Congolese music is one of the most influential music forms of the African continent. Since the 1930s, Congolese musicians have had a huge impact on the African musical scene and elsewhere. Many contemporary genres of music, such as Kenyan Benga and Colombian Champeta, have been heavily influenced by Congolese music. In 2021, Congolese rumba joined other living traditions such as Jamaican reggae music and Cuban rumba on UNESCO's "intangible cultural heritage of humanity" list. Music of the Democratic Republic of the Congo varies in its different forms. Outside Africa, most music from the Democratic Republic of Congo is called Soukous, which most accurately refers instead to a dance popular in the late 1960s. The term rumba or rock-rumba is also used generically to refer to Congolese music, though neither is precise nor accurately descriptive. People from the Congo have no single term for their own music per se, although muziki na biso ("our music") was used until the late 1970s, and now the most common name is ndule, which simply means music in the Lingala language; most songs from the Democratic Republic of the Congo are sung in Lingala. History Colonial times (pre-1960) Since the colonial era, Kinshasa, Congo's capital, has been one of the great centers of musical innovation. The country, however, was carved out from territories controlled by many different ethnic groups, many of which had little in common with each other. Each maintained (and continue to do so) their own folk music traditions, and there was little in the way of a pan-Congolese musical identity until the 1940s. Like much of Africa, Congo was dominated during the World War II-era by rumba. Congolese musicians appropriated rumba and adapted its characteristics for their instruments and tastes. In the 1950s, record labels began appearing, including CEFA, Ngoma, Loningisa and Opika, each issuing many 78 rpm records; Radio Congo Belge also began broadcasting during this period. Bill Alexandre, a Belgian working for CEFA, brought electric guitars to the Congo. Popular early musicians include Camille Feruzi, who is said to have popularized rumba during the 1930s and guitarists like Zachery Elenga, Antoine Wendo Kolosoy and, most influentially, Jean Bosco Mwenda. Alongside rumba, other imported genres like American swing, French cabaret and Ghanaian highlife were also popular. In 1953, the Congolese music scene began to differentiate itself with the formation of African Jazz (led by Joseph "Le Grand Kallé" Kabasele), the first