an unfinished song to the band, "I Can't Tell You Why". Schmit wrote the song based loosely on his own experiences; both Henley and Frey liked the song and they completed the song together. Joe Walsh also contributed the song "In the City", which was first recorded by Walsh for the movie soundtrack for The Warriors, where it was credited to Walsh, not the Eagles. Don Felder wrote the tune for "The Disco Strangler" using a four-on-the-floor disco beat as the basis for the composition. Henley wrote the lyrics. Henley intended the song to be an antidote to disco as both he and the rest of the band disliked disco, which was the most popular musical genre at the time. The song "The Sad Cafe" was inspired by the Troubadour nightclub in Hollywood where the Eagles once played, and also by Dan Tana's restaurant that they frequented, while "The Greeks Don't Want No Freaks" was written as a homage to Sixties "frat rock" such as the song "96 Tears" by ? and the Mysterians. The album was produced by Bill Szymczyk, although the Eagles were listed as co-producers. Album pressing The original vinyl record pressings of The Long Run (Elektra/Asylum catalog no. 5E-508) had text engraved in the run-out groove of each side, continuing an in-joke trend the band had started with their 1975 album One of These Nights: Side one: "Never let your monster lay down" Side two: "From the Polack who sailed north" (may be a reference to the producer of the album Bill Szymczyk) Critical reception In 1979 Rolling Stone wrote, "Overall, The Long Run is a synthesis of previous macabre Eagles motifs, with cynical new insights that are underlined by slashing rock & roll...(it) is a bitter, wrathful, difficult record, full of piss and vinegar and poisoned expectations. Because it’s steeped in fresh, risky material and unflinching self-examination, it’s also the Eagles’ best work in many, many years." Reviewing the album retrospectively in AllMusic, critic William Ruhlmann wrote that the album was a "major disappointment, even though it sold several million copies and threw off three hit singles," adding that the album "reportedly was planned as a double album before being truncated to a single disc. If these were the keepers, what could the rejects have sounded like?" Grammys |- | style="width:35px; text-align:center;"|1980 || "Heartache Tonight" || Best Rock Performance by a Duo or Group with