brush with international renown brought a lot of attention from mainstream record companies, and helped to inspire the burgeoning world music industry. By the end of the 1980s, jùjú had lost out to other styles, like Yo-pop, gospel and reggae. In the 1990s, however, fuji and jùjú remained popular, as did waka music and Nigerian reggae. At the very end of the decade, hip hop music spread to the country after being a major part of music in neighboring regions like Senegal. Yo-pop and Afro-jùjú (1980s) Two of the biggest stars of the '80s were Segun Adewale and Shina Peters, who started their careers performing in the mid-'70s with Prince Adekunle. They eventually left Adekunle and formed a brief partnership as Shina Adewale & the International Superstars before beginning solo careers. Adewale was the first of the two to gain success, when he became the most famous performer of Yo-pop. The Yo-pop craze did not last for long, replaced by Shina Peters' Afro-juju style, which broke into the mainstream after the release of Afro-Juju Series 1 (1989). Afro-juju was a combination of Afrobeat and fuji, and it ignited such fervor among Shina's fans that the phenomenon was dubbed "Shinamania". Though he was awarded Juju Musician of the Year in 1990, Shina's follow-up, Shinamania sold respectively but was panned by critics. His success opened up the field to newcomers, however, leading to the success of Fabulous Olu Fajemirokun and Adewale Ayuba. The same period saw the rise of new styles like the funky juju pioneered by Dele Taiwo. Afrobeat Afrobeat is a style most closely associated with Nigeria, though practitioners and fans are found throughout West Africa, and Afrobeat recordings are a prominent part of the world music category found throughout the developed world. It is music with elements of highlife, and other styles of West African music. The most popular and well-known performer, indeed the most famous Nigerian musician in history, is undoubtedly Fela Kuti. Fela Kuti began performing in 1961, but did not start playing in his distinctive Afrobeat style until his exposure to Sierra Leonean Afro-soul singer Geraldo Pino in 1963. Although Kuti is often credited as the only pioneer of Afrobeat, other musicians such as Orlando Julius Ekemode were also prominent in the early Afrobeat scene, where they combined highlife, jazz and funk. A brief period in the United States saw him exposed to the Black Power