or, The Wrongs of Woman, never finished but published in 1798, revolves around the story of a woman imprisoned in an asylum by her husband. Maria finds fulfilment outside of marriage, in an affair with a fellow inmate. Wollstonecraft makes it clear that "women had strong sexual desires and that it was degrading and immoral to pretend otherwise." Wollstonecraft felt that women should not give up freedom and control of their sexuality, and thus did not marry her partner, Gilbert Imlay, despite the two conceiving and having a child together in the midst of the Terror of the French Revolution. Though the relationship ended badly, due in part to the discovery of Imlay's infidelity, and not least because Imlay abandoned her for good, Wollstonecraft's belief in free love survived. She later developed a relationship with the anarchist William Godwin, who shared her free love ideals, and published on the subject throughout his life. However, the two did decide to marry, just months before her death from complications in parturition. A member of Wollstonecraft's circle of notable radical intellectuals in England was the Romantic poet William Blake, who explicitly compared the sexual oppression of marriage to slavery in works such as Visions of the Daughters of Albion (1793), published five years after Wollstonecraftr's Mary. Blake was critical of the marriage laws of his day, and generally railed against traditional Christian notions of chastity as a virtue. At a time of tremendous strain in his marriage, in part due to Catherine's apparent inability to bear children, he directly advocated bringing a second wife into the house. His poetry suggests that external demands for marital fidelity reduce love to mere duty rather than authentic affection, and decries jealousy and egotism as a motive for marriage laws. Poems such as "Why should I be bound to thee, O my lovely Myrtle-tree?" and "Earth's Answer" seem to advocate multiple sexual partners. In his poem "London" he speaks of "the Marriage-Hearse" plagued by "the youthful Harlot's curse", the result alternately of false Prudence and/or Harlotry. Visions of the Daughters of Albion is widely (though not universally) read as a tribute to free love since the relationship between Bromion and Oothoon is held together only by laws and not by love. For Blake, law and love are opposed, and he castigates the "frozen marriage-bed". In Visions, Blake writes: Blake believed that humans were "fallen", and that a