signify that the Passion of Christ is being "broadcast" for all to know. In the same spirit, a phonetic transcription of the relevant Gospel passages is provided in several common languages (e.g. English, French, Russian, Arabic etc.), so that they may be read from this pulpit at the same time. Decoration The exterior of a wood or stone pulpit may be decorated, especially with carved reliefs, and in the centuries after the Protestant Reformation these were sometimes, especially in Lutheran churches, one of the few areas of the church left with figurative decoration such as scenes from the Life of Christ. Pulpit reliefs were especially important at the start of the Italian Renaissance, including those from the Pisa Baptistry (1260) and Siena Cathedral Pulpit (1265–68) by Nicola Pisano, the Pulpit of Sant' Andrea, Pistoia by Giovanni Pisano (1301), and those by Donatello Elements of decoration shared between Catholic and Protestant denominations are the flowers that may be placed in front of the pulpit, and the antependium or "pulpit fall", a piece of cloth that covers the top of the book-stand in the pulpit and hangs down a short way at the front. It is often of a rich material and decorated with Christian symbols. Flags and banners used by church-related organizations may also stand on the floor around the pulpit. In the Reformed tradition, though avoiding figurative art, pulpits were increasingly important as a focus for the church, with the sanctuary now comparatively bare and de-emphasized, and were often larger and more elaborately decorated than in medieval churches. The bookstand of the pulpit (usually in medieval churches) or lectern (common in Anglican churches) may be formed in the shape of an eagle. The eagle symbolizes the gospels, and shows where these were read from at the time the eagle was placed there. When pulpits like those by the Pisani with eagles in stone on them were built the gospel reading was done from the pulpit. The spread of the sounding board offered artists decorating Catholic Baroque churches a space for spectacular features of various types on top of it. An artistic conceit largely confined to the 18th century Rococo churches of South Germany was to shape the body of the pulpit as a ship, to utilize the old metaphor of the church as a ship. This allowed for fantastical plaster or wood decoration of sails and rigging manned by angels