becoming in the late 1990s the most popular music in the lower class. In 1999, in the north of the Greater Buenos Aires, originated a lyric style of cumbia named cumbia villera (slum cumbia), who is aggressive and explicit (similar to punk rock or gangsta rap). From the 2000s to nowadays, cumbia become the most listened music genre among the youth. Current popular acts Los Palmeras, Los del Fuego, Damas Gratis, Agapornis, La Nueva Luna, Amar Azul, Mala Fama, Ráfaga, Jambao, Antonio Ríos, Daniel Agostini, Karina, Dalila, and Mario Pereyra. Popular defunct bands and deceased solo acts include: Los Wachiputos, Los Wachiturros, Yerba Brava, Pibes Chorros, La Base Musical, Grupo Sombras, Leo Mattioli and Gilda. Urbano music Cachengue Cachengue, also known as Cumbiatón or Cumbia turra, is a form of Argentine cumbia that is heavily influenced by Reggaeton which became popular in Argentina during the 2010s. Artists and groups such as Los Wachiturros, Nene Malo and others became popular in mid-2011 foreign countries spreadly popularity in countries such as Bolivia, Chile and Uruguay. L-Gante started releasing new songs of this style such as "L-Gante Rkt" with Papu DJ and "L-Gante: Bzrp Music Sessions, Vol. 38" with Bizarrap. DJ Fer Palacio would start bundling up famous Reggaeton songs and would remix it to make it his own version in his "Previa and Cachengue" containing Cumbiatón with EDM influences which his video reached millions of views. Following new producers such as Facu Vazquez, DJ Alex and many others would start creating this sound in Argentina. Trap Trap music, although a recent novelty in Argentina and the rest of Latin America, in reality, is nothing new. It’s been around since the early 90s, when the unique mixture of electronic and hip-hop genres was born in Atlanta, Georgia. Usually including lyrics that are harsh and bleak, trap artists often use the genre as a platform for expressing their tough experiences on the street, the stark realities of a life spent in poverty, and their personal struggles for success. The word ‘trap’ refers to the places where drug deals are made. Telling the stories of the North American lower class, the emerging genre gave a voice to a generation that felt marginalized by society. The use of social media has also allowed Argentine trap artists to achieve fame and recognition much more quickly than their North American predecessors. One of these artists is Duki, who