cameos from Meat Loaf and Ronnie James Dio. Principal photography for Tenacious D in The Pick of Destiny commenced in the spring of 2005, with the production finishing later that summer. The film held its first test screening to the press in October 2005. The film held two re-shoots in the summer of 2006 and according to Lynch, every crew member from the principal photography came back because they "had such a fun time working on set". Black also stated that the filming on this production was "the most fun I've ever had filming a movie". The film held its British premiere on November 1, 2006 at the Vue West End cinema in London, England. The film's domestic premiere was held at Grauman's Chinese Theatre in Los Angeles on November 9, 2006. Many of the actors who had cameos in the film were in attendance; including Ronnie James Dio, Dave Grohl, and Ben Stiller. The soundtrack for the production was called The Pick of Destiny and featured a returning John King (of The Dust Brothers) producing it. It was released on November 14, 2006 through Epic Records. The film was released worldwide on November 22. Tenacious D in the Pick of Destiny grossed US$8,334,575 in the US and Canada and a total of US$13,426,450 worldwide, falling well short of its US$20 million production budget and US$40 million in estimated marketing costs. Financially, it is regarded as a box-office bomb. The soundtrack reached No. 8 on the Billboard 200 in the US as well as topping the iTunes chart, and #10 in the UK. The film was released globally on DVD on February 27, 2007. In an interview on the Daily Show on November 30, 2006, Black admitted the film had "bombed", but said that DVD sales had shown that the film picked up a cult audience. Kevin Crust of the Los Angeles Times said that the film "might best be enjoyed in an enhanced state of consciousness, a herbal supplement, and we aren't talking ginkgo biloba." Stephen Rae of The Philadelphia Inquirer said that the frequent drug-use in the film gives "the term potty humor a new meaning." Michael Phillips criticized the frequency of the drug-use by saying: "This may be the problem. Pot rarely helped anybody's comic timing." Stephen Holden of The New York Times suggested that the film could be viewed as a "jolly rock 'n' roll comedy",