Humbaba (Ḫumbaba; , Ḫum-ba-ba with an optional determinative ), originally known as Ḫuwawa (, Ḫu-wa-wa), was a figure in Mesopotamian mythology. The origin and meaning of his name are unknown. He was portrayed as an anthropomorphic figure comparable to an ogre, giant or demon. He is best known from myths focused on the hero Gilgamesh, including short compositions belonging to the curriculum of scribal schools, various version of the Epic of Gilgamesh, and additionally Hurrian and Hittite adaptations. He is invariably portrayed as the inhabitant or guardian of the cedar forest to which Gilgamesh ventures with his companion Enkidu. They clash, which leads to the death of Humbaba. The event typically causes the anger of the gods. He is also attested in other works of Mesopotamian literature. Multiple depictions of him have also been identified, including combat scenes and apotropaic clay heads. It is presumed that in Greece the iconography of Humbaba influenced depictions of the gorgons, in particular scenes of Perseus slaying Medusa with the help of Athena. A late derivative of Humbaba can be also found in both Jewish and Manichaean versions of the Book of Giants, where one of the eponymous beings is referred to as Ḥôbabiš, Ḥôbabis or Ḥōbāīš. While it is agreed the name is derived from his own, the context in which it appears shows no similarly to known myths involving him. Traces of Ḥôbabiš have also been identified in a number of later works belonging to Islamic tradition, such as religious polemics. A number of connections have also been proposed between Humbaba and figures such as Kombabos from the works of Lucian or biblical Hobab, but they are not regarded as plausible. Name The name Humbaba (Ḫumbaba) first occurs as an ordinary personal name in documents from the Ur III period. The modern spelling reflects the Neo-Assyrian and Neo-Babylonian copies of the Epic of Gilgamesh, where it is consistently written in cuneiform as Ḫum-ba-ba, but this variant is not attested before the first millennium BCE. The oldest attested form is conventionally rendered as Ḫuwawa, though multiple cuneiform spellings are attested: Ḫu-wa-wa, Ḫu-ba-ba and Ḫu-Ú-Ú, the last of which has two possible readings due to the sign Ú standing for both ba6 and wax. In texts from Mari and Tell Harmal, in which the scribal conventions reflect the closely related traditions of the Middle Euphrates and the Eshnunna-influenced Diyala area, the name is instead