Koko the Clown is an animated character created by Max Fleischer. He first appeared as the main protagonist in Out of the Inkwell (1918–1929), a major animated series of the silent era. Throughout the series, he goes on many adventures with his canine companion “Fitz the Dog”, who would later evolve into Bimbo in the Betty Boop cartoons. History The character originated when Max Fleischer invented the rotoscope, a device that allowed for animation to be more lifelike by tracing motion picture footage of human movement. The use of the clown character came after two previous tests and a search for an original character. Fleischer filmed his brother Dave in a clown costume. After tracing the film footage amounting to some 2,500 drawings and a year's work, the character that would eventually become Koko the Clown was born, although he did not have a name until 1924. "The Clown"'s appearance owes much to The Yama Yama Man. Dave's clown costume was clearly inspired by one worn by Bessie McCoy, with the additions of a black ruffled collar replacing the big white bow, three pom-pom front buttons, and a prominent cone-shaped cap also with three pom-poms. The white face with slit eyes was a design common among German circus clowns. Both costumes have white gloves with long fingers, white foot coverings, and a hat with the same white pom-pom as in front. A 1922 sheet music drawing makes the connection more explicit, saying "Out of the Inkwell, the New Yama Yama Clown", with a picture of Koko. Because of the realistic effects displayed in his sample films, the result of Fleischer's Rotoscope, and a past relationship with John R. Bray, he was hired as production manager for John R. Bray Studios, and in 1918 they began Out of the Inkwell as an entry in the Bray Pictograph Screen Magazine released through Paramount (1918), and later Goldwyn (1919-1921). Aside from the novelty of the Rotoscoped animation, this series combined live-action and animation centered on Max Fleischer as the creative cartoonist and "Master" of "The Clown." "The Clown" would often slip from Max's eye and go on an adventure, pull a prank on his creator. Fleischer wrote, and animated the early shorts along with Roland Crandall, with Dave directing the live action filming, performing on camera as "The Clown" for Rotoscoping, and assisted with the animation and Roto tracings. The series was very