1975 “Love In The Caribbean” album promotion and distribution tour Shorty pass thru the isle of Dominica on his way back to Trinidad and saw Dominica's top band Exile One perform at the Fort Young Hotel. Shorty was inspired to compose and record a Soca and Cadence-lypso fusion track called “E Pete” or “Ou Petit” which can be viewed as the first of its kind in that particular Soca style. Shorty sought and got help with the Creole lyrics he used in the chorus of his “E Pete” song by consulting with Dominica's 1969 Calypso King, Lord Tokyo, and two creole lyricists, Chris Seraphine and Pat Aaron while he was in Dominica. The song “E Pete” thus contains genuine Creole lyrics in the chorus like "Ou dee moin ou petit Shorty" (meaning "you told me you are small Shorty"), and is a combination of Soca, Calypso, Cadence-lypso and Creole. Shorty's 1974 Endless Vibrations and Soul of Calypso brought Soca to regional and international attention and fame and helped to solidify the rapidly growing Soca Movement led by Shorty. Soca developed in the early 1970s and grew in popularity in the late 1970s. Soca's development as a musical genre included its early fusion of calypso with Indian musical instruments, particularly the dholak, tabla and dhantal, as demonstrated in Lord Shorty's classic compositions "Ïndrani", "Kalo Gee Bull Bull" and "Shanti Om". Bouyon Bouyon is a fusion of Jing ping, Cadence-lypso and traditional dances namely bèlè, Quadrille, chanté mas and lapo kabwit, Mazurka, Zouk and other styles of Caribbean music, developed by a band called Windward Caribbean Kulture (later WCK). WCK was among the most prominent of '80s Dominican soca bands. They began using native drum rhythms such as lapo kabwit and elements of the music of jing ping bands, as well as ragga-style vocals. Bouyon is popular across the Caribbean, and is known as jump up music in Guadeloupe and Martinique. The best-known band in the genre was Windward Caribbean Kulture "WCK" in 1988 by experimenting a fusion of Jing Ping and Cadence-lypso. While the Cadence-lypso sound is based on the creative usage of acoustic drums, an aggressive up-tempo guitar beat, and strong social commentary in the local Creole language, this new music created by the "WCK" band focused more on the use of modern technology with strong emphasis on keyboard rhythmic patterns. Bouyon has diversified into multiple subgenres. These include bouyon