Marcello, is the conductor Roberto Abbado. Conducting Repertoire Amongst a wide range of Romantic works which he recorded and performed, Abbado had a particular affinity with the music of Gustav Mahler, whose symphonies he recorded several times. Despite this, he never managed to complete a cycle with a single orchestra: in a mix of studio and concert releases, he recorded Symphonies 1–2 and 5–7 in Chicago, Symphonies 2–4, 9 and the Adagio from 10 in Vienna, Symphonies 1 and 3–9 in Berlin, and Symphonies 1–7 and 9 in Lucerne. A planned Eighth in Lucerne (the intended culmination of his traversal of the symphonies there) had to be cancelled owing to his ill health. The symphony was finally performed and recorded in 2016 under Riccardo Chailly as a tribute to Abbado. A further Tenth Adagio recorded live in Berlin in 2011 was issued as part of a Berliner Philharmoniker Mahler set in 2020. He was also noted for his interpretations of modern works by composers such as Arnold Schoenberg, Karlheinz Stockhausen, Giacomo Manzoni, Luigi Nono, Bruno Maderna, György Ligeti, Giovanni Sollima, Roberto Carnevale, Franco Donatoni and George Benjamin. Musical style Abbado tended to speak very little in rehearsal, sometimes using the simple request to orchestras to "Listen". This was a reflection of his own preference for communication as a conductor via physical gesture and the eyes, and his perception that orchestras did not like conductors who spoke a great deal in rehearsal. Clive Gillinson characterised Abbado's style as follows: "...he basically doesn't say anything in rehearsals, and speaks so quietly, because he's so shy, so people can get bored. But it works because everyone knows the performances are so great. I've never known anybody more compelling. He's the most natural conductor in the world. Some conductors need to verbally articulate what they want through words, but Claudio just shows it, just does it." In performance, Abbado often conducted from memory, as he himself noted: "...it is indispensable to know the score perfectly and be familiar with the life, the works and the entire era of the composer. I feel more secure without a score. Communication with the orchestra is easier." Recordings Abbado recorded extensively for a variety of labels, including Decca, Deutsche Grammophon, Columbia (later Sony Classical), and EMI. He conducted many opera recordings which received various awards. Among these were the Diapason Award in 1966 and 1967; also in 1967