later added in post-production. Though Norman did not specifically identify which tracks he was referring to, he said "If you got nothing to do for a couple of days you could just lie there and listen to them in the headphones and figure out which songs had the real audience and which ones didn't." Soundboard recordings of both performances, which exist as bootleg recordings, seem to prove that all tracks appearing on the album with the exception of "Sabbath Bloody Sabbath" were taken from the 27 September show. "Sabbath Bloody Sabbath" was not played at either of the Ritz concerts and the recorded version included on Speak of the Devil is believed to have come from the afternoon recording referenced by Norman. Other A double album, Speak of the Devil represents the fulfillment of a contractual obligation, as Osbourne owed Jet Records two more records. Though the album has long been a fan favorite, Osbourne himself has publicly renounced Speak of the Devil, stating that it was only released to satisfy a contractual obligation. The live versions of "Iron Man", "Children of the Grave" and "Paranoid" featuring Randy Rhoads which were originally intended to be part of Speak of the Devil were eventually released in 1987 on Tribute, an album dedicated to the memory of the deceased guitarist. Though they had been full-time members of Osbourne's band for some time, this is Osbourne's first album to feature bassist Sarzo and drummer Aldridge. The duo had been credited on the 1981 Diary of a Madman album but did not actually perform on it. Speak of the Devil'''s gatefold includes multiple photos of a member of Osbourne's road crew (who took part in the stage show by bringing the vocalist drinks between songs) who suffered from dwarfism and who Osbourne nicknamed "Ronnie", a joke aimed at Ronnie James Dio. Dio had replaced Osbourne as Black Sabbath's lead vocalist and stood only 5' 4" tall.Speak of the Devil was released one month before Osbourne's former band, Black Sabbath, released their own live album entitled Live Evil, a situation which contributed to a growing rivalry between the two camps. In the US, sales of Speak of the Devil were much better than those of Live Evil, while in the UK it was Live Evil which attained the higher chart-placing: figures on ultimate sales are not widely available. The original CD release of Speak of