an iconodule influenced conspiracy directed at himself, Constantine reacted uncompromisingly; in 765, eighteen high dignitaries were paraded in the hippodrome charged with treason, they were variously executed, blinded or exiled. Patriarch Constantine II of Constantinople was implicated and deposed from office, and the following year he was tortured and beheaded. By the end of Constantine's reign, iconoclasm had gone as far as to brand relics and prayers to the saints as heretical, or at least highly questionable. However, the extent of coherent official campaigns to forcibly destroy or cover up religious images or the existence of widespread government-sanctioned destruction of relics has been questioned by more recent scholarship. There is no evidence, for example, that Constantine formally banned the cult of saints. Pre-iconoclastic religious images did survive, and various existing accounts record that icons were preserved by being hidden. In general, the culture of pictorial religious representation appears to have survived the iconoclast period largely intact. The extent and severity of iconoclastic destruction of images and relics was exaggerated in later iconodule writings. Iconodules considered Constantine's death a divine punishment. In the 9th century, following the ultimate triumph of the iconodules, Constantine's remains were removed from the imperial sepulchre in the Church of the Holy Apostles. Domestic policies and administration Assiduous in courting popularity, Constantine consciously employed the hippodrome, scene of the ever-popular chariot races, to influence the populace of Constantinople. In this he made use of the 'circus factions', which controlled the competing teams of charioteers and their supporters, had widespread social influence, and could mobilise large numbers of the citizenry. The hippodrome became the setting of rituals of humiliation for war captives and political enemies, in which the mob took delight. Constantine's sources of support were the people and the army, and he used them against his iconodule opponents in the monasteries and in the bureaucracy of the capital. Iconoclasm was not purely an imperial religious conviction, it also had considerable popular support: some of Constantine's actions against the iconodules may have been motivated by a desire to retain the approval of the people and the army. The monasteries were exempt from taxation and monks from service in the army; the Emperor's antipathy towards them may have derived to a greater extent from secular, fiscal and manpower, considerations than from a reaction to their theology. Constantine carried forward the administrative and fiscal reforms initiated by his father Leo