Brownies"). In 1976, Connolly's first play, An' Me wi' a Bad Leg, Tae, opened in Irvine and toured in London. It was there that, after consuming a sizable amount of cocaine and alcohol, he collapsed on the floor of a recording studio. In 1979, Connolly met Pamela Stephenson, the New Zealand-born comedy actress, for the first time when he made a cameo appearance on the BBC sketch show, Not the Nine O'Clock News, in which she was one of the four regular performers. Returning to the stage, Connolly embarked on his Big Wee Tour of Britain, performing 69 dates in 84 days. While backstage in Brighton, he met Stephenson for a second time. He confided in her that he was unhappy and that his current marriage was over. Back at his hotel, where they began an affair, he reportedly drank thirty brandies. "What I saw of him – particularly in that dressing room – was that he was about to die," Stephenson said. "He was very suicidal. He was throwing everything away, desperately trying to feel no pain at all. You know how you get a sense from some people when they are very self-destructive that there is something they are trying to bury? They've got something they are trying to forget, or they are trying to drown their sorrows? He was hurting in a very deep way. I thought, 'If I leave this man, he's going to die.'" Also in 1979, Connolly was invited by producer Martin Lewis to join the cast of The Secret Policeman's Ball, the third in the series of The Secret Policeman's Balls fundraising shows for Amnesty International. Connolly was the first comedic performer in the series who was not an alumnus of the Oxbridge school of middle-class university-educated entertainers and he made the most of his appearance. Appearing in the company of long-established talents such as John Cleese and Peter Cook helped elevate the perception of Connolly as one of Britain's leading comedic talents. Lewis also teamed Connolly with Cleese and Cook to appear in the television commercial for the album. 1980s In 1981, John Cleese and Martin Lewis invited Connolly to appear in that year's Amnesty show, The Secret Policeman's Other Ball. The commercial success of the special US version of The Secret Policeman's Other Ball film (Miramax Films, 1982) introduced Connolly to a wider American audience, who were attracted to the film