"She Will", which features Drake, was released on the internet on August 12, 2011. The song was to be titled "Maybe She Will", and feature a verse from Rick Ross, however it did not make the final cut. The single released on download format in the United States on August 16, 2011. The fifth single, "It's Good", which features Jadakiss and Drake, was solicited to urban radio as the album's fifth single on September 13, 2011. The sixth single from the album is "Mirror" featuring Bruno Mars, which is a bonus track on the deluxe edition. It was released to urban radio on September 13, 2011. It was sent to Rhythmic radio and re-released to urban radio on November 1, 2011. Upon the release of Tha Carter IV it debuted at number sixteen on the US Hot 100 based on downloads alone. Critical reception Tha Carter IV received generally mixed reviews from critics, with many viewing it as a disappointment. At Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream publications, the album received an average score of 60, based on 29 reviews. Robert Christgau wrote in The Barnes & Noble Review that the record "has its moments ... but its stunted sense of play is summed up by the T-Pain-aided 'How to Hate.'" Chicago Tribune writer Greg Kot viewed that Wayne "sounds slower, more methodical, less unhinged" and felt that he is held back by "repetitive subject matter — even Wayne sounds bored by trying to flip yet one more clever couplet about blunts and 'hos." Sean Fennessey of Spin wrote that "it's not a terribly ambitious mess, nor is it much fun, which for Wayne is a sin," and criticized his lyrics, stating "He rarely divulges specific moments ... usually keeping the gritty details unexplained." Slant Magazines Matthew Cole commented that the album's production "chases trends far more often than it attempts to set them" and found Wayne "not in exhilarating top form". Los Angeles Times writer Jeff Weiss viewed his lyrics as "predictable" and called the album "more pedestrian than embarrassing." Andy Hutchins of The Village Voice called it "a bad rap album" and criticized its music as "a composition of a lot of rapping styles Wayne's dabbled in and production styles that have been bubbling in rap for some time, except little of it clicks." In a positive review, Rolling Stone