a town, as well as by being a central storage for humankind's recorded thoughts and inspiration. The library was initially intended for use by graduate students only, but following a student protest that included an illegal occupation of the building, undergraduate students were also granted access. The library's initial design was for a mechanical book conveyor belt system to allow for faster collection by library staff, who would then send books downstairs for pickup. After Robarts was opened to all students, the conveyor system was discarded, although the tracks used by the conveyor system are still visible above the shelves. The library is open only to current students, faculty, and staff, external researchers, associate members, and alumni with paid privileges, as well as members of the University of Toronto School community. It is closed to members of the public. The building houses a number of special collections, including the Mu Collection (Chinese: 慕氏藏書) which is a set of rare books from China in the Cheng Yu Tung East Asian Library, the largest research collection for Hong Kong and Canada-Hong Kong studies outside of Hong Kong at the Richard Charles Lee Canada-Hong Kong Library, and a sizable collection in Russian, Polish, Czech and Slovak, Ukrainian, and other East European languages at the Petro Jacyk Central & East European Resource Centre. In addition to an extensive collection of texts, the library provides limited after-hours study space to students during the academic year with the exception of weekends. The book stacks are off-limits after hours. In August 2010, the Adaptive Technology Resource Centre moved from the first floor of Robarts Library to OCAD University, which is shared with students with disabilities from that college, as well as from nearby Ryerson University and Seneca College. The Internet Archive Canada headquarters are located on the seventh floor. In popular culture Robarts Library the model for the secret library in Umberto Eco's The Name of the Rose. Eco spent much of the time writing the novel at the University of Toronto, and the stairwell of the secret library bears a particularly strong resemblance to that in Robarts Library. Robarts was used for exterior shots of the prison setting in Resident Evil: Afterlife. The entire building is visible numerous times, having been digitally edited and transplanted from its downtown Toronto location to Los Angeles. In the film, it has been surrounded by a prison wall and hundreds