"Eviva España" (alternatively "Y Viva España") is a Belgian pop song, originally written by composer Leo Caerts and lyricist Leo Rozenstraten in Dutch. It was first recorded and performed by the Belgian singer Samantha (born Christiane Bervoets) in 1971. Musically, the song has a distinctly Spanish-sounding pasodoble style. The theme of the lyrics is anticipation of a holiday in Spain. While Spanish-sounding, the original song title (and chorus line) "Eviva España" does not make sense in Spanish. Although "España" is the correct name of the country in Spanish, there is no such word as "Eviva". The phrase "Que viva España" translates to "Long live Spain", and is probably the meaning that the (non-Spanish-speaking) authors were aiming for. It is not known whether the misspelling was a mistake (such as confusion with the Italian exclamation evviva, also meaning "long live..."), or just intended for alliteration. After widespread success in Dutch-speaking countries, the song was picked up by songwriters in several other European countries. As was the custom of the time, it was translated and performed by local artists for the various markets, achieving mainstream success in numerous countries between 1972 and 1977. Notable versions include the first Spanish version (performed by Hanna Ahroni and later by Manolo Escobar), the German version (performed by Hanna Ahroni), and the English version (performed by Sylvia Vrethammar as "Sylvia"). The Spanish songwriters tasked with adapting the song into Spanish, naturally found it necessary to change the "Eviva España" line. They opted to rename the song "Y Viva España", meaning "And Long Live Spain"—thereby keeping the phrasing of the chorus while having it make sense. The song was extremely successful both in the original 1972 version, and in later versions such as the 1973 version by Manolo Escobar. In 1974 the long standing latin and dance orchestra Billo's Caracas Boys from Venezuela, with the voice of Guillermo "Memo" Morales and in a perfect Pasodoble rhythm, became one of the most recognizable pasodobles in the whole Latin America region and specially in Venezuela. This Billo's Caracas Boys version is so well known and played, even today (Spain included) that it was used/played by the stadium DJ in the final match of 2010 FIFA World Cup to celebrate the triumph of Spain that year. The song became so ubiquitous on Latin America and specially Spain, that it is now considered part of both cultures musical heritage. The creators