sessions by Jack Montrose of Pacific Coast Jazz Records. The session "embrace[d] West Coast cool" with "immaculately performed charts," according to reviewer Gordon Jack of Jazz Journal. An early session of the Brown/Roach Quintet, featuring its new lineup, was titled Clifford Brown & Max Roach and featured several of Brown's new compositions. Samuelson referred to the album as a "nice gamut between boplicity and pleasant balladry". Other albums during the Brown/Roach collaboration included Brown and Roach, Inc. and Study in Brown. Brown also recorded albums outside of the quintet, including the Pacific Coast Jazz session and two albums with jazz vocalist Dinah Washington. Both of these were recorded from the jam session setting and featured other jazz trumpeters including Maynard Ferguson and Clark Terry. Following the Dinah Washington recordings, Brown slowed the pace of the recordings and traveled back to the East Coast, recording an album with Sarah Vaughan in December 1954. The experiments in bop continued in the 1955 session Study in Brown, such as use of instrument sounds to mimic an inner city environment in "Parisian Thoroughfare" and "international flavor" in "George's Dilemma". Jazz critic Scott Yanow referred to the album as "premiere early hard bop" and noted the quintet's "unlimited potential." A 1955 live performance by Clifford Brown with Billy Root and Ziggy Vines, sometimes mistakenly thought to have been recorded just before Brown's death a year later, was released on tape in 1973. Following this live session, the group, with Blakey temporarily replacing Roach at one point following a car accident, toured, visiting Chicago and then Rhode Island for the Newport Jazz Festival. Roach returned for this performance and jam session at Newport. Released in 1956, the final "official album" by the quintet – At Basin Street – introduced tenor saxophonist Sonny Rollins. The album was a "hard bop classic," and "highly recommended" by Scott Yanow. While previous quintet albums included original compositions, this album consisted mostly of jazz standards, although it did have a couple Richie Powell compositions. Personal life Brown married Emma LaRue Anderson (1933–2005), whom he called "Joy Spring", in Los Angeles, in 1954. The two had been introduced by Max Roach. They celebrated their marriage vows three times, partly because their families were on opposite coasts and partly because of their different religious denominations – Brown was Methodist and Anderson was Catholic. They were first married in a private ceremony June 26,