felt Robyn left to let the listener "live in that space – to give you time to insert all of your emotions and stories and feelings into the seconds between the lines". The song's second synth-pop version, designed for radio and first heard accompanying its music video when it premiered on 21 May 2010, was released as a bonus track to Body Talk Pt. 1 iTunes release on 11 June 2010. It mixes those elements at substantially different levels and most noticeably adds "an extra arpeggiated synth through the intro and the verse". James Montgomery of MTV News described the radio version as "a computerized kaleidoscope of chippy, chiming blips and piston-like drums." Vanyaland Michael Marotta pointed out a small bell effect resembling last call that rings at the climax of the song in both electronic versions' middle 8, interpreting its inclusion as an indication the protagonist's time had run out in her last effort to gain notice from the ex-lover. Robyn's "love letter" to Stockholm as indicated in her "favorite lyric" describing its weather in winter, a "big black sky over [her] town", the song's "bittersweet, voyeuristic narrative" is of "a woman dancing alone in a crowded club while her ex and his new lover look on", with a deliberate "bait and switch" of production that sounds in its opening "life-affirming" but in reality is backing what the listener soon realizes is a "bleak, wounded" "breakup song" lyrically, a deliberate "juxtaposition" "of light and dark at the same time" whose "magic" Robyn explained to Kindness at Red Bull Music Academy is what she's "drawn to when [she] make[s] music", and is "much more satisfying" to her than just one feeling or the other, which she'd found "predictable" and "boring". NPR's Sam Sanders felt these contrasts of "female empowerment through angst" in "lesser hands [...] might be confusing" but "[w]hen Robyn does it, it's human." Outside its story of the "total outsider" in "love sickness" "in the middle of the club" who's still "going to take care of herself and have a good time even though she's pretty dramatic and crazy", she left the rest of its narrative up for interpretation, explaining to Z100's JJ Kincaid that revealing every detail wouldn't have been "as interesting", preferring writing that brings out "emotion[s]....in a way that enables the listener to [...] connect to [the song] in their own way". Music video The