Camões was not the only Portuguese poet to use ottava rima. Many Portuguese and Brazilian poets wrote great epic poems using the stanza, for example Gabriel Pereira de Castro (1571–1632): Ulisseia ou Lisboa Edificada (1636), Vasco Mouzinho de Quevedo (16th/17th century): Afonso Africano, Francisco de Sá de Meneses (1600–1664): Malaca Conquistada (1634), António de Sousa Macedo (1606–1682): Ulissipo (1640), Brás Garcia de Mascarenhas: Viriato Trágico and José de Santa Rita Durão (1722–1784): Caramuru (1781). Ottava rima was very popular in the Polish literature of the 17th century, which was under strong influence of Italian poetry. The scheme ABABABCC was introduced into Polish poetry by Sebastian Grabowiecki and made widespread by Piotr Kochanowski, who translated Jerusalem Delivered by Torquato Tasso. It was used by Jan Andrzej Morsztyn, Stanisław Herakliusz Lubomirski, Wespazjan Kochowski, Samuel Twardowski and Wacław Potocki. During The Enlightenment bishop and poet Ignacy Krasicki wrote his mock-epics (Monachomachia, Antymonachomachia and Myszeida) in ottava rima. In the beginning of 19th century Dyzma Bończa-Tomaszewski attempted to write a national epic Jagiellonida. His work, however, is not longer remembered. Later Juliusz Słowacki, one of the greatest romantic poets, wrote two long poems, Beniowski and Król Duch (King Spirit), using the stanza. Another important attempt to write a modern epic poem in ottava rima was Maria Konopnicka's Pan Balcer w Brazylii (Mr. Balcer in Brazil). Poems written in ottava rima are usually translated into Polish in the same form. Lately La Araucana by Alonso de Ercilla was translated in such a way by Czesław Ratka. In Czech poetry, Jaroslav Vrchlický, generally considered to be the greatest poet of the second half of 19th century, used ottava rima several times, for example in short poem Odpověď (An Answer) that is composed of only two stanzas. Vrchlický was well trained in the use of the stanza as he translated Ludovico Ariosto's Orlando Furioso (Roland Enraged) into Czech. In Slovenian literature ottava rima was used by France Prešeren, the greatest romantic poet, sometimes, among others, in Krst pri Savici (The Baptism on the Savica), that is considered to be a national epic of Slovenian people. Prologue to the poem is written in terza rima. In Danish literature ottava rima was used by Frederik Paludan-Müller and others. He used the stanza in his long poem, Adam Homo. The poet implemented the scheme freely and often used, for example, the sequence ABABBACC instead of ABABABCC. In Swedish poetry ottava