John Berney (or Barney) Crome (1 December 1794 – 15 September 1842) was an English landscape and marine painter associated with the Norwich School of painters. He is sometimes known by the nickname 'Young Crome' to distinguish him from his father John, known as 'Old Crome'. Early life John Berney Crome was born in Norwich, Norfolk, on 8 December 1794, and christened on 14 December at St George's Church, Colegate, Norwich. He was the eldest of the seven surviving children of John Crome (1768–1821), painter, and his wife, Phoebe Berney (also known as Pheobe Barney). His father was a distinguished landscape artist and a founder of the Norwich Society of Artists. Realising his own educational deficiency, he determined his son should have a good education, and John Berney Crome attended Norwich School – the Grammar School - until he was eighteen. He was educated when Dr. Samuel Forster and the Rev. Edward Valpy were headmasters at the school. At the same time, with ambitions of becoming an artist, he accompanied his father on sketching expeditions. In 1816 he went with his school friend George Vincent, and a doctor, Benjamin Steel (who afterwards married Crome’s sister) on an excursion to Paris. Artistic career Crome assisted his father in teaching and was appointed as landscape painter to the Duke of Sussex. He became a member of the Norwich Society of Artists and exhibited many of his pictures there between 1806 and 1830. He was appointed Vice-President of the Society in 1818, and subsequently President on several occasions. On the death of John Crome in April 1821, John Berney Crome continued his father's art teaching practice and occupied the family house in Gildengate Street, Norwich, to which he added a studio. In conjunction with John Sell Cotman, he took a lively interest in the Norwich Society of Artists in 1828, which had closed in 1825 after the demolition of its old premises. Between 1811 and 1843 he had many works exhibited at the Royal Academy, British Institution and Society of British Artists in London, and made trips to the continent, drawing and painting in France, Holland, Belgium and Italy. His work shows the influence of his father, and like his father he painted many moonlight effects, his 1834 River Scene By Moonlight being a prime example. As a result of his extravagant habits, Crome was made bankrupt in 1831, and the contents of