the supplementary volume of illustrations, the (1620), along with crumhorns, a bassett:nicolo which has the outward appearance of a capped shawm with four keys, but in fact conceals a mostly cylindrical bore. (The range of the bassett: nicolo descended to the A below great C and was just over four feet in length; a shawm of this range, i.e., with a conical bore, would require more than 9 feet of bore length.) Oboe The shawm inspired the later 17th-century hautbois, an invention of the French musician Martin Hotteterre (d. 1712). He is credited with devising essentially a brand-new instrument, one which borrowed several features from the shawm, chiefly its double reed and conical bore, but departed from it significantly in other respects, the most important departure being the fact the player places his lips directly on the reed with no intervening pirouette. Around 1670, the new French began replacing the shawm in military bands, concert music and opera; by 1700, the shawm had all but disappeared from concert life, although as late as 1830 shawms could still be heard in German town bands performing their municipal functions. Curiously, the Germans and Dutch continued to manufacture an ornate version of the shawm, called , well after the introduction of the French . Several examples of this instrument survive in European collections, although its exact musical use is unclear. Dulcian/bassoon The 16th-century proclivity for building instruments in a full range of sizes was naturally extended to the shawm, but the extreme length of pipe of the bass instruments meant that few were built and played, due to their cumbersome size. A solution was devised whereby the bore was in effect "folded back" upon itself, creating a much more manageable instrument. The new instrument is often referred to as the dulcian, and was called curtal in England, or in Germany and Italy, and in Spain. The dulcian, like the first oboes, employed direct lip-to-reed contact, which allowed for much greater control over the sound than was offered by shawms. This led to the dulcian becoming very popular, serving as a bass both to the other shawms and even to indoor ensembles that did not feature shawms, afforded by its ability to play quietly. The dulcian was the forerunner to the bassoon, which like the oboe was a Baroque invention. Charumera The , or , is a double-reed instrument in traditional Japanese music descended