a: An Evening in Georgia, for flute, oboe, clarinet, bassoon and harp (1935) - Symphony No. 2 "Karelia", without Opus no. (1935) Op. 70: Marriage (orchestration of Mussorgsky's opera after Gogol) (1931) Op. 71: The Year 1917, (Anniversary March) for children's and mixed choir, concert band and orchestra (also arr. piano) (1932) Op. 72: Five Romances for voice, violin, cello and piano (1932) Op. 73: Two Duets for high and low voice with piano (after Rodionov) (1932) Op. 74: The Last Barricade (opera after Nikolai Kratsyeninnikov) (1932*) Op. 75: Three Vocal Quartets for male chorus and piano (after Rodionov) (1931) - Three Kirgiz Songs for voice, flute oboe, clarinet and bassoon, without Opus