Colville. Other artists featured in the collection include Caroline Armington, Alfred Bastien, Charles Comfort, Alma Duncan, Colin Gill, Bobs Cogill Haworth, Robert Stewart Hyndman, Richard Jack, Frank Johnston, Manly E. MacDonald, Pegi Nicol MacLeod, Mabel May, Jack Nichols, Charles Sims, and Frederick Varley. The collection also includes several models and statues, including the plaster model by Vernon March that was later selected as the design for the National War Memorial. The museum's collection also includes the original scale plaster models by Walter Seymour Allward for the Canadian National Vimy Memorial. From 1937 to 2000, the models were held in storage, before they were exhibited in an exhibition in 2000. The models are now used in the Regeneration Hall exhibition. Major travelling exhibitions of war art organized by the Canadian War Museum include A Terrible Beauty: The Art of Canada at War (1977), curated by the Canadian War Museum and Heather Robertson; and Canvas of War: Masterpieces from the Canadian War Museum, which toured Canada between 1999 and 2004 and was seen by nearly half a million visitors. In 2007, the Canadian War Museum highlighted contemporary women's perspectives on war in the exhibitions War Brides: Portraits of an Era (an installation by Calgary artist Bev Tosh) and Stitches in Time (the work of London, Ontario artist Johnnene Maddison). Selected works Library and archives The Military History Research Centre is a facility in the museum that houses the Hartland Molson Library Collection, and the George Metcalf Archival Collection. The Hartland Molson Library Collection serves as the museum's reference collection on Canadian military history, materials, and rare books; whereas George Metcalf Archival Collection serves as an archive for blueprints, daguerreotypes, films, journals, logbooks, maps, photographs, scrapbooks, and tapes. The research centre includes a general reading area that overlooks the adjacent river, and a specialized reading room for more fragile materials. Although the War Trophies Review Board initially planned for the museum to include an archive, the museum did little archival work until 1967. The archiving of war-related documents was primarily undertaken by the Public Archives of Canada up until that point; although the Public Archives voluntarily turned over war materials sent to the archives to the war museum. After the closure of the Public Archive's history museum in 1967, materials and documents from the museum were split between the National Museum of Man (now the Canadian Museum of History), and the Canadian War