due to the company's seemingly well-intentioned innovations revealing a more sinister underlying agenda. Completing the productive spell, a new novel concerning anxiety with America's place in the world, Your Fathers, Where Are They? And the Prophets, Do They Live Forever?, was published in June 2014. In November 2015, Your Fathers, Where Are They ... was longlisted for the 2016 International Dublin Literary Award, Eggers' fifth nomination for the award following earlier nominations for The Circle, A Hologram for the King, The Wild Things, and What is the What. In April 2016, Eggers visited Israel, as part of a project by the "Breaking the Silence" organization, to write an article for a book on the Israeli occupation, to mark the 50th anniversary of the Six-Day War. The book was edited by Michael Chabon and Ayelet Waldman, and was published under the title "Kingdom of Olives and Ash: Writers Confront the Occupation", in June 2017. In July 2016, Eggers published his sixth novel, Heroes of the Frontier. Earlier the same year, a film adaptation of Eggers' earlier novel A Hologram for the King was released, to mixed reviews and middling commercial performance. The Circle, a film version of Eggers' book, starring Emma Watson, John Boyega, and Tom Hanks (who had starred in the Hologram for the King adaptation), was released in April 2017. Eggers followed Heroes of the Frontier with The Monk of Mokha (2018), another nonfiction biography in a similar vein to Zeitoun, billed by the publishers as "the exhilarating true story of a young Yemeni American man, raised in San Francisco, who dreams of resurrecting the ancient art of Yemeni coffee but finds himself trapped in Sana'a by civil war." Eggers ended the decade by publishing two very stylistically different novellas, written concurrently with each other. The Parade, published by Knopf in March 2019, was a spare, minimalist novella reflecting Eggers' long-standing concerns with humanitarian issues, global development, and Western perceptions of the developing world. According to the advance blurb from the publisher, the novel concerns "two men, Western contractors sent to work far from home, tasked with paving a road to the capital in a dangerous and largely lawless country." Reviews were mixed: positive notices included Andrew Motion writing in The Guardian that "[Eggers'] novel may be sternly reduced in terms of its cast and language, but this leanness doesn't diminish the strength of its argument", while Ron Charles