United Kingdom, France, Germany, Scandinavia and the United States arrived from the early 1800s. Churches and missionary schools were built throughout the country. Native South Africans who were converted into Christianity were taught hymns that were sung in Europe and the USA. Newly converted Christians would eventually compose new hymns in their own African languages. An example would be Enoch Sontonga, who composed Nkosi Sikelel' iAfrika. In the early twentieth century, Zionist Christian churches spread across South Africa. They incorporated African musical elements into their gospel songs. Modern gospel artists include Rebecca Malope and Lundi Tyamara. Classical and art music Classical and art music in South Africa reached its zenith of popularity in the mid-20th century and was primarily composed by a triumvirate of Afrikaner composers known as the "fathers of South African art music." These composers were Arnold van Wyk, Hubert du Plessis, and Stefans Grové. All three composers were White South Africans, yet harbored very different views on Apartheid, which was state policy at the time. Stefans Grové was one of the first white composers to incorporate Black African music into his compositions, and openly rejected apartheid ideals in an effort to fuse his "Western art and his physical, African space." Arnold Van Wyk became known for his government-endorsed nationalistic compositions, though he himself was reluctant to support the apartheid administration. Hubert Du Plessis, on the other hand, was a very strong Afrikaner nationalist, and experienced a "growing consciousness" of his heritage which made him proud to compose such pieces. Du Plessis' works included chamber music, orchestral pieces, and many pieces for the piano. Afrikaans music Afrikaans music was primarily influenced by Dutch folk styles, along with French and German influences, in the early twentieth century. Zydeco-type string bands led by a concertina were popular, as were elements of American country music, especially Jim Reeves. The most prolific composers of "tiekie draai" Afrikaans music were lyricist Anton De Waal who wrote many hit songs with songwriters, pianist Charles Segal ("Hey Babariebab Se Ding Is Vim", "Kalkoenjie", "Sy Kom Van Kommetjie" and many others) and accordionist, Nico Carstens. Bushveld music based on the Zulu were reinterpreted by such singers as Marais and Miranda. Melodramatic and sentimental songs called trane trekkers (tearjerkers) were especially common. In 1973, a country music song won the coveted SARI Award (South African Music Industry) for the Song of the Year – "My Children, My