believe it." Just before the formation of the Clifford Brown/Max Roach Quintet, journalist Nat Hentoff and Brown interviewed for a DownBeat article titled "Clifford Brown – the New Dizzy". Later career Roach's stature had grown as he recorded with a host of other emerging artists (including Bud Powell, Sonny Stitt, Miles Davis and Thelonious Monk) and co-founded Debut, one of the first artist-owned labels, with Charles Mingus. Having participated in the legendary Jazz at Massey Hall concert of 1953, the drummer had relocated to the Los Angeles area and had replaced Shelly Manne in the popular Lighthouse All Stars. Roach and Brown formed the joint Clifford Brown/Max Roach Quintet in the mid-1950s with tenor saxophonist Harold Land, pianist Richie Powell, and bassist George Morrow, with Rollins taking Land's place in 1955. Brown was in the L.A. area from March to August 1954, on the invitation of Roach, who arrived on the West Coast with other well-regarded jazz musicians including Miles Davis and Charles Mingus. Prior to their first concert, the 1954 Pasadena Auditorium Concert, Roach included Brown on the basis that the two would be co-leaders. The band's creation began when the two bandleaders rented a studio in California. With Brown able to, in addition to the trumpet, play the piano and drums, Roach and Brown were able to experiment with these instruments extensively at the studio. They settled upon the standard bebop quintet of trumpet, saxophone, piano, bass, and drums, with saxophone, piano, and bass players needed. With first choice Sonny Stitt choosing his own direction for his music, the bandleaders settled upon former Count Basie bassist George Morrow, unconventional pianist Carl Perkins, and tenor saxophone player Teddy Edwards as the first group, although this line-up was short-lived. The group that had formed "sent shock waves throughout the jazz community" according to Sam Samuelson. As the band was still deciding on its personnel, Brown and Roach met alto saxophone player and multi-instrumentalist Eric Dolphy, who had his own apartment where he hosted jam sessions. Among the jam session's musicians were future quintet members Harold Land and George Morrow. Bud Powell's brother Richie arrived in the L.A. area around this time and was recruited as the quintet's pianist. The band accepted recording session offers and Brown composed several tunes that were adopted by the new quintet. Meanwhile, a larger, fully arranged band was organized for one of the upcoming recording