extreme and difficult cases that other repairmen wouldn't touch because they thought they'd take too much time or were considered hopeless repair opportunities. Construction and philosophy BJFE pedals are enclosed in a 110x60x30mm chassis, in an ELFA K-430 enclosure for most pedals. The circuit boards are wrapped in neoprene, which is a kind of rubber used in diving suits. The neoprene is capable of withstanding heat, water, and other fluids and it cushions the electronic components inside. The circuit board is also sealed to preserve trade secrets. The first BJFE pedals were painted in nitrocellulose—beginning in 2002 the pedals are handpainted in oil. Oil is much more durable, and ages well. Björn Juhl states that the colors are chosen to provide a pleasant palette. Each model comes with unique artwork inside the back pedal cover, painted by hand. Models Current models listed here, along with a description. A more full description of all the BJFE pedals complete with their history can be found on the BJFE Pedal Descriptions independently maintained by David Cittadini on the thread on the BJFE Forum. Fuzz Candy Apple Fuzz A crude fuzz, with octave function if needed and dying moans of gated fuzz Pink Purple Fuzz A more tame fuzz. Here, the fuzz knobs act differently - The first half of rotation will give dynamic fuzz, suitable for overdrive, and second half will give compressed fuzz effects with most guitars. Distortion and overdrive BJFE overdrive pedals add a "touch sensitivity" to the distortion in most cases- picking lightly or slight reductione in the volume knob position reduce the distortion. Honeybee Overdrive The most dynamic, touch sensitive pedal from BJFE. According to Björn, this pedal fits most styles and "stacks" well with most other pedals. On a clean-sounding amp HB can be used to get distortion on forceful notes as controlled by picking force. This can be used on guitars with flatwound strings for a mellow jazz sound or roundwound strings for a vintage style light distortion. In pedal systems with multiple drive pedals, HB can be connected last to soften the response and even give a low mid-range hump to bright amplifiers and provide a ceiling-effect for the upper treble frequencies. Dyna Red Distortion Distortion ranges from very light to heavy. It is used mostly for high gain sounds but it also matches particularly well for light "break up" tone with some amps. The "drive"