novels, Orlando, featuring a protagonist who changes sex over the centuries. This work was described by Sackville-West's son Nigel Nicolson as "the longest and most charming love-letter in literature." There were, however, tensions in the relationship. Woolf was often bothered by what she viewed as Sackville-West's promiscuity, charging that Sackville-West's great need for sex led her to take up with anyone who struck her fancy. In A Room of One's Own (1929), Woolf attacks patriarchal inheritance laws. This was an implicit criticism of Sackville-West, who never questioned the leading social and political position of the aristocracy to which she belonged. She felt that Sackville-West was unable to critique the system she was both a part of and, to a certain extent, a victim of. In the 1930s they clashed over Nicolson's "unfortunate" involvement with Oswald Mosley and the New Party (later renamed the British Union of Fascists), and they were at odds over the imminent war. Sackville-West supported rearmament while Woolf remained loyal to her pacifism; this contributed to the distancing of their relationship in 1935. However, the two women reconnected in 1937 and remained close until Woolf's death in 1941. Other lovers One of Sackville-West's male suitors, Henry Lascelles, would later marry the Princess Royal and become the 6th Earl of Harewood. In 1927, Sackville-West had an affair with Mary Garman, a member of the Bloomsbury Group; between 1929 and 1931, she maintained a relationship with Hilda Matheson, head of the BBC Talks Department. In 1931, Sackville-West was in a ménage à trois with journalist Evelyn Irons and Irons's lover, Olive Rinder. Irons had interviewed Sackville-West after her novel The Edwardians had become a best-seller. Sissinghurst In 1930 the family acquired and moved to Sissinghurst Castle, near Cranbrook, Kent. It had once been owned by Vita's ancestors. This gave it a dynastic attraction as she was excluded from inheriting Knole and a title. Sissinghurst was an Elizabethan ruin and the creation of the gardens would be a joint labour of love that would last many decades, first entailing years of clearing debris from the land. Nicolson provided the architectural structure, with strong classical lines, which would frame his wife's innovative informal planting schemes. She created a new and experimental system of enclosures or rooms, such as the White Garden, Rose Garden, Orchard, Cottage Garden and Nuttery. She also innovated single colour-themed gardens and design principles orientating the visitors' experience