Studio. Arti et Industriae had set the goal of contact and coordination. They organize exhibitions, too. However, their existence was ensured by the proximity to the seat of government. Pulchri Studio and the Art Academy From the Hague School and the Royal Academy of Art, The Hague had a favorable effect on the development of the artists' association Pulchri Studio. This society assumed the function of the promotion of the fine arts. There were excellent teachers and students in this environment. Willem Maris, Johan Hendrik Weissenbruch and Georg Breitner were also trained at the Art Academy Blosboom,. Pulchri Studio and the Hollandsche Teekenmaatschappij The cooperative of Pulchri Studio was open to new technics in painting in the fine art. This resulted in the panel painting to another movement within the Dutch Impressionism, the Hague School. In Brussels in the year 1855 the Society for watercolour-painting, the "Société Belge des watercolorist" was founded. She was quite successful. This movement was an expression of social and country-specific implementation of the very successful work of The Royal Watercolour Society to London. Precisely because of the contacts with the environment of the Académie Royale des Beaux-Arts in Brussels, the watercolours were attractive again as a version of the painting for artists. Indeed, this watercolour technique had reached their third heyday from the end of the 19th century to the early 20th century. On 31 January 1878 the Hollandsche Teekenmaatschappij (in English: Dutch Drawing Society) was founded. Its founding members belonged to the core of the Hague School – the movement of the Dutch Impressionism and thus the Pulchri Studio. The society was so organized that it was independent, but closely linked to Pulchri Studio remained. Its honorary members included painters from Belgium, Germany and Italy. In 1901, this society ceased to exist. Policy and Pulchri Studio The Society Pulchri wasn't as conservative as Arti et Amicitiae to Amsterdam. Yes, they even rejected the traditional painting styles. In the royal capital of 's-Gravenhage (The Hague) his caused an uproar and a political issue, too. By the king Willem III Hermanus Koekkoek had received a medal in recognition of a work. From Pulchri came the objection that this painting would no longer correspond to the current state of the art. – In public, the Hague School took the opposite position and stood against the official art policy of the Dutch king. This was notably represented by