The music of Kenya is very diverse, with multiple types of folk music based on the variety over 50 regional languages. Zanzibaran taarab music has also become popular, as has hip hop, reggae music, soul, soukous, zouk, rock and roll, funk and Europop. Additionally, there is a growing western classical music scene and Kenya is home to a number of music colleges and schools. Popular music The guitar is the most dominant instrument in Kenyan popular music. Guitar rhythms are very complex and include both native beats and imported ones, especially the Congolese cavacha rhythm; music usually involves the interplay of multiple parts and, more recently, showy guitar solos. Lyrics are most often in Swahili or native languages, like Kalenjin though radio will generally not play music in one of the ethnic languages. Benga music has been popular since the late 1960s, especially around Lake Victoria. The word benga is occasionally used to refer to any kind of pop music: bass, guitar and percussion are the usual instruments. Partially from 1994 and wholly from 2003 Kenyan popular music has been recognised through the Kisima Music Awards. A number of styles predominate in Kenya including Benga and Reggae have separate categories, and a multitude of Kenyan artists are awarded each year. Early 20th century The guitar was popular in Kenya even before the 19th century, well before it penetrated other African countries. Fundi Konde was the best-known early guitarist, alongside Paul Mwachupa and Lukas Tututu the middle of the 1920s, dance clubs had appeared in Mombasa, playing music for Christians to dance in a European style. During World War II, Kenyan and Ugandan musicians were drafted as entertainers in the King's African Rifles and continued after the war as the Rhino Band, the first extremely popular band across Kenya. In 1948, the group split, with many of the members forming the Kiko Kids or other bands. By the 1950s, radio and recording technology had advanced across Kenya. Fundi Konde, the prominent guitarist, was an early broadcaster and influential in the fledgling recording industry. Congolese finger-style and the development of benga Beginning in about 1952, recordings from legendary Congolese guitarists like Edouard Massengo and Jean-Bosco Mwenda were available in Kenya. Bosco's technique of picking with the thumb and forefinger (finger-style) became popular. Finger-style music is swift and usually based around small groups, in which the second guitar follows the first with syncopated