is a Japanese composer, arranger and music producer best known for her work on the soundtracks of anime series, television series, live-action films, video games, and advertisements. She has written scores for Cowboy Bebop and its live-action adaptation, Darker than Black, Macross Plus, Turn A Gundam, The Vision of Escaflowne, Ghost in the Shell: Stand Alone Complex, Wolf's Rain, Kids on the Slope, Genesis of Aquarion and Terror in Resonance, and has worked with the directors Hirokazu Kore-eda, Yoshiyuki Tomino, Shinichirō Watanabe and Shōji Kawamori. Kanno has composed music for pop artists Maaya Sakamoto and Kyōko Koizumi. She is also a keyboardist, and is the frontwoman for the Seatbelts, who perform many of Kanno's compositions and soundtracks. Biography Early life Yoko Kanno was born on March 18, 1963, in Sendai, Miyagi Prefecture, Japan. Her earliest experiences with music came from attending church with her parents. She studied keyboard from a young age on both the piano in her home and the organ at her kindergarten. In elementary school, she began participating in composition contests, but in high school, Kanno began to take more of an interest in literature than in music. Kanno attended Waseda University, where she majored in literature, but she transcribed music for various student groups at Waseda in her free time. During this time, Kanno—whose parents had only allowed her to listen to classical music—was introduced to rhythm by a friend who played drums in a school band. She spoke of this experience in an interview with Akihiro Tomita: While with this band, she studied the composition and style of popular music. While at Waseda, the Japanese video game company Koei asked Kanno to compose the soundtrack to Nobunaga's Ambition. The game turned out to be a hit, and Kanno's music career was launched. Professional life Yoko Kanno's soundtrack themes include "Kiseki no Umi" (Lodoss War), "Voices" (Macross Plus), "Tank!" (Cowboy Bebop), "Yakusoku wa Iranai" (Escaflowne), "Gravity" (Wolf's Rain), "Inner Universe" (Ghost in the Shell: Stand Alone Complex) and Stand Alone Complex O.S.T. In regards to making the Stand Alone Complex soundtrack she said: Having composed in various genres, including blues, classical, jazz, techno, and J-pop, she was once asked if she favored a particular genre: Since she works in the animation industry, she only receives instructions and storyboards from directors which helps her with composing. However, it is uncertain if all of her works are to