the last part of Sir Henry Wood's 1905 Fantasia on British Sea Songs, except that for many years up until 2000, the Sargent arrangement has been used. However, in recent years the inclusion of the song and other patriotic tunes has been much criticised—notably by Leonard Slatkin—and the presentation has been occasionally amended. For some years the performance at the Last Night of the Proms reverted to Sir Henry Wood's original arrangement. When Bryn Terfel performed it at the Proms in 1994 and 2008 he sang the third verse in Welsh. The text is available at Rule Britannia . Musical derivatives Arne's tune has been used by, or at least quoted by, a great many composers of which the following are a few examples. The melody was the theme for a set of variations for piano by Ludwig van Beethoven (WoO 79) and he also used it in "Wellington's Victory", Op. 91, and in extracted and varied form in the second movement of his Piano Sonata No. 24, Op. 78, "À Thérèse". The music has been used for the American patriotic song Rise Columbia. Richard Wagner wrote a concert overture in D major based on the theme in 1837 (WWV 42). He subsequently made it the basis of his "Große Sonata" for piano, Op. 4. Ferdinand Ries quotes from it in "The Dream" (also known as "Il sogno") for piano, Op. 49, and wrote Variations on Rule Britannia for orchestra, Op. 116. Johann Strauss I quoted the song in full as the introduction to his 1838 waltz "Huldigung der Königin Victoria von Grossbritannien" (Homage to Queen Victoria of Great Britain), Op. 103, where he also quotes the British national anthem "God Save the Queen" at the end of the piece. The French organist-composer Alexandre Guilmant included this tune in his Fantaisie sur deux mélodies anglaises for organ Op. 43, where he also makes use of the song "Home! Sweet Home!". Likewise, the French composer Alexandre Goria used the tune as part of his Salut à la Grande Brétagne - Six airs anglese transcrite et variée, 1re. Suite No. 8, Op. 44. Arthur Sullivan, perhaps Britain's most popular composer during the reign of Queen Victoria, quoted from "Rule, Britannia!" on at least three occasions in music for his comic operas written with W. S. Gilbert and Bolton Rowe. In Utopia Limited, Sullivan used airs from "Rule, Britannia!" to highlight references to