King of Hearts (original French title: Le Roi de cœur) is a 1966 French/Italian international co-production comedy-drama film directed by Philippe de Broca and starring Alan Bates and Geneviève Bujold. The film is set in a small town in France near the end of World War I. As the Imperial German Army retreats, they booby trap the whole town to explode. The locals flee and, left to their own devices, a gaggle of cheerful lunatics escape the asylum and take over the town — thoroughly confusing the lone Scottish soldier who has been dispatched to defuse the bomb. Though the film is set during WWI the main message against war which the film pushes is intended to be about the Vietnam war which France had already been involved in for over a decade at this point. The connection between the "war to end all wars" and the then current conflict would have been obvious to French moviegoers at the time. Likewise its status as a cult film is largely because of its connection to the anti-war movement in the 1960s. Plot Signaller Charles Plumpick (Bates) is a kilt-wearing French-born Scottish soldier caring for war pigeons, who is sent by his commanding officer to disarm a bomb placed in the town square by the retreating Germans. After the townspeople learn about the booby trap, its inhabitants—including those who run the insane asylum—abandon it. The asylum gates are left open, and the inmates leave the asylum and take on the roles of the townspeople. Plumpick has no reason to think they are not who they appear to be—other than the colorful and playful way in which they're living their lives, so at odds with the fearful and war-ravaged times. The lunatics crown Plumpick the King of Hearts with surreal pageantry as he frantically tries to find the bomb before it goes off. Theatrical releases When it was released in France in 1966, King of Hearts was not especially successful critically or at the box office, with only 141,035 admissions. However, it achieved bona fide cult-film status, when United States distribution rights were picked up by Randy Finley and Specialty Films in Seattle in 1973. It was paired with Marv Newland's Bambi Meets Godzilla and John Magnuson's Thank You Mask Man and marketed under the heading The King of Hearts and His Loyal Short Subjects. During the mid 1970s, it was presented in