colours to scintillating, vibrating, and dramatic compositions. Post-impressionist Pointillism became strong although never dominant. Ole's style evolution can be clearly noticed in his 1948 paintings Motiiv Stockholmi saarestikust I (), Motiiv Stockholmi saarestikust II (), and Kodusadamasse saabumine (). Further evolution with loss of clear contours and increasing vibrant colours is clear in the 1952 Teekond Jotunheimi mägedesse () and 1966 Maastik Lofootidelt (). Such works, particularly their expressionist dynamism of colour, have a definite influence of other Nordic artists, such as Edvard Munch, Ernst Josephson, and Akseli Gallen-Kallela. During the late 1960s and early 1970s Ole's style underwent a new and unexpected metamorphosis, returning to a cubist simplification of forms and gentle planes and motives, moving from landscape painting towards figurative compositions. These figures, almost naturalistic but simplified in a classical manner, attain a synthesis of Cubism-Naïvism. The result of this last change can be noticed on Ole's self-portrait of 1979 Autoportree, on the 1988 Motiiv Stockholmist (), and on the 1991 Uue pesa ehitamine. Eskiis (). In 1981 Ole was granted the Culture Award of Estonians in Sweden. Ole was buried at the Metsakalmistu (Forest Cemetery) in Tallinn. References 1898 births 1995 deaths People from Valga Parish People from the Governorate of Livonia Estonian illustrators 20th-century Estonian painters 20th-century Estonian male artists Estonian World War II refugees Estonian emigrants to Sweden Burials at Metsakalmistu