Bobbejaan Schoepen (a pseudonym of Modest Schoepen; 16 May 1925 – 17 May 2010) was a Flemish pioneer in Belgian pop music, vaudeville, and European country music. Schoepen was a versatile entertainer, entrepreneur, singer-songwriter, guitarist, comedian, actor, and professional whistler, as well as the founder and former director of the amusement park Bobbejaanland. His musical career flourished from 1948 until the first half of the 1970s. He sold more than five million copies from his repertoire of 482 songs, which extended from Twang, cabaret, instrumental film music, chansons, country, to folk and vocal music. Born in Boom, Antwerp, Flanders, Belgium, he worked his way up from a working-class environment to become one of the 200 richest people in Belgium. Schoepen married Dutch former opera singer and photographer's model Josephina (Josée) Jongen on 18 May 1961. They have five children: Robert ("Bob Jr.", 1962), Myriam (1963), Jacky (1964), Peggy (1968), and Tom (1970). His son Tom became his manager in Belgium. Early musical period Modest Schoepen grew up in a smithy in Boom, Antwerp. His career started in the late 1930s when he and his sister Liesje performed vaudeville shows in the surrounding villages, going around with the hat collecting money afterwards. He had his first audition for radio, in 1944 in Brussels. In 1943 he undertook classical guitar instruction with guitarist Frans De Groodt (1892–1990). Musical and political debut That same year he had a memorable debut performance in the Ancienne Belgique of Brussels. In front of a full house he sang the South-African song, "Mama, ek wil 'n man hé". Nee mamma, née, 'n Duitseman, die wil ek nie. Want Schweinefleisch dit lus ek nie" ("Mommy, I want a husband. No mommy no, I don't want a German 'cause I don't like pig meat.") The song was perceived as being anti-German, provoking a few Nazis who were present at the show to take him away. The South African song is making reference to a 'German man'. The Ancienne Belgique was closed for three weeks. Shortly thereafter he was forced to go work in Germany. As an alternative he chose to sing for the Flemish workers doing compulsory labor. For this he was locked up for three months in the Dossin barracks in Mechelen from October 1944, without a hearing or a trial. Two Boys and Two Guitars In 1945 he formed a duo with Kees Brug, a young man