the name "Sabra" is supplied by Elizabethan era writer Richard Johnson in his Seven Champions of Christendom (1596). In the work, she is recast as a princess of Egypt. This work takes great liberties with the material, and makes St. George marry Sabra and have English children, one of whom becomes Guy of Warwick. Alternative names given to the princess in Italian sources still of the 13th century are Cleolinda and Aia. Johnson also supplied the Saint George's sword name "Ascalon". Iconography Medieval iconography Eastern The saint is depicted in the style of a Roman cavalryman in the tradition of the "Thracian Heros." There are two main iconographic types, the "concise" form showing only George and the dragon, and the "detailed" form also including the princess and the city walls or towers of Lacia (Lasia) with spectators witnessing the miracle. The "concise" type originates in Cappadocia, in the 10th to 11th century (transferred from the same iconography associated with Saint Theodore of Tiro in the 9th to 10th century). The earliest certain example of the "detailed" form may be a fresco from Pavnisi (dated c. 1160), although the examples from Adishi, Bochorma and Ikvi may be slightly earlier. Georgian Greek Russian The oldest example in Russia found on walls of the church of St George in Staraya Ladoga, dated c. 1167. In Russian tradition, the icon is known as ; i.e., "the miracle of George and the dragon." The saint is mostly shown on a white horse, facing right, but sometimes also on a black horse, or facing left. The princess is usually not included. Another motif shows George on horseback with the youth of Mytilene sitting behind him. Ethiopian Western The motif of Saint George as a knight on horseback slaying the dragon first appears in western art in the second half of the 13th century. The tradition of the saint's arms being shown as the red-on-white St. George's Cross develops in the 14th century. Renaissance Donatello, Saint George, c. 1417. Bargello, Florence, Italy. Paolo Uccello, Saint George and the Dragon, c. 1470. National Gallery, London. Giovanni Bellini, Saint George Fighting the Dragon, c. 1471. Pesaro altarpiece. Lieven van Lathem, Saint George and the Dragon (c. 1471) Bernt Notke, Saint George and the Dragon, Storkyrkan in Stockholm, ca. 1484–1489. Andrea della Robbia, terracotta, c. 1490 Albrecht Dürer, woodcut, 1501/4 Raphael (Raffaello Santi), St. George, 1504. Oil on wood. Louvre,